TWINKLE KHANNA INTRODUCES A NEW KIND OF HERO WITH PAD MAN
by ASJAD NAZIR
THE horizon of Indian cinema expanding is perfectly illustrated by Pad Man, which is the first major Bollywood release of 2018.
Akshay Kumar plays the lead role in what will perhaps be the most unique commercial Hindi film release of the year.
It is a tale of a man who transforms the lives of countless women when he creates the world’s first low-cost machine for making sanitary napkins.
The comedy-drama, written and directed by R Balki, is based on true-life events and co-produced by Twinkle Khanna, who has become an advocate for girl power.
The actress-turned-producer found the remarkable story for the big screen and hopes it opens up a debate on an important issue. Sonam Kapoor and Radhika Apte also star in the uplifting drama.
Eastern Eye caught up with Twinkle to talk about PadMan, working with her husband Akshay Kumar, girl power, success as a writer, and her new year’s resolution. She powered each answer with honesty and that winning smile...
After you left acting, was there a moment you missed it?
Never! I didn’t do well at acting and was desperate to get out. Sure, it was disheartening to think I had failed but I moved on. After all, I wanted to become a chartered accountant when I left school, not an actress! (Smiles) I am much happier where I have ended up and where I’m going.
You have become a very successful writer; what led you to finding that inner creativity?
The lack of creative fulfilment in acting! It just wasn’t something I was inclined towards. Becoming an actress was more about joining the family business, as everyone expects you to do.
Writing on the other hand has been moulded by my life experiences and growing up around strong women. It’s like yoga, letting me be mindful and allowing me to see the world on multiple levels. Writing has given me a platform for creativity that I am very thankful for.
Where do you draw your inspirations from?
I draw my inspiration from all over! I like to ask questions, talk to the people I meet and discover their stories. Doing those little things inspires me.
I find current topics are also a great source of inspiration. It may not be very funny, but I like to give it a twist and a different perspective to find a funny side to things happening in the world. We’re on this planet for a short while, so we might as well be happy.
What inspired you to produce Pad Man?
Pad Man was a story I felt needed to be told in every household, to start a conversation about menstruation. I first came across Arunachalam Muruganantham when I was researching for my column in The Times of India. His was a gripping story; a man who wanted to do something as simple yet important as creating a low-cost sanitary pad for his wife and was ostracised for it.
It inspired me to write the anthology, but even though that book was a success I was still determined to spread the message and the story as far and wide as possible. Whether we like it or not, most people in the modern era are comprised of viewers rather than readers, so film really is the best vehicle to propel this story to the forefront to educate the world. I even chased Arunachalam until he said yes to the film!
Did you not think the subject was too experimental for Hindi cinema?
It’s experimental in terms of being bold enough to have one of India’s most idolised stars, that too a man, advocating for menstrual hygiene. But when you peel back the layers, PadMan is very much a family entertainer.
It’s essentially a compelling love story about a man willing to risk it all, including his marriage, to protect, empower and change the life of his wife and millions of other women. He seems like the ideal man that any girl would dream of!
Did Akshay Kumar agree to come on board straight away or did he need convincing?
Akshay was more than game from the get-go. He didn’t need convincing for any of it, even for wearing a sanitary pad! I’m proud Akshay is a strong woman empowerment champion and always been passionate about furthering this cause.
For those who don’t know, can you tell us a little more about the man it’s based on?
Arunachalam Muruganantham is truly remarkable. Here was a humble man who tried to create a low-cost sanitary pad for his wife and the women around him despite the taboos around menstruation. It led him to be ostracised, and even without his dear wife for a time; yet he continued, testing out his sanitary pad on himself with little more than a pig’s bladder!
He’s probably the only man who learnt how it feels to be a woman on her period. Now he runs a company making machines that create the low-cost sanitary pads for women in rural communities and supplies them to not-for-profits and NGOs who can reach heartland India.
Was it easy convincing him that you wanted to make a movie about his life and how much input did he have?
No, convincing him was one of the most difficult parts, whereas making the actual film was actually a walk in the park. He had some reservations although I am not sure what they were. It took some chasing and phone calls before we met in England by pure coincidence one time.
