A Pakistani-American sculptor brings dark times, science fiction and a desire to provoke to New York's famed Metropolitan Museum of Art for this year's rooftop installation overlooking the Manhattan skyline.
Huma Bhabha's We Come in Peace depicts a towering 12-foot (3.6-meter), five-headed figure weighing 1.5 tons and an 18-foot long prostrate figure covered in a trash bag and called Benaam, or "without name" in Urdu.
The installation, which opened on Tuesday (17), is the sixth annual commission at the illustrious US museum's roof garden, a popular summer spot that draws nearly half a million visitors every year.
Karachi-born Bhabha, who lives in New York state's Hudson Valley, is the first Pakistani American selected for the honor. Imran Qureshi, based in Pakistan, was the first Pakistani artist to present work for the commission, in 2013.
Bold, dramatic and thought-provoking, the weather-proof figures cast in bronze have political undertones, reflect social concerns and reference ancient African and Indian sculpture, according to the Met.
"It's what is brewing in your head," Bhabha said, insisting she wants visitors to make their own interpretations.
"I don't want to necessarily say it's this or that because that closes the conversation, but there are lots of different scenarios that one can come up with."
Nor does she join the chorus in Democrat-heavy New York that focuses blame on US President Donald Trump for what many in the city see as the country's ills.
"It goes beyond Trump," she said. "Yes, he has made everything very vulgar and very in your face. But I think there are problems that have been existing much before he took over," she said. "I think we're in very dark times."
- 'Numerous levels of meaning' -
The work was at least partly inspired by 1951 science-fiction film The Day the Earth Stood Still in which an alien arrives on our planet telling humans they must live peacefully or face destruction.
"Huma's work felt right for this particular moment," explained Shanay Jhaveri, assistant curator of South Asian art.
"There are numerous levels of meaning embedded in them and I think we just wanted people to step back and to be provoked a little bit," he said in an interview.
"There is politics in it. What is happening under that garbage bag? What is the form?" Jhaveri said.
He urged viewers to "think through various kinds of concerns that they are seeing around them in these times of anxiety and paranoia and danger and collapse."
Bhabha specializes in figurative sculpture and has addressed themes such as colonialism, war and displacement in her work.
Her work has been exhibited at New York's MoMA PS1, as well as the Venice Biennale and the Gwangju Biennale in South Korea, among others.
The installation is scheduled to remain open until October 28, weather permitting.
Ensemble Festival 2025 to be held on 26–27 July at Royal Victoria Docks, London.
Free outdoor event featuring circus, dance, street art and physical theatre.
Highlights include new works by Sadiq Ali, Vidya Thirunarayan and Miss High Leg Kick.
This year marks the 10th anniversary of organisers Certain Blacks.
This summer, London’s historic Royal Victoria Docks will transform into a hub of vibrant outdoor performance as Ensemble Festival 2025 returns on 26 and 27 July. Presented by arts organisation Certain Blacks, the free weekend event features an interesting line-up of new circus, dance and street theatre works, while also celebrating a decade of championing diverse and underrepresented artists.
Set across two full days, the Ensemble Festival 2025 programme includes exciting new commissions such as Tell Me by Sadiq Ali Co., a Chinese pole circus piece tackling HIV stigma, and Holy Dirt, a visceral collaboration between director David Glass and Indian artist Vidya Thirunarayan.
Vidya Thirunarayan in Holy Dirt brings myth and ritual into raw physical form The Clay Connection
The festival also sees the return of audience favourite Miss High Leg Kick with Palais de Danse, a multi-sensory throwback to the 1950s dance hall era. Nandita Shankardass’s Roots to Rise brings together Indian classical movement with contemporary dance to explore memory, ancestry and women’s resilience. Other acts range from aerial theatre in Hug by Levantes Dance Theatre to climate-themed installations like Hydropunk by Artizani and Tenderfoot Theatre.
Sadiq Ali's pole performance explores HIV stigma with athletic graceLuke Whitcomb
Certain Blacks marks 10 years of championing diversity
2025 is a milestone year for Certain Blacks, the East London-based organisation behind Ensemble Festival. Known for spotlighting talent from across socio-economic, ethnic, gender and neurodiverse backgrounds, Certain Blacks has become a vital force in the UK arts scene.
Sadiq Ali delivers a daring upside-down act in his powerful show Luke Whitcomb
“Our aim has always been to bring diverse artists from the margins into the mainstream,” said artistic director Clive Lyttle. “This year’s Ensemble Festival reflects that, with a powerful mix of voices and perspectives, many being showcased on this scale for the first time.”
