Annual Darbar Festival returns with a classical Indian music celebration
Held at the Barbican in central London, the culturally rich festival kicks off with a music appreciation course next Saturday (19)
Jayanthi Kumaresh
By Eastern EyeOct 14, 2024
THE annual Darbar Festival returns with a stunning series of classical Indian music concerts featuring top international talents, including iconic Indian legends.
Held at the Barbican in central London, the culturally rich festival kicks off with a music appreciation course next Saturday (19), led by tabla teacher Sukhdeep Dhanjal and UK sitar virtuoso Harmeet Virdee. Following the course, a series of live shows will take place from October 24-27, accompanied by healthled events such as meditation sessions.
Eastern Eye previews this year’s festival, highlighting the key concerts and onstage talks to watch over an actionpacked four days.
October 24
< Milton Court Concert Hall, 6:30 pm: A double bill concert begins with a performance by sarangi virtuoso Dilshad Khan, delivering soul-stirring ragas accompanied by Sanju Sahai on tabla. The second half features Jayanthi Kumaresh on the Saraswati veena, exploring the pulsating rhythms of south Indian classical music, with support from Jayachandra Rao (mridangam) and Giridhar Udupa (ghatam).
October 25
< Milton Court Concert Hall, 1pm: A turbocharged tabla duet features music legend Pandit Anindo Chatterjee and his son Anubrata Chatterjee, promising a technically dazzling and emotionally moving performance, accompanied by Dilshad Khan on sarangi.
< Milton Court Concert Hall, 6.30pm: Another double bill concert starts with award-winning British sitar maestro Jasdeep Singh Degun, joined by Anubrata Chatterjee on tabla. The evening continues with khayal vocalist Shalmalee Joshi making her UK debut, accompanied by Vinod Lele (tabla) and Siddhesh Bicholkar (harmonium).
October 26
< Frobisher Auditorium 1, 12pm: Jayanthi Kumaresh presents an enlightening exploration of the veena’s timeless beauty and legacy, sharing her expertise and passion for the instrument.
< Frobisher Auditorium 1, 3pm: An opportunity to delve into the world of Indian classical music with Ashwini Bhide-Deshpande, celebrated for her expertise in the khayal tradition. Explore the enchanting intricacies of the Atruli-Jaipur Gharana, a prestigious lineage celebrated for its distinctive style and profound emotional depth.
< Barbican Hall, level G, 5pm: A free, family-friendly event features the extraordinary talents of Akash Parekar (sitar) and Himmet Bahra (tabla), promising an afternoon of enchanting melodies and rhythmic brilliance.
< Barbican Hall, 6.30pm: A double bill concert features sarod maestro Amaan Ali Bangash and tabla talent Anubrata Chatterjee, followed by Carnatic violin virtuosos Dr. L Subramaniam and Ambi Subramaniam, supported by Pandit Anindo Chatterjee (tabla), VV Ramanamurthy (mridangam), and Giridhar Udupa (ghatam).
< Frobisher Rooms, 7pm: Explore the holistic aspects of Indian classical music and experience the healing power of Indian ragas on the bansuri and tanpuras with renowned flautist Jason Kalidas. Discover how different ragas can create a harmonious balance within.
< Frobisher Auditorium 1, 7pm: Experience the timeless beauty of dhrupad in its purest form in an evening of spiritual and musical transcendence with vocalist Kirit Singh, accompanied by Jasdeep Singh on the jori. The evening will unfold with the slow, meditative alaps, gradually building into more rhythmic and structured compositions.
October 27
< Barbican hall, 11am): Carnatic vocalist Aruna Sairam brings her vast repertoire of raga knowledge and spiritual lyrics, performing music by Oottukkadu Venkata Kavi (1700–1765), Dikshitar (1775–1835), Shastri (1762–1827) and Tyagaraja (1767–1847). She is accompanied by Jyotsna Srikanth MBE (carnatic violin), Patri Satish Kumar (mridangam) and Giridhar Udupa (ghatam).
< Frobisher Auditorium 1, 12pm: Join musician Amaan Ali Bangash for a captivating lecture demonstration where he will explore the rich history and tradition of the sarod, offering unique insights into this revered Indian classical instrument and his family’s remarkable legacy.
