LOS ANGELES-based Indian producer Apoorva Charan is thrilled about her critically-acclaimed debut feature film Joyland coming out in the UK this week and is looking forward to its India release next month.
Charan, born in Hyderabad, was drawn to the very simple characters of the film set within a South Asian milieu that had a universal resonance.
For someone with scores of short film credits under her belt, Joyland, which was Pakistan's official entry for the 95th academy awards, propelled her into setting up her production company “all caps” – with a mission to produce refreshing and unique narratives for a global audience.
“The journey has been like building bricks, building one thing on top of the other,” said Charan, ahead of the film’s UK release on Friday (25).
Joyland, directed by Saim Sadiq, has had quite a journey in the international film festival circuit. The feature was selected for the Cannes Film Festival in May last year and went on to win the prestigious Un Certain Regard jury prize.
“Cannes was so wonderful. It was a blind submission, as we literally just sent the film. Of course, we were hoping and dreaming, but when it was selected it gave us a really strong launching platform,” she said.
Joyland Poster
Joyland made history in more ways than one — not only as the first film by a Pakistani director to win at Cannes, but Aleena Khan as the first transgender actor from Pakistan to play a lead role in a feature film and also walk the film festival red carpet.
Actors Sania Saeed, Ali Junejo, Rasti Faruq, Salman Pirzada and Sohail Samir round out the cast.
“We're a small independently made film, but our team has been our strength. We had 40 people from the team at Cannes and it was quite impossible for anyone to ignore the strength and energy of the film. I think it really made people pay attention and that I think has helped us through the journey,” said Charan.
Over a six-year period of working with writer-director Sadiq since he first shared the concept of the film centred around a traditional Pakistani family, Joyland has also had its fair share of ups and downs. It was banned in Pakistan but then eventually the ban was revoked for it to be released in the country where it is set.
“The good thing was that the Pakistani team did so much work to get the ban lifted within six days. That was historic. I think Joyland is also the first film to have a ban revoked in Pakistan so quickly.
"We are grateful that once people started watching the movie, they realised that there wasn't actually anything that controversial, because we're not talking about religion. It became obvious that this movie is much more harmless than it seemed,” said the producer.
The story is set in Lahore, where the Ranas – a happily patriarchal joint family – yearn for the birth of a baby boy to continue the family line. When their youngest son secretly joins an erotic dance theatre and falls for an ambitious trans starlet, it unleashes a variety of revelations that would have long-lasting impact.
“I think what the characters want is so simple and so easy to relate to. Who doesn't want to find love? Who doesn't want to have a job that helps kind of validate their role in society? These wants and needs are just so universal,” said Charan, who is looking forward to the Indian audiences’ reaction to the film when it is releases in the country on March 10.
Meanwhile, she is already deep into her next project with a first-time feature film director set in Brazil and has plans for her “all caps” production company to keep showcasing underrepresented stories.
“I think my vision as a producer is always going to be to bring fresh narratives with a global perspective that engage and move audiences. I think that's the only goal, to just tell good stories,” added Charan.
Joyland is produced by Charan, Sarmad Sultan Khoosat, and Lauren Mann. Nobel laureate Malala Yousafzai is one of the executive producers.
In the long and undistinguished annals of Bollywood mediocrity, Harshvardhan Rane holds a curious place. Neither a major star nor a complete unknown, he has hovered on the periphery of stardom for nearly a decade.
Despite having almost exclusively delivered flops, he has somehow managed to stay in the news. His latest brush with relevance comes via an unnecessary controversy, wrapped in nationalistic chest-thumping and petty social media drama.
Mawra Hocanegetty images
It all began with the inexplicable resurrection of Sanam Teri Kasam, a forgettable romantic drama from 2016 that barely made a dent upon its original release. Dismissed by critics and largely ignored by audiences, it faded into obscurity. But in a bizarre twist, the film found surprising traction when it was re-released in 2025. Why? No one knows – not even the most seasoned industry watchers. Perhaps it was nostalgia, curiosity, or just sheer cinematic masochism. Despite being freely available on YouTube for years, it managed to draw audiences and became moderately successful. Let’s be clear though: it is still not a good film.
What it did do, however, was give renewed attention to an actor who should have been long forgotten by Bollywood. Unsurprisingly, Rane seemed ready to cash in. But instead of showing humility over this rare second wind, he stirred controversy by invoking the real and escalating India–Pakistan conflict. Rather than using his platform to promote peace, he jumped onto social media to boldly declare that he would not work with his Pakistani co-star Mawra Hocane in any potential sequel.
