COUNTDOWN OF HITS THAT SHOWED ARTISTRY AND MADE AN IMPACT IN 2021
AN INTERESTING musical year has delivered diverse commercial tracks in different genres. While some quickly broke new ground, others stayed in playlists and entertained music fans.
Eastern Eye looked back across the last 12 months to find the top 20 songs of 2021.
20. FLEXXX (Gulli Maro) by Nish: Urban Bangla music is thriving and it is a matter of great pride that one of the artists leading the way is British singer Nish. He continued his impressive run of commercial Bangla songs that have crossover appeal with this catchy number, which combined contemporary beats with a lovely lyrical flow.
19. Pyaar...Ek Tarfaa by Amaal Mallik and Shreya Ghoshal: This great duet is loaded with love from beginning to end. The musically rich song is made to fly by two singers who bring to life the special sentiments and feelings in the lyrics. The song has an epic feel that soars to great heights.
18. Mohabbat by B Praak: When Filhall released in 2020, it clocked up over a billion YouTube views, so a follow-up was inevitable. The brilliant B Praak is on composing and singing duties on a song that contains raw emotion. He brings the sentiment of unrequited love to life with a voice that reaches deep into the listener’s hearts.
17. Khuda Aur Mohabbat by Rahat Fateh Ali Khan and Nish Asher: One of this year’s best songs popped up in one of the most unlikely places. This delightful duet filled with deep meaning and emotion appeared in the third season of Pakistani drama serial Khuda Aur Mohabbat. It has since clocked up over 164 million YouTube views and become one of Pakistan’s most popular songs of 2021.
16. Balaghal Ula Bi Kamaalihi by Ali Zafar: The Pakistani pop icon had a hugely interesting year that included a stunning Pashto number (Larsha Pekhawar) featuring new talent and the heartfelt tribute track Paharon Ki Qasam. His best was this nearly nine-minute spiritual song, which combined deep meaning with stunning singing and music rooted in history.
15. Baarish Ban Jaana by Payal Dev and Stebin Ben: This was one of many songs that featured top TV stars, but it collectively clocked up more than 400 million YouTube views because it is a wonderful song loaded with love. Payal Dev, who composed the song, teamed up with hot-right-now singer Stebin Ben and the result was just magical.
14. Habit by Shreya Ghoshal and Arko: This song got a lot of attention because it would be the final project featuring Shehnaaz Gill and late actor Sidharth Shukla. Beyond that, it is a stunning romantic duet that immediately gets under the skin of a listener and stays there. It starts off with a heartfelt dialogue before becoming an incredible duet powerful enough to connect two people in love.
13. Chale To Kat Hi Jayega by Atif Aslam: The Pakistani singing sensation didn’t let a ban in India stop him. He delivered some really great songs in 2021 like Ajnabi and Rafta Rafta, but his most interesting work was bringing classic songs back to life. The best was this stunning contemporary interpretation of a Musarrat Nazeer classic, which ticked every box.
12. Baarish Ki Jaaye by B Praak: It has now become impossible to compile a list of the year’s greatest songs without B Praak. His unique power-packed vocals lit up some great songs in 2021 and this feel-good love song was arguably the best. The free-flowing music combines well with his unmistakable voice, which exudes so much passion.
11. Tu Yaheen Hai by Shehnaaz Gill: It is impossible to listen to this emotional song without feeling deep sadness. Shehnaaz Gill pours all her heart into a song that remembers Sidharth Shukla in the most beautiful way. Her beautiful vocals wrap themselves around lyrics that strongly connected with those who have lost someone or miss the late actor.
10. Bheeg Jaunga by Stebin Ben: Rising music star Stebin Ben had a star-making year filled with fabulous music. A standout moment was the beautiful love song, dripping with raw passion. The music and lyrics are strong, but this track is all about the power-packed vocals of a singer who has been compared to Atif Aslam and Arijit Singh.
9. Jo Tera Howega by Debattama Saha and Karanvir Sharma: The magical musical moment saw the two popular television stars team up for a terrific romantic track. The song mixed up the mesmerising singing of Debattama with the emotion-filled poetry recited by Karanvir and beautifully flowing music that made an instant impact.
