Australian singer, songwriter and music producer Mona Patel recently released her deeply meaningful song Hope to Heal.
The single, which is inspired by the traumatic journey the world has endured during the two-year pandemic, conveys her faith in the power of a greater good. It adds to a growing list of top tracks from the Perth-based artist that include Dream Guy and Take Me Home.
Eastern Eye got the multi-talented music star to select 10 songs she loves.
No Time for Caution by Hans Zimmer: Unconventional and alternate, this track is a masterpiece. It aligns perfectly with the visuals in the movie Interstellar to evoke heavy and intense emotions. The strings and orchestral booms are all timed accurately. The chord progressions are very clever on an epic and breath-taking piece which captures the film’s storyline.
You Only Get What You Give by New Radicals: This rare song makes me cry and laugh at the same time. One of the greatest songs ever made, the lyrics in the chorus ‘you’ve got the music in you’, resonate with me to my core. Music has the power to change the world, and I truly believe that this song has done just that.
September by Earth, Wind & Fire: This song has the magical ability to take me to a really positive and happy place. With its upbeat rhythm, guitar, and brass elements, I never get tired of listening to it. The catchy chorus is so simple to sing along to. This golden oldie is a total vibe!
Don’t Know Why by Norah Jones: I love Norah’s beautiful vocal texture and unique style of delivery, which is so incredibly captivating. The soft mellow production, combined with the laid-back jazz vocals is a special combination, which transports the listener to a golden summer day or lazy Sunday afternoon.
Hey Ma by Bon Iver: This song’s orchestral elements combine with unique percussion instruments to evoke nostalgia. Listening to this song always reminds me of my childhood. Bon Iver has a wonderful way of depicting lyrical ideas, while exploring the dichotomy of extravagant minimalism in his music videos.
I Love You, Always Forever by Betty Who: The classic Donna Lewis original is reproduced, and the result is creative and exceptional. The acapella vocal harmonies at the start of the song always give me goosebumps. Electronic production elements are included to pay homage to the original, which is very clever. A beautiful cover of an under-rated classic, so deserving of praise.
Iris by Goo Goo Dolls: Songs like this touch the soul and transcend time. Even when I hear it now, some very powerful and dormant emotions are stirred. The lyrics are deep and powerful. The melody line in the vocals is raw and beautiful. The song talks about pain and sorrow but expresses it in a way that makes you emotional every time you hear it.
Passionfruit by Drake: Who would have thought a simple pop song could end up sounding so good? A great example of a song where the simplicity of dancehall combined with elements of Jamaica, has a truly sensual and addictive feel. Drake’s signature vocals, with the catchy production, make this song endlessly repeatable.
They Don’t Really Care About Us by Michael Jackson: I love the meaning and intention Michael Jackson has behind every one of his songs, which is always deep and powerful. The truly talented force of nature expressed himself through music. This song encapsulates his overall message really well. The catchy beat and tempo make it hard not to listen to this track multiple times.
Hope to Heal by Mona Patel: My latest song. After the exceptional response to my last three singles, which have attracted numerous Spotify streams and substantial online global support, I wanted to write, sing and record a song that redefines the pop genre, with my unique production skills and lyrical tenacity. I hope you love listening to this special song.
Beyoncé wore a custom Manish Malhotra outfit for her Paris concert on 19 June as part of the Cowboy Carter tour.
The black ensemble was embellished with thousands of crystals and styled with matching heels.
Jay-Z joined her on stage for a rare live duet of Crazy in Love.
Malhotra shared clips on Instagram, calling the collaboration a proud moment for Indian fashion.
Beyoncé turned heads at her Paris concert this week by stepping out in a custom outfit designed by Indian couturier Manish Malhotra, putting South Asian fashion in the global spotlight. The concert, held at the Stade de France on 19 June, was part of her ongoing Cowboy Carter tour.
The look was both theatrical and refined, perfectly suited to the energy of the show and Beyoncé’s larger-than-life stage persona.
Manish Malhotra’s design lights up Beyoncé’s Paris performance
Beyoncé’s stage presence is always powerful, but this time, her outfit drew just as much attention. The all-black ensemble, a bodysuit layered with boots and encrusted with Swarovski crystals, was designed exclusively by Malhotra for the Paris concert on 19 June.
Jay-Z made a surprise appearance for Crazy in Love, keeping it low-key in streetwear while Beyoncé’s shimmering outfit took centre stage. Malhotra, known for dressing Bollywood’s biggest stars, called the collaboration a "historic milestone" in a brief post on Instagram. He shared a clip from the Paris concert showing Beyoncé performing alongside her husband, Jay-Z. This is one of his most high-profile international features to date, as he is best known for dressing Bollywood stars.
