The Odagiri Effect, named after Japanese actor Joe Odagiri, is a fascinating phenomenon where TV shows and media attract a larger-than-expected female audience due to the presence of attractive male leads. While initially observed in Japan, this trend has gone global, influencing everything from Western dramas to anime. This trend has gone global, and in 2025, it’s become stronger than ever, proving that women’s desire for compelling, visually appealing male characters is a market force to be reckoned with.
The face behind the Odagiri Effect—Joe Odagiri’s unique appeal continues to influence entertainment trends worldwideGetty Images
But while the effect has undeniable benefits expanding the audience of shows beyond their intended demographics, it also raises questions about representation, realism, and gender expectations in media. Here are five of the biggest shows that exemplify the Odagiri Effect, particularly among British Asian audiences.
1. Ross Poldark from Poldark
Aidan Turner’s brooding portrayal of Ross Poldark has been a magnet for female viewers since the show’s debut. The final season in 2025 has only amplified his appeal, with shirtless scenes and romantic tension driving viewership. British Asian audiences, in particular, have embraced the show’s blend of historical drama and steamy romance, making it a cultural staple.
Aidan Turner’s Ross Poldark—smouldering stares, shirtless scenes, and a fan frenzy that won’t quit.Instagram/timeperiodfilm
2. Jonathan Pine from The Night Manager
Tom Hiddleston’s suave performance as Jonathan Pine continues to draw female fans. The 2025 revival of this spy thriller has reignited interest, with Hiddleston’s charm and a certain infamous "naked buttocks" scene still trending. Its international appeal, especially among women highlights the Odagiri Effect’s impact.
"Tom Hiddleston’s Jonathan Pine—suave, mysterious, and still making hearts race in 2025Instagram/thenightmanagertv
3. Yuri!!! on Ice
What started as a figure-skating anime has grown into a global phenomenon. This sports anime has always had a massive female following, thanks to its attractive male leads and subtle romantic undertones. The 2025 movie release has reignited the fandom, with fans swooning over the chemistry between Viktor Nikiforov and Yuri Katsuki.
From the rink to the big screen—Yuri!!! on Ice continues to captivate hearts worldwideInstagram/yurionice
4. Demon Slayer: Kimetsu no Yaiba
While primarily a shonen anime, Demon Slayer has attracted a significant female audience due to its cast of handsome characters like Tanjiro, Giyu, and Rengoku. The 2025 release of a new arc has further boosted its popularity, with female fans dominating fan polls and merchandise sales. Its emotional storytelling and stunning animation resonate deeply with British Asian viewers.
The live-action adaptation of this popular anime has become a global sensation. With its cast of bishonen (pretty boy) princes, the show has drawn a large female fanbase, particularly in British Asian communities. The deliberate use of attractive male leads makes it a textbook example of the Odagiri Effect in modern media.
Royal charm meets reality—The Royal Tutor live-action captivates audiences worldwideInstagram/Alwaysanime
The Bigger Picture
The Odagiri Effect isn’t just about eye candy—it’s proof that female audiences have serious sway in shaping what the world watches. For too long, the industry assumed women would settle for whatever was served up. Now, they’re making it clear: they know what they want, and they’re showing up for it.
The man who inspired a phenomenon, redefining how attractive male leads shape global audiencesGetty Images
But it’s not all smooth sailing. Are these shows truly giving women better representation, or just flipping the gaze in a different direction? And in anime, does the idealisation of male characters sometimes cross into problematic territory, especially in BL and Yaoi genres?
Still, one thing is certain—the Odagiri Effect is no longer just a fleeting niche trend. It is reshaping the global entertainment landscape, ensuring that women’s tastes and preferences are finally taking centre stage.
COUNTY side Middlesex have expressed interest in bringing Indian batting legend Virat Kohli to Lord’s following his shock retirement from Test cricket last week, according to media reports.
Kohli, 36, announced his immediate departure from the five day format last Monday (12), ruling himself out of India’s upcoming tour of England that begins next month at Headingley.
His decision came days after India captain Rohit Sharma also stepped away from Test cricket.
Alan Coleman, director of cricket at Middlesex, confirmed the club’s desire to sign the former India captain.
“Virat Kohli is the most iconic player of his generation, so of course we are interested in having that conversation,” Coleman told the Guardian.
Middlesex has attracted foreign players, having previously signed South Africa’s AB de Villiers for the T20 Blast in 2019 and New Zealand’s Kane Williamson for the second half of this season.
