Shaid explores love, grief and identity with her new novel.
By Asjad NazirApr 20, 2024
REBEKA SHAID used personal experiences for her powerful new novel Seven Days.
She drew upon memories of living in Bristol, her own mixed heritage, having immigrant parents and the grief of losing a loved one, for the story of two teenagers who bond across a week.
The young adult (YA) romance addressing multiple issues of grief, faith, family, belonging and identity revolves around two individuals, who struggle to carve out their own paths after losing a loved one. By putting her own experiences into lead characters Noori and Aamir, she has created a relatable book filled with important life lessons.
Eastern Eye caught up with the talented writer to discuss her multi-layered new book.
She also spoke about her experience of becoming a young widow after losing her husband to cancer, shortly after the birth of their first child.
What connected you to writing?
For me, it all started with being an avid reader as a child. I read anything I could get my hands on. There is something magical about diving into a book and getting lost in a story that can transport you to a different age or place and connect with characters you end up getting attached to.
Books have that transformative power to shape and enrich our lives. I was always drawn to the world of literature because it’s a source of imagination and, ultimately, a reflection of life. The written word, I realised early on, is a powerful thing.
What inspired you to write Seven Days?
I wanted to write a novel that my teenage self could connect with because when I was growing up, there weren’t that many diverse books out there.
I’m of mixed heritage, my parents are immigrants from different faiths, and as a teenager, I often felt different.
This sense of ‘otherness’ has accompanied me for most of my life, and with Seven Days I wanted to create relatable characters that readers from a variety of cultural backgrounds can identify with. Representation does matter.
Can you elaborate on that point?
It makes people feel seen, especially those who are often marginalised. And at the same time, diverse literature helps to broaden people’s understanding of other cultures and that’s really important in today’s world – learning to be more accepting and open to others.
The cover of her book, Seven Days.
Tell us a little bit about the story.
Seven Days is a contemporary YA romance about finding love after loss.
The story follows two teenagers, sassy Noori and her troubled counterpart Aamir. Their lives collide in unexpected ways, or maybe it’s kismet, and over the course of seven days they bond over chai, roti and Rumi.
While Seven Days is a tale about a girl who meets a boy, the novel also looks at other themes such as grief and family relationships. It addresses questions of faith and identity, all told with humour.
What was the biggest challenge you faced while writing this book?
I’m an expert at procrastination. Sticking to a writing routine without getting distracted was my biggest hurdle.
Who is your ideal reader for this book?
I hope the book appeals to a broad range of readers – those who are on a journey of finding themselves, much like Noori and Aamir, but also anyone who has experienced loss of some sort. In the end, it’s a fun and uplifting story, so readers who are looking for hope, and even miracles, will find that in Seven Days.
What is your favourite part of the book?
It’s difficult to pick a favourite scene. But, I liked writing the last chapter and jotting down the words ‘The End’ made me feel like I had accomplished something. So, writing that final chapter felt special because it was like reaching the finishing line after running a joyful, but at times, excruciating marathon.
Did writing this book help you in any way?
Writing in general is helpful to extract your emotions and perspectives. It’s a tool for communication and allows you to express yourself, your thoughts and creativity. It’s no exaggeration when I say that writing helped me heal and process what I was going through.
This book deals with grief. How did you deal with the heartbreak of becoming a widow in your 20s after losing your husband?
It was a traumatising time and when I think back it all feels like a blur. But I had a two-year-old to look after, so I just functioned.
I took each day as it came and did a lot of soulsearching, trying to get back on my feet and figuring out who I am and want to be. I read a lot, went on daily walks, and in the end turned to writing.
What advice would you give those dealing with grief and heartbreak?
Healing takes time, so be gentle on yourself. While life will never be the same and you will always miss the person you’ve lost, eventually your days will brighten, bit by bit. Also, if you need help, don’t be afraid to ask for support.
There’s this Rumi quote I like as it sums up the journey through grief perfectly. ‘Know that one day your pain will become your cure.’
What books do you enjoy reading?
I love many genres, but am, of course, drawn to YA novels. Authors I admire include Nicola Yoon, Jandy Nelson, Angie Thomas, Elizabeth Acevedo, and Jasmine Warga – to name a few. I also like to explore new, up-and-coming voices as well as literary gems like Elif Shafak and Isabel Allende.
What inspires you?
I think we all draw inspiration from our daily lives, the people we encounter, and experiences we make. With Seven Days specifically, I wanted to write about two characters who are figuring out where they belong, while exploring their relationships with each other and their families. Both Noori and Aamir feel this sense of ‘otherness’ and that’s something I wanted to unpack in an unconventional love story.
Why should we all pick up your new book?
If you’re looking for a funny, romantic coming-ofage story that tackles topics like identity, loss and family relationships, then Seven Days is certainly for you. It will leave you with a sense of warmth and wonder. Is this a convincing pitch?
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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