He needed time to come round, but I was eventually able to persuade him with the idea that we would be spreading his story and educational message about periods across the country through cinema.
Tell us about the film adaptation...
R Balki has written the story and screenplay for Pad Man and is also directing the movie. It’s a love story at heart, showing the story of what a man will do to bring dignity to his wife at any cost, even if that cost is his marriage.
Who is the film aimed at?
However clichéd this sounds, the film is aimed at everyone, including families. We want to create a conversation about periods in households across the country, whether it’s in the car or over the kitchen table. We are also keen for men to see the film, to see Akshay in the lead role, and let them know it’s not a taboo topic. So don’t be afraid to bring dad, son, brother or uncle along!
What is your favourite moment in the movie?
I would say it’s a scene where Akshay delivers a heart-warming monologue in a foreign land. Without giving anything away, after all the hard work and ridicule that Pad Man has gone through, it is good to see everyone listening to him!
Pad Man deals with an important subject; how much of an issue is it in India today?
The taboo around menstruation is still very much alive in India today. I feel as if women have been made to feel ashamed about their periods, hence don’t speak about it.
The stigma still exists and there remains a lack of awareness and facilities, which means girls are still dropping out of school when they start menstruating because they have no access to sanitary towels. For a natural part of the female body to lead to 20 per cent of girls dropping out of schools is unbelievable. That’s why Pad Man is such an important film for whole families to see as it impacts everyone.
What is the dynamic between you and Akshay when he is acting and you are producing?
Producer and actor are already two different roles on a film set, and even more different from that of wife and husband! But I think we work very well together.
He is the hard-working out of the leading men in Bollywood, but a family man too. How do you disconnect from the spotlight?
It’s not that difficult to disconnect. We have clear rules of demarcation to make sure we spend family time together. For example, Sunday is our very own family Fri-yay!
Have you made a new year’s resolution?
My new year’s revolution is simple. I plan to leave the world in a better place than I found it, and to have fun while I’m on my crusade to do good!
You have won hearts with your sense of humour and are known as Mrs Funnybones, but who is the funniest person you know?
Probably Akshay, my very own Mr FunnyBones!
You have become a symbol of girl power; how important is woman empowerment as an issue for you?
Empowerment is a very important issue for me. I grew up in a household full of independent women who were painting, playing the guitar or writing, so I grew up never really subscribing to the rules of society about what women are supposed to do or not.
Across the world, the journey of women wanting equality is just beginning. I believe there are a lot of things we need to work towards. Empowerment starts from the time you raise your children, with the important values you teach, which includes talking about things like periods.
What key advice would you give young girls?
To stay true to themselves. It is our imperfections that make us special and unique. Embrace the unconventional, because if we stand by those flaws, it will pay off eventually like it did for me!
How much of a role can men play in the issue of women empowerment?
There is definitely a role for men – that’s where the change needs to come from as well. Arunachalum and Akshay both show how men can directly support and raise awareness of the issues that affect women and help further the causes of women empowerment as a result. That is another of the film’s messages, that men are very much part of the problem and the solution.
What other social issues are you most passionate about?
The environment. I work with the group Rasta Chap, who paint dead trees to raise awareness of the amount of trees that are dying around us. They work on a number of great initiatives, including sustainable food projects and banning plastic bag usage in schools to help improve the environment.
Why should we all watch Pad Man?
Everyone should go and see Pad Man not only because you’ll be entertained throughout but you will walk out feeling inspired with a burning passion to want to be the next superhero on a mission for social good!
KEY iPhone manufacturer Foxconn is investing £1.12 billion to increase its focus on India, as Apple continues shifting production away from China amid geopolitical and tariff-related concerns.
The Taiwanese company said its Singapore-based subsidiary had acquired 12.7 bn shares in its India unit, resulting in an injection of about £1.12 bn.
The Indian arm, called Yuzhan Technology India, manufactures smartphone components in Tamil Nadu, according to local media reports.
No other details were shared in the filing made by Foxconn with the Taiwan stock exchange on Monday.
India has been working to position itself as an alternative manufacturing destination to China.
