RENOWNED dancer and choreographer Akram Khan will unveil an inter-generation project as Bradford celebrates its status as a city of culture next year.
Titled Memories of the Future, it will be performed on July 5, 2025, at the Alhambra Theatre and will showcase the talents of 60 dancers from communities across Bradford, a statement said.
Khan leads the programme along with the Akram Khan Company, who are visiting Bradford for the first time.
Details of a year-long celebration were announced earlier this month and other high-profile personalities who will take part in events are David Hockney and Steven Frayne (formerly known as Dynamo), while The Turner Prize will also feature in Bradford.
Culture secretary Lisa Nandy said, “Next year's UK City of Culture programme promises some fantastic experiences throughout the year, enabling Bradford to tell its incredible story and show off its rich local heritage to the world.
“This celebration of talent born and bred in the city will help to get more people of all ages and backgrounds involved in cultural events, creating good jobs and opportunities for young people.”
Shanaz Gulzar. (Photo: Tim Smith)
Khan’s dancers will draw inspiration from the themes of identity, belonging, and home explored in his reimagining of Rudyard Kipling’s The Jungle Book.
The project aims to bring together individuals from different cultures and generations, many of whom will be taking the stage for the first time.
Music will play a central role in Bradford’s cultural programmes. The festivities start in January with the Asian Dub Foundation live scoring the 1995 French thriller "La Haine" to commemorate the film’s 30th anniversary. It tells the story of three friends from a poor immigrant neighbourhood in the suburbs of Paris.
In April, the Big Brass Blowout will celebrate brass music of all genres, featuring Bradford’s renowned Black Dyke Band, one of the oldest brass bands in the world.
A three-day New Music Biennial in June will focus on contemporary classical compositions. And in August, Dialled In will host a celebration of contemporary south Asian music, highlighting the cultural contribution of the community.
The prestigious Turner Prize will be hosted at Cartwright Hall Art Gallery, in the year the UK celebrates the 250th anniversary of JMW Turner’s birth (from September).
Bradford-born renowned artist Hockney will support DRAW!, a nation-wide project, which aims to invite people of all ages to take part in a drawing project.
Shanaz Gulzar, creative director, Bradford 2025 UK City of Culture, said: “I am delighted to announce the first events in the programme for Bradford 2025 UK City of Culture, which showcase the exceptionally rich, diverse talent that Bradford holds.
“This is a once in a lifetime opportunity to celebrate our extraordinary cultural heritage, and for our young population to become leaders and changemakers, starting a new chapter in the story of Bradford.”
The city’s residents will be central to the celebration – they are expected to play an active role in numerous performances and activities, sharing their stories about the city.
Many events in the programme will be offered free of charge, making it accessible to all community members, the organisers said.
With a population of more than 550,000, Bradford ranks as the seventh most populated local authority in England.
Around 27.9 per cent of its residents are under the age of 20, making it one of the youngest cities in the country.
Bradford was selected by the government in May 2022 and follows Derry~Londonderry (2013), Hull (2017) and Coventry (2021) as the City of Culture.
Everyone is saying it: Diane Keaton is gone. They will list her Oscars and her famous films. Honestly, the real Diane Keaton? She was a wild mash-up of quirks and charm—totally stubborn, totally magnetic, just all over the map in the best way. Off camera, she basically wrote the handbook on being unapologetically yourself. No filter, no apologies. But honestly? She could make you laugh until you forgot what was bothering you. Very few people could do that. That is something special.
Diane Keaton never followed the rules and that’s why Hollywood will miss her forever Getty Images
Remembering the parts of her that stuck with us
1. Annie Hall — the role that reshaped comedy
Not just a funny film. Annie Hall changed how women in comedies could be messy, smart, and real. Her Oscar felt like validation for everyone who had ever been both awkward and brilliant in the same breath.
2. The nudity clause she would not touch
Even as an unknown in the Broadway cast of Hair, she had a line. They offered extra cash to do the famous nude scene. She turned it down. Principle over pay, right from the start.
3. The Christmas single nobody saw coming
3.At 78, she released a song. First Christmas. Not for a movie. Not a joke. Just a sudden, late-life urge to put a song out into the world. A perfect, weird, Keaton curveball.
4. The wardrobe — menswear that became signature
Keaton made ties and waistcoats a kind of armour. She was photographed in hats and wide trousers for decades. Style was not a costume for her; it was character. People still imitate that look, and that is saying something.
5. Comedy with bite — First Wives Club and more
She could be gentle one moment and sharp the next. In The First Wives Club, she carried the ensemble effortlessly, landing jokes while letting you feel the heartbreak beneath. Friends who worked with her spoke about her warmth and how raw she stayed about life.
6. A filmmaker and photographer, not just an actor
She directed, she photographed doors and empty shops, she wrote. She loved the weird corners of life. That curiosity kept her working and kept her interesting.
7. Motherhood, chosen late and chosen fiercely
She adopted Dexter and Duke and spoke about motherhood being humbling. She was not pressured by conventional timelines. She made her own map.
8. The last practical act
Months before she died, she listed her Los Angeles home. A quiet, practical move. No drama. It feels now like a final piece of business, a woman tidying her own affairs with clear-eyed calm.
9. The sudden end — close circle, private last months
Friends say her health declined suddenly and privately in recent months. She kept a small circle towards the end and was funny right up until the end, a friend told reporters, making the loss feel even sharper.
10. Tributes that say it plain — “trail of fairy dust”
Stars poured out words: Goldie Hawn, Bette Midler, Ben Stiller, Jane Fonda, all struck by how singular she was. They kept mentioning the same thing: original, kind, funny, utterly herself.
Diane Keaton’s legacy in film comedy and fashion left a mark no one else could touchGetty Images
So, that is the list.
We will watch her films again, of course. We will notice the hats, laugh at the delivery, and be surprised by the sudden stab of feeling in a small, silent scene. But more than that, there is a tiny, stubborn thing she did: she made permission. Permission to be odd, to age, to keep making mistakes and still stand centre screen. That is the part of her that outlives the headlines. That is the stuff that does not fade when the credits roll.
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