Sandhya Suri’s thriller named Britain’s Oscar entry
Santosh selected as UK’s official submission to the Oscars 2025
Sandhya Suri poses during a photocall for the film "Santosh" at the 77th edition of the Cannes Film Festival in Cannes, southern France, on May 21, 2024. (Photo by VALERY HACHE/AFP via Getty Images)
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LONDON-based filmmaker Sandhya Suri's Uttar Pradesh-set police thriller Santosh, which premiered at the 77th Cannes Film Festival, was named as Britain's Oscar entry in the international feature category.
The film, which includes Hindi dialogues, revolves around a newly widowed housewife as she inherits her late husband's job as a police constable and becomes embroiled in the investigation of a young girl's murder.
"BAFTA is pleased to confirm that Sandhya Suri's film 'Santosh' is the UK selection for next year's Oscars' international feature film award," the British Academy of Film and Television Arts (BAFTA) said in a statement.
Members of BAFTA's selection committee decide the entry to be submitted to the Oscars 2025 for the best international film category, which won Britain this year's Oscar with The Zone of Interest.
Santosh, a contender for the First Film Competition Sutherland award at this year's BFI London Film Festival (LFF) next month, has received praise as a "skillful thriller."
Santosh movie poster
The film offers a complex character study of a female police officer, portrayed by Shahana Goswami. Her moral struggles connect various themes, including class, caste, and intolerance.
"I'm not really somebody who wants to make a film because they want to teach somebody anything. I don't have a particular campaign or things that I must tick off. So, I don't like didactic films. But what was interesting to me was the idea of a type of place," Suri said.
"A type of place where these things are just in the DNA of the place. It was about the type of place where this misogyny, this casteism, religious intolerance, it's just all sort of hanging in the air. It is just what that place is… it's more an observation than a pushing through of messages, that these things can casually exist in society and to sort of hold a mirror up to that and to ask the question: if we put somebody like Santosh, who was a housewife, in a place like that, how does she process all that."
Suri, who is also the writer, has drawn upon her own Indian heritage and documentary filmmaking expertise in shooting her first feature film in and around Lucknow over 44 days with the help of a talented local crew.
"I wanted to shoot in UP because I'm originally from there and also I wanted to film in a lot of live locations, that was very important for me to have that feeling of authenticity. I come from documentary and that makes me feel that I'm making something real," she shared, reflecting upon all the background sound that the crew had to contend with amid ongoing local festivities.
Shahana Goswami attends "Santosh" photocall at the Cannes Film Festival. (Photo by Pascal Le Segretain/Getty Images)
"A director's job is to choose their great crew. I had such a fantastic and experienced Indian crew who just knew how to take all of that in their stride. We left enough time for everything and everyone was very good at staying very cool in difficult situations," she recalled.
Suri, who was born and raised in Darlington, north-east England, finds herself constantly drawn to India – a country her father loved dearly. After its London Film Festival outing and theatrical release in the UK, the filmmaker is excited about plans in the works for Santosh to be released in India.
"It's been a struggle from the beginning of this quite complex film to have it work for both places. So, having it screened successfully in the UK and also in India are the sort of two most important things for me because I am a filmmaker from the UK with very strong links to India," she said.
OpenAI’s Sora app reaches over one million downloads in less than five days, surpassing ChatGPT’s launch pace.
The app generates short realistic videos from text prompts and is currently invite-only in North America.
Experts suggest Sora could redefine digital content creation, making video generation and sharing as easy as posting on social media.
Critics have raised concerns over copyright, depiction of deceased celebrities, and rights of content creators.
Rapid growth for Sora
OpenAI’s text-to-video app Sora has been downloaded more than one million times in under five days, surpassing ChatGPT’s launch pace. The app, currently available by invite only in North America, allows users to generate ten-second hyperrealistic videos from simple text prompts.
Sora has topped the Apple App Store charts in the US and enables users to post videos directly to social media, resulting in a surge of user-generated content across feeds. Its ease of use and realistic output have led experts to suggest that the app could redefine digital content creation, making video generation and sharing as simple as posting text or images online.
Controversy over content and copyright
Despite its rapid success, Sora has drawn criticism over its handling of copyrighted material and the depiction of recently deceased public figures. Some AI-generated videos have featured celebrities such as Michael Jackson and Tupac Shakur, and Zelda Williams, daughter of Robin Williams, recently requested users stop generating videos of her late father.
An OpenAI spokesperson told Axios that the company supports “strong free speech interests” in depicting historical figures, but for public figures who were recently deceased, authorised individuals may request that their likeness not be used.
The app has also produced videos featuring characters from films, television, and video games. A viral example showed OpenAI CEO Sam Altman interacting with Pokémon characters, prompting questions about potential copyright infringement. Several AI firms, including OpenAI, are already involved in legal disputes over training data and creative works.
OpenAI responds and adapts
CEO Sam Altman has stated that the company is adapting its approach based on user feedback and rights-holder concerns. Plans include giving creators more control over character generation and exploring revenue-sharing models.
OpenAI maintains that Sora videos could be considered a form of “interactive fan fiction,” but it remains unclear whether rights holders will accept this classification or take legal action.
The app’s combination of instant video generation and social sharing highlights its potential to reshape the internet, making professional-looking videos accessible to anyone with a smartphone.
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