According to Fatima Bhutto, it’s Shah Rukh Khan, whom she has interviewed for her new book, New Kings of the World: Dispatches from Bollywood, Dizi, and K-pop (Columbia Global Reports; £11.99).
She advances the entertaining thesis that as a global force, American soft power –symbolised by Hollywood, McDonald’s, blue jeans and the like – is being overtaken by “the new arbiters of mass culture”, notably Bollywood. And who better than Khan, with whom she spends a couple of days in Dubai, to act as the symbol of Bollywood?
Bhutto is best known for Songs of Blood and Sword, the painful but gripping account of her family’s history. Her grandfather, Zulfikar Ali Bhutto, was hanged by General Zia- ul Haq, Pakistan’s military ruler. Her father, Murtaza Ali Bhutto, whom she adored, was gunned
down in Karachi allegedly on the orders of his own sister, Benazir Bhutto, and her husband, Asif Ali Zardari.
Unlike her first cousin, Bilawal Bhutto Zardari, the 37-year-old has steered clear of politics.
Born in Kabul, she received her BA from Barnard College in New York, followed by an MA from the School of Oriental and African Studies (SOAS) in London, Bhutto has been a sharp observer of the Pakistani scene. Writing about Bollywood is something of a departure for her.
It is late in the evening when she is summoned to the super-kitsch Palazzo Versace hotel in Dubai to meet the tired Bollywood superstar who has just arrived from attending the San Francisco Film Festival. The following day, she accompanies Khan on a car journey to Abu Dhabi and a flight on a Falcon AW 189 helicopter to the desert resort of Qasr al Sarab.
He stars in what comes across as a nonsensical but hugely popular Middle Eastern TV programme, Ramez Taht El Ard (Ramez Underground). Khan loses his famous cool when the jeep in which he is driven at break-neck speed nearly sinks into a sand dune. The host, who dresses in a lizard skin suit, and others assure Bhutto that “for us, Shah Rukh Khan is
not an Indian star. He is an international star.”
Bhutto seems to have reproduced an exact transcript of what Khan has said, so some of the conversation comes across as a little disjointed, but the author clearly hopes the reader will get the sense of what he is saying.
For example, talking of his stardom, Khan tells her: “One part says that I came into the
film industry when India was opening up, the Indians in the diaspora – including Pakistan
and Bangladesh, I mean the whole south Asia diaspora has the same status – were all proud suddenly having Indian movies to be watched. And second-generation and third-generation people were being made to watch these by the first generation to teach them
culture, to show them this is hamara (our) land.
“Somehow, I led the movement because of the kind of films that I was getting. They were a mix of being cool, which I think people abroad wanted themselves to be felt like. So I
was cool enough and we were traditional enough.”
But then, as he sipped endless cups of coffee, he adds: “Why I am saying all this is because I think none of this is true. I have never been a straight-jacketed, proper hero in my films.”
In Baazigar (1993), for example, he recalls, “I take a girl up to a terrace and throw her off and you’re ok with that. I don’t know why. I don’t watch my films, but I remember when that film released, most of the kids were loving it. And it’s so gruesome.
“There’s a certain kind of goodness I bring to badness. People trust me with badness. You know, normally people trust you if you’re good. I think there’s an inherent quality [in me] that you trust me with badness. You say, it’s ok, if he’s going to be bad, he’s not going to be really bad.”
Bhutto writes that Khan “has fans all over the world, including a coterie of eight to 10 elderly German ladies who have followed him everywhere he goes for the last 20 years, watching him lovingly from the sidelines”.
To be sure, Bollywood is popular in traditional territories such as the UK, much of the Middle East and big swathes of Africa, because even non-Indians find it easier to identify with the emotions and conservative family values expressed in Hindi films rather than the understated style of Hollywood movies. But it comes as a revelation to learn that Khan has a following even in Lima in Peru where there is no Indian population to speak of.
As an intrepid reporter, Bhutto follows the Bollywood trail to distant South America. In Campo de Mart in the centre of Lima, she watches “a group of teenagers in black leggings dancing to Ishq Shava from Khan’s 2012 romantic drama Jab Tak Hai Jaan”.
She says “two little girls, 10-year-old Jamyle and eight-year-old Vanessa, who are part of the Dilwale Dance Group and gearing up for their own performances, tell me they need to speak with me privately”.
