It looks like things are getting serious between Bollywood beauty Priyanka Chopra and singer Nick Jonas.
Priyanka recently accompanied Nick to his cousin Rachel Tamburelli's wedding in Atlantic City, New Jersey, and she is believed to have met the entire Jonas clan. Pictures from the wedding, which have been taking the Internet by storm, show the duo having a blast at the ceremony. The duo arrived hand in hand, and their public display of affection has fans speculating that the duo are in a serious relationship.
Priyanka and Nick were first linked together when they arrived at last year's Met Gala, both dressed in Ralph Lauren designs. The rumours reignited this year after the duo spent the Memorial Day weekend with each other. They were spotted attending the Beauty and the Beast Live concert at the Hollywood Bowl on Friday, May 25.
“The two were seen heading to the concessions stand during intermission before returning to their seats to finish taking in the show,” an eyewitness told Us Weekly. “They snuck out right as the show was ending.”
The couple was also spotted at a a Los Angeles Dodgers game. “Priyanka and Nick were talking really closely and were very smiley and very happy,” an onlooker told Us. “They weren’t trying to be private as they were in a pretty public place, but they were talking to people around them, sitting closely and they both just seemed super happy.”
Last year, television host Jimmy Kimmel asked Priyanka about the possibility of them dating after the pair arrived together at the Met Gala.
Playing coy, Priyanka said: “Yeah, we were on the same table and we already know each other. So he was like ‘Hey, you wanna go together?’ And I was like, ‘Yeah, OK, let’s go together.’ It ended up working out.”
James Gunn’s Superman reimagines the hero as a symbol of the immigrant experience.
Former Superman actor Dean Cain and conservative commentators criticise the film as "too woke."
Cain argues that Hollywood is rewriting classic characters to fit modern political agendas.
Gunn defends his interpretation, saying the story champions kindness and inclusion.
James Gunn’s highly anticipated Superman has already been caught in a political storm. The director’s depiction of the Man of Steel as a metaphor for the immigrant experience has drawn criticism from right-wing voices, who accuse Hollywood of turning the iconic superhero into a tool for political messaging.
New ‘Superman’ movie sparks backlash for portraying hero as immigrant symbol Instagram/superman/reald3d
Gunn calls Superman ‘The story of America’
In a recent interview, Gunn described Superman as an immigrant who “came from other places and populated the country,” framing the nearly century-old comic book hero as a symbol of the American melting pot. The new film, he added, is about “basic human kindness”, a value he believes is being lost in today’s culture. For Gunn, this fresh take is less about politics and more about restoring a sense of empathy.
Director James Gunn attends the red carpet for the Superman movie premiereGetty Images
Dean Cain says Superman is becoming too political
Dean Cain, who portrayed Superman in the ’90s TV series Lois & Clark, sees things differently. In a video interview, Cain accused Hollywood of going too far with “woke” reinterpretations of legacy characters. While acknowledging Superman’s extraterrestrial roots, he warned that reshaping classic icons to reflect modern ideologies risks diluting their core values.
“The ‘American way’ is immigrant friendly, tremendously so,” Cain said, “but there are rules.” He cautioned against celebrating immigration without acknowledging its complexities, arguing that unlimited inclusion could lead to societal collapse.
Dean Cain accused Hollywood of going too far with “woke” reinterpretationsGetty Images
Right-wing backlash gains momentum
Cain isn’t alone in his criticism. Fox News host Jesse Watters mockingly suggested that the new Superman now stands for “truth, justice, and your preferred pronouns,” while other conservative voices took issue with the film’s social messaging. Some have gone as far as to claim the hero’s cape should bear gang symbols if he’s being used to push a political narrative.
The reaction highlights how even fictional characters can become lightning rods in America’s ongoing culture wars. Immigration, especially, remains a divisive topic, intensified by recent enforcement policies and rising anti-immigrant rhetoric under Donald Trump’s influence.
While critics decry the film as ideological, those involved in Superman are standing firm. Nathan Fillion, who plays Green Lantern in the movie, downplayed the outrage, saying, “It’s just a movie.”
Sean Gunn, the director’s brother and a cast member in the film, offered a more forceful defence: “Yes, Superman is an immigrant. If you don’t like that, you’re not American.” For the cast and creators, the backlash isn’t a deterrent. In fact, it’s proof that the story still resonates and provokes thought.
Gunn’s Superman releases internationally this week and hits U.S. theatres on Friday, 11 July. Despite the controversy, early reviews are favourable, with many praising its emotional core and even the updated relevance.