< Frobisher Auditorium 1, 3pm: Virtuoso violinist and composer Dr L Subramaniam delves into the essence of Indian classical music, providing insights into its rich heritage. Attendees will gain first-hand knowledge of his creative process and musical philosophy, as he unveils the magic behind his mesmerising compositions.
< Barbican Hall, level G, 3.30pm: Enjoy a free, family-friendly foyer concert featuring Jason Kalidas on flute and Harkiret Bahra on tabla. Together, they will create a dynamic and engaging performance that resonates with listeners of all ages.
< Barbican Hall, 5pm: A double bill concert celebrating midnight ragas, starting with India’s iconic sitar maestro Pandit Kushal Das, accompanied by Pandit Anindo Chatterjee on tabla. The evening concludes with acclaimed khayal vocalist Ashwini Bhide-Deshpande, supported by Vinod Lele on tabla and Siddesh Biocholkar on harmonium.
Xiaomi’s new YU7 SUV secures 289,000 orders within the first hour
Demand exceeds expectations and beats the previous SU7 launch
Analysts predict Tesla may lose more market share in China
Tesla could be forced to cut prices or offer more incentives to stay competitive
Xiaomi’s YU7 SUV triggers record-breaking demand
Xiaomi’s second electric vehicle, the YU7 SUV, received a staggering 289,000 orders within just one hour of launch, sending the company’s share price to a record high and intensifying competition in the electric vehicle (EV) market.
The YU7’s initial demand was nearly three times higher than that of the SU7 sedan, launched in March 2024, and significantly exceeded market expectations of around 100,000 orders. Priced from 253,500 yuan (approximately £28,000), the YU7 undercuts Tesla’s Model Y by nearly 4% while offering superior performance, according to analysts.
Tesla’s market share under renewed threat
Tesla, which currently sells China’s best-selling SUV, the Model Y, may face increasing pressure from local rivals such as Xiaomi. Analysts say the surge in YU7 orders is a clear sign that Tesla’s dominance in the Chinese EV market is eroding.
The US-based automaker’s share of China’s EV market has dropped steadily from 15% in 2020 to 10% in 2024, and to 7.6% in the first months of 2025.
Tesla has not yet commented on the situationReuters
Xiaomi’s SU7 has already outsold Tesla’s Model 3 in China on a monthly basis since December. With the YU7’s competitive pricing and specifications, analysts at Jefferies believe it could accelerate Tesla’s market share decline.
Possible Tesla response
Citi analysts suggested that Tesla may be forced to reduce prices again, offer its Full Self-Driving software at no extra cost, or provide more financing incentives to maintain its position in the Chinese market. Tesla has not yet commented on the situation.
Market reaction
Xiaomi’s shares rose 8% in early trading on Friday, reaching an all-time high before settling at a 3% gain. The company’s stock has climbed over 70% so far in 2025, making it the best-performing large-cap stock in the Asia-Pacific region, according to LSEG data.
The sharp increase in valuation brings Xiaomi’s market cap to nearly $200 billion, solidifying its position as a major new player in the EV industry.
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Scottish-Pakistani theatre-maker Lubna Kerr returns to the Edinburgh Fringe with 'Lunchbox'
Acclaimed Scottish-Pakistani theatre-maker Lubna Kerr returns to the Edinburgh Fringe with Lunchbox – the final instalment of her deeply personal and widely praised ‘BOX’ trilogy, following Tickbox and Chatterbox.
Inspired by her own upbringing as a Pakistani immigrant girl in Glasgow, Lunchbox is a powerful one-woman show that tackles themes of identity, race, bullying and belonging through the eyes of two teenagers growing up on the same street but living vastly different lives. With humour, honesty and heart, Kerr brings multiple characters to life, including her younger self and a troubled classmate, as she explores whether we are shaped by our environment or capable of breaking the cycle.
Ahead of the show’s run at this year’s Edinburgh Fringe, she speaks to Eastern Eye about her creative journey, the inspiration behind the trilogy and why she believes now is the time to share these stories.