Ensemble Festival forms part of Without Walls, a major UK network that supports ground-breaking outdoor performance. As one of its partners, Certain Blacks plays a key role in shaping new work for public spaces across the country.
Dancers in Nandita Shankardass’s Roots to Rise connect movement with memoryJohn Evans
The festival remains accessible with step-free access and dedicated facilities, and also continues its commitment to sustainability with green practices across production.
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Jonas Brothers are among the first to use TikTok’s new bulletin board tool
TikTok is testing a new one-way messaging feature called bulletin boards.
Jonas Brothers, People magazine, and Paris Saint-Germain among early testers.
The feature mimics Instagram’s broadcast channels but may expand further.
Only creators can post; followers can react with emojis but not comment.
TikTok is trialling a new feature called bulletin boards, allowing select creators and brands to send direct broadcast-style messages to their followers, similar to Instagram’s broadcast channels. The Jonas Brothers, football club Paris Saint-Germain, and People magazine are among the first to test the tool, which shows TikTok’s growing focus on creator-fan intimacy beyond its traditional feed.
TikTok’s new tool mimics Instagram’s broadcast channels
Unlike regular TikTok posts that rely on algorithms or viral reach, bulletin boards aim to offer a more direct communication path. Only the creator can post updates, which may include text, videos, or images, while followers can respond with emoji reactions but cannot comment. The format is clearly inspired by Instagram’s broadcast channels, launched in 2023, where artists and influencers routinely share behind-the-scenes content and personal messages.
The new bulletin system was first spotted by marketing strategist Christina Garnett, who shared screenshots via Threads, showing how fans are invited to follow these boards. Once subscribed, users receive notifications whenever a creator sends out a new update.
— (@)
Big-name creators signal broader rollout plans
Early involvement from mainstream acts like the Jonas Brothers indicates TikTok is positioning bulletin boards as a premium tool for high-engagement fanbases. With creators constantly seeking ways to reach audiences without relying on the platform’s unpredictable feed algorithm, the feature could become a valuable line of direct communication.
It is also a clear move in the current trend of social platforms “borrowing” each other’s best features: Instagram mimicked TikTok’s short-form videos with Reels, while TikTok introduced Stories in 2022. Now, it is returning the favour with this broadcast-style tool.
People's Bulletin boardICYMI
The key question remains whether TikTok will differentiate its version with interactive additions like polls, which Instagram already offers. But for now, bulletin boards could offer artists and brands a streamlined way to share announcements, tour updates, and exclusive previews straight to their superfans’ inboxes.
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Scarlett Johansson wins praise in Jurassic World Rebirth as reviews split over story and mutant dinosaurs
Jurassic World Rebirth, starring Scarlett Johansson and Jonathan Bailey, releases on 4 July.
Twitter reactions praise the cast and visuals but criticise the film’s story and lack of emotional depth.
Rotten Tomatoes score stands at 54% from 95 reviews; Metacritic rates it 53.
Some fans applaud the Spielberg-style thrills, others feel it strays too far with mutant dinosaurs.
Jurassic World Rebirth, the latest addition to the iconic dinosaur saga, has sparked intense debate online ahead of its 4 July release. With Scarlett Johansson and Jonathan Bailey leading the cast, early Twitter reviews show a split audience, some impressed by the action and spectacle, others disappointed by the story’s direction and use of genetically altered dinosaurs.
Mixed response to mutant dinos and CGI-heavy action
Many fans on X agree that Johansson delivers a commanding performance. “She’s shot like a star, presented like a star,” one viewer wrote, praising her as the film’s standout. Jonathan Bailey also earns praise for a subtle emotional moment that resonated with viewers.
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However, critics aren't holding back. Film critics called the film “the dullest entry yet,” while others labelled it “flat and emotionless.” Some appreciated the “mutated dinos and thrilling set pieces” but slammed the pacing and dialogue.
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One viewer described the movie as “a monster-sized adrenaline ride” and praised its nostalgic tension, likening it to Jaws. Another drew comparisons to Alien: Romulus, applauding the darker horror elements, while some fans felt the movie “just ends with no momentum.”
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Rotten Tomatoes score reflects fan divide
With a current Rotten Tomatoes rating of 54% and a Metacritic score of 53, Jurassic World Rebirth becomes the third consecutive film in the franchise to be rated ‘rotten’. Still, it fares better than Fallen Kingdom (47%) and Dominion (29%).
Despite the criticism, major UK outlets gave it four and five stars, with one calling it “easily the best Jurassic in a decade.” Whether the mixed reviews will impact box office numbers remains to be seen, past entries have shown strong ticket sales despite critical setbacks.