Bhutto writes vividly of the encounter.
“‘Have you been to Mumbai?’ Jamyle asks me, bright pink lipstick smeared across her tiny lips.
“‘Yes,’ I say.
“She flaps her hands. ‘Oh my God, oh my God.’
“Vanessa pretends to hyperventilate. ‘Do you have any pictures?’
“Jamyle takes a deep gulp of air. ‘When I dream,’ she confesses, ‘I dream of Mumbai.’”
Maybe Bhutto has a point when she says Bollywood is giving Hollywood a run for its money. She also links the Hindi film industry to social and political changes in India, including the rise of prime minister Narendra Modi.
“Bollywood in Peru is not an elite interest,” she points out. “It belongs to the struggling and the aspirational who see their battles mirrored in the brutal landscape of India’s classic cinema, from the 1950s to the 1980s, where dreams are broken by destiny, wealth is no protector from the whims of gods, and even the powerful are at the mercy of the stars.”
First look images reveal the meta comedy take on the 1997 creature feature.
The film sees the duo as fans trying to shoot their own version of the original film.
Director Tom Gormican applies his The Unbearable Weight of Massive Talent formula.
The cast, including Thandiwe Newton and Steve Zahn, promises chaotic fun.
It is slated for a Christmas Day release, aiming for a box office strike.
The first photos from the wildly unexpected Anaconda remake have finally surfaced. This is not your typical Hollywood rehash, mind you. Jack Black and Paul Rudd are leading a brilliantly meta charge, playing superfans whose dream project goes horrifyingly wrong. The new images tease the comedic chaos planned for the big screen this Christmas.
Paul Rudd and Jack Black gear up for jungle chaos in the new Anaconda People/Courtesy of Sony Pictures
What is the new Anaconda movie actually about?
Right, so the plot is almost more interesting than the original film's premise. Black and Rudd play lifelong mates, Doug and Griff, who are utterly obsessed with the 1997 J.Lo and Ice Cube B-movie classic. They hit a midlife crisis and decide, you know what, let's actually do it. Let's go to the Amazon and remake Anaconda ourselves. The synopsis says their chaotic movie set gets turned upside down when a real, genuine giant anaconda decides to crash the party. So the film they're desperate to make might literally end them.
One name: Tom Gormican. He is the director behind The Unbearable Weight of Massive Talent, that brilliantly unhinged Nicolas Cage meta flick. He is bringing that exact same self aware, comedic energy here. Rudd himself said the script's clever meta angles appealed to him directly because he was a fan of The Unbearable Weight of Massive Talent. This is not some dour, serious reboot. It is like a knowing wink to the audience, a celebration of a so bad it's good film, all wrapped up in a proper action comedy. That angle is everything right now.
Sounds like an absolute riot, honestly. The chemistry between Black and Rudd is the main engine. Black said point blank that working with Rudd was the "main reason" he took the job, calling him "f---ing hilarious" and a "sweet pea". Rudd shared the same feelings, thrilled to finally work with Black properly for months. Even Steve Zahn, who is also in the mix, admitted to messing up takes because he could not stop laughing at them. When the cast is having that much fun, it usually bleeds through onto the screen.
Mark your calendars for a seriously unconventional Christmas Day. 25 December is the planned release date. Releasing a film about a giant killer snake on Christmas itself is a bizarre choice, you have to admit. It is going up against some family friendly stuff, but maybe that is the point, offering an alternative for those tired of the same formulaic content. Whether it becomes a festive box office gift or gets squeezed out remains to be seen, but one thing is for sure: it will be a talking point!
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Raj Kundra names Bipasha Basu and Neha Dhupia in £5.6m Bollywood fraud probe
Raj Kundra questioned in India for five hours over alleged £5.6m (₹60 crore) fraud
He claimed money was paid as fees to Bollywood stars Bipasha Basu and Neha Dhupia
Investigators traced nearly £2.3m (₹25 crore) in direct transfers to actresses and Balaji Entertainment
Shilpa Shetty also under scrutiny as financial probe widens
Businessman Raj Kundra, husband of Bollywood actor Shilpa Shetty, has been questioned for nearly five hours by financial crime investigators in India in connection with an alleged £5.6 million (₹60 crore) fraud. During interrogation, Kundra reportedly said part of the disputed money was paid as professional fees to Bollywood actresses Bipasha Basu and Neha Dhupia. Authorities are now examining whether these transactions were legitimate or part of a larger scheme.