Lunchbox is a powerful one-woman show that tackles themes of identity, race, bullying and belongingInstagram/ lubnakerr
How do you reflect on your creative journey?
When I started writing my first play Tickbox, I doubted myself – would anyone come to see it? But it has since been staged all over the UK and is still touring. I have come so far in my creative journey and love being able to find new stories to tell the world.
How much are you looking forward to returning to the Edinburgh Fringe? I love the Fringe. It is my favourite part of the year.
Tell us about your new show. Lunchbox is a one-woman show and is the final part of the ‘BOX’ trilogy of my life as a Pakistani immigrant girl growing up in Glasgow. There are eight characters – some familiar and some new.
How does this compare to your other shows Tickbox and Chatterbox?
It is similar but different. It explores the next stage of my school life, but this time through the eyes of the bully, Steven.
How have you felt going on a journey with this unique trilogy?
It was never meant to be a trilogy when I first started writing, but as the stories came out, I realised I had so much to share that I could not do it all in one play.
What is the biggest challenge of doing a solo show?
Keeping well and pacing your energy. There is no understudy, so I need to make sure I get enough rest and can be fresh for my shows every day.
She says, ''do not assume you know what is going on in people’s lives behind closed doors''Instagram/ lubnakerr
Who are you hoping to reach with this show?
Those who were bullied, those who stood by and did nothing, and those who were the bullies.
Is there a key message you want to convey with this show?
Do not assume you know what is going on in people’s lives behind closed doors. I want audiences to think about who they wrote off in life. Who could they have given a hand to? Whose life did they assume was a waste? Who will they be clapping for? Have they forgiven their bully?
What do you most love about live theatre?
I love performing and sharing unheard or untold stories about the diaspora. We have such a rich culture and heritage, and we need our voices to be heard. Theatre is the vehicle to do this.
How do you feel when you are on stage?
I love being on stage, whether performing a play or doing comedy. I love feeling connected to the audience – having them hold onto my every word and fall into a trance with my characters, helping them forget their worries for an hour.
Why should we all come and watch your new show Lunchbox?
Lunchbox has a universal theme of bullying and discrimination, but it is told by an older south Asian woman. How many of us are out there doing this? I want to inspire anyone of any age to come and share their stories on stage, and let the world know that we are more than just curries and cricket (though I do love both).
Vedanta Resources, which is based in the UK and owned by Indian billionaire Anil Agarwal, has been working on reducing its debt. (Photo credit: Getty Images)
VEDANTA LTD said on Thursday that its parent company, Vedanta Resources, has signed a loan facility agreement worth up to £438 million with international banks to refinance existing debt.
The refinancing move, where old loans are replaced by new ones, often at better terms like lower interest rates, has led ratings agencies such as S&P Global Ratings and Moody's to upgrade their outlook on the company this year.
According to Vedanta's exchange filing on Thursday, the lenders involved in the deal include Standard Chartered Bank and its Mauritius unit, First Abu Dhabi Bank, Mashreqbank, and Sumitomo Mitsui Banking Corp.
Vedanta Resources, which is based in the UK and owned by Indian billionaire Anil Agarwal, has been working on reducing its debt.
The company lowered its net debt by £876m, bringing it down to £8.1 billion in fiscal 2025.
(With inputs from Reuters)
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Hrithik Roshan and Jr NTR starrer War 2 to hit IMAX screens worldwide
War 2 will be released in IMAX globally on 14 August 2025, alongside its India debut.
Stars Hrithik Roshan, Jr NTR, and Kiara Advani in an action spy thriller.
Directed by Brahmāstra filmmaker Ayan Mukerji and produced by Yash Raj Films.
New character posters dropped as part of the countdown campaign.
Yash Raj Films is pulling out all the stops for War 2, its upcoming spy thriller starring Hrithik Roshan and Jr NTR. The film is set for a simultaneous global IMAX release on 14 August, including major markets like the US, UK, Middle East, and Southeast Asia, promising fans an immersive big-screen experience just in time for the Independence Day weekend.