8. Good Ones by Charli XCX: The British singer-songwriter had another dynamite musical year, and this explosive club banger was the most incendiary moment. The catchy song taken from her hotly anticipated fifth album combined a catchy beat, with great vocals and strong lyrics. Like many of her songs, it gets better with each spin.
7. Saranga Dariya by Mangli: The standout musical moment from Telugu cinema is this high-energy track from the film Love Story, which is so good that you can enjoy it even if you don’t understand the language. The music and especially the fiery voice of Mangli gives you an instant feeling of joy. It is no surprise the mega-hit song has been collectively viewed over 380 million times on YouTube.
6. Echo by Armaan Malik, Eric Nam with KSHMR: Massively popular singer Armaan Malik has delivered great tracks in multiple languages, including the heartfelt Barsaat. This English language song is special on multiple levels. Apart from being a great pop number loaded with meaning, catchy beats, and world class vocals, it is also a wonderful collaboration between artists from three different parts of the world.
5. Vibe by Diljit Dosanjh: The Punjabi singing superstar delivered more monster hits this year. The standout number from his hugely inventive album MoonChild Era is a catchy romantic number millions had on repeat and is one that will likely stay in playlists for years to come. It also found its way into clubs, parties, and weddings.
4. Raatan Lambiyan by Jubin Nautiyal and Asees Kaur: Army drama Shershaah had two standout songs. One was Ranjha and the other was this stunning love duet that oozed romance from beginning to end. Tanishk Bagchi delivered the music and lyrics that captivated the hearts of music lovers around the world. It was no surprise that it clocked up over half a billion YouTube views.
3. Lut Gaye by Jubin Nautiyal: The popular singer had a great year that included a wide array of hits, but by far the biggest highlight was this stunning love song. The emotion-filled romantic number formed a strong connection with listeners and in just eight months the track crossed a billion views on YouTube.
2. Manike Mage Hithe by Yohani and Satheeshan: The sensational sleeper hit took the world by storm and turned lead singer Yohani into a big star. The catchy number, which has been viewed more than 190 million times on YouTube, is the first Sri Lankan song to blow up around the world, in such a big way. It resulted in multiple cover versions in different languages.
1. Param Sundari by Shreya Ghoshal: Bollywood singing queen Shreya Ghoshal had an incredible year loaded with huge hits and the pick was this dynamite dance number. The AR Rahman composed song appeared in critically acclaimed film Mimi and was the upbeat shot of musical adrenaline we all needed. It clocked up well over 400 million collective views on YouTube and made it onto the Billboard Global Excl US charts. It will be a dance anthem for years to come and so gets the 2021 song of the year title.
Popular actor Shivam Khajuria has showcased his impressive talent in top TV serials such as Molkki, Mann Sundar and Yeh Rishta Kya Kehlata Hai.
He is currently displaying that range in the hugely popular drama Anupamaa, earning wide acclaim. Away from the small screen, the television star is also a passionate cinema lover. He shared his all-time favourite films with Eastern Eye.
Rockstar: This musical struck a chord with me like few others ever have. Ranbir Kapoor’s portrayal of Jordan was raw, flawed and deeply human. The emotional intensity, combined with AR Rahman’s soul-stirring music, made the film unforgettable. It was not just a love story – it was a journey through pain, passion and transformation. Despite its imperfections, it revealed a side of Bollywood I had never seen – bold, poetic and heartbreakingly real.
Rockstar
A Few Good Men: This acclaimed courtroom drama was a game-changer for me. The performances by Tom Cruise, Jack Nicholson and Demi Moore were outstanding. The moral complexity and intensity of the trial – and the way justice was questioned – left a deep impact. It even made me briefly consider a career in law. A classic example of storytelling done right.
James Bond movies: The James Bond series was a big part of my childhood. I was fascinated by Bond’s style, intelligence and smooth confidence. From sleek cars and high-tech gadgets to exotic locations, each film was an escape into a thrilling world of espionage. That iconic introduction – “Bond, James Bond” – never got old. These films made me fall in love with cinematic flair and unforgettable characters.
Final Destination movies: This is one of the few horror franchises that genuinely creeped me out while keeping me hooked. The way fate played out in twisted, unpredictable ways was both terrifying and clever. Each death scene was creatively executed, and I constantly wondered what bizarre turn would come next. These were not just horror films – they were suspenseful, imaginative, and a chilling reminder that we cannot always outrun destiny.