Both deals were arranged in collaboration with MCC, who have reportedly indicated their willingness to share costs for any potential Kohli agreement.
Sources suggest Kohli, known for his appreciation of cricket’s traditions, might be keen to play again at Lord’s, regarded as the ‘home of cricket’.
While Kohli’s contract with the Board of Control for Cricket in India (BCCI) prevents him from playing domestic T20 cricket overseas – ruling out appearances in the Blast or the Hundred – he could potentially feature in the County Championship or the Metro Bank Cup.
This would not be the first time Kohli has shown an interest in county cricket. In 2018, he signed for Surrey before India’s tour of England, though the move was ultimately cancelled due to a neck injury. He went on to have an outstanding series in England that year, earning recognition as one of Wisden’s five cricketers of the year.
Middlesex’s potential signing of Kohli comes at an interesting time in his career. After announcing his retirement on Instagram to his 271 million followers, Kohli reflected on his 14-year Test journey: “As I step away from this format, it’s not easy – but it feels right. I’ve given it everything I had, and it’s given me back so much more than I could’ve hoped for.”
The timing of Kohli’s retirement has sparked discussion, with some pointing to his recent dip in form. After maintaining an average close to 55 between 2011 and 2019, his average fell to 32.56 over the past 24 months.
His final Test appearance came in Sydney in January, where India lost both the match and the series 3-1 to Australia.
During that tour, apart from an unbeaten century in Perth, Kohli managed just 90 runs from eight innings across the five-Test series.
Should he join Middlesex, fans may be treated to a fantasy middle-order partnership with Williamson in September. The county’s promotion-chasing side returns to Lord’s that month for Division Two games against Derbyshire and Gloucestershire, after playing most of their mid-summer fixtures away from the historic ground.
The potential deal could also set up a reunion with England’s veteran bowler Jimmy Anderson during Middlesex’s match against Lancashire at Old Trafford, reigniting one of cricket’s most compelling rivalries.
Kohli, said to own a home in London, is currently displaying excellent form in the Indian Premier League (IPL). He has scored 505 runs in 11 matches at an impressive average of 63.13 for Royal Challengers Bengaluru.
During his Test career, Kohli amassed 9,230 runs in 123 matches at an average of 46.85, including 30 centuries and 31 halfcenturies. His highest score was an unbeaten 254.
He also holds the record as India’s most successful Test captain with 40 wins from 68 matches, ahead of Mahendra Singh Dhoni (27 wins from 60) and Sourav Ganguly (21 from 49).
Kohli’s retirement from Tests follows his earlier departure from T20Is after helping India win the T20 World Cup in Barbados last year with a match-winning innings in the final. He continues to be available for ODIs and is expected to feature in India’s ODI series against Australia in October.
DOCTORS should listen to patients and take their feelings into consideration, a cancer survivor has said, as a new study revealed differences in outcomes for ethnic and Caucasian groups.
Breast cancer survivor and patient advocate Balwinder Nanray told Eastern Eye that a patient’s needs should be at the centre of all decisions – as “there’s no one-size-fits-all approach”.
She was responding to a study published on Tuesday (20) by Queen Mary University of London, which found that south Asian women are diagnosed with breast cancer earlier and die younger than women of European heritage.
“Doctors are the experts in their field, and not all patients are from scientific backgrounds. So, why you are having treatment should be explained fully. Because it’s about us. It’s not about somebody else. It’s your body. You’re a person, and you should be able to make those decisions,” said Nanray, who was diagnosed with the disease in 2015, when she was 52.
She added, “My medical team has been amazing, but at times it was difficult to build a trusting relationship with some of my physicians. There were moments when I felt like I was being treated as a number rather than a person.
“With cancer, one size does not fit all, and it’s important that we’re all treated as individuals. Beyond your cancer diagnosis, you are a person, and I think people can forget that.
“Co-producing and collaborating with patients in research can lead to more effective and sustainable solutions that better meet patients’ needs.”
According to Nanray, the needs of Asian patients are different from their white counterparts, and reactions to treatments also vary. Cultural background factors also need to be taken into account for patients, she said.
Balwinder Nanray
“From personal experience, I can say my surgeon was of Asian background, and he was wonderful. He understood every need that I had. However, my oncologist was white, and that may have played a part in the decisions. He was amazing and knew what he was doing, but I think he lacked social skills.”
