Pakistan's Babar Azam was compared to India's Virat Kohli as one of the world's leading batsmen after his unbeaten fifty on the opening day of the first Test against England on Wednesday.
When bad light forced an early close at Old Trafford, Pakistan were 139-2, with Babar 69 not out and Shan Masood unbeaten on 46.
But left-handed opener Masood was twice missed on 45 by England wicketkeeper Jos Buttler either side of a lengthy rain break, with off-spinner Dom Bess the unlucky bowler on both occasions.
The prolific Babar has now reached a half-century in five successive Test innings, with his previous five matches yielding four hundreds.
"If this lad was Virat Kohli, everyone would be talking about it but because it is Babar Azam, no one is talking about it," said former England captain Nasser Hussain while commentating for Sky Sports.
"He's young, he's elegant, he's got all the swagger," he added.
"They keep going on about the 'Fab Four (Kohli, Australia's Steve Smith, New Zealand's Kane Williamson and England captain Joe Root) -- it's the 'Fab Five' and Babar Azam is in that."
England coach Chris Silverwood said: "We know we're up against a very good batsman."
Pakistan were 43-2 when Babar came in after captain Azhar Ali, who had won the toss, fell lbw for a duck to Chris Woakes.
- Stylish Babar -
Babar started cautiously but after lunch he unfurled an array of stylish attacking shots en route to a 70-ball fifty featuring nine fours.
He struck express paceman Jofra Archer down the ground before driving Bess for another boundary to bring up Pakistan's hundred.
Bess, however, should have removed Masood for 45 when he took the left-hander's outside edge but Buttler dropped the chance.
When play resumed in the early evening after a long rain delay, Root was soon bowling his occasional off-breaks in tandem with Bess to try and keep the match going under grey skies after Archer had pitched short to Babar.
But even with two spinners bowling and the floodlights on, the umpires still called a halt at 6:12 pm (1712 GMT) before the ground was bathed in sunshine soon afterwards.
There was still time, however for Buttler to miss stumping Masood after the batsman charged down the pitch.
The mistakes will revive discussion about the wicketkeeper's place in the side with Ben Foakes, arguably a superior gloveman, waiting in the wings.
"The game is pretty funny...you get an element of fortune every now and then," said Masood.
Silverwood defended Buttler by saying: "No one means to miss them. He's very capable of doing something very special for us tomorrow."
The conditions favoured England's four-man pace attack, who had been involved in last month's 2-1 series win over the West Indies, completed at Old Trafford.
But Azhar's decision to bat first was understandable given Pakistan are playing two leg-spinners in Yasir Shah and Shadab Khan, who are expected to be more effective on a wearing pitch.
"We always knew the new ball was going to be a struggle in England," said Masood after batting for nearly three-and-half hours against the likes of James Anderson, Stuart Broad, Woakes and Archer.
"It's not an easy gig being an opening batsman in this country but with it comes an opportunity to give the team a good start, especially when you bat first."
Masood and fellow opener Abid Ali did well to survive the first hour before Archer struck by bowling Abid with a full-length ball having made him wary of coming forward with several short-pitched deliveries.
As was the case during the West Indies series, the three-match campaign is taking place behind closed doors on health grounds, with Pakistan denied the vibrant and vocal support they usually enjoy in England.
Meanwhile, former England captain Michael Vaughan hit out at the early stoppage for bad light.
"I can't get my head round the fact TV companies are paying a huge amount of money, fans are watching the only Test cricket going on in the world from home, yet we've lost out on so much cricket," he told BBC's Test Match Special.
"There were two off-spinners bowling and we went off for bad light. It just doesn't make sense. When is Test cricket going to learn?"
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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