This move was baffling – especially considering Hocane had long since moved on to far bigger stardom and more substantial work. Her response was swift, smart, and scathing. In a single social media post, she dismissed Rane’s performative nationalism, pointing out that a war was ongoing and innocent lives were being lost. She called his statement “shameful, bizarre and desperate,” writing: “While our nations are at war, this is what you come up with — a PR statement to get attention? What a pity!”
Unlike Rane’s patchy career, Hocane is a huge star in Pakistan, with a string of hit TV serials, a larger social media following, and far greater acting range. She does not need to share the screen with him – and certainly not for a sequel no one asked for.
But Rane wasn’t done. He made another clumsy attempt to milk the moment by hinting at a sequel to Sanam Teri Kasam. The film’s co-directors Radhika Rao and Vinay Sapru – whose careers have been even less impressive than Rane’s – weighed in, stating that Hocane would not be part of any such project. The pettiness didn’t end there: Hocane’s face was scrubbed from the Sanam Teri Kasam soundtrack artwork on Spotify. A spiteful move, given that she has the larger fanbase and, frankly, delivered the film’s more memorable performance.
Sanam Teri Kasamgetty images
What made these collective statements particularly absurd was that a sequel has not even been officially greenlit. Given Rane’s track record and the clueless directing duo behind the original, any producer willing to back such a venture would need the courage of a war general and the bankroll of a gambler on a losing streak.
As tensions between India and Pakistan escalate, with real lives at stake, Rane’s posturing has felt especially tone-deaf. He now joins a long list of minor celebrities on both sides of the border who have tried to exploit geopolitical crises for publicity, rather than using their platforms to advocate for peace, dialogue – or even basic decency.
At a time when empathy and unity are needed most, Rane, like so many others, chose division and drama. That says a lot — not just about his career, but about how desperation for relevance can turn an actor into a headline-chaser rather than an artist or responsible citizen.
Perhaps instead of reaching for controversy, he should focus on finding a script that finally works. Or better yet, some introspection.
Aishwarya Rai Bachchan’s return to the Cannes red carpet in 2025 wasn’t just about fashion, but a mix of poise, heritage, and a small moment of real-life awkwardness that she turned into grace.
For her second red carpet appearance this year, Aishwarya arrived in a dramatic black gown paired with an ivory Banarasi brocade cape. The cape, handwoven in Varanasi, bore a powerful Sanskrit verse from the Bhagavad Gita. It was a rare and classy mix of traditional craftsmanship meeting high fashion, with spiritual thought stitched into the very fabric.
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But red carpets aren’t always smooth. While posing with Helen Mirren and Cara Delevingne, Helen accidentally stepped on the flowing cape, causing it to slip slightly from Aishwarya’s shoulder. Cameras captured the moment, one that could have easily become a wardrobe mishap. Instead, Aishwarya responded with calm. A soft alert to Helen, a smile, a quick adjustment, and she was back in pose as if nothing had happened. Helen apologised immediately, and the two moved on with mutual respect and warm gestures.
The dress itself, titled Heiress of Clam by designer Gaurav Gupta, was no ordinary outfit. It shimmered with silver, gold, and charcoal accents meant to reflect a cosmic design. Embellished with micro-crystals, the gown caught light like stardust. Aishwarya’s makeup was minimal and powerful, with classic red lips, soft waves, and a dewy glow that added to the timeless feel.
Aishwarya Rai’s cosmic black gown glows under Cannes lightsInstagram/gauravguptaofficial
The highlight, however, wasn’t just the sparkle or the silhouette, it was the message on the cape: “You have a right to perform your actions, but not to the results.” That choice in fact rooted her red carpet moment in something deeper than surface glamour.
Fans on social media couldn’t get enough, praising her style, grace, and the way she navigated the cape incident. Some joked that Helen cleared the way for Aishwarya’s look to shine; others called her the true “red carpet queen.”
In a festival filled with international stars, Aishwarya managed to leave a mark that wasn’t just about fashion but also about dignity, culture, and quiet strength. After nearly two decades of representing India at Cannes, she continues to do it in her own way: unapologetically, beautifully, and on her own terms.
With his brooding charm, striking screen presence, impressive acting ability and fiercely loyal fan base, Vivian Dsena has carved a niche for himself on Indian television.
From playing the intense Rishabh Kundra in Madhubala – Ek Ishq Ek Junoon to the vampire Abhay Raichand in Pyaar Kii Ye Ek Kahaani, and the emotionally complex Harman in Shakti – Astitva Ke Ehsaas Ki, Dsena has always picked roles that challenge the norm – and he has done it all on his own terms.
