THE BBC received more than 200 'racism' complaints over comments made by one of its football presenters about England's Euros 2022 women’s team, The Telegraph reported.
TV broadcaster Eilidh Barbour said that England’s all-white Lionesses highlights the lack of diversity in the women’s game while discussing the team's 8-0 win against Norway.
“It was an historic eight goal victory for England last night as the Lionesses secured their place in the quarter finals. But all starting 11 players and the five substitutes that came on to the pitch were all white. And that does point towards a lack of diversity in the women’s game in England," Barbour, the former semi-professional with Partick Thistle FC, was quoted as saying by Telegraph.
Her comments came during the half-time of Denmark v Finland, ahead of a segment by former England player Alex Scott, which focused on the diversity of the national team.
However, the remark was not well received by the viewers as they said that ‘colour has nothing to do with it’, the report said.
One female fan said on Twitter: “Skin colour should have nothing to do with it. The players who are the best on the team are the ones who are played but the woke Eilidh Barbour just couldn’t help herself and had to virtue signal ad nauseam!”
A Nottingham Forest fan called Matthew, who described Barbour’s comments as “hypocritical”, wrote on Twitter: “Wow I’ve just seen what the BBC had to say after England Women’s Euros quarter final win this week - That the England team is too white!”
Later, Barbour defended herself saying that she is happy that the 'conversation is happening'.
"I’m glad this conversation is happening. Football is a game for all. It has never been about criticising this #ENG team, it’s about looking to the future and the pathways so girls can all have the same opportunities to be a Lioness," she wrote on Twitter.
I’m glad this conversation is happening. Football is a game for all. It has never been about criticising this #ENG team, it’s about looking to the future and the pathways so girls can all have the same opportunities to be a Lioness ? https://t.co/gs506fiz10
The Women’s Euros 2022 episode drew 222 uninvited complaints, compared to 150 over the broadcasting of audible swearing by Wimbledon star Nick Kyrgios during a match on July 4.
Meanwhile, the England team thrashed Sweden 4-0 on Tuesday (26) to reach the women's European Championship final.
Research presented by Leon Mann MBE at the 'D-Word 4' conference held by the Black Collective of Media in Sport revealed that Gareth Southgate's England squad for last summer's men's Euros featured 11 players out of 26 - 42 per cent - of black or mixed heritage.
According to the Black Footballers Partnership - co-founded by QPR duo Les Ferdinand and Chris Ramsey, ex- Birmingham and Derby full-back Michael Johnson and former top-flight women's player Eartha Pond - some 43 per cent of players in the Premier League are black.
The Stefan Szymanski report commissioned by the Black Football Partnership shows a massive drop-off when it comes to representation away from the field.
But when it comes to the Women's Super League, the top division of women's football in England, the Professional Footballers' Association last week revealed just 29 out of the WSL's 300 players - 9.7 per cent - are from a diverse ethnic background.
In Phil Neville's England squad at the last Women's World Cup, there were just two ethnically diverse players in the squad - Nikita Parris and Demi Stokes. The same two players are in Wiegman's squad and remained unused substitutes in England's win against Austria.
According to Sky Sports, these numbers provide a sharp reminder of the chronic under-representation issue at the elite end of the girls' and women's game.
FA director of women's football Baroness Sue Campbell has said that meaningful change for diverse communities at the elite end of the women's game could take years.
She added that the current system of Talent ID and recruitment excludes a lot of people.
The Premier League has given the Football Association £5.25m over three years to fund a new network of Emerging Talent Centres (ETCs), which the FA says will provide high-quality coaching to 4,200 girls aged eight-to-16 by the end of the 2023/24 season, up from 1.722, currently.
The Football Association launched the Discover My Talent referral scheme for female players in their early teens almost a year ago.
"We want it to be representative of the society we live in, and therefore, yes, we want it to feel and look different," Campbell was quoted as saying by Sky Sports.