Efforts by New Delhi to offer subsidies worth billions have helped boost local electronics manufacturing.
Foxconn’s latest move comes weeks after Apple CEO Tim Cook said he expected most iPhones sold in the United States to have “India as their country of origin”.
Experts say the gradual move from China to India helps Apple reduce risks linked to tariffs and geopolitical tensions, including those stemming from former US president Donald Trump’s trade policy.
Apple’s growing focus on India also drew criticism from Trump, who said last week he told Cook: “We’re not interested in you building in India... we want you to build here.”
Foxconn is also expanding its manufacturing operations more broadly in India.
Last week, the Indian government approved Foxconn’s proposal to build a semiconductor facility in northern India in partnership with the HCL Group.
According to a government press release, the HCL-Foxconn joint venture will invest about £324 million in the plant.
The facility will manufacture display driver chips used in smartphones, laptops, cars and other devices.
The press release said the plant is planned to handle 20,000 wafers – thin slices of semiconductor material – each month, with a designed output capacity of 36 million units per month.
India has offered financial support to companies setting up chip manufacturing facilities in the country to build a reliable supply chain and address national security concerns.
Looking for a fun, energetic, and inclusive way to stay fit in London? Bollywood Fitness Classes with Mevy are taking Highams Park by storm this May, offering women of all ages and fitness levels the chance to dance their way to health and happiness. Taking place at All Saints Church on Church Avenue, these sessions blend the colour, rhythm, and excitement of Bollywood music with high-energy dance workouts designed to boost both your physical and mental wellbeing. Whether you're a total beginner or a seasoned dancer, these classes are the perfect midweek pick-me-up for any woman looking to move, groove, and glow.
Bollywood Fitness is a unique fusion of traditional Indian dance styles, contemporary moves, and cardio-based fitness routines. Led by the passionate and charismatic instructor Mevy, these classes are designed to get your heart pumping, lift your mood, and help you stay active in a way that feels more like a celebration than a chore.
Each class lasts around 60 minutes and features a full-body workout set to a playlist of iconic Bollywood tracks, from timeless hits to the latest chart-toppers. Expect upbeat choreography, friendly vibes, and an environment where every woman feels confident and supported—no matter her fitness level or dance background.
Location: All Saints Church, Church Avenue, Highams Park, London E4 9QZ Dates: Thursdays, May 22 and May 29 Time: Evening sessions (exact time available on booking site)
The venue is easily accessible by public transport and offers a warm, welcoming space perfect for letting loose and enjoying some “me-time” away from the daily grind.
These classes are designed exclusively for women and are open to all ages and fitness levels. Whether you’re looking to try something new, reconnect with your cultural roots, or just want a fresh way to stay active, Mevy’s Bollywood fitness classes offer a safe and inclusive environment for everyone.
No previous dance experience is necessary—just bring your energy, a bottle of water, and a willingness to have fun!
Spaces are limited, and demand is growing fast! To secure your place for one or both sessions, visit www.eventbrite.co.uk and search for “Bollywood Fitness Classes with Mevy.” Booking in advance is recommended to avoid disappointment.
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Aishwarya Rai and daughter Aaradhya land in France ahead of the Cannes 2025 red carpet event
Aishwarya Rai Bachchan has once again touched down in France for the Cannes Film Festival, and this time, as always, her daughter Aaradhya is by her side. The duo was seen arriving at Nice Airport, where they were warmly received. A video of their arrival, now circulating widely online, captures Aishwarya chatting warmly with a greeter who hands a gift to Aaradhya before they head off.
Clad in a navy blue trench coat, Aishwarya kept it simple yet elegant. Aaradhya wore an all-black outfit and seemed at ease, exchanging smiles and laughter during the brief encounter at the airport. Despite recent speculation about whether Aishwarya would attend Cannes this year, especially after a video of her dancing with husband Abhishek Bachchan at a wedding in Mumbai, her airport appearance has laid all doubts to rest.
Fans quickly jumped into action online, sharing excitement over her return to Cannes. Comments ranged from “She is back!” to eager anticipation over her upcoming looks. However, not all responses were glowing, with some commenting on her choice of hairstyle.
