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Yami Gautam signed to play an Intelligence Officer in Uri

Actress Yami Gautam is on a roll! After bagging a pivotal role in Shree Narayan Singh’s social-drama film Batti Gul Meter Chalu, the actress has now signed producer Ronnie Screwvals’s upcoming film Uri.

The film, as the name suggests itself, is based on Indian Army’s surgical strikes across the LoC close on the heels of a terror attack near the Army camp in Uri which went on for 11 long days claiming the lives of 17 army jawans.


Yami will play the role of an intelligence officer in the movie while actor Vicky Kaushal essays the character of a commander-in-chief leading the operation against the terrorists. Expected to mount the shooting floor in next couple of months, Uri will be helmed by debutant director Aditya Dhar.

Sharing her excitement on being a part of the film, Yami said in a statement, “Aditya’s passion about the film is infectious, and the amount of extensive research he has done is amazing. I am really thrilled to be part of this film. This is the first time I am playing a role like this. I have been looking to do roles like this that represent the strength and courage of today’s girls”.

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'Akka' review: Keerthy Suresh and Radhika Apte’s battle exposes an uncomfortable truth about power

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'Akka' review: Keerthy Suresh and Radhika Apte’s battle exposes an uncomfortable truth about power

Highlights

  • Keerthy Suresh and Radhika Apte lead Netflix's five-episode crime drama set in a fictional south Indian region ruled by an 800-year-old sisterhood.
  • The series explores whether women in positions of absolute power can avoid reproducing the oppressive systems traditionally associated with patriarchy.
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What happens when women take control of a world traditionally dominated by men? Does changing the gender of those in power automatically create a fairer society? Netflix's Akka, led by Keerthy Suresh and Radhika Apte, explores these uncomfortable questions through a violent crime saga built around an 800-year-old sisterhood.

Set in the fictional south Indian region of Perunuru, the five-episode series follows a powerful matriarchal community that controls the criminal underworld and the lucrative gold and illicit liquor trades. While its premise offers an interesting reversal of conventional crime dramas, the story gradually reveals that replacing male rulers with women does not necessarily dismantle the systems of oppression they inherit.

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