Cultural crossover in Beyoncé’s Cowboy Carter tour wardrobe
This is not the first time Beyoncé has embraced global fashion, but her choice to wear an Indian designer at a major tour stop sends a powerful message about representation. It reflects a growing trend of cultural crossover and deeper appreciation for South Asian craftsmanship in mainstream Western entertainment.
Fans and fashion watchers were quick to praise the ensemble, calling it bold, glamorous, and refreshingly different. With tour dates continuing through July, it remains to be seen if Beyoncé will showcase more international designers. But for now, Malhotra’s moment in Paris stands out.
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Mohini Dey has played with legends across continents and\u00a0now she\u2019s stepping into the spotlight with her own voice
Mohini Dey laughs down the line, a deep, unfiltered chuckle that cuts through the noise. “Ronnie Scott’s? With my band, playing my music? That’s crazy,” she says, still letting it sink in. Speaking exclusively to Eastern Eye from Los Angeles, where she recently wrapped a show at the Hollywood Bowl with Willow Smith, the 28-year-old bassist is now preparing for her first headline performance in the UK this July.
For Dey, who grew up riding Mumbai’s local trains with a Walkman and no room for childhood distractions, this moment feels both improbable and hard-earned. It’s the kind of full-circle milestone that doesn’t come from luck, but from surviving, insisting, and showing up anyway.
A childhood full of sounds and music
Mohini was never a regular child. Born into a musically disciplined home in Mumbai, her father a bassist, her mother a singer, Mohini’s life was all structure and sound. But not the kind most children grow up with. “I didn’t have friends my age,” she says plainly. “My dad was strict. He believed childhood was for building something, not wasting time.”
While most kids her age were at birthday parties, Mohini was at Nirvana Studio, jamming with jazz legends like Ranjit Barot and Louis Banks. “It was like going to two schools: one for academics, one for music history and reality checks,” she recalls. “I was surrounded by giants, and I learned early that to make it, I had to be exceptional.”
Mohini Dey will make her UK headline debut at London’s iconic Ronnie Scott’s Jazz Club this July Instagram/dey_bass
That early push turned her into a master of her craft but also left scars. “I was depressed as hell,” she admits. “I was constantly being moulded into someone else’s dream.”
At 17, she left it all and became the family’s breadwinner
At 17, she snapped. In a moment of quiet rebellion, she left home. Cut ties. Lived alone. And decided to prove, especially to her father, that she could make it on her own. “He told me I wouldn’t be successful without him,” she remembers. “I needed to show him he was wrong.”
Those three years were lonely, but transformative. Mohini toured, hustled, and became her family’s main earner. “I learned to navigate everything. The business side, the gigs and all of it,” she says.
Bassist Mohini Dey is redefining what it means to be an Indian woman on the global music stageInstagram/dey_bass/bassplayunited
When music became medicine
The silence with her father finally broke when he called her after three years. “He said he was proud. That was enough. He didn’t apologise, but he didn’t need to.” She began taking him to her shows. In the last two years before he passed away, Mohini made sure he saw what she’d become.
“I took him to my shows. Introduced him to the life I’d built. It was healing,” she says, voice softening. “His death hit hard... but also made me push even more,” she says. “The last two years before he passed… they were good. Really wholesome. I’m glad we had that.”
Her father’s death could have derailed her. Instead, she kept playing. “I got back on stage within days. Because music took care of me when I couldn’t take care of myself.”
Mohini Dey opens up about burnout, ambition, and finding balance in a demanding industryInstagram/dey_bass
Not just the bass girl
Mohini is now one of India’s most sought-after musicians, having worked with legends like A.R. Rahman, Clinton Cerejo, Zakir Hussain, Salim–Sulaiman, and even Willow Smith, with whom she just played the Hollywood Bowl.
She’s crossed genres with ease, from Carnatic to rock, from fusion to pop. Her only rule? Never stay comfortable. “I’ll do a metal tour one week, a classical show the next,” she grins. “If it feels too easy, I’m bored.”
But don’t mistake that hustle for perfectionism. “I’m burnt out,” she says without flinching. “I’ve been working nonstop, albums, tours, even managing a side business. Sometimes I just want to disappear into a cave with my bass.”
Still, when she plays, the burnout fades. “There are these rare moments when I’m on stage, not overthinking, just being. That’s what I chase.”
