Shaid explores love, grief and identity with her new novel.
By Asjad NazirApr 20, 2024
REBEKA SHAID used personal experiences for her powerful new novel Seven Days.
She drew upon memories of living in Bristol, her own mixed heritage, having immigrant parents and the grief of losing a loved one, for the story of two teenagers who bond across a week.
The young adult (YA) romance addressing multiple issues of grief, faith, family, belonging and identity revolves around two individuals, who struggle to carve out their own paths after losing a loved one. By putting her own experiences into lead characters Noori and Aamir, she has created a relatable book filled with important life lessons.
Eastern Eye caught up with the talented writer to discuss her multi-layered new book.
She also spoke about her experience of becoming a young widow after losing her husband to cancer, shortly after the birth of their first child.
What connected you to writing?
For me, it all started with being an avid reader as a child. I read anything I could get my hands on. There is something magical about diving into a book and getting lost in a story that can transport you to a different age or place and connect with characters you end up getting attached to.
Books have that transformative power to shape and enrich our lives. I was always drawn to the world of literature because it’s a source of imagination and, ultimately, a reflection of life. The written word, I realised early on, is a powerful thing.
What inspired you to write Seven Days?
I wanted to write a novel that my teenage self could connect with because when I was growing up, there weren’t that many diverse books out there.
I’m of mixed heritage, my parents are immigrants from different faiths, and as a teenager, I often felt different.
This sense of ‘otherness’ has accompanied me for most of my life, and with Seven Days I wanted to create relatable characters that readers from a variety of cultural backgrounds can identify with. Representation does matter.
Can you elaborate on that point?
It makes people feel seen, especially those who are often marginalised. And at the same time, diverse literature helps to broaden people’s understanding of other cultures and that’s really important in today’s world – learning to be more accepting and open to others.
The cover of her book, Seven Days.
Tell us a little bit about the story.
Seven Days is a contemporary YA romance about finding love after loss.
The story follows two teenagers, sassy Noori and her troubled counterpart Aamir. Their lives collide in unexpected ways, or maybe it’s kismet, and over the course of seven days they bond over chai, roti and Rumi.
While Seven Days is a tale about a girl who meets a boy, the novel also looks at other themes such as grief and family relationships. It addresses questions of faith and identity, all told with humour.
What was the biggest challenge you faced while writing this book?
I’m an expert at procrastination. Sticking to a writing routine without getting distracted was my biggest hurdle.
Who is your ideal reader for this book?
I hope the book appeals to a broad range of readers – those who are on a journey of finding themselves, much like Noori and Aamir, but also anyone who has experienced loss of some sort. In the end, it’s a fun and uplifting story, so readers who are looking for hope, and even miracles, will find that in Seven Days.
What is your favourite part of the book?
It’s difficult to pick a favourite scene. But, I liked writing the last chapter and jotting down the words ‘The End’ made me feel like I had accomplished something. So, writing that final chapter felt special because it was like reaching the finishing line after running a joyful, but at times, excruciating marathon.
Did writing this book help you in any way?
Writing in general is helpful to extract your emotions and perspectives. It’s a tool for communication and allows you to express yourself, your thoughts and creativity. It’s no exaggeration when I say that writing helped me heal and process what I was going through.
This book deals with grief. How did you deal with the heartbreak of becoming a widow in your 20s after losing your husband?
It was a traumatising time and when I think back it all feels like a blur. But I had a two-year-old to look after, so I just functioned.
I took each day as it came and did a lot of soulsearching, trying to get back on my feet and figuring out who I am and want to be. I read a lot, went on daily walks, and in the end turned to writing.
What advice would you give those dealing with grief and heartbreak?
Healing takes time, so be gentle on yourself. While life will never be the same and you will always miss the person you’ve lost, eventually your days will brighten, bit by bit. Also, if you need help, don’t be afraid to ask for support.
There’s this Rumi quote I like as it sums up the journey through grief perfectly. ‘Know that one day your pain will become your cure.’
What books do you enjoy reading?
I love many genres, but am, of course, drawn to YA novels. Authors I admire include Nicola Yoon, Jandy Nelson, Angie Thomas, Elizabeth Acevedo, and Jasmine Warga – to name a few. I also like to explore new, up-and-coming voices as well as literary gems like Elif Shafak and Isabel Allende.
What inspires you?
I think we all draw inspiration from our daily lives, the people we encounter, and experiences we make. With Seven Days specifically, I wanted to write about two characters who are figuring out where they belong, while exploring their relationships with each other and their families. Both Noori and Aamir feel this sense of ‘otherness’ and that’s something I wanted to unpack in an unconventional love story.