Se7en: This haunting crime thriller is one of those films that stays with you long after the credits roll. The gritty visuals and slow-building tension led to a shocking climax that left me speechless. Brad Pitt and Morgan Freeman delivered exceptional performances. It explored the darkest sides of human nature in a way that was disturbing, powerful and unforgettable.
A still from a James Bond film
Gangs of Wasseypur: This film redefined Indian cinema for me. It was gritty, raw and unapologetically honest. A crime saga set against the backdrop of coal mafia rivalries, it felt more real than fictional. Anurag Kashyap’s bold direction and layered storytelling, combined with stellar performances, made it unforgettable. It was not just a film – it was an experience.
Border: This iconic army drama was my first real dive into war cinema, and it moved me deeply. It depicted not only the battlefield action but also the emotional struggles of soldiers and their families. The music, camaraderie and heartbreaking losses captured the true essence of patriotism and sacrifice. It made me appreciate the strength of those who serve the country.
The Sixth Sense: This psychological thriller completely blew my mind. The storytelling, the atmosphere and that unforgettable twist at the end were pure cinematic brilliance. I still remember the chill I felt during the final reveal. It was not just a thriller – it was a psychological deep dive that changed the way I watch films. A masterclass in suspense and detail.
Interstellar
3 Idiots: Every Indian student relates to this film in some way. It was humorous, emotional and thought-provoking. It challenged the rigid education system and encouraged viewers to pursue passion over pressure. Aamir Khan’s performance stood out, but the entire cast brought warmth and relatability to the story. It made me laugh, cry and reflect – more than just entertainment, it was a life lesson.
Interstellar: This is more than a science fiction film – it is an emotional journey through time, space and human connection. The way it combines complex scientific concepts with deeply personal storytelling is extraordinary. The visuals are breath-taking, the soundtrack is unforgettable, and the exploration of time as a dimension is mind-bending. It made me think, dream and feel. For me, it comes close to being a perfect film.
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Parle Patel has been a magnetic force in entertainment for nearly 15 years, combining laughter, language and layered identity into sketches, stage shows, radio and social media reels.
The “all-round entertainer”, best known as a fierce champion of Gujarati culture, has gained a loyal global following that spans from London to the heartlands of India.
This year, the popular British talent added another significant milestone to his creative journey by making a winning debut in Gujarati cinema with the film Umbarro. With a unique blend of humour, heart and heritage, Patel has added another huge chapter to an inspiring story of proudly representing his community.
Eastern Eye caught up with the great British hero to discuss his creative journey, film debut, inspirations and future plans..
In Gujarati film Umbarro
How do you reflect on your creative journey? I take stops throughout the year to reflect on what I have done creatively and see if it aligns with my values and aspirations. This includes time away from the UK to reflect. I also think about inspiring figures I look up to and see if I can build on what I have taken on board from them.
You have always championed Gujarati culture. How important is that to you? My main aim was always to speak up for those not properly seen within our Gujarati community. I started making comedy because not enough was being said, explored or celebrated about us. After nearly 15 years, it is not just about ethnicity or religion, but about representing anything you feel is not seen or heard. Now, it is also important for me to celebrate other Gujarati artists and talent too, by highlighting them through my platforms.
You have done diverse work from the online space to theatre, but which has been closest to your heart? All of them have bits of my heart. Each has helped me in different ways. YouTubing and being online showed me you can just start with yourself and build an audience – especially now, when people need that community. It built a worldwide audience. I never thought people in India would like my content, or that I would be doing shows in the US. And getting recognised on a tiny island in Thailand? The power of the internet is mind-blowing.
What about radio and theatre? Theatre is just as good, but different. Hearing everyone laugh together, or the silence during a serious bit, is so raw and real. You know what has made them laugh. Online, you get ‘lol’, or emojis, which is not the same. Radio is another world, with just the voice. It is massively challenging making comedy or saying what I think without the face or acting. Each one is different, but they all fit together – like bits of me, Parle.
How does all your amazing previous work compare to working in a Gujarati film produced by a company from India? With digital content, it is a one-man team, but in film, there is an entire cast and crew helping you stay energised. There are also random people or guests who have come to watch the shoot. So, it is a very different environment, where you really learn to focus with so much going on around you. The team was like a family – so warm and helpful. My fantastic director was so supportive. He never made me feel like this was my first feature film.