Global IMAX release brings War 2 to worldwide audiences
Continuing the massive YRF Spy Universe, War 2 will in fact be the first time Jr NTR joins the franchise, locking horns with Hrithik Roshan in what’s being pitched as an international action event. The film will be available in IMAX cinemas across North America, Europe, Australasia, Africa, and more, a major move that follows the global success of Pathaan and Tiger 3.
Nelson D’Souza, YRF’s VP of International Distribution, confirmed that the studio aims to raise the bar for Indian cinema’s global appeal. “This is a massive face-off between two of Indian cinema’s biggest stars, and IMAX is the perfect canvas for it,” he said.
New posters spark buzz as countdown to War 2 begins
To kick off the 50-day countdown to release, YRF revealed new character posters of Hrithik Roshan, Jr NTR, and Kiara Advani. Each look teases the tone of their characters: Hrithik with smouldering cool, NTR in fierce mode, and Kiara exuding quiet command.
Director Ayan Mukerji, known for creating visually rich films, has shot War 2 with IMAX screens in mind. According to IMAX’s Christopher Tillman, “This is not just another action film. It’s a full-scale theatrical event designed for immersive viewing.” A special IMAX teaser is already screening globally, offering fans a glimpse of what’s to come when the film lands on 14 August.
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Wintour’s style of leadership earned her the nickname “Nuclear Wintour”
Anna Wintour steps down as editor of US Vogue after 37 years
She will remain Vogue’s global editorial director and hold senior roles at Condé Nast
Wintour transformed US Vogue into a global fashion authority
The 75-year-old has received numerous honours, including the Presidential Medal of Freedom
End of an era at US Vogue
Anna Wintour has stepped down as the editor of US Vogue, bringing to a close a 37-year tenure that redefined the publication and saw her become one of the most influential figures in global fashion.
The announcement was made on Thursday (26 June) during a staff meeting in New York. Wintour, 75, will no longer oversee the day-to-day editorial operations of Vogue’s US edition. However, she will continue to serve as Vogue’s global editorial director and Condé Nast’s chief content officer, maintaining senior leadership roles across the company.
A transformative legacy
Wintour took the helm of US Vogue in 1988, inheriting a relatively conservative magazine. She swiftly transformed it into a trendsetting, authoritative voice in fashion. Under her leadership, the publication became known for its iconic covers, high-end photography, and ability to shape careers in the fashion industry.
With extensive budgets and strong advertising support, Vogue became a global fashion flagship, influencing designers, celebrities, and brands worldwide.
Wintour’s style of leadership earned her the nickname “Nuclear Wintour” for her decisiveness, with some reports noting her tendency to make bold editorial decisions without extensive discussion. Her distinctive bob haircut and ever-present sunglasses made her a recognisable front-row figure at fashion weeks around the world.
Beyond the magazine
The British-born editor rose to wider public fame as the inspiration behind the character Miranda Priestly in The Devil Wears Prada — both the 2003 novel and the 2006 film adaptation. While Wintour rarely commented on the portrayal, she acknowledged the attention it brought, most recently during the launch of a stage musical adaptation in London in 2024.
She told the BBC, “They [my sunglasses] help me see and they help me not see. They help me be seen and not be seen. They are a prop, I would say.”
Wintour also became synonymous with the Met Gala, the annual high-profile charity event in New York City, which she has organised for years, drawing celebrities from fashion, film, politics, and sport.
Recognition and future plans
Wintour has received numerous accolades during her career. She was made a Dame Commander of the Order of the British Empire (DBE) in 2017 and became a Companion of Honour in February 2025. During the ceremony in London, she removed her sunglasses to receive the award and told King Charles III that she had no intention of retiring.
Wintour also became synonymous with the Met GalaGetty Images
In the United States, President Joe Biden awarded her the Presidential Medal of Freedom earlier this year before leaving office.
Despite stepping back from US Vogue, Wintour will continue to oversee several major Condé Nast titles including Wired, Vanity Fair, GQ, Condé Nast Traveler, and Glamour, as part of her global leadership responsibilities.
In her remarks to staff, she described the decision as “pivotal” but confirmed she would not be leaving the company or her office. “I’ll be turning all my attention to global leadership and working with our team of brilliant editors around the world,” she said.