Mohini Dey’s journey from a musically strict childhood in Mumbai to international acclaim is a story of rebellion, resilience, and rhythmInstagram/dey_bass
“I’m not a diversity hire. I’m just good”
Despite being a young Indian woman in an industry that rarely makes space for either, Mohini refuses to paint herself as a victim. “If anything, I used it to my advantage,” she says with a shrug. “I’m talented, I’m beautiful, I’m Indian. It made people take notice. But then I had to prove I deserved it.”
That confidence comes from lived experience. “I’ve never been treated like a diversity hire. I get called because I deliver. And because I’m versatile.” Her mentor, drummer Ranjit Barot, taught her early on: “You’re a musician first. The rest is noise.” That philosophy stuck.
From Mumbai to the world stage, Mohini plays life her own wayInstagram/dey_bass
Redefining success on her own terms
Despite the accolades, Forbes 30 Under 30, global acclaim, and sold-out venues, Mohini says awards never meant much to her. “In India, there are no awards for instrumentalists. Everything is for playback singers.”
So how does she define success? “I don’t know what it means yet,” she admits. “But contentment? That’s what I chase. Those rare moments when I play and I’m not overthinking, just flowing. That’s a win.”
Mohini Dey says music saved her when nothing else couldInstagram/dey_bass
What’s next: less travel, more life
As she readies her set for Ronnie Scott’s, including unreleased tracks and new sounds, Mohini is also thinking about slowing down. “I hate travelling,” she laughs. “By the time I’m 38, I want to be working from home, running a studio, picking only what excites me.”
She’s already laying the foundation with a social media company, side hustles and plans to support young musicians. “Music can’t feel like a grind,” she says. “It has to stay personal.”
Mohini Dey has become one of India’s most in-demand musicians across genresInstagram/dey_bass/bahrainjazzfest
Advice to dreamers: trust your gut
Asked what she’d tell her 14-year-old self, Mohini smiles. “Nothing. That kid was solid. She did what her dad told her to do. Then she did what she wanted to do. I’m proud of her.”
Her advice to young artists is blunt but inspiring: “People will try to drag you down. You’ve got to stay consistent, stay grounded, and own your story. Don’t wait for validation. Let your work speak. And if it doesn’t? Keep going until it does.”
From lonely train rides in Mumbai to sold-out shows at Ronnie Scott’s, from rejection and burnout to quiet moments of clarity on stage, Mohini Dey’s journey isn’t just about music, it’s about survival, rebellion, and learning to finally breathe in a life she built for herself.
And through it all, one truth remains: the bass didn’t just give her rhythm. It gave her voice.
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Meenakshi Jayan receives the Best Actress award at the Shanghai International Film Festival 2025
• Meenakshi Jayan bags best actress at Shanghai International Film Festival’s Asian New Talent Awards • Wins for her role in Victoria, the only Indian film in competition this year • Victoria is directed by Sivaranjini J and backed by Kerala’s Women Empowerment Grant • Jayan prepared for her role by working at a beauty parlour and learning the Angamaly accent
Indian actress Meenakshi Jayan has won the best actress award at the 2025 Shanghai International Film Festival (SIFF), recognised in the Asian New Talent section for her role in the Malayalam film Victoria. Directed by debutant Sivaranjini J, the film was the only Indian entry in competition this year.
Jayan plays a young beautician from Angamaly, Kerala, navigating a day of personal turmoil as she plans to elope with her Hindu boyfriend, despite her Catholic family’s objections. Her quiet rebellion is interrupted by a neighbour’s rooster, meant for a church festival, setting off an emotional spiral filled with conflict, faith, and self-discovery.
To fully immerse herself in the role, Jayan spent two months working in a local beauty parlour and trained with a dialect coach to master the Angamaly accent. Her grounded, realistic performance had already earned her the best performer title at the Independent and Experimental Film Festival Kerala (IEFFK) earlier this year.
The film, funded by the Kerala State Film Development Corporation under its Women Empowerment Grant, premiered at the International Film Festival of Kerala (IFFK), where it picked up the FIPRESCI Award for best Malayalam film by a debut director.
India makes its mark on the international festival circuit
Jayan’s win is a significant moment for Indian independent cinema, especially regional films. Victoria stood out not just for its storytelling but also for its production support aimed at empowering women filmmakers.
At the same festival, As the Water Flows from China won best film in the Asian New Talent section, and Where the Night Stands Still, an Italy-Philippines collaboration, earned Liryc Dela Cruz the best director title. Shi Pengyuan won best actor for Water Can Go Anywhere.
In the main competition, Kyrgyz film Black Red Yellow won best feature. Japan’s On Summer Sand and China’s Wild Nights, Tamed Beasts shared the jury grand prix. Wan Qian won best actress in that category, while Portugal-Brazil co-production The Scent of Things Remembered earned José Martins best actor.