Why should we all pick up your new book?
If you’re looking for a funny, romantic coming-ofage story that tackles topics like identity, loss and family relationships, then Seven Days is certainly for you. It will leave you with a sense of warmth and wonder. Is this a convincing pitch?
Army personnel patrol outside Nepal's President House during a curfew imposed to restore law and order in Kathmandu on September 12, 2025. (Photo: Getty Images)
Nepal’s president and army in talks to find an interim leader after deadly protests
At least 51 killed, the deadliest unrest since the end of the Maoist civil war
Curfew imposed in Kathmandu, army patrols continue
Gen Z protest leaders demand parliament’s dissolution
NEPAL’s president and army moved on Friday to find a consensus interim leader after anti-corruption protests forced the government out and parliament was set on fire.
The country of 30 million faced unrest this week after security forces clamped down on rallies by young anti-corruption protesters, leading to widespread violence on Tuesday.
At least 51 people were killed in the violence, the deadliest since the end of the Maoist civil war and the abolition of the monarchy in 2008.
The military took control of the streets on Wednesday, enforcing a curfew, as army chief General Ashok Raj Sigdel and president Ramchandra Paudel held talks with political leaders and representatives from the youth protest movement known as “Gen Z.”
Search for interim leader
Disagreements between factions remain, but 73-year-old Sushila Karki, Nepal’s first woman chief justice, has emerged as a key candidate.
"A meeting has been scheduled for this afternoon with the president, the army chief, former chief justice Sushila Karki, our representative Sudan Gurung and one legal expert," Nimesh Shrestha, who was part of the Gen Z protest, told AFP.
Karki told AFP that "experts need to come together to figure out the way forward", adding that "the parliament still stands."
However, Gurung, a youth activist, said on Thursday that their "first demand is the dissolution of parliament."
In an address to the nation, President Paudel said that "a solution to the problem is being sought, as soon as possible."
Curfew in Kathmandu
Army patrols continued for a third day in Kathmandu on Friday. The protests and unrest also triggered a mass jailbreak earlier in the week.
"I was very afraid and stayed locked inside my home with family and didn't leave," said Naveen Kumar Das, a painter-decorator in his mid-40s.
With a brief lifting of the curfew on Friday morning, residents went out to buy food and essentials.
"It was a really tense time and we just stayed indoors," said Laxmi Thapa, 32, who came out with her husband to refuel their motorbike. "We came out as things have improved."
Deadly crackdown
At least 21 protesters were among those killed, many during Monday’s police crackdown on demonstrations against corruption and governance problems, which began after a ban on social media.
On Tuesday, protesters set fire to parliament, government buildings and a Hilton Hotel. Prime Minister KP Sharma Oli, 73, resigned, and the army took over security in the streets.
The army said on Friday that more than 100 guns looted during the protests had been recovered.
Police spokesman Binod Ghimire told AFP that over 12,500 prisoners who escaped from jails across the country during the unrest "are still at large."
Call for change
Nepal’s economic challenges have fuelled discontent. More than 40 per cent of the population is aged between 16 and 40. A fifth of people aged 15-24 are unemployed, according to the World Bank, and GDP per capita is $1,447.
Gen Z protesters continue to debate the country’s political future.
"We started this movement so we could make a better Nepal," said James Karki, 24. "And I am positive that the army will listen."
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Steven Spielberg revisits the turbulent shoot of Jaws five decades later
Director marks 50 years of Jaws with new exhibition in Los Angeles
Reveals how shooting at sea left crew seasick and production over budget
Says he feared being fired during delays caused by malfunctioning mechanical sharks
Jaws went on to earn £192 million (₹2,301 crore as of 12 Sep 2025) and redefine the summer blockbuster
As the 50th anniversary of Jaws is celebrated, director Steven Spielberg has reflected on the chaotic making of the thriller, describing how the troubled shoot pushed him to the brink of thinking his career was finished. Speaking at the Academy Museum of Motion Pictures in Los Angeles, where a new exhibition is opening to mark the milestone, Spielberg said the filming of the mechanical shark epic left him convinced he would “never get hired again”.
Steven Spielberg revisits the turbulent shoot of Jaws five decades later Getty Images
Why did Steven Spielberg think his career was over during Jaws?
Spielberg, just 26 at the time, chose to film on location off Martha's Vineyard rather than in controlled water tanks. It was a decision that spiralled into months of production delays and escalating costs. “My hubris was thinking we could take a Hollywood crew 12 miles out to sea and make a movie with a mechanical shark,” he told journalists.
