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New-age filmmakers who redefined love with their films

New-age filmmakers who redefined love with their films

We cannot imagine Indian cinema without the concept of love. Ever since the Indian film industry came into existence, love stories have always been at the center of filmmaking.

Over the past few years, new-age filmmakers have come up with a different take on romance. Our screens have lit with passionate love sagas to nuanced love triangles to new-age digital romance.


But as conventional as the subject is, our industry has seen some of the most beautiful, unconventional, and relatably extraordinary love stories by a few filmmakers. These master storytellers have given the audience cinematic gems that presented “love” with a new lens.

Here's listing four directors and their work below one must watch for a refreshing take!

1. Shoojit Sircar

Shoojit Sircar is one of the finest filmmakers working in Bollywood. The filmmaker has several critically and commercially successful films to his credit. While he has a diverse filmography, his representation of love in October (2018) has a different fan base. The idea of slow and undefinable romance between two individuals was hauntingly beautiful.

2. Imtiaz Ali

Nobody tells love stories the way Imtiaz Ali does. The filmmaker has given many modern-age classic love stories over the years. His bubbly tale of romance with Jab We Met and the intense saga of passion with Rockstar seem to top the list for many film enthusiasts.

3. Vinil Mathew

Vinil Mathew discussed the nuances and messiness of love with both his projects. While Hasee Toh Phasee (2014) dived into many layers of human relationships, Haseen Dillruba (2021) took a pulpy route into small-town passion and infidelity.

4. Shakun Batra

Shakun Batra is making noise for his attempt to talk about infidelity in a relationship with Gehraiyaan. He also took an unconventional route with Ek Main Aur Ekk Tu (2012) when a love story ends with a friendship.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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