Scarcely 18 months in office, Jacinda Ardern faces an era-defining tragedy for her country -- and is winning praise for meeting the moment with a deft mix of empathy and resolve.
Tragedies like the murder of 50 Muslim worshippers in Christchurch can shape nations.
They can also derail political careers and cement a leader's place in the history books -- for good or for ill.
Barack Obama's tearful public appearance after 20 elementary school children were murdered at Sandy Hook in 2012 and his singing of 'Amazing Grace' at the memorial for slain pastor Clementa Pinckney were seminal moments of his eight years in the White House.
Vladimir Putin's first months in office were thoroughly overshadowed by images of him holidaying on the Black Sea as all 118 submariners aboard the sunken Kursk lay dead.
Within hours of the mosque massacres, Ardern was in Christchurch, wearing a headscarf in a poignant show of solidarity with victims' families.
The next day, in the capital Wellington, she put on the headscarf again and was seen in emotional embraces with members of the shellshocked Muslim community.
The heartfelt expressions of solidarity and shared pain embodied the sense of vulnerability many Kiwis now feel, and offered a powerful rebuttal of the politics of hate.
"She never had to deal with something so horrific," said Vicki Spencer, of the University of Otago's politics department, "nor has any other New Zealand Prime Minister."
But she quickly moved beyond the role of consoler-in-chief to confront the challenges posed by an Australian white supremacist who, unbeknownst to any security agency, was able to come to her country, legally purchase weapons of war, and devastate the nation.
Within hours of the tragedy, Ardern started tackling those challenges, declaring: "I can tell you right now, our gun laws will change."
"I know that there is, understandably, grief in New Zealand right now, but there is anger too, there are questions that need to be answered," she said later in one of many televised interviews, the tone both reassuring and firm.
"Empathy has always been one of her strengths and never has it shown more," said David Farrar of the popular politically-focused Kiwiblog.
"The picture of her in Christchurch wearing a headscarf looking devastated is a powerful iconic image. I think Ardern has been near perfect in her response to the tragedy."
- Baby politics -
Until the gunman walked into the Al Noor Mosque in Christchurch on Friday afternoon, Ardern was better known around the world as a new mother holding down a difficult and busy job.
She became an instant champion for working women the world over when she brought her infant daughter Neve onto the floor of the UN Assembly in New York last year.
Becoming only the second prime minister in the world to give birth while in office -- after Pakistan's Benazir Bhutto in 1990 -- allowed the leader of a small, remote nation of just 4.5 million people to enjoy an extraordinarily high profile.
She has graced talk show host Stephen Colbert's couch, met with celebrities such as Anne Hathaway and shared parenting tips with the panel of NBC's Today Show.
Amid a sea of conservative leaders, the 38-year-old has become a hero to the disgruntled centre-left around the world.
Like Canadian Prime minister Justin Trudeau, her advocacy for climate action and gender equality has led her to be branded the anti-Trump.
Like Trudeau, Ardern has not been shy about expressing her displeasure at US President Donald Trump's politics or leveraging his unpopularity in New Zealand to boost her own.
When Trump called to ask what he could do to help in the wake of the shootings, Ardern had no qualms about divulging their usually private leader-to-leader chat.
"He asked what he could do, and I think I simply conveyed the sentiment that exists here within New Zealand. My message was sympathy and love for all Muslim communities," she said in a press conference broadcast around the world.
According to Spencer, that message to Trump was "clearly genuine and has resonated strongly with New Zealanders."
Despite such a sure political touch, Ardern's lustre had been starting to fade at home.
Her legislative agenda had been stymied repeatedly by wily coalition partner, Winston Peters and his populist New Zealand First party.
At a crisis cabinet meeting Monday, she harnessed the political moment to sweep aside Peters' longstanding opposition to gun control.
The 73-year-old could do little more than stand beside her at the podium and acknowledge "the reality is that after 1pm on Friday our world changed forever."
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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