The ambitious plan quickly unravelled. Unpredictable tides and passing regattas repeatedly ruined takes, while crew members succumbed to seasickness. “I’ve never seen so much vomit in my life,” Spielberg joked. As schedules slipped and budgets soared, he feared the studio would shut down the film and end his career.
Steven Spielberg's Clapperboard from Jaws Getty Images
What challenges plagued the Jaws production at sea?
The centrepiece of the film, three full-sized animatronic sharks nicknamed “Bruce," proved the biggest obstacle. Built using pneumatic and hydraulic systems, they had never been tested in salt water before arriving at Martha’s Vineyard. Once submerged, salt corroded their mechanisms, pipes clogged, and controls frequently failed.
Because post-production tools in 1974 were limited, even minor background distractions became major setbacks. Boats from real regattas would drift into the background, forcing the crew to halt filming and wait for hours for clear ocean shots.
Steven Spielberg reflects on ‘Jaws’ at 50 as he recalls the chaos that made him fear being firedGetty Images
How did the crew keep the film alive despite setbacks?
Despite the relentless technical failures, Spielberg refused repeated offers to halt production entirely. Crucially, his team stood by him. Sound director John Carter once fell overboard while holding his recorder, and editor Verna Fields worked tirelessly to salvage suspense from the limited usable footage. Composer John Williams’s now-iconic two-note theme also played a vital role in heightening the tension where shark visuals were lacking.
What is featured in the new Jaws 50th anniversary exhibition?
The new exhibition at the Academy Museum is the first in its history dedicated to a single film. It showcases original storyboards, surviving shark models, and behind-the-scenes artefacts that illustrate the ingenuity and strain behind the production. Curator Jenny He said the display highlights how artistic problem-solving turned logistical disaster into cinematic history.
The film went on to earn £192m (₹2,301 crore as of 12 Sep 2025) at the US box office and became the first American “summer blockbuster,” launching Spielberg’s career as one of Hollywood’s most influential directors.
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Margot Robbie’s thong and Dakota Johnson’s sheer Gucci prove naked dressing is ruling 2025 red carpets
Margot Robbie revealed a bedazzled thong beneath a sheer Armani Privé gown at a London premiere.
Dakota Johnson attended Kering’s Caring for Women gala in New York in a floral-embroidered sheer Gucci dress.
The two separate outings in different cities fuelled the naked dressing conversation across red carpets.
The trend of sheer, lingerie-inspired couture continues to dominate major events in 2025.
Margot Robbie bares her butt in one high-profile moment while Dakota Johnson made headlines for a separate sheer Gucci look, but the two were not at the same event. Robbie returned to the red carpet in London wearing a sheer Armani Privé couture gown that exposed a bedazzled thong, while Johnson attended Kering’s Caring for Women gala in New York in a see-through Gucci dress embroidered with floral motifs. Together, the appearances proved how naked dressing like sheer fabrics and lingerie silhouettes is shaping this year’s red carpet conversations across different cities.
Margot Robbie’s thong and Dakota Johnson’s sheer Gucci prove naked dressing is ruling 2025 red carpets Getty Images
What happened at the London premiere?
Robbie wore an Armani Privé gown with a sheer base and ornate beadwork for the London premiere of her new film. The gown’s design revealed a sparkling thong when she turned, a detail that drew immediate attention on the carpet. Her styling was pared back; a sleek updo and bronzed makeup allowing the couture piece to be the focal point of the appearance.
Margot Robbie attends the European Premiere of "A Big Bold Beautiful Journey" at Odeon Luxe LeicesterGetty Images
What did Dakota Johnson wear at Kering’s Caring for Women gala in New York?
Dakota Johnson arrived at the Kering-hosted Caring for Women gala in a sheer Gucci gown embroidered with floral details that revealed a matching bra and underwear set beneath. Styled to balance transparency with tailoring, Johnson’s look followed her ongoing collaboration with Gucci, maintaining her reputation for daring red carpet choices.
Dakota Johnson attends the Kering Foundation's Fourth Annual Caring for Women Dinner at The Pool Getty Images
Were Margot Robbie and Dakota Johnson at the same event?
No, the two stars were photographed in separate cities. Robbie’s naked dressing moment occurred on the London red carpet for her film premiere, while Johnson’s sheer Gucci look was on show at the charity gala in New York. Both looks emerged within a similar timeframe and together highlighted how sheer dressing is appearing simultaneously on international red carpets.
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Why is naked dressing dominating red carpets in 2025?
