THE refusal of Salman Khan to apologise for his casual comment about rape again showed that he has too much power. Whilst the world erupted in anger, most of Bollywood remained silent for fear of reprisal from a man who feels he can do whatever he wants, giving him the green light to carry on being a spoilt brat. The only major star to speak up was Kangana Ranaut, who slammed Salman for saying he “felt like a raped woman while shooting Sultan”.
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David Lynch, director of 'Mulholland Drive' and 'Twin Peaks,' dies at 78
Jan 17, 2025
DAVID LYNCH, the director known for films like Mulholland Drive and the TV series Twin Peaks, has died at 78.
A statement on Lynch’s official Facebook page read, "It is with deep regret that we, his family, announce the passing of the man and the artist, David Lynch."
The cause and location of his death were not disclosed. Lynch, who lived in Los Angeles, had been suffering from emphysema after years of heavy smoking.
Lynch gained recognition with his 1977 horror film Eraserhead and later received critical acclaim for Blue Velvet (1986) and Mulholland Drive (2001).
His 1990s TV series Twin Peaks became a cultural phenomenon and is regarded as a precursor to modern prestige television.
Throughout his career, Lynch received four Academy Award nominations, including three for Best Director. In 2019, he was awarded an honorary Oscar.
Tributes from the film industry
Tributes from filmmakers and actors followed news of Lynch’s death. Steven Spielberg called him "a singular, visionary dreamer who directed films that felt handmade."
Francis Ford Coppola said he was "astounded and heartbroken" by Lynch's passing. Director Ron Howard described him as "a gracious man and fearless artist" who showed that "radical experimentation could yield unforgettable cinema."
Kyle MacLachlan, known for his roles in Twin Peaks and other Lynch films, wrote on Instagram, "I owe my entire career, and life really, to his vision." He described Lynch as "an enigmatic and intuitive man with a creative ocean bursting forth inside of him."
Lynch's early life and career
Born in Montana in 1946, Lynch grew up travelling around Middle America. He studied fine arts in Boston and Philadelphia before joining the American Film Institute, where he began work on Eraserhead.
His 1980 film The Elephant Man, based on the life of Joseph Merrick, earned him his first Best Director Oscar nomination. The film starred Anthony Hopkins and John Hurt.
Lynch’s 1984 adaptation of Dune was less successful but still gained a following. He returned to arthouse filmmaking with Blue Velvet, earning another Oscar nomination.
The film starred Isabella Rossellini and explored the dark side of small-town America.
In 1990, Lynch won the Palme d'Or at Cannes for Wild at Heart and soon after created Twin Peaks, which became a major television hit. '
However, ratings declined in its second season, leading to its cancellation. A 1992 prequel film was initially criticised but later gained cult status.
Later work and legacy
Lynch earned his third Best Director Oscar nomination for Mulholland Drive in 2001. His last feature film was Inland Empire (2006). In 2017, he revisited Twin Peaks with a sequel series on Showtime.
He continued creating short films, music, and paintings, and regularly practised transcendental meditation. Lynch also posted weather updates on YouTube, showing a lighter side of his personality.
His family said, "There's a big hole in the world now that he's no longer with us. But, as he would say, 'Keep your eye on the donut and not on the hole.'"
(With inputs from AFP)
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Zain Imam on stardom and captivating role in 'Suman Indori'
Jan 17, 2025
A DYNAMIC, decade-long journey in Indian television has seen Zain Imam rise from an exciting newcomer in his debut serial Kaisi Yeh Yaariaan to a much-loved headline star.
After successes in serials such as the superhit drama Naamkarann, he continues to captivate audiences with his latest show, Suman Indori.
Broadcast on Colors TV, the relatable family drama has been pulling in big audiences since its 2024 premiere. In this remake of the Kannada drama Kendasampige, Zain plays a multi-layered character who embarks on an unexpected emotional journey. The show adds to his impressive body of work as a versatile actor with a massive fan base.
Eastern Eye caught up with the talented star during his busy shooting schedule to discuss his acting journey, the new serial, inspirations, and how he copes with a demanding schedule. He also revealed who his biggest hero is.
How do you reflect on your acting journey so far?
From my first steps into the industry with Kaisi Yeh Yaariaan, where I was still finding my footing, to now, it’s been a whirlwind of emotions, growth, and discovery. Each role has taught me something new, not just about acting but about myself. I’ve always believed in pushing boundaries, and while it hasn’t always been easy, the support of fans and mentors has made it worthwhile. It’s humbling to look back and see how far I’ve come, but I feel like there’s still so much more to achieve.
Which of your projects has been closest to your heart?
That’s like asking a parent to pick their favourite child. But Naamkarann holds a special place in my heart. Neil Khanna wasn’t just a character; he was an emotional journey. The connection with the audience was almost magical. That show challenged me as an actor and gave me a bond with fans that I cherish. Of course, Suman Indori is quickly becoming another favourite – it’s fresh, dynamic, and has let me explore new layers as a performer.
How much does being in so many successful TV projects mean to you?