But as the debate rages on, one thing is clear: this version of Superman isn’t just about capes and villains, it’s about what it means to belong in a country still struggling with the question of who gets to call it home.
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Justin Bieber returns with Swag album exploring marriage struggles and mental health
Justin Bieber surprise-released his seventh studio album, Swag, on Friday, 11 July.
The 21-track album explores themes of family, faith, and mental health.
Collaborations include Gunna, Sexyy Red, Cash Cobain, and Eddie Benjamin.
Album includes viral quote, “I’m standing on business,” from recent paparazzi incident.
Justin Bieber has stunned fans by releasing a surprise new album titled Swag, marking his return to music after four years. Released on Friday (11 July), the 21-track album signals a clear shift in tone for the pop star, who has drawn inspiration from his roles as a husband and father, as well as his spiritual beliefs.
The album comes shortly after a string of cryptic social media posts and fan speculation about Bieber’s mental health, triggered in part by a viral video of him confronting paparazzi on Father’s Day. The now-infamous line from the clip, “I’m standing on business,” has become a catchphrase among fans and is directly used in the track Butterflies.
Justin Bieber breaks silence with surprise album Swag amid fan concern over mental healthGetty Images
Swag marks Justin Bieber’s seventh studio album
Swag is Bieber’s first full-length release since Justice (2021), which topped charts globally. The new record presents a rawer and more introspective voice, according to sources close to the singer, and signals a move away from the polished pop of his previous albums.
The project includes collaborations with a diverse lineup of artists, including Gunna, Cash Cobain, Sexyy Red, Eddie Benjamin, and Marvin Winans. Tracks such as Therapy Session, Dadz Love, and Forgiveness explore intimate personal experiences, while others like Daisies hint at marital ups and downs.
A source told People magazine that the album is “darker, more vulnerable, and less polished” than Bieber’s past work, though not depressive. “It’s much deeper. Fans will notice the genre shift immediately.”
Several tracks on Swag appear to reflect Bieber’s personal struggles. In Daisies, he sings, “Falling petals, do you love me or not?”, a line many fans believe hints at tensions in his marriage to Hailey Bieber.
The couple’s relationship has drawn intense public attention in recent months. Justin previously shared a post celebrating Hailey’s Vogue cover while candidly admitting they had argued that day, which led to renewed media speculation.
Despite this, the album’s tone remains centred around commitment and faith. Songs like Devotion and Soulful reveal a continued emphasis on Bieber’s Christian beliefs, which have been central to his recent music and public image.
The phrase, “I’m standing on business,” which Bieber said while confronting a photographer, has been embraced by fans online and repurposed for Swag’s rollout.
Billboards teasing the album popped up in New York’s Times Square, Los Angeles, and even Reykjavík in the days leading up to the surprise drop, creating a sense of mystery and anticipation. Bieber also posted an Instagram Reel revealing the track list on a massive screen in NYC.
Many fans believe this subtle, meme-driven marketing campaign was intentional. One wrote on X: “We called him unemployed and with nothing to do, and now he’s feeding us like this? Thank you, Justin.”
Fans and fellow artists react to Bieber’s musical return
The response to Swag has been overwhelmingly positive online. Listeners have praised both the emotional depth and sonic variety of the album. “SWAG isn’t just a title, it’s a mission statement,” one fan tweeted. Others commented on its therapeutic quality, with tracks like Therapy Session and Forgiveness resonating especially strongly.
US rapper Big Sean joined in the celebrations, commenting, “Yes!!!!” on Bieber’s Instagram post announcing the album. With streaming now live on Spotify and Apple Music, Swag is set to make a major impact.
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HYBE Cine Fest 2025: How HYBE Cine Fest 2025 is India’s K-pop soft launch
You step into your local PVR today. The smell of popcorn hits you, but instead of previews for the latest Bollywood hit, the lobby is a sea of ARMY Bombs and CARAT Bong light sticks. Fans in TXT tees are swapping photocards. Someone’s already belting out a LE SSERAFIM chorus into a mic at the pop-up Noraebang station. Inside Screen 3? It isn’t a film, but a full-blown K-pop concert. Thousands of voices scream every word of BTS’s Dynamite, and tears well up during Jungkook’s solo. But this isn’t Seoul. It’s Kolkata, Mumbai, Delhi, and Bengaluru, all this weekend. And HYBE? They’re taking notes, big ones!
What is Hybe Cine fest?
