Reeves to provide ‘huge funding’ for NHS in budget
Reeves will present the budget on Wednesday.
Rachel Reeves (R) and health secretary Wes Streeting (L) speak with members of staff as they visit St. George's Hospital, on October 28, 2024 in London, England. (Photo by Leon Neal/Getty Images)
Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
CHANCELLOR Rachel Reeves will announce billions of pounds in funding for the NHS in Wednesday's (30) budget that will go towards buying new equipment for hospitals and increasing the number of operations.
Prime minister Keir Starmer has said tax rises will be necessary to rebuild Britain's public services, pledging no return to austerity despite a difficult fiscal inheritance after Labour won a July election.
"I am putting an end to the neglect and under investment (the NHS) has seen for over a decade now," Reeves said.
"We will be known as the government that took the NHS from its worst crisis in its history, got it back on its feet again and made it fit for the bright future ahead of it."
The chancellor said there would be £1.5 billion ($1.95bn) for new surgical hubs and scanners, and £70 million for radiotherapy machines.
It said there would be enough funding to deliver an extra 40,000 elective appointments a week, including £1.8bn invested by the government since July.
Reeves will announce the final figure on Wednesday.
The state-run NHS has endured some of its hardest winters recently as it struggled to cope with backlogs in elective procedures delayed by Covid and industrial action.
“Our NHS is broken, but it’s not beaten, and this Budget is the moment we start to fix it. The chancellor is backing the NHS with new investment to cut waiting lists, which stand at an unacceptable 7.6 million today," said Wes Streeting, health and social care secretary.
"Alongside extra funding, we’re sending crack teams of top surgeons to hospitals across the country, to reform how they run their surgeries, treat more patients, and make the money go further.”
Starmer has promised to deliver a 10-year plan to fix the NHS in England, after an independent report said it was in critical condition.
He has agreed pay deals with health workers, ending a series of strikes the previous Conservative government blamed for extending waiting lists.
The finance ministry said the extra funding would help the NHS meet a commitment that 92 per cent of people wait less than 18 weeks to start treatment.
Meanwhile, the pound held steady on Tuesday (29), while sterling options rose to their highest since the start of the month, reflecting a modest degree of nervousness among traders a day before Reeves presents the new budget.
Reeves will deliver the new Labour government's first budget in 14 years on Wednesday, two years after then-prime minister Liz Truss' tax-cutting plans sparked a crisis in the bond market.
She plans around £40bn worth of fiscal measures, according to government sources, mostly from tax increases plus cuts to some public services, to meet her pledge to cover day-to-day spending without borrowing.
ING strategist Francesco Pesole said there was no political risk premium priced into the pound right now, while speculators are sitting on a fairly substantial bullish position in sterling futures, which could quickly get unwound if there is any disappointment stemming from the budget.
"Sterling continues to look vulnerable ahead of tomorrow’s budget event and next week’s US election, and risks remain skewed to a move to $1.2800-1.2850," he said.
Modest, but steady economic growth, along with a continued decline in UK inflation have reaped only one rate cut so far from the Bank of England this year.
Sterling is still the best-performing major currency against the dollar in 2024, with a near 2 per cent gain.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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