It means everything. I don’t take it lightly that viewers have consistently shown their love and support. Each project, be it Tashan-e-Ishq, Naamkarann, or Fanaa: Ishq Mein Marjawan, is a team effort, and the fact that audiences have connected with my work gives me the drive to keep going. Success in this industry isn’t just about ratings or awards; it’s about leaving a lasting impression, and I’m grateful for every opportunity to do that.
What drew you to your latest drama, Suman Indori?
The simplicity yet depth of the story instantly drew me in. I loved how the script balanced heartfelt moments with humour and intensity. The raw and grounded feel of the project was too good to pass up.
How does this character compare to others you’ve played?
It’s hard to compare because every character I’ve played has had unique quirks, but Teerth in Suman Indori stands out for his emotional complexity. He’s not just about heroics or drama – there’s a deep sense of introspection and vulnerability to him. Unlike Neil Khanna in Naamkarann, who was defined by strong principles, or other characters I’ve played who relied on their charisma, Teerth has many more emotional layers that make him distinct.
Suman Indori has received a positive response since it premiered last year. What has been the experience of working on this show?
Honestly? Refreshing. The energy on set is incredible, and the cast and crew have become like a second family. The directors give me the freedom to experiment, and the writing keeps me on my toes. There’s something satisfying about being part of a project where everyone is equally invested in making something special. It’s been a beautiful ride so far.
Why do you think the show is resonating so strongly with audiences?
It’s real and fresh. Suman Indori isn’t about overthe-top drama. It’s about human emotions and relationships that everyone can relate to. The characters feel authentic, and the storytelling hits home. I think viewers see a piece of themselves in the show, and that’s what keeps them hooked.
Do you ever feel pressure when you’re leading a high-profile show like this?
Absolutely, but I see it as a constructive kind of pressure. It motivates me to deliver my best every day on set. There is a responsibility that comes with being the face of a show, and I take that seriously. At the same time, I remind myself to stay grounded and enjoy the process, as that is when the best work happens.
With so many episodes being shot, how do you cope as an actor doing a show that has such a demanding schedule?
It’s all about pacing yourself. I have learned to find joy in the little moments, whether it’s cracking jokes on set or spending a quiet evening reading scripts. Staying connected to my purpose as an actor helps as well. It really makes a difference when you love what you do. And, of course, plenty of coffee helps too (laughs).
Zain Imam
Millions enjoy watching you on television, but what do you enjoy as an audience member?
I’m drawn to good storytelling. Whether it is thrillers like Breaking Bad or heart-warming dramas like The Family Man, I enjoy anything that can hold my attention. I also have a soft spot for romantic comedies.
You have portrayed an interesting variety of characters, but do you have a dream role?
There are so many characters I would love to play. I have always wanted to be part of a period drama – something epic, like a warrior or a historical figure. The costumes, drama, and grandeur of a historical epic are elements I would love to explore. I am also drawn to psychological thrillers, where I could delve into the darker sides of human nature. That would be a fascinating challenge.
If you could master something new, what would it be?
Martial arts. It would be incredible to incorporate those skills into future roles. It is also a great way to stay fit and disciplined. Being able to perform my own stunts in an actionpacked show or movie would be a rewarding challenge and a dream realised.
Tell us something about you that not many people know.
I am a huge foodie. While many assume I am entirely focused on fitness, I have a soft spot for Mughlai and North Indian cuisine.
What inspires you?
Many things inspire me, but people inspire me the most. Their stories, resilience, capacity to love, and ability to overcome challenges are endlessly motivating. My fans also play a significant role – their unwavering belief in me fuels my passion to keep improving and to give my best, both on-screen and off.
A still from Suman Indori
You are a hero to many, but who is your hero?
That is a tough question, but if I had to choose, it would be my parents. They have been my pillars of strength through every high and low, and their unwavering faith in me has always been a source of inspiration. On a professional level, I truly admire Ranbir Kapoor. The media even jokingly refers to me as ‘TV ka Ranbir Kapoor’ because of my portrayal of romantic and intense scenes, which they believe I do justice to.
How do you feel about that?
(Laughs) It is flattering, to be honest. What I admire about Ranbir goes beyond his acting. I appreciate him as a personality – the way he carries himself with a blend of charm and humility, which I believe stems from the incredible values imbibed in him by his parents, Neetu (Kapoor) Ji and Rishi (Kapoor) Ji.
Why do you love being an actor?
Being an actor is like living a thousand lives in one, and that is what I love about it. Each character allows me to step into someone else’s shoes and see the world through their eyes. It is an exhilarating, emotional, and deeply rewarding experience. Acting enables me to express thoughts and emotions I might never articulate otherwise, and that is an irreplaceable feeling.
Instagram: @zainimam_official
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'Fateh' is an amateurishly made mess
Jan 16, 2025
SONU SOOD’S foray into writing, directing, producing, and starring in Fateh was ambitious, but his lack of success as a leading man cast a long shadow over this action drama. From the outset, Fateh was on shaky ground.