KING CHARLES was welcomed with a special performance by the Bantam of the Opera choir last week during a visit to Bradford as part of the UK City of Culture celebrations.
The choir, supported by BBC Radio Leeds, sang an orchestral version of the Bradford City football anthem Take Me Home, Midland Road at Cartwright Hall last Thursday (15).
Following the performance, the King met and spoke with choir members Linda Norton and Mohammed Ibrahim. He applauded the group’s efforts, which form part of ongoing cultural events leading up to Bradford’s role as UK City of Culture in 2025.
The choir has 50 members from across Bradford, including a 90-year-old match-day volunteer and an 18-year-old A-Level student. Members are supporters of Bradford City Football Club and have been learning to sing opera through a challenge led by BBC Radio Leeds.
The name Bantam of the Opera reflects the football club’s nickname, “The Bantams,” and is a play on The Phantom of the Opera musical. The BBC Singers have worked with the group during rehearsals, and ambassadors for the project include Lord Andrew Lloyd Webber, opera singer Lesley Garrett, and broadcaster Chris Kamara, a statement said.
Performance of Bantam of the Opera choir
The choir previously performed on the pitch during a Bradford City match celebrating the club’s promotion and commemorating the 40th anniversary of the Valley Parade fire.
Choir member Norton said: “This day I will never forget. We’re so proud to have sung for the King. It’s something that will stay with me forever.”
Ibrahim added: “Four months ago, I wouldn’t have believed we’d meet the King. I’ll be telling my grandchildren about this day.”
James Sills, choral leader for the group, said the performance was a proud moment. He said, “It was such an incredible honour to sing for King Charles. Bantam of the Opera did themselves proud, singing with real passion and polish and as proud Bradfordians.
“It was testament to the power of community and to the power of singing and I hope that the King left with a smile on his face and a song in his heart.”
BRITISH INDIAN Consultant Cardiologist Dr Aseem Malhotra, a long-standing campaigner for a more evidence-based approach to all Covid-19 vaccines, has been appointed as an adviser to US president Donald Trump’s Make America Healthy Again (MAHA) movement.
Dr Malhotra, a long-time ally of MAHA leaders such as health secretary Robert F. Kennedy Jr and National Institutes of Health (NIH) director Dr Jay Bhattacharya, joins MAHA Action – a grassroots, non-profit organisation focused on research, education, and legislative reform to improve public health.
He is set to relocate to Washington, D.C., to assume his new advisory role, which will centre on three key priorities: revising national dietary guidelines, cracking down on ultra-processed foods, and calling for a moratorium on mRNA Covid-19 vaccines.
“We absolutely can make America healthy again in this electoral term. I’m not doing this for political reasons but to reflect the evidence,” said Dr Malhotra.
He was graduated in medicine from the University of Edinburgh in 2001 and obtained his Certificate of Completion of Training (CCT) in Cardiology from the same university in 2013.
As chief medical adviser to MAHA Action, Dr Malhotra will not be formally employed by the US federal government but will serve as a leading voice in shaping the organisation’s health policy agenda.
His appointment follows recent calls for a pause in the use of mRNA COVID-19 vaccines, citing unresolved concerns about potential health risks.
“There is a pandemic of the vaccine-injured. We can’t make America healthy again if we don’t address this,” he added.
Dr Ramesh Mehta CBE, president of the British Association of Physicians of Indian Origin (BAPIO), welcomed the appointment of a BAPIO member to such a prominent role in the United States.
“Dr Malhotra, a long-standing BAPIO member, has a proven track record of campaigning for the NHS to adopt healthier lifestyle policies in order to improve patient outcomes,” said Dr Mehta.
“He has been a vocal advocate for reducing the harms of medication overuse, tackling the causes of obesity, cutting down on sugar and fizzy drink consumption, and limiting processed foods in our diets. He has also worked to ensure that patients’ voices are heard in evidence-based treatment approaches.
“His advocacy is commendable, and his appointment to this position has the potential to positively impact the health of the American population,” he said.
