Allu Arjun is one of the most successful actors presently working in Tollywood. The actor enjoys a massive fan following, which ensures that his films open to earth-shattering response at the box-office.
The 38-year-old star was last seen in Ala Vaikunthapurramuloo (2020), which turned out to be an instant blockbuster at the ticket counter, becoming one of the highest-grossing Telugu films ever. After its resounding success in Telugu language, the film is now set for a remake in Bollywood.
After Ala Vaikunthapurramuloo, Arjun started working on director Sukumar’s action thriller Pushpa. Also starring Fahadh Faasil and Rashmika Mandanna in lead roles, the hugely anticipated Telugu film will simultaneously release in several other Indian languages also.
Now, giving an unexpected surprise to Allu Arjun’s fans, successful producer Bunny Vas has revealed the upcoming line-up of films that the actor has in the pipeline. Also confirming the sequel of Pushpa, Vas reportedly said that the film is set to be the biggest blockbuster of the actor’s career to date.
“After Sukumar’s Pushpa, Allu Arjun will work with Venu Sriram for Icon. After that, he will shoot for the sequel of Pushpa. When we resumed shooting for the film, we did not expect it to be such a massive story,” Vas said in a recent interview.
He added that they have now decided to make two films, he said, “Now Pushpa will release in two parts because of that. Allu Arjun has also given his nod for films with AR Murugadoss and Boyapati Srinu after Pushpa 2. Koratala Siva’s film will also be accommodated in the line-up, depending on the dates. But as of now, we are all working towards making Pushpa the next big thing in Indian cinema.”
Buzz also has it that Allu Arjun is in talks with KGF director Prashanth Neel for a film. However, there has been no official word on the same.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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