Tenoch Huerta, best known for starring in Black Panther 2, has exited the upcoming Netflix film Fiesta en la Madriguera after a sexual assault claim was made against him. In a statement obtained by Deadline, Huerta said, "Given the impact of the recent false statements by Maria Elena Rios and the damage they have caused, I have no choice but to withdraw from participating in the film Fiesta en la Madriguera."
"It is with great sadness that I do this, but I cannot allow her actions to harm not only me but also the work of dozens of talented and hard-working people involved in the project. My focus now is simple: continue the process of restoring my reputation," the statement further said.
The Netflix film, set to be directed by Manolo Caro and written by Nicolas Giacobone, will include a cast of Raul Briones, Teresa Ruiz, Alfredo Gatica, Mercedes Hernandez, Pierre Louis, and Lizeth Selene. The film was announced by the streamer less than a month ago with filming reportedly set to begin on June 15.
Huerta was accused by Rios of sexual abuse, including stealthing, something that the Black Panther: Wakanda Forever star has denied.
The actor admitted in a statement earlier this week that he was in a relationship with Rios but "it was entirely consensual at all time" saying "it was a loving, warm and mutually supportive relationship. After it ended, however, Elena began to misrepresent our interactions both privately and in front of groups of mutual friends."
Huerta further said that he has "engaged a legal team to commence the appropriate actions to protect my reputation and refute these irresponsible and false accusations that can cause great prejudice and damage."
Meanwhile, Huerta is attached to star in Netflix's upcoming series El Elegido (The Chosen One) opposite Dianna Agron and Bobby Luhnow which was previewed at the Tudum global fan festival and is set to be released in August.
Huerta played Namor in Black Panther: Wakanda Forever, which follows Shuri (Letitia Wright) along her family who deal with the loss of King T'Challa (Chadwick Boseman), revolving around the actor's death back in 2020. The film was released in theatres on November 22.
Hailey Bieber’s solo Vogue cover was meant to mark a celebratory milestone, her first since becoming a mother. But instead of basking in the spotlight, the moment quickly devolved into digital chaos, thanks to a now-deleted caption posted by her husband, Justin Bieber.
The pop star shared Hailey’s cover image with an unexpected confession: he once told her she’d never make it to Vogue during a past argument. While Justin tried to frame the post as a heartfelt apology and testament to her growth, fans didn’t see it that way. The caption struck many as tone-deaf, with critics accusing him of overshadowing Hailey’s achievement with an unnecessary anecdote that placed the focus back on him.
The post read like an awkward mix of self-awareness and self-centring. While Justin did express regret, admitting he was “clearly wrong” and calling the moment “humbling”, the damage was already done. His words, meant to uplift, were quickly interpreted as a reminder of past disrespect rather than present support.
The backlash was swift. Fans and followers flooded the comments, calling the post inappropriate and poorly timed. Many asked why Justin chose to bring up a private fight during what should have been Hailey’s big moment. Others noted that the caption turned an empowering achievement into an emotional flashback, once again making her success about their marriage and, more specifically, his role in it.
In response to the backlash, Justin deleted the original caption and replaced it with a string of emojis. That move too drew criticism, with some calling it a passive dismissal of valid concerns and others viewing it as a way to quietly dodge accountability.
Though Hailey did not address the post directly, she acknowledged the toll public scrutiny has taken on her in her Vogue interview. She mentioned how online commentary often labels her a liar whenever she attempts to clarify anything, prompting her to adopt a more silent stance, a coping mechanism she credits to Justin, who advised her early on that engaging with trolls is a losing game.
Fans call out Justin Bieber over caption that hijacked Hailey’s Vogue momentGetty Images
While the couple have recently welcomed their first child, Jack Blues, and have publicly spoken about how parenthood has deepened their bond, this incident proves that even joyful milestones come with complications when you’re living life in a digital fishbowl.
The countdown to the last season of Stranger Things has officially begun, but fans might be waiting longer than expected to see how it all ends. Though Netflix has confirmed the show will return in 2025, a new rumour suggests the final season could be released in three waves, with the concluding episodes potentially dropping in 2026.