HYBE Cine Fest 2025 is a three-day cinema event (from 10 to 12 July) that brings some of the biggest K-pop concert experiences to the big screen across India. Organised by South Korean entertainment giant HYBE in partnership with PVR INOX and Trafalgar Releasing, the fest features full-length concert films from BTS, SEVENTEEN, TXT, ENHYPEN, ILLIT, and Katseye. Expect stadium-level production with cinematic visuals, surround sound, and collective fan chants, everything fans love about a K-pop concert, recreated inside a cinema.
HYBE didn’t pick India at random. It’s a calculated move. The company has confirmed it will open an Indian office in Mumbai or Delhi by September or October 2025. This festival is a soft launch, a proof-of-concept to test the waters. By partnering with PVR INOX and global distributor Trafalgar Releasing (which brought in over 260,000 fans during the Latin American edition), HYBE is laying the groundwork for bigger things. With India’s entertainment market projected to grow from £22.9 billion to £32.2 billion (₹2.45 trillion to ₹3.45 trillion) by 2028, the timing is no accident.
HYBE isn’t just here to screen films. This is step one in a long-term strategy:
Live concerts: The biggest fan demand. Data from this weekend supports the case for bringing TXT, ENHYPEN, or SEVENTEEN to Indian stages post-2025.
Local talent & collaborations: HYBE’s upcoming Indian office could scout homegrown talent or spark Indo-Korean music projects, similar to what HYBE America did with Katseye.
Lifestyle takeover: Pop-up merch counters are only the beginning. HYBE wants to control K-pop fashion, fan experiences, and digital platforms (like Weverse) in India.
Expect ticket prices between £7.50–£14 (₹800–₹1,500), depending on location and seat type. Morning and midday weekday shows are filling up fastest, so book early if you want the full fan-crowd vibe.
While Indian ARMYs, CARATs, MOAs, and ENGENEs lose their voices this weekend inside packed theatres, HYBE’s executives are wide awake, analysing ticket data, fan turnout, and social media buzz. Every chant, every Noraebang sing-along, every sold-out show is a datapoint fuelling their next big move.
HYBE Cine Fest 2025 is more than a weekend spectacle. It’s a strategic push to embed K-pop deep into India’s entertainment ecosystem. The concert films are just the beginning, the real goal is long-term cultural presence, local talent scouting, and eventually, massive live tours. The light sticks are lit. The playbook is open. And HYBE’s Indian takeover has officially begun.
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Cierra Ortega addresses her Love Island USA exit in a TikTok video
Cierra Ortega has exited Love Island USA after a past social media post using a slur resurfaced.
The 25-year-old content creator said she “had no idea” the word was a racial slur.
Ortega apologised to the Asian community and said she accepts being removed from the show.
She revealed her family has been threatened and immigration authorities were called on them.
Cierra Ortega, a contestant on this season of Love Island USA, has publicly apologised after an old social media post containing a racial slur resurfaced, prompting her sudden exit from the popular reality series.
The 25-year-old Los Angeles-based content creator addressed the controversy in a video, expressing regret for using a derogatory term towards Asian people in a post made last year. Ortega, who is of Mexican and Puerto Rican descent, said she was unaware of the word’s offensive meaning at the time but took full responsibility.
Ortega says she deleted the offensive post after learning it was a racial slurInstagram/cierra.ortega
Ortega says she had “no idea” it was a racial slur
In her nearly five-minute video, Ortega clarified that the post was made in 2024 and deleted as soon as a follower informed her that the word was a racial slur. “I had no idea that the word carried such pain or history,” she said, adding, “If I had known, I would have never used it.”
Describing the video as an “accountability post, not an apology video,” Ortega said she was deeply sorry to the Asian community and anyone she had hurt. She emphasised that ignorance was not an excuse and admitted that her actions had consequences. “Intent doesn’t excuse impact,” she said.
Following her exit from the villa, Ortega revealed that the backlash extended to her family. She claimed they had faced harassment, including death threats and even calls to U.S. Immigration and Customs Enforcement (ICE). “My family doesn’t feel safe in their own home,” she said. “There’s no need to fight hate with hate. I don’t think that’s justice.”
Ortega’s relatives later issued a statement on her Instagram story, saying they understood the anger but condemned the level of harassment. “We’re not here to justify or ignore what’s surfaced. But the threats and attacks go far beyond accountability,” they wrote.
Ortega’s Instagram story Instagram Screengrab/cierra.ortega
Ortega accepts the show’s decision to remove her
Although the episode announcing her departure referred only to “personal reasons,” Ortega said she fully supported Love Island USA’s decision to remove her from the show. “This was a consequence I deserved,” she stated. Her former villa partner, Nic Vansteenberghe, remained on the show and has since recoupled with another contestant.