Raj Kundra names Bipasha Basu and Neha Dhupia in £5.6m Bollywood fraud probe Getty Images
Why has Raj Kundra been questioned?
The case began after Indian businessman Deepak Kothari, director of Lotus Capital Financial Services Ltd, filed a complaint alleging he had been cheated out of £5.6m (₹60 crore) between 2015 and 2023. Following this, police in Mumbai registered a case against Kundra, Shetty, and another associate in August this year.
Kundra appeared before investigators this week and was extensively questioned. Officials described him as evasive on several points, leading them to plan further rounds of questioning. He was also asked to provide video material from a project called Best Deal, which he claimed had already been submitted to another police department.
Raj Kundra grilled over £5.6m fraud, links Bipasha Basu and Neha Dhupia to paymentsGetty Images
What did Kundra say about the money trail?
According to officials, Kundra admitted that some of the disputed funds were paid as fees to Bipasha Basu and Neha Dhupia. He also confirmed transactions linked to Shilpa Shetty and the production company Balaji Entertainment.
Investigators have tracked nearly £2.3m (₹25 crore) in direct transfers to these accounts. They are now assessing whether these were legitimate professional payments or part of a fraudulent operation. Officials also noted suspicious fund movements during India’s 2016 demonetisation, when the country’s financial system was under severe strain.
Bollywood fraud case: Raj Kundra under scrutiny as Bipasha Basu and Neha Dhupia payments emergeGetty Images
What role do the actresses play in the probe?
Financial records show that accounts connected to Shilpa Shetty, Bipasha Basu, and Neha Dhupia received transfers from the company under investigation. Kundra insists these were legitimate payments for work, but investigators said his answers were incomplete.
Neither Bipasha Basu nor Neha Dhupia have commented publicly on the case. Authorities have not alleged wrongdoing on their part, but their names remain part of the money trail being examined.
Raj Kundra tells police £5.6m fraud funds went to Bipasha Basu and Neha DhupiaGetty Images
What happens next in the investigation?
Indian financial crime authorities have said the investigation is ongoing and that more individuals may be summoned in the coming days. They are also expected to re-examine video material linked to Kundra’s company to determine whether it was used as a front to move money.
In an official statement, Mumbai Police said: “Investigations are going on against actress Shilpa Shetty and her husband Raj Kundra in an alleged fraud case of £5.6m (₹60 crore). A summon was issued to Raj Kundra, and he appeared before police for questioning.”
With financial records under fresh scrutiny, the case has become one of the most high-profile fraud investigations involving Bollywood figures in recent years.
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Robert Redford dies at 89 leaving behind a Hollywood and Sundance legacy
Robert Redford, Oscar-winning actor and director, dies at age 89 in Utah
Starred in classics including Butch Cassidy and the Sundance Kid and All the President’s Men
Founded the Sundance Institute, transforming the landscape of independent cinema
Advocated for environmental causes and used his fame to highlight pressing global issues
Robert Redford dies at 89, leaving behind a legacy that bridged blockbuster Hollywood hits and groundbreaking independent cinema. Best known for Butch Cassidy and the Sundance Kid and All the President’s Men, Redford was not only a matinée idol but also an Academy Award-winning director and the driving force behind the Sundance Film Festival, which changed the trajectory of global filmmaking.
Robert Redford dies at 89 leaving behind a Hollywood and Sundance legacy Getty Images
What happened to Robert Redford?
Redford’s publicist Cindi Berger confirmed that the actor-director died on 16 September 2025 at his home in Sundance, Utah. “Robert Redford died in the mountains of Utah, the place he loved, surrounded by those he loved,” she said in a statement. His family has requested privacy.
The actor had gradually stepped away from Hollywood in recent years, with his final acting role in 2019’s Avengers: Endgame, where he reprised his Marvel character Alexander Pierce. His last leading part came a year earlier in The Old Man & the Gun, a performance many considered a fitting farewell to his on-screen career.
Robert Redford became a household name in the late 1960s after starring alongside Paul Newman in Butch Cassidy and the Sundance Kid (1969). The film not only established him as a charismatic leading man but also inspired the name of his later Sundance Film Festival.