The film revolves around a woman who unknowingly leads her fellow villagers into a cyber scam.
When she goes missing while seeking justice, Fateh, an ex-special forces agent living undercover in the village, embarks on a mission to find her.
His quest unravels a cybercrime racket, transforming him into a oneman army bent on violent vengeance. Alongside an ethical hacker, Fateh wages war against the perpetrators.
Unfortunately, Fateh fails on nearly every front. The storyline, riddled with clichés and implausibilities, serves as little more than a vehicle for gory violence and indulgent action sequences. Even the international locations feel like a superficial attempt to inject grandeur into a lacklustre plot.
The film’s attempt to emulate successful action entertainers falls flat due to wooden performances, poorly developed characters, and laughable scenarios. Subplots are non-existent, and the lack of engaging music or light-hearted moments exacerbates the relentless absurdity onscreen.
Sonu Sood’s spirited attempt at delivering a compelling lead performance is undermined by weak material and uninspired direction.
Even the experienced supporting cast struggles with underwhelming roles, while Jacqueline Fernandez emerges as the most tolerable aspect of the film – a damning indictment given her own limited range. But do not be fooled into a false sense of security, as even she would likely struggle to sit through this rubbish.
Ultimately, Fateh is a colossal misfire that leaves little hope for Sood’s future as a director. Its inevitable appearance on streaming platforms should be avoided at all costs.
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'Masoom' sequel to reunite iconic duo on the big screen
Jan 16, 2025
VETERAN Indian filmmaker Shekhar Kapur said he is trying to rediscover the creative naivety that shaped Masoom as he prepares for its much-awaited sequel, set to begin filming soon.
Shabana Azmi and Naseeruddin Shah, who played lead roles in the 1983 film, are set to return for the sequel, for which shooting will start this year.
At the inaugural Indian Film Festival Germany, where Masoom was to be screened, Kapur said his inexperience gave it a unique quality.
“It’s like an attempt to go back to my childhood. And how do I become naive again? Because even Picasso said that. They asked him, ‘what do you really want?’ He said, ‘I want to paint like I’ve never made a painting before.’ And that was Masoom,” the filmmaker said.
“Masoom was made by a person that did not know a thing about it. So I just said, ‘okay, let me try.’ And so I just had to concentrate on the story because I didn’t know what a camera was and how that worked and everything. So maybe something worked,” he said.
Based on American author Erich Segal’s book Man, Woman and Child, Masoom followed a happily married couple whose lives are upended when the husband’s illegitimate son from a past affair comes home.
Kapur said, “I was not a trained filmmaker. I’d never made a film. I’d never assisted anybody. I had not studied filmmaking. I knew nothing about film and then one day I just made a film and I was a chartered accountant in London.
“In fact, I worked in Berlin as an accountant also for a while, then I went back and I made a film. There was a certain naivety to it. And there’s an innocence to when you’re absolutely naive about what you’re doing. You do things differently. So when people say, can you make Masoom again? I say, ‘Can you make me naive again?’” he added.
The Indian Film Festival Germany, which began last Friday (10), is organised by the Embassy of India, Berlin and The Tagore Centre. Kapur said when he received a call from the embassy for the festival, he thought they would be screening his Oscarwinning 1998 movie Elizabeth or his most recent directorial What’s Love Got to Do with It? (2022).
“They said, Masoom. I said Masoom is 30 years old. What are you talking about? They said no, we just want to show it. It’s popular. I haven’t seen it for about 30 years. So it’ll be interesting for me to see it on screen.”
The Indian Film Festival Germany will also feature simultaneous screenings and panel discussions in Hamburg, Frankfurt, and Munich, making it one of the largest non-commercial film festivals to be held outside India.
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Author Neil Gaiman faces new sexual assault allegations: Report
Jan 14, 2025
Author Neil Gaiman is facing new allegations of sexual misconduct and assault, months after similar accusations were made against him.
According to a Vulture magazine article titled "There Is No Safe Word," eight women have accused Gaiman of assault, coercion, or abuse. Among them is a former nanny for Gaiman and his second wife, Amanda Palmer.
The nanny alleged that Gaiman sexually assaulted her in February 2022 in a backyard bathtub at his New Zealand home.
She also claimed he assaulted her under blankets in a hotel room while his son was in the room. "He said, 'Call me 'master,' and I'll come.' He said, 'Be a good girl. You're a good little girl,'" the New York magazine quoted her as saying.
The report stated that most of the women Gaiman allegedly abused were in their 20s, with the youngest being 18. Gaiman was in his 40s or older during these incidents.
In July 2024, five women had previously made similar accusations against Gaiman in a six-part podcast series titled Master by Tortoise Media.
Author JK Rowling also commented on the allegations, comparing the situation to the sexual assault cases against Harvey Weinstein.
She criticised the literary community's silence, stating on X, "The literary crowd that had a hell of a lot to say about Harvey Weinstein before he was convicted has been strangely muted in its response to multiple accusations against Neil Gaiman from young women who'd never met, yet—as with Weinstein—tell remarkably similar stories."
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