The new six-part series, ‘Guardians’, featuring Britain’s Prince William throws light upon the dangerous work of wildlife rangers. William who is associated to the documentary, has already made the ranger’s efforts one of the important causes of his campaign. ‘Guardians’ will be broadcasted from Friday on BBC Earth’s YouTube and social media channels
The show is William’s brainchild, aimed to emphasise the perilous work done by the rangers. It explains the threatened environments the rangers are exposed to, in order to protect the wildlife.
The documentary will have immersive footages of six major areas – Central African Republic, the Himalayas, Mexico’s Sea of Cortez, Kruger national park in South Africa, Sri Lanka and Caru Indigenous Land in Brazil. Each episode will be of a new story, six to ten minute long.
The Central African Republic episode will cover the story of a reformed poacher who now, dedicates his life for wildlife protection.
The Himalayan episode will show the efforts of rangers for the coexistence of snow leopards and local communities.
The episode about Mexico’s Sea of Cortez features what was once called “the world’s aquarium.” It tells the story a reformed illegal fisherman who now protects the disturbed ecosystem.
The Kruger National Park episode explains about the groups of people who toils to protect and rescue endangered rhinos, facing poaching threats.
Sri Lankan episode will deal about hardworking veterinary experts who works to rehabilitate elephants, leopards and other animals at risk.
Caru Indigenous Land episode will explore the community-led fight to prevent the illegal wildlife crimes.
"The reality is that protecting our natural world has become one of the most dangerous jobs on the planet. We need to understand and recognise nature’s Guardians, and the critical work they do," William said.
The rangers are frontline fighters who take massive risks for sustainable human-animal coexistence and prevention of habitat loss. They work amidst poachers and endangered species for wildlife protection, William added.
‘Guardians’ is developed by United for Wildlife founded by William and his charitable foundation. The project also includes a five-year financial package which provides access to affordable insurance cover for 10,000 rangers across Africa, under their ‘Nature Protectors’ initiative.
William had met several rangers during his travels. He realised their hardships after civil wars, illegal fishing or poaching through them.
William and United for Wildlife frequently raises their voice against illegal wildlife trade. As per their observation, illegal wildlife trade is approximately worth up to $20 billion annually, and it is linked to violent crime, corruption and trafficking. Yet, 1.5 million more rangers are required to meet global environment biodiversity targets by 2030 said William.
The prince also paid tribute to late ranger Anton Mzimba, who was shot dead at a nature reserve in South Africa. About 1,400 rangers had lost their lives due to their risky profession over the past ten years, mostly none of them reported.
The countdown to the last season of Stranger Things has officially begun, but fans might be waiting longer than expected to see how it all ends. Though Netflix has confirmed the show will return in 2025, a new rumour suggests the final season could be released in three waves, with the concluding episodes potentially dropping in 2026.
According to an unverified leak circulating on Twitter, Stranger Things 5 could be split into three volumes: one in October 2025, another in November 2025, and a third sometime in 2026. If this is true, the finale might not land until well into next year, stretching the goodbye even further.
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So far, Netflix hasn’t confirmed this staggered release. More clarity may come on 31 May, when Netflix’s annual Tudum event goes live. The streaming giant is expected to reveal updates on several big titles, including Emily in Paris, Squid Game Season 3, and possibly the official timeline for Stranger Things Season 5.
Here’s what we do know: filming wrapped up in December 2024, and the new season will have eight episodes set in the autumn of 1987, about six months after Season 4. Netflix has already released the episode titles, which include The Crawl, The Turnbow Trap, Escape from Camazotz, and The Rightside Up, all titles that hint at returning themes from earlier seasons.
Stranger Things season 4 poster Wikipedia
The core cast will be back for one last mission in Hawkins, including Millie Bobby Brown, Finn Wolfhard, Sadie Sink, and Gaten Matarazzo. Veteran actress Linda Hamilton is also joining the final chapter, although her role remains under wraps.
Behind the scenes, the mood has been emotional. At the final table read, several cast members reportedly broke down in tears. David Harbour (Hopper) described it as “waves of people crying,” while Millie Bobby Brown shared a heartfelt message on social media, reflecting on her journey from child actor to global star.