In the 1970s, he was Hollywood’s top box office draw, starring in films such as The Sting, The Way We Were, Three Days of the Condor and All the President’s Men. The latter, based on the Watergate investigation, cemented his reputation for balancing star power with politically charged storytelling.
His career took a new turn in 1980 when he directed Ordinary People, a family drama that earned him an Academy Award for Best Director.
Robert Redford dies at 89 remembered for Butch Cassidy and SundanceGetty Images
What is Robert Redford’s legacy with Sundance?
In 1981, Redford established the Sundance Institute in Utah, aiming to nurture new voices in cinema. What began as a modest filmmaker’s lab grew into the internationally renowned Sundance Film Festival, the premier platform for independent cinema in the United States.
Through Sundance, Redford helped launch the careers of directors such as Quentin Tarantino, Steven Soderbergh and Ava DuVernay. The festival became synonymous with bold, offbeat storytelling and gave independent filmmakers access to mainstream audiences.
Robert Redford dies at 89 as Sundance pioneer and Oscar winnerGetty Images
How did Robert Redford impact politics and the environment?
Beyond cinema, Redford was a committed activist. He was vocal on environmental issues from the 1970s onwards, helping to halt the construction of a Utah power plant and speaking at global climate forums. In 2015, he addressed the United Nations, urging urgent action on climate change.
His political work extended to his films, with projects like The Candidate and Lions for Lambs reflecting his engagement with social and civic debates. Former US President Barack Obama awarded him the Presidential Medal of Freedom in 2016, praising both his artistry and activism.
U.S. President Barack Obama presents the Presidential Medal of Freedom to Robert Redford Getty Images
How is Hollywood remembering Robert Redford?
Tributes have poured in from across the film industry. Meryl Streep described him as “one of the lions of cinema,” while Ron Howard hailed him as “an artistic game-changer.” Jamie Lee Curtis called him a symbol of “family, art, transformation, advocacy, creation and legacy.”
Robert Redford dies at 89 as Hollywood pays tribute to a cinema giantGetty Images
Redford is survived by his wife, Sibylle Szaggars, his daughters Shauna and Amy, and seven grandchildren. His passing marks the end of an era, but his work, from Hollywood classics to independent cinema breakthroughs, continues to inspire audiences and filmmakers worldwide.
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‘Sunny Sanskari Ki Tulsi Kumari’ trailer sparks festive wedding chaos with Varun Dhawan and Janhvi Kapoor
The Sunny Sanskari Ki Tulsi Kumari trailer is out, offering a festive family entertainer.
Features a star-studded cast including Varun Dhawan, Janhvi Kapoor, and Sanya Malhotra.
Set against a vibrant Indian wedding backdrop with romance, comedy, and music.
Directed by Shashank Khaitan and produced by Dharma Productions and Mentor Disciple Entertainment.
The Sunny Sanskari Ki Tulsi Kumari trailer has finally landed, giving audiences a glimpse of what promises to be one of 2025’s most joyous family films. Bursting with romance, humour, and festive charm, the trailer sets the tone for a big fat Indian wedding story, rooted in togetherness and celebration, a hallmark of Dharma Productions’ signature family entertainers.
‘Sunny Sanskari Ki Tulsi Kumari’ trailer sparks festive wedding chaos with Varun Dhawan and Janhvi Kapoor Instagram/dharmamovies
What can viewers expect from the Sunny Sanskari Ki Tulsi Kumari trailer?
The trailer showcases a colourful wedding filled with laughter, heartfelt moments, and musical celebrations. Fans get to see an ensemble cast including Varun Dhawan, Janhvi Kapoor, Sanya Malhotra, Rohit Saraf, Akshay Oberoi, and Maniesh Paul, each adding their own flavour to the story. From playful banter to emotional family sequences, the trailer hints at a film designed to appeal to all generations.
Directed by Shashank Khaitan, known for his successful family-centric films, Sunny Sanskari Ki Tulsi Kumari reunites him with Dharma Productions. Producers Karan Johar, Hiroo Yash Johar, Adar Poonawalla, Apoorva Mehta, and Shashank Khaitan have worked together to ensure the film combines humour, music, and emotion seamlessly. Karan Johar described it as “a film that celebrates togetherness, love, and laughter in the most festive way possible.”
