ONE of India’s best kept musical secrets is stunning singer and composer Suchismita.
Her wide array of achievements include being AR Rahman’s protégé, lighting up internationally acclaimed film The Best Exotic Marigold Hotel, singing for major Bollywood blockbusters and delivering cutting-edge singles like her recent release Damaru, which is an up-tempo EDM collaboration with renowned composer Ricky Kej. With a focus on the international market, she is looking to cross more frontiers and currently shuttles between Los Angeles and Mumbai.
Eastern Eye caught up with the classically trained artist hailing from Kolkata, to discuss her new spiritual single, close connection to music and singing hero.
What first connected you to music?
I have had a deep love of music for as long as I can remember. One key moment for me was listening to an audio cassette of legendary vocalist Ustad Bade Ghulam Ali Khan. His magical voice started that life-long connection to music, which gets stronger with each project.
Which of your songs has been closest to your heart?
All the songs I have been fortunate enough to sing are a part of me and that will never change. If I had to single out a few songs then Jagao Mere Des Ko, Desi Romance, Ek Lamha, Kinare and my most recent song release Damaru. These are very special songs for different reasons.
You have collaborated closely with AR Rahman. What is he like to work with?
I have been lucky enough to work with some great musical talents and AR sir is one of the very best we have. He is quite easy to work with as long as one can understand his thought process and expectations.
You are a versatile singer, but what genre do you most enjoy?
I have loved exploring different styles of music because each can teach you something new. Ones I particularly enjoy singing are classical based ones like thumri, dadra and ghazal. I also really love the big symphony orchestras and jazz. But beyond that, I am always open to exploring new genres.
How much has being classically trained helped you?
It helped a lot and enabled me to do such an interesting variety of work. If you know the fundamentals of a subject, it’s always a bit easier to understand the intricacies and venture into new musical territories.
Her latest single
What led towards your latest song Damaru?
I am an ardent follower of Lord Shiva and always wanted to compose a song on him, and that’s why Damaru happened. I am pleased with the response this track has received from all ages, including those who don’t understand the language.
How does this compare to your other songs?
I think it is unfair to compare songs because each has its own unique journey, from being created to going out into the world and making that connection with a listener. Damaru is an extremely powerful track, and has multiple elements, which is quite different from my other tracks. I enjoyed composing and co-writing the lyrics with Jataneel Banerjee. It was great working with (producer) Ricky Kej and (rapper) Maya Miko.
Musically, what can we expect next from you?
There is some really interesting collaborative work on the way with singles, albums and film work. I am looking forward to sharing a lot of new music.
Who would you love to work with?
There are so many people I would love to work with, but top of the list is Hans Zimmer. He always creates magic with his music.
Who is your own musical hero?
My musical hero is Ustad Bade Ghulam Ali Khan because his recordings were the reason for me to choose to learn classical music. He was a master of his craft and there is so much to admire about him.
What music dominates your own playlist?
I really enjoy listening to symphony orchestras because their compositions are musically rich and always have a live feel, which I love.
What is it that inspires you as a singer as well as a composer?
I love the process of making songs, which excites me the most and rendering a song beautifully is another excitement altogether.
How much does live performance mean to you and what has been the most
memorable one?
I feel a deep connection with live performances and being on stage is the place where I belong. It is where I am most comfortable and happiest. It is difficult to mention one memorable concert as there are so many stage memories, but Jodhpur Riff was pretty amazing.
What does music mean to you?
Music means everything to me. It is who I am. It gives me freedom. It is liberation
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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