Chadwick Boseman, known for his portrayal of superhero Black Panther in the Marvel Cinematic Universe films, passed away on 28th August 2020. He was suffering from cancer.
On his Twitter handle, an official statement about his demise was shared. It read, “It is with immeasurable grief that we confirm the passing of Chadwick Boseman. Chadwick was diagnosed with stage 3 colon cancer in 2016, and battled with it these last 4 years as it progressed to stage 4. A true fighter, Chadwick persevered through it all, and brought many of the films you have come to love so much. From Marshall to Da 5 Bloods, August Wilson’s Ma Rainey’s Black Bottom and several more, all were filmed during and between countless surgeries and chemotherapy. It was the honor of his career to bring King T’Challa to life in Black Panther. He died in his home, with his wife and family by his side. The family thanks you for your love and prayers, and asks that you continue to respect their privacy during this difficult time.”
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Well, many Bollywood celebs took to social media to mourn the actor’s demise.
Anupam Kher tweeted, “Deeply saddened to know about the sad demise of #BlackPanther actor #ChadwickBoseman at such a young age. Apart from being a very fine actor, he was a humble man with an infectious smile. My condolences to his family, friends & fans! ? #WakandaForever #OmShanti.”
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Riteish Deshmukh wrote on Twitter, “#ChadwickBosemanForever Thank you for all the wonderful memories that I made & continue to make with my children. You will live on, in our hearts forever #KingTchalla Rest in Peace. @chadwickboseman.”
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Randeep Hooda tweeted, “RIP #ChadwickBoseman you brought about change in the stereotype superhero and gave us a genuine #BlackPanther condolences and strength to the family ?? #WakandaForever ????.”
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Many other B-Town celebs like Kareena Kapoor Khan, Arjun Kapoor, Sidharth Malhotra, and others took to Instagram to mourn Chadwick’s demise. Check out their posts here…
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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