According to an unverified leak circulating on Twitter, Stranger Things 5 could be split into three volumes: one in October 2025, another in November 2025, and a third sometime in 2026. If this is true, the finale might not land until well into next year, stretching the goodbye even further.
— (@)
So far, Netflix hasn’t confirmed this staggered release. More clarity may come on 31 May, when Netflix’s annual Tudum event goes live. The streaming giant is expected to reveal updates on several big titles, including Emily in Paris, Squid Game Season 3, and possibly the official timeline for Stranger Things Season 5.
Here’s what we do know: filming wrapped up in December 2024, and the new season will have eight episodes set in the autumn of 1987, about six months after Season 4. Netflix has already released the episode titles, which include The Crawl, The Turnbow Trap, Escape from Camazotz, and The Rightside Up, all titles that hint at returning themes from earlier seasons.
Stranger Things season 4 poster Wikipedia
The core cast will be back for one last mission in Hawkins, including Millie Bobby Brown, Finn Wolfhard, Sadie Sink, and Gaten Matarazzo. Veteran actress Linda Hamilton is also joining the final chapter, although her role remains under wraps.
Behind the scenes, the mood has been emotional. At the final table read, several cast members reportedly broke down in tears. David Harbour (Hopper) described it as “waves of people crying,” while Millie Bobby Brown shared a heartfelt message on social media, reflecting on her journey from child actor to global star.
Once Season 5 wraps, the Stranger Things universe won’t close entirely. An animated series titled Stranger Things: Tales From ’85 is in the works. Details are scarce, but it promises to explore new corners of the show’s world, whether or not the original cast returns.
For now, fans will have to hold tight as Netflix prepares to bring one of its biggest shows to a dramatic, and possibly drawn-out, conclusion.
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Deepika Padukone was expected to lead Spirit opposite Prabhas before exiting the project
Deepika Padukone is no longer part of Spirit, the high-profile film directed by Sandeep Reddy Vanga and starring Prabhas. The news comes amid reports of rising tensions between the actress and the filmmaker over working terms that didn’t quite align.
Initially, Deepika was expected to headline the film and take home a career-best paycheck of £1.9 million (₹20 crore). Her presence in the project had created early excitement among fans of both the actress and Prabhas. However, things reportedly soured during early discussions.
Industry buzz grows as Deepika walks away from SpiritGetty Images
According to several industry reports, disagreements began when Deepika reportedly requested fixed work hours for an 8-hour workday with approximately 6 hours spent filming. She also wanted a share in the film’s profits, in addition to her fee. Further, there were claims that she was unwilling to deliver her lines in Telugu, which became a sticking point in a multilingual project.
While none of these details have been officially confirmed by Deepika or Vanga, sources close to the film suggest that the director was not on board with the terms and decided to part ways. The production team is now said to be on the lookout for a new lead actress.
Earlier, Deepika had already stepped back from the film due to her pregnancy. The film’s shooting schedule, initially set for late 2024, had to be adjusted. When the filmmaker returned with a revised timeline, she was reportedly back on board. But the situation appears to have shifted again.
This development has sparked chatter on social media, with fans and insiders weighing in. Some question whether the actress was ever keen on doing the film, while others point out that Vanga’s films haven’t offered substantial roles for women. The debate has only intensified in the absence of any official statement from either party.
Deepika Padukone’s Spirit exit fuels debate on demands and director controlGetty Images
Meanwhile, Spirit remains a highly anticipated release, with plans for a global rollout in multiple languages, including Hindi, Telugu, Tamil, and Korean. The film is still in its early stages, and casting updates are expected soon.
For now, what could’ve been a major collaboration has ended before it began, not with a bang, but with a breakdown in expectations.
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Brat was a cultural moment but Charli is already thinking ahead without fear
After the explosive success of Brat, Charli XCX isn’t trying to bottle lightning twice. In fact, she’s more than ready for her next album to sink. Not because she’s lost her touch but because she’s no longer creating music to top charts or break the internet. She’s doing it for herself.