Nanray, who lives with her husband and son in Essex, was diagnosed with breast cancer following a mammogram organised through her workplace.
“I had no symptoms and no lumps. I was a senior leader in financial services, but breast cancer had other ideas. I underwent surgery, chemotherapy, and radiotherapy, and I am currently on hormone therapy to help reduce the risk of the cancer returning. This year marks nearly 10 years since my diagnosis, and I’m very grateful for that,” she said.
Nanray is now engaged as a patient advocate for several cancer charities, including Breast Cancer Now.
The Queen Mary University study said addressing existing racial disparities in breast cancer is crucial to ensure equitable benefit across diverse communities.
Breast cancer remains the most common cancer worldwide, claiming the lives of approximately 11,500 women annually in the UK.
South Asian and black women face poorer survival rates compared to their white counterparts, with three-year survival rates at 89 per cent and 85 per cent respectively, versus 91 per cent for white women.
These patients often receive diagnoses at later stages, when the disease is more difficult to treat.
Precision oncology offers individually tailored treatments, moving away from standardised approaches. However, ethnic minority patients remain underrepresented in clinical trials, limiting the effectiveness of these advances for diverse populations, the study said.
Researchers examined clinical and genetic data from 7,000 women with breast cancer. Health experts stressed the importance of addressing these gaps to ensure equal access to quality care for all patients, regardless of ethnic background.
Professor of bioinformatics at Queen Mary’s Barts Cancer Institute, Claude Chelala, told Eastern Eye, “Our paper highlights the need to address longstanding underrepresentation of patients from ethnic minority groups in cancer research and the disparities this creates.
“Recruiting participants from diverse backgrounds can be challenging for a number of reasons, including cultural and language barriers, and a lack of trust or awareness of research.
“Practical issues – such as time, cost and location – can also make it harder for people to take part in studies.
“To address these barriers, we must work with patients and community groups to build trust and raise awareness, ensuring that research is designed in a way that feels accessible and inclusive. This also includes promoting diversity among the teams that recruit patients for studies and biobanks.”
Chelala added that her team are working with the Breast Cancer Now Biobank to boost participation from underrepresented communities. Their efforts extend to working alongside Barts Charity through the Barts Life Sciences Precision Medicine programme and Barts Health NHS Trust, engaging local communities across north east London to encourage diverse research participation.
Researchers stressed that funders and fellow scientists must implement policies requiring the inclusion of diverse populations in study design, which they said is essential for achieving more equitable cancer care outcomes for all patients.
Nanray, whose treatment lasted 15 months, said, “I think we need more awareness in our communities. I’m trying to go to the temples, gurdwaras, and try to raise awareness for women and men to be more in touch with their bodies. If something’s not right, if you feel it’s not right, go to your GP. If your GP doesn’t listen, go to the hospital or A&E. Make noise until someone listens to you.”
The research, one of the largest studies of its kind involving south Asian women, suggested that NHS screening guidelines may need to change. It revealed that south Asian women were diagnosed with breast cancer nearly seven years earlier than women of European ancestry and died around thirteen years younger. Women of African ancestry were diagnosed about five years earlier and died nearly nine years younger.
Current NHS guidelines recommend breast screening for all women from age 50. However, researchers suggest this may be too late for women from some ethnic backgrounds, potentially missing up to 40 per cent of cases in younger women from these groups. It also pointed out differences in mutation rates in genes linked to breast cancer, including the BRCA genes, which affect genetic testing and treatment decisions.
Claude Chelala
Some women had genetic mutations that might have made their cancer resistant to certain treatments they received, but this information was not used in planning their care.
“Precision medicine has the power to revolutionise cancer care, but only if it works for everyone,” said Chelala. “If we fail to address blind spots in research, we risk widening health inequalities rather than reducing them.”
She added, “We need to address many blind spots in our knowledge to realise the promise of precision medicine for diverse populations. For this to happen, it is important to understand and tackle the under-representation of patients from ethnic minority groups in research studies and clinical trials. This is essential to enable benefits from future larger studies to be translated to all patients, to tailor care and reduce racial gaps in its delivery.”
Researchers have called for larger studies to better understand the genetic and clinical factors affecting breast cancer across diverse populations. They said funders and scientists must rethink how cancer research studies and clinical trials are designed to ensure all ethnic groups are properly represented.
Fiona Miller Smith, chief executive of Barts Charity, said, “Equity in healthcare is an important need for east London. Inequalities in health outcomes in certain ethnic populations, such as people from African or south Asian ancestry, are often made worse by under-representation in research data and studies.