Once Season 5 wraps, the Stranger Things universe won’t close entirely. An animated series titled Stranger Things: Tales From ’85 is in the works. Details are scarce, but it promises to explore new corners of the show’s world, whether or not the original cast returns.
For now, fans will have to hold tight as Netflix prepares to bring one of its biggest shows to a dramatic, and possibly drawn-out, conclusion.
Taylor Swift’s long-awaited Reputation (Taylor’s Version) finally made its presence known, but not through a press release or streaming platform. Instead, it emerged through the eerie silence of Gilead. The re-recorded version of “Look What You Made Me Do” debuted unexpectedly in the opening scene of the latest episode of The Handmaid’s Tale, catching fans and viewers completely off guard.
The episode begins with Elisabeth Moss’s character, June Osborne, orchestrating a quiet but fierce act of resistance against the regime. As handmaids march through a war-torn street, Swift’s voice cuts through the chaos. The updated track underscores the rebellion, syncing perfectly with the tension and defiance unfolding on screen.
The original 2017 version of the song was a turning point in Swift’s career, born out of public backlash and a media storm. Its reappearance now, in a show about fighting back against oppression, feels deeply personal. Swift’s battle to reclaim her music mirrors the episode’s themes: reclaiming agency, rewriting narratives, and refusing to be silenced.
Moss, also an executive producer of the show, shared how this moment had been years in the making. She revealed she had always wanted to feature a Taylor Swift track but waited for the right moment. “This was it,” she said. “The song, the scene, the story, it all just clicked.” Moss also attended Swift’s Eras Tour last year with castmate Bradley Whitford, making her admiration for the singer no secret.
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For Swifties, this is the clearest sign that Reputation (Taylor’s Version) is on the horizon. While fans have spotted hints in everything from merch updates to symbolic fashion choices, this full-length debut feels like the real beginning of the next chapter.
It also marks the latest move in Swift’s ongoing mission to re-record her early albums and reclaim ownership after the rights to her original masters were sold without her consent. So far, she’s re-released Fearless, Red, Speak Now, and *1989*, with Reputation and her debut album left.
Swift’s music has popped up in recent shows and documentaries, but this moment in The Handmaid’s Tale is her strongest re-entry into the Reputation era. It's less of a promo, more of a declaration. The gloves are off.
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Peppa Pig welcomes baby Evie in a royal-style announcement
After 20 years of being the star of the family, Peppa Pig is no longer the youngest girl in the house. A new face has joined the Pig family: a baby girl named Evie. Born early Tuesday morning at 5:34 AM at the Lindo Wing of St Mary’s Hospital in London (yes, the same one where the royal children were born), Evie marks the first major addition to the family since the show began in 2004.
The news was revealed in true British fashion with a town crier in a video posted on Peppa Pig’s official Instagram. The announcement, styled like a royal birth, sent fans and brands into a frenzy. Mummy Pig is said to have named the baby after her great-aunt, and while the birth was not easy, she shared that she is relieved and happy to have Evie here, safe and healthy.
Peppa’s younger brother George, who has somehow been two years old forever, now has a new sibling to share toys and tantrums with. And while Peppa seems thrilled in the official photos, it is hard not to wonder how she will really feel once the attention shifts away from her.
To mark the occasion and the show’s 20th anniversary, the creators are rolling out a cinema special called Peppa Meets The Baby. Hitting screens on 30 May, the one-hour film will follow Peppa and George as they prepare for Evie’s arrival, featuring 10 new episodes and six new songs. Evie will also become a regular on the main show, adding a new layer to the Pig family’s dynamic.
The show, which started on Channel 5 and Nick Jr. in 2004, has grown into a global phenomenon, airing in over 180 countries and more than 40 languages. In 2019, toy giant Hasbro took over the franchise, promising even more Peppa-centric content.
The buzz around baby Evie has been building for months. Mummy Pig’s pregnancy reveal in February was followed by a gender reveal in April, complete with a media rollout that rivalled any celebrity birth. Parenting tips, maternity photos, and interviews about balancing work and family were part of the package.
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Now, with baby Evie here, it feels like growing up just got real.