Sunny Sanskari Ki Tulsi Kumari hits theatres on 2nd October 2025, just in time for Dussehra. The timing adds to the film’s appeal as a seasonal treat for families looking to enjoy a mix of romance, comedy, and celebration on the big screen. Early reactions to the trailer already suggest it could be a major festive box-office draw.
Why the Sunny Sanskari Ki Tulsi Kumari trailer is special
Beyond the vibrant wedding visuals and ensemble cast, the trailer stands out for its humour and nostalgia. Director Shashank Khaitan has focused on crafting moments that will make viewers smile and perhaps even reminisce about their own family celebrations. With music, laughter, and heartwarming interactions, Sunny Sanskari Ki Tulsi Kumari promises to be a cinematic experience that celebrates the joy of coming together.
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Dulquer Salmaan reveals Mammootty and Priyadarshan doubted Lokah Chapter 1
Dulquer Salmaan says both his father Mammootty and Kalyani’s father Priyadarshan were initially worried about the ambitious project.
The Malayalam superhero film has stormed the global box office, crossing £24 million (₹250 crore).
Kalyani Priyadarshan shares the key advice her director father gave her following the monumental success.
The producer-actor admits his production company was braced for a significant financial loss.
The record-shattering success of Lokah Chapter 1 has sent shockwaves through Indian cinema, but for producer Dulquer Salmaan and star Kalyani Priyadarshan, the sweetest victory was winning over their most sceptical critics: their legendary fathers.
In a recent interview, Dulquer disclosed that veterans Mammootty and Priyadarshan had serious doubts about the risky superhero venture, making its phenomenal Lokah Chapter 1 box office haul a deeply personal win. The film’s performance has not only re-written Malayalam cinema’s commercial potential but also cemented its pan-India appeal.
How much has Lokah Chapter 1 made at the box office?
The numbers speak for themselves. Since its release on 28 August, the Dominic Arun-directed epic has performed like a behemoth. The film achieved a staggering £9.6 million (₹100 crore) in its first week alone, a rare feat for a Malayalam film. While a handful of the very biggest Malayalam blockbusters have gone on to collect higher lifetime totals (like the film 2018), crossing the £9.6 million mark within the first week is a clear indicator of an explosive, pan-India opening that only a tiny number of films from the industry have achieved.
The film’s success is particularly significant for opening to packed houses in key international markets like the UAE, the US, and the UK, proving its acceptance beyond its home state.
What was the reaction of Mammootty and Priyadarshan?
Dulquer Salmaan shared that the two industry stalwarts were apprehensive from the start. “Her dad didn’t expect it,” Dulquer said of Priyadarshan. “He was like, ‘What were you thinking? Why would you take this bet?’”
The producer admitted he had no concrete answer, relying purely on instinct. “I told him honestly, I didn’t know. I just believed in the idea. It felt right. My dad was worried too. They all thought we were a little mad,” he confessed. That worry has since transformed into immense pride. Dulquer mentioned that the film’s success has earned his production house "some leeway to make the kind of movies we believe in."
What advice did Priyadarshan give Kalyani after Lokah Chapter 1’s success?
For Kalyani Priyadarshan, her father’s response was a mix of paternal pride and grounded wisdom. She revealed that his first message after the film “blew up” was a classic piece of advice he often repeats: “Don’t let success get to your head and don’t let failure get to your heart.”
She added, “This time he sent it as a reminder, and he keeps reminding me every day. That’s what I hold on to.” Dulquer affectionately added that Priyadarshan is “adorable” and is constantly concerned about his daughter performing her own stunts, always worrying she might get hurt.
How did Lokah Chapter 1 achieve its pan-India appeal?
Lokah Chapter 1’s success is rooted in its high-concept originality and execution. By presenting cinema’s first full-fledged female superhero in a mythology-inspired story, it offered a fresh narrative that captivated audiences tired of formulaic content. The film’s high-quality visual effects, which rival major Hollywood and Bollywood productions, became a major talking point.
Furthermore, its use of Kerala’s rich folklore with a modern twist in an urban setting and a compelling performance by Kalyani Priyadarshan created an end result that transcended language barriers. Its organic buzz on social media, fuelled by positive word-of-mouth, turned it into a must-watch cinematic experience across the country.