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Bianca Censori and Kanye West walking hand in hand in New York City
Bianca Censori was spotted in NYC on 21 June wearing a sheer top and leather micro shorts.
Kanye West dressed in his usual covered-up style with a pop of blue in his shoelaces.
The couple’s appearance follows a reconciliation earlier this year after a brief split.
Censori has drawn criticism for her increasingly revealing outfits and recent distracted driving allegations.
Bianca Censori turned heads once again as she stepped out in New York City with her husband, Kanye West, wearing a sheer black top with no bra and ultra-short leather shorts. The couple were spotted walking through the city on Saturday, 21 June, continuing their string of public appearances in bold fashion choices and controversial moments.
The Australian model and Yeezy designer, known for her fashion, paired her see-through top with open black stilettos and newly styled long hair with feathered bangs, a departure from her previous slicked-back bun look. The 30-year-old’s outfit left little to the imagination, once again igniting online chatter about her fashion evolution and public persona since marrying West in December 2022.
Censori's revealing look in NYC quickly made the rounds online, fuelling both admiration and criticism. While her daring wardrobe has become a signature, this appearance came days after she was seen in an edible candy bra set on another city outing, raising fresh questions about her public image.
Her fashion choices often reference Kim Kardashian, West’s ex-wife, from beachy waves to plunging bodysuits. Social media comparisons are frequent, especially as Censori adopts a similar visual style with a more explicit edge.
Kanye West and Bianca Censori file lawsuit against celebrity dentist Dr. Thomas Connelly, alleging reckless drug administration and exploitation Youtube Screengrab
Kanye West and Bianca Censori's relationship post-split
The couple’s latest appearance comes just months after a reported breakup in February, triggered by West’s ongoing controversies, including antisemitic statements and the promotion of offensive merchandise. A source close to the situation had described that phase as “potentially unsurvivable” for their marriage.
However, by April, the pair had reconciled and resumed their public outings, including a headline-making visit to a sex shop. Since then, West has publicly embraced Censori as his “submissive partner,” even reposting fan messages that describe her as obedient and loyal to him.
Bianca Censori and Kanye West outing raises eyebrows amid rumours of relationship tension Instagram/whoopsee.it
Their relationship continues to draw attention, both for its unpredictable fashion statements and the provocative dynamic they openly embrace.
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Trisha Krishnan’s birthday post with Thalapathy Vijay and her dog renews dating rumours
• Thalapathy Vijay turned 51 on 22 June 2025 • Trisha Krishnan’s birthday post shows Vijay with her dog, Izzy • Fans speculate about a relationship as the post goes viral • Trisha’s mother’s reaction adds fuel to the dating buzz
On Thalapathy Vijay’s 51st birthday, co-star Trisha Krishnan shared a seemingly innocent photo that’s now causing quite a stir online. In the picture, Vijay is seen playing with Trisha’s dog Izzy, while she looks on, smiling warmly. The caption, “Happy Birthday bestest” with hug and evil eye emojis, has sent fans into a frenzy, reviving the long-standing rumours of a secret relationship between the two Tamil cinema stars.
Trisha’s post with Vijay and her dog ignites curiosity
While birthday wishes from fans poured in for Vijay, it was Trisha’s post that stood out. The image feels intimate, almost personal. Fans quickly noted that Izzy, the dog in the picture, was adopted by Trisha earlier this year, ruling out speculation that the photo was from an old event like The GOAT success meet. The post has now sparked fresh conversations about their alleged off-screen bond.
Online users have been quick to react. “Okay official now,” one person commented. Another wrote, “This can’t be a coincidence anymore.” Reddit threads have analysed everything from Vijay’s shirt colour to the timeline of Izzy’s adoption to connect the dots.
Trisha’s mother’s response deepens fan speculation
Adding to the chatter, Trisha’s mother, Uma Krishnan, also re-shared the post with heart emojis, confusing fans even further. Many interpreted this as silent approval, while others questioned why she would publicly endorse the photo if there wasn’t more to it.
This isn’t the first time the duo have sparked such talk. Back in 2024, Trisha posted a cosy lift selfie with Vijay on his 50th birthday, and both were later seen attending a wedding in Goa together. Despite growing curiosity, neither has commented on the rumours.
Vijay, married to Sangeetha since 1999 with two children, has always kept his personal life private. As he gears up for his final film Jana Nayagan before stepping into full-time politics, the renewed buzz around his bond with Trisha is keeping both fans and gossip columns on high alert.