How did you feel when you got that film offer? It was really exciting. To work for a director, Abhishek Shah, whose work I am immensely inspired by – like Hellaro, which was a superhit globally. Also, for this role, I had to specifically represent British Gujaratis, and that was going to be fun.
Thumbnail from his social media reel
Tell us about Umbarro and your character. The film follows the lives of seven Gujarati women from different walks of life, travelling to London on a tour. Each lady has a different backstory that needs healing. It beautifully shows that there is no one type of Gujarati woman and has a beautiful element of sisterhood. They help one another through issues like grief, loss and relationships, but also empower each other. I was playing Simran, a half-Punjabi and half-Gujarati. That was where the humour stemmed from. All our characters were on a journey, and had gender-neutral names, which is important when there is not that much representation.
What was your most memorable moment from this Gujarati film journey? A few special things happened. What really struck me was how much the team persevered without ever complaining. Freezing night shoots, a 12th take – everyone just rallied with pure dedication to Gujarati storytelling. Then connecting with senior actors and legends, who knew my UK comedy stuff? It was heart-warming and humbling when they asked my opinion. The Northern Lights also appeared during a shoot, which felt like a sign and blessing. That was unforgettable.
How much do you love that Gujarati cinema has been on the rise? I am so happy and grateful that directors in the industry have not given up or stopped. They are so passionate about the Gujarati language. For ages, I felt like the only one who cared. But then this ‘renaissance’ happened after that lull since the golden oldies. There is often a bias against our regional films. People say, ‘I cannot speak Gujarati, so I will not watch’, but they happily watch a series like Squid Game with subtitles. Surely, it’s about the story?
You have worked on so many different mediums and platforms. What is the plan going forward? With so many things happening globally, I feel my audience is really hungry for more online content. People want to connect, feel a sense of community, and escape as well. In the beginning, I was almost told off for making escapist content. But I think it is important to help people escape the stresses of day-to-day life and laugh at relatable funny things. So, everyone is definitely going to see more online content. It is how people from remote locations get to connect with Gujarati language, comedy and culture.
What about other platforms? I will go back to the stage in some capacity. I really hope to connect with people who want to collaborate and are also passionate about telling authentic stories – especially ones about British Gujaratis, Asians, Hindus and Indians here in the UK. There is so much more that is waiting to be told. I just want to keep representing.
Are you hoping to work in more films? I would love to work in more films. I will always push myself and audition for roles that I feel I can play. I will always try my best to take training and learn more about each medium.
What inspires you creatively? It can be a spark from anywhere. But proper inspiration comes from stories – my own life and family. During tough times, you remember the bad stuff, right? But later, you can choose how to look back – grief, drama or comedy. I pick comedy. It is a human superpower. Turning sad memories into funny ones, adding my ‘masala’. It may not be funny at first, but give it a day or two. That is being a comic – spinning the mundane. Loads of my videos are just everyday stuff, heightened a bit.
Tell us about the family aspect. My parents are a massive inspiration. Dad put me in front of the camera first and taught me how to frame a shot. Mum has always been sharp, witty and has a love for Gujarati dance. I grew up around that. They are proper powerhouses, making me see the funny everywhere. My partner shows me the funny in stuff I would miss. Being with someone who loves comedy and theatre unlocks so much. We get through the mad times by just laughing.
Instagram: @planetparle
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Jungkook under fire for wearing Make Tokyo Great Again cap at BTS concert rehearsal
BTS star Jungkook has issued a public apology after sparking backlash for wearing a cap with the phrase “Make Tokyo Great Again” during a rehearsal for J-Hope’s concert. The phrase, seen as politically loaded, upset many fans in South Korea, with some calling it offensive and thoughtless.
The singer, who recently completed his mandatory military service, said he was unaware of the slogan’s sensitive background and admitted that he should have been more cautious.