Most recently, he entered the popular reality show Bigg Boss after years of turning it down, and made a strong impression on viewers.
Eastern Eye caught up with the massively popular star, who shuttles between Mumbai and Bahrain, to reflect on his journey. He also spoke about what truly matters in life, family, creative inspirations, his dream role, the one thing he wants to master, the secret of a good performance, his loyal fanbase and why he likes being unpredictable.
Vivian Dsena getty images
You have always done everything on your own terms. How do you reflect on that career journey? Conviction is the most important thing for an actor. With every project, I had to convince myself that I could play the character and look the part. Only then would I say yes. That’s why I’ve always been selective. God has also been kind. I’ve had four shows on air as a lead, and by God’s grace, all were successful. So yes, conviction has played a huge role in my career.
Did you decide early on to prioritise quality over quantity? It just happened by chance. I was someone in the right place at the right time – although there’s been a lot of hard work behind it. But they say when something is destined for you, sometimes you walk towards it, and sometimes it walks towards you. I think I chose the right roles at the right time. Heartfelt thanks to God and my lovely viewers.
They asked you every year to do Bigg Boss, and you always refused. What changed? My wife and I were talking about work. She said, “Baba, you need to step out of your comfort zone. You’re not going back to another daily soap, so why not try Bigg Boss?” I asked, “Are you sure?” But she was the one who convinced me. It was mainly Nouran who encouraged me to do the show.
How do you look back on your experience on Bigg Boss? It was a fantastic experience – something I achieved as a person. There were moments when I felt anxious or angry, like anyone would, but I managed to control myself while living in that house.
What did you learn about yourself in that setting? Bigg Boss is about survival of the fittest. In life, you meet all kinds of people – some kind, some who teach you something, and some you’d prefer not to meet again, but destiny brings them into your life. That’s how life is – full of such encounters – and it carries on, even after a show like Bigg Boss.
Would you have done anything differently? No, I wouldn’t. That’s who I am and how I’ve always been. We all grow into the people we are. Asjad, you’ve known me for nearly 16 years — since I first started playing lead roles. I’ve changed a lot over time. I’m a father now. Life teaches you constantly.
You’re known for being unpredictable. What’s your plan next? (Laughs) I think that unpredictability is what people love about me – and I enjoy it too. It’s like that line from The Devil’s Advocate, where Al Pacino says, “I’m a surprise. They don’t see me coming.” That surprise element keeps things exciting and keeps me energised. What I can share, as a brother, is that there are some projects coming up – including web shows I’m in talks for. Hopefully, you’ll see me in a new kind of role soon.
Vivian Dsenagetty images
What inspires you creatively? My fans. They made me who I am. I still remember when you first contacted me because of fan demand. I was surprised that people in London knew me! I even asked you, “Do people in London know who I am?” So yes – it’s always been the audience that inspires me.
You have an incredibly loyal fan base. What does that love mean to you? It means a lot. It keeps me creatively alert. More than just loving them back, I feel responsible towards them. I owe it to them to work hard, explore new characters, avoid repetition, and be a good role model.
Is there one role you haven’t played but would love to? Yes – I’d love to play a rock star. That’s one character I really want to take on in a well-written story.
You’ve stayed away from films so far. Is that still your choice? Right now, there’s a lot to focus on – non-fiction TV and web shows – so that’s where my attention is. But if a good film came along, I wouldn’t rule it out. You can do just TV and OTT and still survive – and thrive! By God’s grace and my fans’ love, I’ve survived for 17 years without doing a film. Inshallah, I’ll continue to do so.
You’re widely seen as a very good actor. What’s the secret to a strong performance? Thank you, brother – it means a lot coming from you, since you’ve seen my whole journey. For me, it starts with connecting to the character. If I can’t feel it, I won’t take it. There have been shows where I said no right after the narration because I couldn’t relate to the character. You need to understand the role – and believe in it completely.
What are your biggest passions away from work? Spending time with my family. I live in Mumbai, and they’re in Bahrain, so whenever I get the chance, I travel to be with them. That’s the most fulfilling part of my life outside work.
If you could master one new thing, what would it be? Skydiving has always been on my bucket list. But it can wait – there are other things to focus on first.
And your wife would never let you do it. She wouldn’t stop me – but once I master it, she definitely won’t come with me. And she won’t let the kids join me either.
What’s your idea of happiness today? What I’ve realised in 36 years is that we all work hard for our families – for the people waiting for us at home. The deepest contentment comes from family and their comfort. That’s where real happiness lies.
