Missing British journalist’s wife issues tearful plea to find ‘love of my life’
Local Indigenous activists said the pair received threats last week for their work in the remote region, which has seen a surge of illegal logging, gold mining, poaching and drug trafficking
Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
RIGHTS groups and families of a British journalist and Brazilian Indigenous expert who went missing deep in the Amazon after receiving threats pleaded for authorities to accelerate the search operation.
Veteran freelance journalist Dom Phillips, 57, and respected Indigenous specialist Bruno Pereira, 41, went missing early Sunday (5) while travelling by boat in Brazil's Javari Valley, near the border with Peru, where Phillips was researching a book.
As the 48-hour mark passed, speculation swirled around whether they could have fallen victims to an accident or foul play.
As of Tuesday (7) night, authorities had no reports on their whereabouts but Amazonas state civil police said they were questioning a "suspect" and that four other people had testified as "witnesses," though no arrests were made.
Local Indigenous activists said the pair received threats last week for their work in the remote region, which has seen a surge of illegal logging, gold mining, poaching and drug trafficking.
Loved ones were holding out hope the pair would be found.
"I want to make an appeal to the government to intensify the search," Phillips's Brazilian wife, Alessandra Sampaio, said in a video message.
"We still have some small hope of finding them. Even if I don't find the love of my life alive, please find them," she said, choking back sobs.
The Brazilian government expressed its "grave concern," and said police were taking "all possible measures to find (the men) as quickly as possible."
But the authorities faced accusations of failing to act urgently enough.
The ministry of defense said in a statement that since Monday the army had deployed 150 soldiers who are "specialists in jungle environment operations, who know the terrain where the searches are being carried out."
But three Indigenous rights groups in the region earlier said in a joint statement that just six state police officers were actively working on the operation, and urged the government to deploy helicopters and a task force.
"The Brazilian government was very slow to act, in a situation where acting quickly is absolutely essential," the World Wildlife Fund (WWF) Brazil office said in a statement.
Brazil's federal police later said they had deployed a second helicopter to aid the effort.
Bolsonaro response criticised
President Jair Bolsonaro drew criticism for appearing to blame the missing men, both of whom have extensive experience in the Amazon rainforest basin.
"Two people in a boat in a region like that, completely wild -- it's an unadvisable adventure. Anything can happen," Bolsonaro said.
"Maybe there was an accident, maybe they were executed."
The far-right president has faced accusations of fueling invasions of Indigenous lands in the Amazon with his pro-mining and pro-agribusiness policies.
Pereira, an expert currently on leave from Brazil's Indigenous affairs agency FUNAI, has spent much of his career fighting such invasions -- making him a target of frequent threats.
'Anguished' wait
The men's families urged the authorities to act fast.
"Time is a key factor in rescue operations, particularly if they are injured," Pereira's family said in a statement.
It said his partner, three children and other relatives were in "anguish."
Phillips's sister Sian posted a video message online, fighting back tears.
"We are really worried about him and urge the authorities in Brazil to do all they can," she said. "Every minute counts."
A group of about 40 reporters and friends of Phillips appealed to Brazilian authorities in a letter published in O Globo newspaper to expand the search effort.
In addition, 11 press organizations requested an emergency meeting with the justice minister and other high-level officials to get a progress report on the hunt.
Phillips, who is based in the city of Salvador, had previously accompanied Pereira in 2018 to the Javari Valley for a story in Britain's Guardian newspaper, where he was a regular contributor.
The 85,000-square-kilometer (33,000-square-mile) reservation is home to around 6,300 Indigenous people from 26 groups, including 19 with virtually no contact with the outside world.
FUNAI's base there, set up to protect Indigenous inhabitants, has come under attack several times in recent years.
In 2019, a FUNAI officer there was shot dead.
The region has seen a surge of illegal mining, logging and poaching in recent years, and its remoteness makes it a haven for drug traffickers, said Fiona Watson, research director at Indigenous rights group Survival International.
"You're talking about dense tropical forest," she said. "The operation to try and locate Bruno and Dom is immensely challenging."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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