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Mystery woman kissing Harry Styles at Glastonbury revealed as Ella Kenny
• Harry Styles was seen kissing a woman at Glastonbury 2025 in a viral video
• The woman has now been identified as London-based producer Ella Kenny
• The pair were dancing and kissing in the VIP section early Saturday morning
• This is Styles’ first public romance since his split with Taylor Russell in 2024
Harry Styles made headlines over the weekend after being filmed kissing a woman in the VIP section of Glastonbury Festival 2025, and now, the mystery is solved. The woman has been identified as London-based producer Ella Kenny, according to a report by The Sun.
The 31-year-old singer, best known for Watermelon Sugar and As It Was, was spotted at the festival in Somerset early Saturday morning, dancing closely with Kenny before sharing a kiss that lasted nearly 12 seconds. Eyewitnesses described the pair as "inseparable" and "very familiar with each other", adding to speculation that this may not have been a first-time encounter.
Harry Styles attends Spotify Celebrates The Launch of Harry Styles' New AlbumGetty Images
Harry Styles’ Glastonbury kiss with Ella Kenny grabs attention
Styles arrived at the festival around 1:45 a.m. on 28 June with friends, including long-time collaborator Kid Harpoon. Not long after, Ella Kenny reportedly joined the group. The two were seen chatting, dancing and sharing kisses on the cheek before eventually making out in full view of others in the VIP area.
One witness claimed the chemistry between the two was undeniable. “Harry only had eyes for her,” they said. “They looked like they’d known each other a while.” Neither Styles nor Kenny has commented publicly on the moment or their relationship.
— (@)
Who is Ella Kenny? Meet the producer linked to Harry Styles
Ella Kenny is a visual and experiential producer based in London, working at creative studio Noir. Her LinkedIn lists experience across high-end fashion and arts projects, but until now, she’s kept a relatively low public profile. That changed when footage of her kiss with Styles began circulating online, prompting fans to ask: “Who is she?” The kiss is the first time Styles has been publicly linked to anyone since his 2024 breakup with actor Taylor Russell. Before Russell, he dated Olivia Wilde, with whom he had a high-profile two-year relationship.
Harry Styles leaves following the funeral of singer Liam Payne Getty Images
While neither party has confirmed the nature of their relationship, the chemistry on display suggests this may not have been just a fleeting festival moment. Whether it's the start of something new or simply a weekend romance, fans will be watching closely, and Styles, as always, remains firmly in the spotlight.
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Critics praise Squid Game season 3 for its performances and bleak storytelling
Squid Game season 3 finale premiered on Netflix on 27 June, concluding the global hit series.
Fans on X criticised the ending, calling it rushed, unsatisfying, and emotionally hollow.
Audience score on Rotten Tomatoes drops to 51%, while critics maintain a solid 81% rating.
Creator Hwang Dong-hyuk described the final season as “darker and more hopeless”.
Netflix’s Squid Game may have wrapped up with its third and final season, but many fans are far from satisfied. While critics have praised the final episodes for their intensity and message, a large portion of the audience has taken to social media to criticise what they call a “rushed and meaningless” ending. The divide has become even clearer with the show’s Rotten Tomatoes audience score falling to 51%.
Squid Games season 3 Netflix
Viewers say Squid Game season 3 finale lacked payoff
Despite its reputation as one of Netflix’s most gripping dramas, Squid Game season 3 has received heavy backlash from longtime fans. Many took to X, calling the final six episodes a “waste of time” and slamming the decision to end major characters’ arcs abruptly. The central character, Seong Gi-hun, returns to the games in a broken state after the failed rebellion in season 2, but viewers say his emotional arc fizzled out in an unsatisfying face-off with the Front Man.
The show’s signature psychological games returned with more brutality, including a hide-and-seek game in a surreal Van Gogh-inspired maze and a deadly jump rope over a bridge. But despite the visual spectacle, audiences felt the storytelling was muddled. “The finale felt like they gave up,” one user wrote. “No payoff, no depth, just a spiral to nothingness.” Others pointed out the lack of emotional resonance and character development, especially for new contestants.
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Critics praise the season’s bold vision, but fans remain unconvinced
While audience reactions have been polarised, critics offered a more favourable take. On Rotten Tomatoes, Squid Game season 3 currently holds an 81% critic score, with reviewers applauding the performances, especially Lee Jung-jae’s restrained portrayal of Gi-hun. Creator Hwang Dong-hyuk had warned early on that this season would be “more bleak” and “without hope,” and many reviewers acknowledged the philosophical weight behind the grim narrative.
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Still, fans expected more from a series that once redefined genre television. With no plans for a fourth season, it seems Squid Game’s final message, that the system cannot be dismantled by one man, landed too quietly for a franchise that began with such explosive promise.