Sheer fabrics, strategically placed embellishments and lingerie-inspired silhouettes have become ubiquitous at major events this year. Designers from Gucci to Mugler and Valentino continue to reinterpret transparency through couture techniques, making the trend both a design challenge and a red carpet focal point. For public figures, these looks offer a way to make a fashion statement while tapping into ongoing conversations about personal expression and couture craftsmanship.
Both Robbie’s Armani Privé gown and Johnson’s Gucci creation are clear examples of how the trend is being used differently: Robbie’s moment was a revealing, head-turning red carpet stunt connected to a film premiere, while Johnson’s was a polished, fashion-house statement at a high-profile charity event and together they emphasise why naked dressing remains one of 2025’s most talked-about fashion movements.
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Bangladesh lost two early wickets in their chase, but Litton built a 95-run stand with Towhid Hridoy, who remained unbeaten on 35, to take the team to 144-3 in 17.4 overs. (Photo: c
CAPTAIN Litton Das scored 59 to guide Bangladesh to a seven-wicket win over Hong Kong in their opening Asia Cup match on Thursday.
Invited to bat first in Abu Dhabi, Hong Kong made 143-7 with Nizakat Khan top-scoring on 42.
Bangladesh lost two early wickets in their chase, but Litton built a 95-run stand with Towhid Hridoy, who remained unbeaten on 35, to take the team to 144-3 in 17.4 overs. Litton reached his half-century in 33 balls before being dismissed by medium-pacer Ateeq Iqbal. Towhid then hit the winning run.
"Very important to win the first game," said Litton, who was named player of the match. "Last couple of series, we have played good cricket. But in Asia Cup, little bit of pressure comes automatically."
This was Bangladesh’s first T20 win over Hong Kong, who had beaten them in their only previous meeting in 2014.
Hong Kong suffered their second loss in Group B, which also features Afghanistan and Sri Lanka. Afghanistan beat Hong Kong by 94 runs in the tournament opener.
In their innings, Hong Kong lost two quick wickets before Nizakat added 41 with Zeeshan Ali, who made 30. He then put on 46 with captain Yasim Murtaza, who scored 28 off 19 balls. Murtaza was run out and leg-spinner Rishad Hossain struck twice in the next over, including Nizakat’s wicket.
"I am happy with the way our batters scored," said Murtaza. "But I will be happier if we got 160-170 plus -- that would be a different total."
Tanzim Hasan Sakib impressed with 2-21 in four overs, while Taskin Ahmed and Rishad also claimed two wickets each.
Bangladesh slipped to 47-2 in reply but Litton and Towhid steadied the chase.
Pakistan face Oman on Friday in Dubai. The Asia Cup is also a build-up to the T20 World Cup scheduled in India and Sri Lanka in February-March.
(With inputs from agencies)
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Winds could reach 70–80mph in the most exposed coastal areas
Met Office issues yellow warning from 8pm Sunday to 6pm Monday
Winds could reach 70–80mph in the most exposed coastal areas
Travel disruption and risk of falling debris expected
Residents urged to secure outdoor items ahead of stormy conditions
Strong winds expected across southern and western UK
The Met Office has issued a yellow weather warning ahead of the weekend, with winds of up to 80mph forecast to affect large parts of the UK. The alert will be in place from 8pm on Sunday until 6pm on Monday.
The warning covers much of west and southwest England and Wales, along with the entire southern coast of England. It also extends up the west coast towards Manchester. Gusts of 60mph are likely inland, rising to 70–80mph in exposed coastal areas and hilltops.
Monday morning peak
Forecasters expect the strongest winds on Monday morning, gradually moving east during the day. The Met Office has warned of delays to transport and the potential for injuries or danger to life from falling debris.
Residents in affected areas are advised to prepare by securing garden furniture, sheds, bins and other loose items.
Weather outlook before the storm
Before the weekend, Thursday will bring wind and rain to northwest Scotland, with a mix of sunshine and blustery showers elsewhere. Some showers may be heavy, with hail and thunder possible in western regions.
Friday is expected to remain breezy, with overnight showers along western coasts. Saturday could bring heavier downpours and isolated thunderstorms, alongside stronger winds and coastal gales.
Cooler but drier in the east
Eastern parts of the UK are likely to see brighter and drier spells, though temperatures will stay on the cooler side. London can expect highs of around 17–18°C across both Saturday and Sunday.
Forecasters monitoring Atlantic low pressure
Paul Gundersen, chief meteorologist at the Met Office, said: “We have been monitoring a deepening area of low pressure over the North Atlantic that might bring impactful weather to the UK, most likely on Sunday and Monday. At present, a named storm is unlikely.”