(PTI)
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Fans pay tribute to Royal Challengers Bengaluru's Virat Kohli by wearing white shirts after he announced his retirement from Test cricket REUTERS/Stringer
RAIN forced a washout in IPL's restart on Saturday (17) with holders Kolkata Knight Riders knocked out of the play-off race as they shared one point each with Royal Challengers Bengaluru.
The T20 tournament resumed at Benglauru's M Chinnaswamy Stadium but unrelenting rain kept the players off the field and the match was eventually abandoned without a ball being bowled.
Kolkata with six defeats and five wins bow out of the play-off race. Bengaluru with eight victories top the 10-team table and are all but through to the playoffs.
Kohli earlier this week joined India captain Rohit Sharma in leaving the five-day format.
The 36-year-old Kohli broke the news on Monday (12) and would have made his first appearance on the field since the announcement with his IPL team Bengaluru.
In the stands were a multitude of Kohli fans wearing his white Test jersey with number 18 on the back.
The IPL was paused last week due a deadly conflict between India and Pakistan and officials decided to resume the tournament after a ceasefire.
The final few matches will be played in Bengaluru, Jaipur, Delhi, Lucknow, Mumbai and Ahmedabad.
Some foreign players, including Australia's Mitchell Starc, have been unable to return because of the IPL's revised schedule, which clashes with the international calender.
England player Jos Buttler will miss the playoffs if his team Gujarat Titans advance as England host the West Indies in a white-ball series starting May 29.
Starc's Delhi Capitals were playing in Dharamsala when their match with Punjab Kings was abandoned on May 8 because of what officials said was floodlight failure.
Dharamsala is less than 200 kilometres (125 miles) from the town of Jammu, where explosions were reported hours earlier the same day.
The playoffs begin on May 29 with the first qualifier and the final scheduled for June 3.
Kolkata joined Chennai Super Kings, Sunrisers Hyderabad and Rajasthan Royals to be out of the play-off race.
(Agencies)
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Ursula von der Leyen, president of the European Commission and Keir Starmer, prime minister of the UK greet each other, ahead of their bilateral meeting at the 6th European Political Community summit on May 16, 2025 at Skanderbeg Square in Tirana, Albania. Leon Neal/Pool via REUTERS
PRIME MINISTER Keir Starmer is set to sign a new deal with the EU seeking to reset ties after Brexit, his office said ahead of landmark talks.
Starmer will meet on Monday (19) with EU chiefs for the first post-Brexit EU-UK summit aimed at agreeing steps towards a closer relationship between Britain and the 27-country bloc which it left five years ago after an acrimonious and knife-edge referendum.
"This week, the prime minister will strike yet another deal that will deliver in the national interest of this country," Downing Street said in a statement, also pointing to recent trade deals with the US and India.
Britain left the EU in 2020, but the prime minister has been trying to boost ties with the country's biggest trading partner.
Starmer will welcome EU bosses Ursula von der Leyen and Antonio Costa as well as top EU diplomat Kaja Kallas for Monday's talks at the storied Lancaster House venue in London.
"The prime minister will set out how a strengthened, forward-looking partnership with the European Union will deliver for working people and lead to more money in pockets," the statement said.
Talks looked set however to go down to the wire due to last-minute squabbling over long-standing issues, such as fishing rights and food checks.
But negotiators were hopeful of at least signing a defence and security partnership.
Starmer, elected Labour prime minister last July, wants a deeper relationship with the European Union than the one negotiated by the previous Tory government.
That deal "isn't working for anyone", Starmer's office said.
The move is aimed at opening the door to closer cooperation as both the EU and Britain race to rearm in the face of the threat from Russia and fears the US under president Donald Trump will no longer help protect Europe.
That should mean more regular security talks, Britain considering joining EU military missions and the potential for London to fully tap into a $167 billion (£137bn) defence fund being set up by the bloc.
