TWO Covid-19 survivors have opened up about their ongoing recovery process, admitting they are still struggling with symptoms of the disease today.
Statistics from the Department of Health and Social Care (DHSC) in February showed that approximately one in 10 people with coronavirus continues to experience symptoms and an impaired quality of life beyond 12 weeks – otherwise known as ‘long Covid’. Common symptoms include extreme tiredness (fatigue), shortness of breath, chest pain, heart palpitations and memory loss.
Speaking to Eastern Eye, two men who were infected last year and continue to suffer from symptoms have revealed the ways in which Covid has affected their health.
Sohail Anjum contracted coronavirus last March. He was admitted to hospital where he spent 23 days in an induced coma in an intensive care unit (ICU), and was later told he only had a 50 per cent chance of survival. The 48-year-old, who spoke to Eastern Eye about his experiences last June, said one year on, he is still struggling with symptoms related to long Covid. He suffers from breathlessness, fatigue, and an erratic heart rate, which shoots up even with minimal exertion, such as climbing the stairs.
Sohail Anjum contracted coronavirus last March
The Londoner, who works in the film and TV industry, said it was a slow process, but he is determined to get better. “My main focus at the moment is getting my health on track. I’ve been pacing myself and resting when I need to,” he explained, saying he only works a couple of hours a day. “That’s one of the things they teach you post Covid – pacing yourself is so important.”
Currently under the care of a respiratory clinic, Anjum has regular check-ups by various medics, including a cardiologist. The last report from the clinic showed his lungs were functioning at 70 per cent. In addition, he recently completed a six-week course on post Covid rehabilitation exercise classes.
Although his concentration has been largely unaffected, Anjum said he does daily brain puzzles to help his memory. “There are times where I have difficulty remembering things,” he admitted. “I’ve been trying various methods trying to combat the fatigue as well. I’ve had cupping therapy (alternative medicine thought to help an array of medical conditions) done in December and February, which has really helped.”
Virya Biswas* caught Covid-19 last November. He described the illness as the “worst type of flu you can imagine”. He was unable to get out of bed, lost his sense of taste and smell and suffered from extreme fatigue. “I wouldn’t wish (Covid) on my worst enemy,” the 56-year-old said.
Months later, Biswas is still feeling the after-effects of Covid. He frequently wakes up at night feeling out of breath and coughing, and his sense of taste and smell have not fully returned either. “I add so much salt to my food now and I can’t tell if my wife has added chilli to our meals or not,” he said.
More than 150,000 people have died from coronavirus in the UK, according to recent analysis
Over time, Biswas has managed to build up his strength again. “In the first couple of weeks (of recovery), I could only manage about 10 minutes of walking,” he recalled. “I thought I was in real trouble – but now I’ve been building up to what I normally walk, which is around three miles a day.”
Although he has not contacted his GP about his ongoing symptoms, Biswas said he would be concerned if he was still showing signs of it in the future. “If within 12 months, I’m not back to normal, then I’ll probably go to the GP,” he said. “But I’m just trying to be careful with my health – keeping my weight down and going on walks.”
As well as the effects on their health, the virus has had other long-lasting impacts. Anjum’s mother Rashida died from the disease while he was in the ICU. Almost 12 months after her death, he admitted it had been a “tough” year without her.
Two more of his family members have passed away from Covid in recent months. “It’s been a traumatic year for (the family), but you’ve just got to accept what has happened and carry on,” Anjum said. In recent weeks, he and other members of his immediate family had their Covid-19 immunisation jabs.
The photographer has urged other members of the Asian community to accept the vaccination when they are offered it. “Ignore the conspiracy theories that have been spread about the vaccine,” he said. “My advice to the south Asian community is just go out there, take the vaccination and help reduce the risks.”
In February, the government announced £18.5 million of funding would be used for research projects in order to help better understand the causes, symptoms, and treatment of long Covid. Acknowledging the “lasting and debilitating” impact of the condition on coronavirus
patients, health secretary Matt Hancock said: “In order to effectively help these individuals, we need to better understand long Covid and identify therapeutics that can help recovery.”
Professor Chris Whitty, chief medical officer for England and head of the National Institute for Health Research (NIHR), added: “This research, jointly funded through the NIHR and UKRI, will increase our knowledge of how and why the virus causes some people to suffer long-term effects following a Covid-19 infection – and will be an important tool in developing more effective treatments for patients.”
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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