Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
Indian prime minister Narendra Modi and his Australian counterpart Scott Morrison made the assertion during their virtual summit on Monday (21).
According to a joint statement, both nations stressed that the contemporary global order has been built on UN Charter, international law and respect for states' sovereignty and territorial integrity.
During the summit, Modi and Morrison said Russia must be held accountable for the loss of lives in Ukraine and care must be taken to ensure that such "terrible events" never occur in the Indo-Pacific region.
The joint statement noted the two leaders expressed their serious concern about the ongoing conflict and humanitarian crisis in Ukraine.
The two leaders agreed to remain closely engaged on the issue and its broader implications for the Indo-Pacific, the statement added.
At a media briefing after the summit, Indian foreign secretary Harsh Vardhan Shringla said that Morrison expressed understanding of India's position on Ukraine.
There was a clear sense that a conflict in Europe "should not be a reason for us to divert our attention from the Indo-Pacific region", he said.
FILE PHOTO: U.S. President Joe Biden (C) hosts a Quad Leaders Summit along with Indian Prime Minister Narendra Modi, Australian Prime Minister Scott Morrison and Japanese Prime Minister Suga Yoshihide in the East Room of the White House on September 24, 2021 in Washington, DC. (Photo by Pool/Getty Images)
The joint statement mentioned that at the summit, the two leaders also expressed their shared commitment to a free, open and rules-based Indo-Pacific supported by a robust regional architecture with the ASEAN at its centre.
They reaffirmed their commitment to an inclusive and prosperous region in which the sovereignty and territorial integrity of all states is respected and countries are free from military, economic and political coercion, the statement said.
Modi and Morrison also underscored their commitment to cooperation between India, Australia, Japan and the US in advancing the Quad's positive and ambitious agenda to promote regional stability and prosperity.
They welcomed the virtual meeting between Quad leaders in March and looked forward to the next in-person leaders' meeting in the coming months, the statement said.
They also welcomed the close cooperation between India and Australia on the Indo-Pacific Oceans Initiative.
Modi also appreciated the briefing by Morrison on the Australia-UK-US (AUKUS) partnership and the leaders recognised Australia's commitment to not develop nuclear weapons and to uphold the highest standards of non-proliferation, the statement noted.
According to the statement, the leaders affirmed their commitment to further strengthening cooperation in the Indian Ocean region and with other Indian Ocean countries, including their support for the Indian Ocean Rim Association.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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