But Starmer has several red lines he has said he will not cross, while sticking points remain over some EU demands that threaten to stall the rapprochement.
In an interview with The Times on Saturday (17), Starmer said a deal would be a "really significant moment".
Starmer has ruled out rejoining the customs union and single market but has suggested that the UK is ready for regulatory alignment with the EU on food and agricultural products.
EU diplomats in Brussels have been working on getting Britain to keep its waters open for European fishermen in return for easing the checks on some food imports from the UK.
And Starmer appeared to have made a key concession by agreeing to an EU demand and clearing the way to let young Europeans live and work in Britain under a youth mobility scheme.
While freedom of movement was a "red line," he told The Times, "youth mobility is not freedom of movement".
Starmer is approaching the scheme cautiously under pressure from rising support for Nigel Farage's anti-immigration and Euro-sceptic party Reform UK, which made huge gains in local elections earlier this month.
He said late Saturday in a statement that on Monday "we take another step forwards, with yet more benefits for the UK as the result of a strengthened partnership with the European Union".
"In this time of great uncertainty and volatility, the UK will not respond by turning inwards, but by proudly taking our place on the world stage."
Susan Stronge was understandably a little emotional as she spoke to Eastern Eye last Monday (5), the final day of the exhibition on The Great Mughals: Art, Architecture and Opulence, the exhibition she curated at the Victoria and Albert Museum.
The exhibition opened on 9 November 2024 to celebrate “the extraordinary creative output and internationalist culture of the golden age of the Mughal court (about 1560–1660), during the reigns of its most famous emperors: Akbar, Jahangir and Shah Jahan.”
There was a large crowd on the last day to catch one more glimpse of the jewellery, paintings, armour, textiles, carpets and other works of art before they were taken down to make way for the next exhibition, Marie Antoinette Style: Shaped by the most fashionable queen in history, in September.
By any reckoning, The Great Mughals has been a huge success. On the final day, Stronge wandered through the gallery, listening to visitors’ chatter – few of them aware she was the curator who had selected the objects now holding them spellbound.
A gem-set dagger, pendant and flask
“I’ll miss it when it goes,” she admitted. “But I’m very, very pleased it’s been so successful and people have obviously enjoyed it. I quite liked eavesdropping on people who are talking to each other about the objects. I heard a couple who were looking at the jewelled jade pendant that arguably could have been made for Jahangir. The chap looked at it and said it was worth coming just to see that one piece. I thought that was fantastic.
“I am struck by the number of people who tell me they have been two, three, four, five, even 10 times. I have a Pakistani friend from Lahore, who is now in London, and he was coming every Friday and he was in week six.”
The Great Mughals was Stronge’s swansong after 49 years at the V&A. She formally retired in February as senior curator in the Asian department, where she had mentored many over the decades. Another of her exhibitions that she feels has left “a significant legacy” was The Art of the Sikh Kingdoms in 1999.
She said: “I have got a three-year position in the museum as an honorary senior research fellow in the research department of the V&A Research Institute.”
Although she is now recognised as a leading scholar in Sikh and Mughal art, she feels she came into the field almost by accident.
“A happy accident,” she acknowledged.
A model of the cenotaph of Mumtaz Mahal
She is a Yorkshire girl who grew up in Ripon in a family where visiting museums wasn’t the done thing. She initially did voluntary work in Norwich, at the Castle Museum and in Strangers’ Hall, a Grade I listed building. She didn’t know it then, but her life was set to change when she applied for, and got, a job as an assistant at the V&A in 1976.
“I was told at the interview I’d be in ceramics, metalwork or the press office,” she recalled. “When I turned up for work, the first day, they said, ‘Oh, you are in (what was then) the Indian section.’ This was a surprise, but also disconcerting, because I knew nothing about India, its history and culture. The keeper of the department was John Irwin, who was a very distinguished textile historian.