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The Harry Potter reboot becomes the most expensive TV show ever
The next time you think of a big-budget show, forget Game of Thrones or The Rings of Power. The new Harry Potter reboot is set to leave them all behind and not just in storytelling, but in cost. With a jaw-dropping budget of over $4.2 billion (₹33,600 crore), this upcoming series is on track to be the most expensive television production ever attempted.
Each of the 42 planned episodes, spread across seven seasons, will reportedly cost more than $100 million (₹837 crore). That’s more than many Marvel movies and nearly double the per-episode spend of Amazon’s The Rings of Power. But where is all that money going?
A massive part of the budget is being poured into something rarely attempted on this scale: a custom-built town. Nicknamed “Potterville,” this mini city is under construction at Warner Bros. Studios in Leavesden and will house life-size recreations of iconic locations like Hogwarts, King’s Cross Station, and Privet Drive. The price tag for this alone? Around £1 billion (₹10,700 crore). The idea is not just about visual realism but a long-term investment in the franchise’s future, with the possibility of spin-offs or other productions set in the same magical universe.
Unlike the original film series, which had to condense the books into blockbuster-length scripts, this version aims to give each book its own season, allowing for a deeper dive into the world J.K. Rowling created. The show is expected to go into the details that never made it to the big screen.
A fresh cast will step into some of the most recognisable roles in pop culture. John Lithgow will take on the role of Albus Dumbledore, joined by Janet McTeer as Professor McGonagall, Paapa Essiedu as Snape, and Nick Frost as Hagrid, among others. The trio of young leads Harry, Hermione, and Ron are yet to be announced.
Set to film on a sprawling 200-acre site, this reboot marks a major moment for HBO and Warner Bros. Whether it lives up to expectations or not, it’s already rewritten the rules of television production. And in the process, it’s raised a question: how much is too much to bring magic back to life?
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A collage of Lennie James, Ruth Jones, Ariyon Bakare and Marisa Abela holding their awards
The 2025 BAFTA TV Awards turned out to be a big night for the BBC, which took home 18 awards, the highest of any broadcaster or streaming platform this year. Hosted at London’s Southbank Centre’s Royal Festival Hall, the ceremony was filled with excitement, featuring prominent winners from various genres.
Leading the way was the BBC drama Mr Loverman, which grabbed two significant awards. Lennie James secured his first BAFTA for Best Actor, while Ariyon Bakare won for Best Supporting Actor. Another memorable highlight was Strictly Come Dancing winning the public vote for the Memorable Moment award, thanks to Chris McCausland and Dianne Buswell’s waltz performance.
Ariyon Bakare poses with the Supporting Actor Award for 'Mr Loverman'Getty Images
Charlotte Moore, the BBC’s outgoing Chief Content Officer, expressed immense pride in the network’s achievements, emphasising how the wins reflect the commitment to nurturing homegrown talent and bringing audiences together with diverse storytelling, applauding the creativity showcased by all the winners.
Among the BBC’s notable victories were awards in factual, drama, comedy, entertainment, and more. Rob and Rylan’s Grand Tour was named the best in Factual Entertainment, while Blue Lights took home the Drama Series award. The much-loved EastEnders won in the Soap & Continuing Drama category, adding to the broadcaster’s success.
Ruth Jones poses with the Female Performance in a Comedy Programme Award for 'Gavin & Stacey: The Finale'Getty Images
In comedy, Alma’s Not Normal earned recognition as the Best Scripted Comedy, while Ruth Jones won for Female Performance in a Comedy for her role in Gavin & Stacey: The Finale. Marisa Abela also celebrated a win as Leading Actress for her work in Industry.
This year’s ceremony marked a few firsts too. Danny Dyer claimed his first BAFTA for Male Performance in a Comedy Programme for Mr Bigstuff, and Joe Lycett continued his winning streak by bagging the Entertainment Performance award for Late Night Lycett.
Marisa Abela poses with the Leading Actress Award for 'Industry'Getty Images
Additionally, the event introduced new categories celebrating children’s television. CBeebies’ As You Like It took the Children’s: Scripted award, while Disability and Me won for Children’s: Non-Scripted.
The BAFTA TV Awards not only celebrated the finest in British television but also highlighted the importance of storytelling that resonates across genres. As the BBC continues to grow, its remarkable success this year stands as proof of their creative vision and dedication to quality programming.