“That’s why we fund so many projects that help to improve health outcomes for people from different backgrounds – including Professor Claude Chelala and her team’s study published today.
“The findings point to the need for increasing data collection of underrepresented groups in research studies – to ensure medical advances benefit everyone in our community.”
Breast Cancer Now’s Dr Kotryna Temcinaite said women from ethnic minority communities face inequalities throughout their breast cancer journey, from initial help-seeking to survival outcomes.
The research, supported by data from the Breast Cancer Now Biobank, aims to improve treatment approaches and results for these women.
Asked for her advice to someone with a cancer diagnosis, Nanray said, “Advocate for yourself, use your voice. If they don’t listen to you, take someone with you to talk on your behalf or support you. Those are two key things. You need to use your voice, because it’s about you.
“Share your story. Don’t be scared. Cancer is not a death sentence. By using your voice, you can improve it for the next person, the next generation, make their journey that bit easier, because it’s not easy having that diagnosis.”
When music runs in your veins, it is only a matter of time before the world hears your song. For Gxrnoor, born Gurnoor Anand, music was both a calling and a legacy.
The daughter of acclaimed music director Harry Anand, she grew up surrounded by melody and rhythm, but her sound is entirely her own. Blending sleek pop hooks with the swagger of hip hop, the soul of r’n’b and the spirit of Punjabi beats, Gxrnoor represents a bold new wave of Indian artists unafraid to mix styles and shatter expectations.
From scribbling down Rihanna lyrics as a child to releasing her debut single Relive in 2024, she has been winning hearts with a boss girl energy.
Eastern Eye caught up with the rising music star you will be hearing more about to discuss her songs, inspirations and hopes.
What first connected you to music?
I used to listen to a lot of pop and hip hop as a child – artists like Rihanna, Shakira and Nicki Minaj. Seeing their music videos and performances always intrigued me. They reflected a boss girl energy, and I wanted to be like them someday. I started writing down their lyrics in my notebook, and one day, I thought of writing a song of my own. That is how my journey began. I was only 12 when I wrote my first song and eventually started playing instruments, becoming more inclined towards this path.
How do you reflect on your music journey?
So far, I am grateful. God has been kind. I have received immense love and support in just one year of starting out, and I am eternally thankful for it. There is so much more to come and do – so many things I am yet to achieve. I believe hard work and consistency can get me exactly where I hope to be one day.
What has been your most memorable moment so far?
Seeing people make reels using my songs felt emotional. Watching real people add my songs to their playlists and listen to them daily is a beautiful feeling. Every artist can relate to that. It feels amazing when someone appreciates your craft and connects to it.
Which of your songs is closest to your heart and why?
Relive and Darham. Relive is my debut single, so it will always be closest to my heart. I have achieved a lot and been discovered because of that song. Darham was composed in two minutes – it just flowed out, raw and unfiltered. I love the simplicity and airiness of it. Plus, the word itself is unique. Darham means ‘confused’ in Persian.
Tell us about your next song.
I am working on a summer track with a house feel. It is a great melody – very easy listening. I love its vibe and, hopefully, the audience will too. Fingers crossed! Who are you hoping this song connects with most? It is a light, feel-good song that anyone can relate to. You could play it while driving, chilling at the beach, sitting in the park or just going about your day. It has a good, summery vibe.
What is the music masterplan going forward for your career?
India still has a limited number of female artists. If you look internationally, the music scene is largely dominated by women. My masterplan is to bring that change to India – to inspire more women to step forward and chase their dreams without hesitation. Confidence and belief are key. And if I can make it to the top, they will know they can too.
Who would you love to collaborate with?
Shubh is a great artist. I would love to collaborate with him someday.
What music genres dominate your personal playlist these days?
(Laughs) There is no in-between. It is either extreme hip hop or extreme melody – the best of both worlds.
Who is your music hero?
My father. I have seen him at his peak, and he inspires me to aim that high. He has sold out stadiums and ruled India’s pop music scene in the 1990s and 2000s. I hope I can follow in his footsteps and make him proud.
If you could master something new in music, what would it be?
I would love to master advanced music production. I only know the basics for now, but if I had more time, I would love to make beats just for fun. It is something that really fascinates me.
What inspires you?
Nature inspires me. If you leave me in the hills or by the sea for hours, I will come back with ten compositions. It opens up my creativity. I also love stargazing – just staring at the vastness of the universe. That inspires me too. And I admire other artists and their creativity. We should always support each other in this community.
