The House of Commons voted to overturn the 10 proposed amendments suggested by the House of Lords and the bill will now return to the upper chamber for votes
By Shajil KumarMar 19, 2024
British Prime Minister Rishi Sunak's contentious bill to deport asylum seekers to Rwanda moved closer to becoming law after his government rejected all the proposed changes from the upper house of parliament.
Under the safety of Rwanda (asylum and immigration) bill, asylum seekers who arrive in England by boats would be sent to Rwanda.
The House of Commons on Monday voted to overturn the 10 proposed amendments suggested by the unelected lawmakers in the House of Lords, giving a much-needed boost to the beleaguered prime minister.
The proposed amendments included the ones that sought to ensure the legislation was fully compliant with domestic and international law and to exempt people if they worked with British armed forces.
The legislation, which attempts to end the legal blocks by declaring Rwanda a safe country and to disapply parts of Britain's human rights law, will now return to parliament's upper chamber for votes on Wednesday. If passed unamended, it could become law as early as this week.
This would still mean it could be weeks, at the earliest, before any deportation flights leave for Rwanda. While the bill seeks to prevent British courts from hearing arguments based on whether Rwanda is a safe country, anyone selected for removal may still be able to lodge individual legal appeals.
Sunak has invested significant amounts of political capital in the Rwanda policy and hopes if deportation flights leave before an election expected later this year, it will help reverse the fortunes of his Conservative Party which is heavily trailing in opinion polls.
By sending asylum seekers to Rwanda, the government wants to deter people from making the dangerous journey across the Channel so it can reduce the cost of housing them. Such costs are currently running at about 3 billion pounds ($3.8 billion) a year.
The government envisages sending thousands of asylum seekers to Rwanda although the East African only has the capacity to house a few hundred at the moment.
Sunak said on Monday the government remained committed to sending flights to Rwanda "in the spring", and his spokesperson told reporters that officials had identified people who would be on the first deportation flights.
Earlier this month, parliament's spending watchdog, in the most detailed estimate of the cost of the plan, said it would cost more than 600 million pounds ($764 million) to deport and look after the first 300 asylum seekers sent to Rwanda.
The final cost of the plan could reach up to 3.9 billion pounds over five years, according to an estimate published by the Institute for Public Policy Research on Monday. (Reuters)
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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