Aishwarya is expected to walk the Cannes red carpet on 21 and 22 May, marking her 22nd year at the prestigious event. Her first appearance was in 2002 for the premiere of Devdas, where she made headlines arriving in a traditional gold saree, accompanied by Shah Rukh Khan and director Sanjay Leela Bhansali.
As for Aaradhya, her presence at Cannes is no surprise. Aishwarya has often said that her daughter enjoys the experience, not just for the glamour but for the atmosphere and the people she’s grown familiar with over the years. She once shared that Aaradhya understands the significance of the festival and appreciates the world of cinema.
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This year’s Cannes also sees other Indian names on the guest list, including Payal Kapadia on the competition jury, and stars like Janhvi Kapoor, Ishaan Khatter, and Vishal Jethwa promoting their film Homebound. Meanwhile, the restored version of Satyajit Ray’s Aranyer Din Ratri brings legends like Sharmila Tagore and Simi Garewal back to the spotlight.
With Aishwarya back on the red carpet, the countdown to her Cannes look has officially begun.
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Washington often imposes such visa restrictions without naming the individuals involved.
THE US State Department on Monday said it was imposing visa restrictions on owners and staff of travel agencies in India who it says knowingly facilitate illegal migration to the United States.
An unspecified number of individuals associated with these travel agencies are being subjected to visa bans under the Immigration and Nationality Act. The action is based on information collected by the US mission in India, according to department spokesperson Tammy Bruce.
Washington often imposes such visa restrictions without naming the individuals involved.
"We will continue to take steps to impose visa restrictions against owners, executives, and senior officials of travel agencies to cut off alien smuggling networks," Bruce said. She did not provide details on how the travel agents had facilitated illegal migration.
The action is part of a broader effort under president Donald Trump's administration to curb migration to the United States and deport undocumented immigrants already in the country.
The US embassy in New Delhi has also issued repeated warnings on its social media platforms, advising Indian nationals visiting the United States not to overstay their authorised period of stay. It warned that overstaying could lead to deportation and a permanent ban from entering the country.
(With inputs from Reuters)
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Taylor Swift’s voice echoes through The Handmaid’s Tale in a surprise Reputation (Taylor’s Version) debut
Taylor Swift’s long-awaited Reputation (Taylor’s Version) finally made its presence known, but not through a press release or streaming platform. Instead, it emerged through the eerie silence of Gilead. The re-recorded version of “Look What You Made Me Do” debuted unexpectedly in the opening scene of the latest episode of The Handmaid’s Tale, catching fans and viewers completely off guard.
The episode begins with Elisabeth Moss’s character, June Osborne, orchestrating a quiet but fierce act of resistance against the regime. As handmaids march through a war-torn street, Swift’s voice cuts through the chaos. The updated track underscores the rebellion, syncing perfectly with the tension and defiance unfolding on screen.
The original 2017 version of the song was a turning point in Swift’s career, born out of public backlash and a media storm. Its reappearance now, in a show about fighting back against oppression, feels deeply personal. Swift’s battle to reclaim her music mirrors the episode’s themes: reclaiming agency, rewriting narratives, and refusing to be silenced.
Moss, also an executive producer of the show, shared how this moment had been years in the making. She revealed she had always wanted to feature a Taylor Swift track but waited for the right moment. “This was it,” she said. “The song, the scene, the story, it all just clicked.” Moss also attended Swift’s Eras Tour last year with castmate Bradley Whitford, making her admiration for the singer no secret.
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For Swifties, this is the clearest sign that Reputation (Taylor’s Version) is on the horizon. While fans have spotted hints in everything from merch updates to symbolic fashion choices, this full-length debut feels like the real beginning of the next chapter.
It also marks the latest move in Swift’s ongoing mission to re-record her early albums and reclaim ownership after the rights to her original masters were sold without her consent. So far, she’s re-released Fearless, Red, Speak Now, and *1989*, with Reputation and her debut album left.
Swift’s music has popped up in recent shows and documentaries, but this moment in The Handmaid’s Tale is her strongest re-entry into the Reputation era. It's less of a promo, more of a declaration. The gloves are off.