Why do you love music?
I love music! I breathe music! Imagine how empty the world would be without it. Music heals your soul. It connects you to yourself. You do not need company when you are listening to music. It helps you enjoy life.
Instagram: @gxrnoor
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'Pakistan will have to pay a heavy price for every terrorist attack ... Pakistan's army will pay it, Pakistan's economy will pay it,' Modi said at a public event in Rajasthan, a state bordering Pakistan. (Photo: Getty Images)
INDIA will not provide Pakistan with water from rivers over which it has rights, prime minister Narendra Modi said on Thursday. His comments come a month after a deadly attack in Indian-administered Kashmir, following which New Delhi suspended a key river water-sharing treaty with Pakistan.
India had suspended the Indus Waters Treaty, brokered by the World Bank in 1960, as part of several measures taken after the April 22 attack that killed 26 people, mostly Hindu tourists.
New Delhi accused Pakistan of backing the attack. Islamabad denied the accusation. The two countries saw their worst military exchanges in nearly 30 years before agreeing to a ceasefire on May 10.
"Pakistan will have to pay a heavy price for every terrorist attack ... Pakistan's army will pay it, Pakistan's economy will pay it," Modi said at a public event in Rajasthan, a state bordering Pakistan.
The Indus Waters Treaty allows Pakistan to use water from three rivers that flow from India and supports about 80% of its farms. Pakistan’s finance minister said earlier this month that the suspension of the treaty would not have "any immediate impact".
The ceasefire has largely held. Indian foreign minister Subrahmanyam Jaishankar said there is no exchange of fire and "there has been some repositioning of forces accordingly".
"The (military) operation continues because there is a clear message... that if there are acts of the kind we saw on April 22, there will be a response, we will hit the terrorists," Jaishankar told Dutch outlet NOS.
"If the terrorists are in Pakistan, we will hit them where they are," he added.
Pakistan has not yet responded to the latest remarks by Modi and Jaishankar.
New Delhi blames Pakistan for supporting Islamist separatists fighting security forces in Indian-administered Kashmir. Pakistan denies the allegation.
Since the April 22 attack, both countries have taken steps such as suspending trade, closing land borders, and stopping most visa services.
(With inputs from Reuters)
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Justin Bieber’s deleted post fuels rumours after Hailey’s Vogue feature
Hailey Bieber’s solo Vogue cover was meant to mark a celebratory milestone, her first since becoming a mother. But instead of basking in the spotlight, the moment quickly devolved into digital chaos, thanks to a now-deleted caption posted by her husband, Justin Bieber.
The pop star shared Hailey’s cover image with an unexpected confession: he once told her she’d never make it to Vogue during a past argument. While Justin tried to frame the post as a heartfelt apology and testament to her growth, fans didn’t see it that way. The caption struck many as tone-deaf, with critics accusing him of overshadowing Hailey’s achievement with an unnecessary anecdote that placed the focus back on him.
The post read like an awkward mix of self-awareness and self-centring. While Justin did express regret, admitting he was “clearly wrong” and calling the moment “humbling”, the damage was already done. His words, meant to uplift, were quickly interpreted as a reminder of past disrespect rather than present support.
The backlash was swift. Fans and followers flooded the comments, calling the post inappropriate and poorly timed. Many asked why Justin chose to bring up a private fight during what should have been Hailey’s big moment. Others noted that the caption turned an empowering achievement into an emotional flashback, once again making her success about their marriage and, more specifically, his role in it.
In response to the backlash, Justin deleted the original caption and replaced it with a string of emojis. That move too drew criticism, with some calling it a passive dismissal of valid concerns and others viewing it as a way to quietly dodge accountability.
Though Hailey did not address the post directly, she acknowledged the toll public scrutiny has taken on her in her Vogue interview. She mentioned how online commentary often labels her a liar whenever she attempts to clarify anything, prompting her to adopt a more silent stance, a coping mechanism she credits to Justin, who advised her early on that engaging with trolls is a losing game.
Fans call out Justin Bieber over caption that hijacked Hailey’s Vogue momentGetty Images
While the couple have recently welcomed their first child, Jack Blues, and have publicly spoken about how parenthood has deepened their bond, this incident proves that even joyful milestones come with complications when you’re living life in a digital fishbowl.
‘Former Hertfordshire police officer made racist slurs against Asians'