Jungkook of K-pop supergroup BTS at an outdoor sporting facility in Yeoncheon Getty Images
Slogan draws backlash over political and cultural sensitivity
Jungkook was seen in an all-black outfit and the now-controversial cap during rehearsals for the Hope on the Stage concert on Friday in Goyang. The slogan on the cap, “Make Tokyo Great Again,” echoed political phrases linked to Japanese nationalism and was previously used by Tokyo Governor Koike Yuriko. Some South Korean fans were quick to point out that the phrase has been associated with anti-Korean sentiments and accused the singer of being “careless.”
The similarity to Donald Trump’s “Make America Great Again” also added fuel to the fire, as netizens debated the political undertones and the potential implications of a global star wearing such a phrase publicly. Social media lit up with disappointment, with many questioning how Jungkook could overlook such a sensitive issue, especially given the historical tensions between South Korea and Japan.
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Jungkook responds: “No excuse for my carelessness”
The 27-year-old singer responded quickly to the criticism through a heartfelt message on Weverse. “I sincerely apologise for the disappointment and inconvenience caused by the hat I wore during rehearsals. I didn’t realise the historical and political context behind the phrase,” he wrote. “There’s no excuse. I was careless. I’ll make sure to be more thoughtful from now on.”
He also confirmed that the cap was discarded immediately and acknowledged that he had hurt many of his fans unintentionally. The apology was met with mixed reactions. While some appreciated his honesty, others felt the damage had already been done.
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This incident comes just days after Jungkook completed his 18-month military service alongside Jimin. The Hope on the Stage concert marked his return to the spotlight, with all seven BTS members reuniting on stage, drawing cheers from fans. Jungkook had recently released Never Let Go, a song dedicated to fans during BTS’s 11th anniversary.
With a voice that echoes both the glamour and grit of a bygone era, British singer Aisha Khan is set to take centre stage at London’s legendary Ronnie Scott’s Jazz Club on June 29.
Performing with her acclaimed band The Rajahs, Khan will present a rich cocktail of 1940s and 1950s American roots music, jazz and rhythm and blues – blending timeless classics with her own original songs. Known for her evocative vocals, magnetic stage presence and deep reverence for the great female vocalists of the past, Khan promises a night filled with toe-tapping rhythm and heartfelt emotion.
Ahead of the show, she spoke to Eastern Eye about her lifelong love affair with vintage sounds, the power of live performance, and her inspirations and musical heroes.
What first connected you to music?
There was not just one thing. As a little girl, I was always singing and had no idea why – I just could not help it. I did not come from a musical family. My mum had a couple of Bollywood LPs with Mohammed Rafi and Lata Mangeshkar, and my dad listened to Andy Williams and The Carpenters in the car. Apart from that, there was not much music at home. I watched Top of the Pops as a teenager, but I fell in love with Elvis Presley when I was 13 – that is where my passion for vintage music began.
How would you describe your brand of music? Mostly, I perform authentic 1940s and 1950s American music – blues, rhythm and blues, and rock and roll. I sing cover versions, but I also write a lot of original songs in the same style. I have also been developing a new Americana/country project, so the music keeps coming.
What does live performance mean to you? At its best, it means pure connection with the audience – almost a transcendental experience. It does not always happen like that, but subconsciously, I think that is what I am always striving for. I go on stage with songs I love and musicians who are great and always have my back. With that secure foundation, I try to see where the music can take me, and I bring the audience along with me. I love being close to the audience and drawing them into the live experience. It can bring so much energy and joy.
How much are you looking forward to performing at the iconic Ronnie Scott’s Jazz Club? We performed our first sell-out show upstairs there last year, but this is our first gig in the main room downstairs. I cannot express what an honour and privilege it is to appear at such a legendary venue. To think we will be on the same stage as so many iconic performers – from Ella Fitzgerald to Miles Davis – is mind-blowing.
What can we expect from the show? We will perform some of our most loved original songs, as well as several from our latest album Seven Shades of Blue, released this spring. We also have the honour of introducing Haylen, an incredible artist from Paris, as our special guest. There will be a lot of toe-tapping and happy vibes.
What do you hope people will take away from your performance – musically or emotionally? I hope they leave with a range of emotions. I want them to feel moved, but also to walk out feeling joyous and uplifted.
