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Salman to launch debutante Warina in his next Loveratri

Superstar Salman Khan, who is currently busy with the shooting of his next film Race 3, is ready to launch a new actress in Bollywood. Named Warina Hussain, the model-turned-actress will make her Hindi film debut opposite Salman Khan's brother-in-law Aayush Sharma in the upcoming rom-com Loveratri. The superstar announced her name on his Twitter handle and fans couldn't stop congratulating him for the venture.

This will not be the first when Salman has provided a launchpad to a newcomer. The superstar has launched many fresh faces in the past, including Sonakshi Sinha, Daisy Shah, Sneha Ullal, Athiya Shetty, Sooraj Pancholi, among others.


Talking about Loveratri, the romantic comedy film is based in the state of Gujarat and sees Aayush playing a Gujarati boy. The project was announced by Salman in 2017. It marks the acting debut of both Warina and Aayush.

Salman Khan will finance the project under his home production, Salman Khan Films. The film is expected to release at the end of the year.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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