Speaking at Cannes in an interview with Culted, Charli shared that she doesn’t feel the weight of trying to outdo Brat. “When I made Brat, I believed in it, but I didn’t know how people would react,” she said. “It just clicked with the audience. That wasn’t something I planned.” Now, with her next record on the horizon, she’s bracing for it to miss the mark and she’s completely okay with that. “You can’t repeat the same thing twice,” she added, “and honestly, if it flops, I’m fine with it.”
Charli XCX attends the 2025 Kering Women In Motion Awards and Cannes Film Festival Presidential Dinner at the Cannes Film FestivalGetty Images
Released in mid-2024, Brat catapulted Charli into mainstream stardom. From viral TikTok trends to sold-out arena shows, the album became a cultural mood board. That neon green cover wasn’t just aesthetic; it became a statement, one even Kamala Harris welcomed when Charli jokingly dubbed the U.S. presidential candidate “brat-coded.”
The album didn’t just resonate with fans. It grabbed three Grammy wins, including Best Dance/Electronic Album and Best Recording Package. But despite the acclaim, Charli admits she never expected to be on the Grammys’ radar. “Last year, I didn’t think I’d even be in the conversation,” she said.
Charli XCX at the Magnum Crack Into Pleasure party Getty Images
Her older track Party 4 U is also getting a second life, blowing up years after its quiet 2020 release. “It reminds me of lockdown, recording vocals alone, stuck inside. It was a strange, lonely time,” she reflected.
Now, while fans anticipate new music, Charli’s exploring other creative lanes too. She’s stepping into acting, with several films lined up, including an A24 project she helped create, The Moment.
Charli xcx attends the 2025 Met Gala Getty Images
Whether the next album flops or flies, Charli isn’t chasing legacy. She’s just showing up, creating from instinct, and letting go of the scoreboard. That’s what makes her cool and maybe even braver than ever.
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Aishwarya Rai stuns in a white Manish Malhotra saree paired with a 500-carat ruby necklace at Cannes
Aishwarya Rai Bachchan arrived at the 2025 Cannes Film Festival with the grace and impact only she can command. For her 22nd appearance, she skipped the usual fashion formulas and stepped onto the red carpet in a handwoven ivory Banarasi saree by Manish Malhotra. With her sindoor clearly visible and a smile that lit up the red carpet, Aishwarya didn’t just attend Cannes but took it back to its roots, on her own terms.
The saree, built like a gown but rooted in tradition, featured hand embroidered zari in silver and a flowing lace train that moved like a dream. She paired the look with a dramatic cape style dupatta that shimmered under the lights, and jewellery that turned heads, over 500 carats of Mozambique rubies and uncut diamonds wrapped around her neck. The red lip, the signature hair parted with sindoor, every element was deliberate, and every detail carried a message.
Aishwarya greets fans and photographers and pose for photographs at Cannes 2025Getty Images
Her look felt like a quiet celebration of Indian craftsmanship, but it was also personal. She greeted the cameras with a folded namaste, waved to fans, and blew kisses, making her presence feel like a moment of stillness amid all the flash. As a long time ambassador for L'Oréal Paris, she attended the premiere of The History of Sound, holding her own among the global fashion elite.
With sindoor and a smile Aishwarya brings Indian elegance to the global red carpetGetty Images
But this year, Cannes wasn’t just about Aishwarya. India showed up strong. Neeraj Ghaywan’s Homebound received a standing ovation after its premiere in the Un Certain Regard section, with stars Janhvi Kapoor, Ishaan Khatter, and Vishal Jethwa walking the red carpet alongside him. Satyajit Ray’s restored classic Aranyer Din Ratri was screened in Cannes Classics, introduced by Wes Anderson. Veterans Sharmila Tagore and Simi Garewal were present, marking a moment of reverence and recognition for Indian cinema’s legacy.
Filmmaker Payal Kapadia, who made history last year, returned as a member of the main competition jury, a proud moment in itself.
And yet, despite all the big names and powerful moments, when Aishwarya stepped onto the red carpet in that saree, everything paused. For many fans, Cannes truly begins when she arrives. As one put it simply online: “Queen is always a queen.”