“I did an MA at SOAS in South Asia studies and was taught by John Burton-Page, who was a fantastic teacher of Mughal architecture and art. It snowballed from there as I got more and more interested. We did interesting exhibitions (at the V&A) under Robert Skelton’s leadership. We did Arts of Bengal in 1979. No two years were the same. We were given so many opportunities.”
Her interest in Mughal art “evolved over many years. I’ve been teaching a lot on South Asian art courses”.
She found the Western way of defining fine or decorative art “did not apply at all to Mughal or other Eastern arts. So, I started thinking about how to present it.
“I did a book many years ago (2010) called Made for Mughal Emperors: Royal Treasures from Hindustan which was published by Roli in India. I did it by theme, and took things like the institution of the royal household, the imperial treasury. It was much more rooted in telling the cultural story of the history and atmosphere of the court.”
She likes the word “Hindustan”, because the art of pre-Partition India takes in present-day India, Pakistan, Bangladesh, Afghanistan, and Myanmar. It was also what the Mughals called their own territories.
Coming to the present, she said that when the V&A’s current director, Tristram Hunt, “said he would like a South Asian exhibition, I suggested The Great Mughals, and it was added to the schedule – though plans were later disrupted by the pandemic.”
And, a floorspread
She began by considering the objects she could pick, and is grateful for the loans from the Al-Sabah collection in Kuwait. She said the late Sheikh Nasser “had an absolute passion for Mughal art”, and his wife, Sheikha Hussa, had been “incredibly generous”.
Stronge offered an insight into her approach to curating the exhibition: “I wanted to show the very great art produced over 100 years under Akbar, Jahangir and Shah Jahan. I also wanted to explain something of the history and the cultural context, and also show how hybrid the culture was. That is reflected in the hybridity of the art.
“In the West you tend to see Hindu and Muslim in completely separate categories. That’s not the reality. People share in each other’s religious festivals. That’s why in the studies of art history, ‘Islamic art’ is an almost meaningless term.
“Art historians (in the West) can’t quite place the Mughal empire, because it is not purely Islamic. The rulers are Muslim, but the majority of the population was Hindu. Akbar had Hindu wives and Jahangir had a Hindu mother. It’s not something that fits into Western categorisation. It’s much more hybrid. That’s something I wanted to get across – and how remarkable the artists were. Most of us, certainly me, had never heard of them before I joined the V&A. People like Ustad Mansur, Abu’l-Hasan, and the Iranian master Sa’ida Gilani, a goldsmith who crafted jade artefacts. What is so frustrating is how little we know about their lives or backgrounds.
“The thing that surprises many people is the primacy of the Persian language in the Mughal courts. It was the cultural language of the court, whether you were Hindu or Muslim. One of the leading poets under Jahangir was a Brahmin writing in Persian. I wanted to show the internationalism of the court, the importance of the Persian language and the beauty of the objects. Then there are things, like enamelling, which is a difficult craft. It comes from a foreign technique but becomes completely Mughal and sensational.”
Some of the craft techniques had survived, passed down from one generation to the next.
“There’s this wonderful continuity,” she commented.
She said the Aga Khan Trust for Culture, for example, was trying to revive “the craft of inlaying wood with mother of pearl. They wanted to copy a canopy that had been made in Gujarat and moved to a shrine in Nizamuddin in Delhi. They wanted to put it in their new museum. And, in doing so, they revived a craft that had been completely lost.
“They had to reinvent it almost by trial and error, and they’ve done it to perfection. We showed a short film about the technique in the exhibition.”
Perhaps most important of all, what her exhibition shows is that the Mughals were and remain an integral part of India, its history and its culture.
“If you remove them (from India’s history), you’re removing some of the greatest monuments in the world from the narrative, aren’t you?” she pointed out.
“How do you explain the Taj Mahal, the forts in Delhi and Agra, the endless tombs and monuments? If you don’t know the historical context, you’re losing a lot. It’s something to be proud of.
“If you’ve got a country with a Taj Mahal, it’s something to celebrate.”