What do you most love about the jazz and rhythm and blues of the 1940s and 1950s? There are so many things I love about the music of that era. The musicianship, the danceability – how you just cannot help but move to it. I love the lyrics, the humour and the storytelling. When I was younger, I learned a lot of jazz standards and loved them. But it was only after living life – experiencing love, loss and heartbreak, having children, going through disappointment and great happiness – that I truly connected with those songs. Many of them now bring tears to my eyes, or even ecstasy when I sing or hear them. These are songs that truly stand the test of time.
Do you remember the first time you heard a song from that era that truly moved you? It was when I began listening to jazz in my teens. I idolised Sarah Vaughan and her craft. Then, as I discovered more popular music from the 1940s and 1950s and started dancing, I began to feel it not only emotionally but physically too.
Aisha Khan
Who is your own music hero from that bygone era? Sarah Vaughan, definitely. I also loved Billie Holiday.
If you could duet with any artist from the 1940s or 1950s, who would it be? It would have to be one of the great rhythm and blues vocalists – Wynonie Harris, Louis Jordan or Joe Turner. That would be so much fun.
Which classic songs do you most enjoy performing live? I love rhythm and blues by the many powerful female vocalists of that era – songs like Voodoo Voodoo by LaVern Baker, They Call Me Big Mama by Big Mama Thornton, or Pretty Good Love by Big Maybelle.
What inspires you as an artist? A life lived. Everything I have experienced – from having children to feminism. People, places, books – you never know where inspiration will come from. I also love collaborating with other musicians and singers; you never know what kind of magic might be created.
Why do you love music? The same reason I breathe. It is part of all of us – from the rhythms in nature to the cadence of the languages we learn as children. It can tell great stories and express deep emotions. It has the power to change lives – to comfort those in pain and bring joy to those open to it. I believe it is one of the purest art forms and forms of self-expression. I feel incredibly fortunate to have done this for so many years, and I hope to continue for the rest of my life.
Aisha Khan and The Rajahs at Ronnie Scott’s, 47 Frith Street, London W1D 4HT on Sunday, June 29. www.ronniescotts.co.uk
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Lewis Hamilton served as co-producer and advisor for F1, guiding everything from story to technical racing details
Brad Pitt’s upcoming Formula One film, titled F1, owes much of its realism and racing soul to none other than seven-time world champion Lewis Hamilton. According to director Joseph Kosinski, the film wouldn’t exist in its current form without Hamilton’s hands-on involvement, from the first pitch to the final details.
Kosinski, best known for Top Gun: Maverick, shared that Hamilton was the first person he contacted when the project was just an idea. An email led to a partnership, and Hamilton came on board not only as an executive producer but as a consultant whose lived experience shaped everything from the screenplay to on-track movements.
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Every detail came from someone who’s lived it
Set for global release on 25 June (27 June in North America), F1 was filmed across real Grand Prix weekends with full support from Formula One’s organisers. Pitt plays Sonny Hayes, a seasoned driver making a surprise return to the circuit, while Damson Idris stars as his rookie teammate.
Hamilton’s role, however, extended far beyond a name on the credits. He worked closely with the filmmakers to ensure the racing looked and felt accurate, including giving track-specific advice. For instance, he told Kosinski that if Pitt’s character were to pull aside under a blue flag, turn six in Hungary would be the most realistic spot to do so. That level of detail could only come from someone who knows the sport inside out.
Brad Pitt stars as a veteran driver, with scenes shot during actual race weekends for authenticityGetty Images
Producer Jerry Bruckheimer added that Hamilton even corrected gear shifts in the audio during a Silverstone scene, pointing out the sound didn’t match the gear a driver would realistically use in that corner. His obsession with accuracy gave the film its edge.
Beyond the racetrack, Hamilton’s spirit fuels the story
The racing scenes are just one part of the film’s core. Hamilton’s insights also inspired character development. One pivotal moment, where Pitt’s character reflects on the deeper meaning behind his love for racing, was drawn from a real-life conversation with Hamilton about the emotional and spiritual connection drivers have with the sport.
Brad Pitt, Director Joseph Kosinski, Damson Idris, Kerry Condon and Producer Jeremy Kleiner at the fan event for "F1: The Movie" Getty Images
As Formula One looks to expand its global fanbase, especially in the US, F1 aims to build on the success of Netflix’s Drive to Survive. But unlike the docuseries, this film brings together Hollywood storytelling with Hamilton-approved authenticity. And without him, the filmmakers say, this story simply couldn’t be told.