Ortega insisted she deleted the offensive post immediately after realising its meaning and has since made efforts to educate herself and others around her.
The Love Island USA contestant apologised to the Asian community onlineInstagram/cierra.ortega
Second contestant to leave over resurfaced racist remarks
Ortega is the second contestant to be removed from this season over past racist language. Earlier in the season, fellow islander Yulissa Escobar was taken off the show after an old podcast clip emerged in which she used another racial slur. Escobar also apologised on social media and echoed Ortega’s concerns about the extreme online abuse following her exit.
The backlash faced by both women has raised concerns about the mental health of reality TV participants. Peacock, the NBC-owned streaming platform airing Love Island USA, recently aired an on-screen message urging viewers to stop targeting contestants with threats and harassment.
Love Island USA aired a message urging viewers to stop harassing contestantsInstagram/cierra.ortega
As the show heads towards its finale, the debate continues over how far accountability should go, and at what cost to the people involved.
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Rashmika Mandanna teams up with Allu Arjun again in Atlee’s next
Rashmika Mandanna to star opposite Allu Arjun in Atlee’s big-budget sci-fi project AA22xA6.
The film already features Deepika Padukone, Janhvi Kapoor, and Mrunal Thakur.
Rashmika has completed a look test and body scan in Los Angeles.
Film to release in multiple languages by late 2026 or early 2027.
Rashmika Mandanna is officially part of director Atlee’s highly ambitious sci-fi feature, tentatively titled AA22xA6. With Allu Arjun headlining the project, the casting of Rashmika not only reunites the Pushpa duo but also strengthens what is being called one of the biggest star ensembles in Indian cinema today. The Sun Pictures production already boasts names like Deepika Padukone, Janhvi Kapoor, and Mrunal Thakur, and now Rashmika’s addition has significantly heightened the buzz.
Director Atlee and Allu Arjun brainstorm futuristic concepts with top Hollywood VFX studios in LA Youtube Screengrab
Rashmika Mandanna signs on for her boldest role yet
According to insiders from the production team, Rashmika was approached by Atlee earlier this year and has since completed her look test and digital body scan in Los Angeles. Her role is described as one of the most challenging and distinctive of her career. The film's makers are reportedly working on extensive pre-production tailored to her character, hinting at an unconventional arc that moves far away from her previous on-screen avatars.
This marks Rashmika’s second collaboration with Allu Arjun after the massive success of the Pushpa franchise. However, sources close to the film insist that their dynamic in AA22xA6 will offer audiences something completely new.
Allu Arjun and Rashmika Mandanna attend a promotional event of their upcoming Indian film 'Pushpa 2: The Rule' Getty Images
AA22xA6 to explore dual universes and advanced VFX
The project is being mounted on a scale rarely seen in Indian filmmaking. Atlee, who last directed Jawan with Shah Rukh Khan, is said to be drawing inspiration from global visual spectacles like Avatar, crafting a narrative that unfolds across two distinct universes.
Backed by Sun Pictures, the film leans heavily on visual storytelling, with AI-driven VFX and futuristic world-building at its core. The director has reportedly insisted on running post-production in parallel with the shooting schedule to give actors real-time feedback on scenes involving heavy CGI.
Atlee\u2019s and Allu Arjun's\u00a0next promises a grand visual universe with cutting-edge VFX Instagram/filmybaapofficial
Star-studded cast, global ambitions
What sets AA22xA6 apart is its ensemble. Deepika Padukone was the first female lead to be confirmed, followed by industry buzz around Janhvi Kapoor and Mrunal Thakur. Rashmika’s entry adds further star power, and there’s talk of a fifth female lead also being finalised soon.
Sun Pictures plans to release the film globally in multiple languages, with a theatrical launch expected either by late 2026 or early 2027. The film is currently in production, and the makers are expected to drop a visually striking teaser later this year to kick off their promotional campaign.
Director Atlee guides Deepika through motion capture choreography Youtube Screengrab/Sun TV
What this means for Rashmika and Allu Arjun
Both Rashmika and Allu Arjun are riding high after the record-breaking success of Pushpa 2: The Rule. While Allu is already a pan-India name, Rashmika’s popularity has been steadily rising across Hindi and South Indian markets. This film gives them a fresh canvas to explore a new on-screen equation and further expand their reach among global audiences.
As anticipation builds for AA22xA6, all eyes will be on how Atlee brings together this megastar cast for what could potentially be a landmark moment in Indian science fiction cinema.