You’ve become a strong role model for the younger generation. There’s a difference between being popular and being a responsible celebrity. A popular person says things to please the crowd. A responsible celebrity says things that add value to society. That’s the difference – and I believe in leading by example.
What advice would you give young people starting their careers? Never give up. There will be moments when it feels like everything is falling apart. But when you think it’s the end, it’s actually not. It’s the beginning of a new journey – one you can’t see yet.
Why do you love being an actor? Because I believe this is what I do best – by God’s grace and with the love of my fans.
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Charli XCX strikes a pose backstage after her big Ivor Novello win
Charli XCX, known for her music and rebellious spirit, has just been named Songwriter of the Year at the 2025 Ivor Novello Awards. Held at London’s Grosvenor House, the ceremony recognised the people behind the music, including those who write the lyrics, shape the melodies, and craft the tunes that stick with us. And this year, it was Charli’s moment.
In a cheeky acceptance speech, she quoted lyrics from her own song Club Classics: “I wanna dance to me, me, me…” and followed it up by saying, “I’m hardly Bob Dylan.” But behind the humour was a clear truth: she’s worked hard to create something uniquely her own. Her 2024 album Brat captured both chaos and honesty, mixing club-ready beats with raw questions about fame, identity, and relationships. It was not just a hit on the charts; it sparked a wider cultural moment. Even the word “brat” made it into the Collins Dictionary’s Word of the Year.
Charli XCX posing after winning Songwriter of the Year at the 2025 IvorsGetty Images
The Ivors, now in their 70th year, celebrate excellence in songwriting, voted for by fellow songwriters. That makes this recognition feel especially real. Brat may not have won Best Album, that went to Berwyn for Who Am I, but Charli’s influence on pop this past year is undeniable. Her music has been everywhere, with her songs reportedly played over 50 times a day across UK airwaves.
The awards also spotlighted new and rising talent. Lola Young won the Rising Star Award, thanks to the success of her gritty hit Messy, while Myles Smith’s Stargazing took home the award for the most-played song of the year. Orla Gartland’s intimate ballad Mine was named Best Song Musically and Lyrically, and Sans Soucis won Best Contemporary Song for Circumnavigating Georgia.
Elsewhere, U2 were honoured with a lifetime fellowship, Brandon Flowers of The Killers won the special international award, and Robbie Williams was celebrated as a music icon.
As Charli XCX said herself, a good song isn’t just about melody; it’s about having a point of view. And with Brat, she’s made hers loud and clear.
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Salman Khan's Bandra residence witnessed two trespassing attempts in just 24 hours
Salman Khan’s residence in Bandra, Mumbai, faced two security breaches this week after a man and a woman tried to enter his building on separate occasions. Both individuals have since been taken into custody by the Bandra police and booked for trespassing.
The first incident occurred on Tuesday morning when 23-year-old Jitendra Kumar Singh, who had travelled from Chhattisgarh, was found lingering near the actor’s residence. When asked to leave by security personnel, Singh became agitated and smashed his phone. Later that evening, he managed to sneak inside the Galaxy Apartments compound by following a car into the premises. Security guards apprehended him before he could reach the actor and handed him over to the police. During questioning, Singh reportedly said he just wanted to meet Khan, but security wouldn't let him in.
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Less than 24 hours later, a second breach occurred. Early Wednesday morning around 3:30 am, 36-year-old Isha Chhabra from Khar managed to enter the same apartment complex. Claiming she had been invited, she went up to the actor’s flat and rang the doorbell. Salman Khan was reportedly at home at the time. The building’s staff quickly intervened and called the police after verifying she had no invitation.
Police are now investigating whether either of the intruders had help from someone inside the building. Officers are also reviewing security protocols at Galaxy Apartments, particularly since the actor has been under serious threat from the Lawrence Bishnoi gang.
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This isn’t the first time Khan’s safety has come under question. Last April, two men on a bike fired shots outside his home. That attack, allegedly orchestrated by the Bishnoi gang, led to increased protection for the actor, including a Y-plus security detail. Additional measures, including surveillance upgrades and tighter building access, were introduced following that incident.
Tight security at Galaxy Apartments questioned after back-to-back intrusionsGetty Images
Khan, while promoting his upcoming film Sikandar earlier this year, admitted that the tight security has affected his daily life. He mentioned that he rarely steps out unless it’s for a shoot, and even then, he travels strictly between the set and his home.
With these latest incidents, questions are once again being raised about whether even Y-plus security is really enough.