DAVID Miller and Kagiso Rabada combined to propel South Africa to a thrilling victory as they edged Sri Lanka by four wickets despite a hat-trick by Wanindu Hasaranga in the T20 World Cup on Saturday (30).
With South Africa needing 15 off the final over bowled by Lahiru Kumara, Miller smashed two sixes and Rabada struck the winning boundary as South Africa reached their target of 143 with one ball to spare in Sharjah.
Miller finished with 23 off 13 balls while Rabada made 13 off seven to carry their team home after Hasaranga took the third hat-trick in tournament history.
South Africa skipper Temba Bavuma admitted it had been a tough few days after the Quinton de Kock controversy.
De Kock was recalled to the team on Saturday (30) after refusing to take the knee in Tuesday's (26) game against the West Indies.
"It's quite hard to put everything together that's happened over the last couple of days," a relieved Bavuma said.
"There was a bit of it at the back of the mind but we had a job to do and we had to dig deep."
Sri Lanka skipper Dasun Shanaka said he had no regrets over using Kumara for the final over.
"It was enough to defend for Lahiru," Shanaka said.
"He was bowling yorkers and he was superb in the practice games which is why I went with him."
Hasaranga's figures of 3-20 were not enough for Sri Lanka who made 142 in their innings.
His triple strike was spread over the final ball of his third over and the first two of his fourth and pushed South Africa to a precarious 112-6 with his second victim, Bavuma, out for 46.
The left-handed pair of Miller and Rabada then smashed 34 runs between them to give South Africa their second straight win in the Super 12 stage.
Sri Lankan fast bowler Dushmantha Chameera had struck twice in his second over to send back the South African openers including the recalled de Kock caught and bowled for 12.
Bavuma stood firm to put on key partnerships including a 47-run fourth-wicket stand with Aiden Markram to raise hopes of a successful chase.
Markram made 19 before attempting an extravagant off drive against Hasaranga off the last ball of the 15th over but missed the ball that crashed into the stumps.
Hasaranga came back strongly in the 18th over to get Bavuma and Dwaine Pretorius off the first two balls before Miller and Rabada robbed Sri Lanka, who have two losses from three Super games, of a win.
Ireland fast bowler Curtis Campher took four wickets in four balls in the qualification stage against the Netherlands. Australia's Brett Lee took the first hat-trick of the competition in 2007 against Bangladesh.
Earlier Sri Lanka's Pathum Nissanka hit 72 but South Africa bowled out their opponents for 142.
Bavuma praised leg-spinner Tabraiz Shamsi for his three wickets that set up the win.
"Shamsi is a big player for us, a weapon, we've seen wrist spinners are always effective in this format," said Bavuma.
Shamsi returned figures of 3-17 from his four overs of leg-spin and fast bowler Pretorius also took three wickets after South Africa elected to field first.
De Kock returned to the South Africa starting lineup after missing the previous match after refusing to take the knee.
Having apologised for his stance, he knelt down in support of the anti-racism gesture along with the rest of the Proteas team.
Fast bowler Anrich Nortje struck first as he bowled Kusal Perera for seven in the fourth over, but Nissanka and Charith Asalanka put on 40 runs for the second wicket.
Asalanka was run out in an attempt to take a second before Shamsi took charge with his leg-spin bowling to push Sri Lanka on the backfoot. He made 21 off 14 balls.
Shamsi, who is the world's number one ranked T20 bowler, sent back Bhanuka Rajapaksa caught and bowled for nought and then got Avishka Fernando for three in a similar dismissal an over later.
Harasanga became Shamsi's third victim with Sri Lanka in trouble at 91-5 in the 14th over.
Nissanka hit back to reach his second half-century in the shortest format and smashed six fours and three sixes to surpass his previous T20 best of 61 and provide Sri Lanka with a fighting total.
He finally fell to Pretorius who had figures of 3-17 from his three overs.
DOCTORS should listen to patients and take their feelings into consideration, a cancer survivor has said, as a new study revealed differences in outcomes for ethnic and Caucasian groups.
Breast cancer survivor and patient advocate Balwinder Nanray told Eastern Eye that a patient’s needs should be at the centre of all decisions – as “there’s no one-size-fits-all approach”.
She was responding to a study published on Tuesday (20) by Queen Mary University of London, which found that south Asian women are diagnosed with breast cancer earlier and die younger than women of European heritage.
“Doctors are the experts in their field, and not all patients are from scientific backgrounds. So, why you are having treatment should be explained fully. Because it’s about us. It’s not about somebody else. It’s your body. You’re a person, and you should be able to make those decisions,” said Nanray, who was diagnosed with the disease in 2015, when she was 52.
She added, “My medical team has been amazing, but at times it was difficult to build a trusting relationship with some of my physicians. There were moments when I felt like I was being treated as a number rather than a person.
“With cancer, one size does not fit all, and it’s important that we’re all treated as individuals. Beyond your cancer diagnosis, you are a person, and I think people can forget that.
“Co-producing and collaborating with patients in research can lead to more effective and sustainable solutions that better meet patients’ needs.”
According to Nanray, the needs of Asian patients are different from their white counterparts, and reactions to treatments also vary. Cultural background factors also need to be taken into account for patients, she said.
Balwinder Nanray
“From personal experience, I can say my surgeon was of Asian background, and he was wonderful. He understood every need that I had. However, my oncologist was white, and that may have played a part in the decisions. He was amazing and knew what he was doing, but I think he lacked social skills.”
Nanray, who lives with her husband and son in Essex, was diagnosed with breast cancer following a mammogram organised through her workplace.
“I had no symptoms and no lumps. I was a senior leader in financial services, but breast cancer had other ideas. I underwent surgery, chemotherapy, and radiotherapy, and I am currently on hormone therapy to help reduce the risk of the cancer returning. This year marks nearly 10 years since my diagnosis, and I’m very grateful for that,” she said.
Nanray is now engaged as a patient advocate for several cancer charities, including Breast Cancer Now.
The Queen Mary University study said addressing existing racial disparities in breast cancer is crucial to ensure equitable benefit across diverse communities.
Breast cancer remains the most common cancer worldwide, claiming the lives of approximately 11,500 women annually in the UK.
South Asian and black women face poorer survival rates compared to their white counterparts, with three-year survival rates at 89 per cent and 85 per cent respectively, versus 91 per cent for white women.
These patients often receive diagnoses at later stages, when the disease is more difficult to treat.
Precision oncology offers individually tailored treatments, moving away from standardised approaches. However, ethnic minority patients remain underrepresented in clinical trials, limiting the effectiveness of these advances for diverse populations, the study said.
Researchers examined clinical and genetic data from 7,000 women with breast cancer. Health experts stressed the importance of addressing these gaps to ensure equal access to quality care for all patients, regardless of ethnic background.
Professor of bioinformatics at Queen Mary’s Barts Cancer Institute, Claude Chelala, told Eastern Eye, “Our paper highlights the need to address longstanding underrepresentation of patients from ethnic minority groups in cancer research and the disparities this creates.
“Recruiting participants from diverse backgrounds can be challenging for a number of reasons, including cultural and language barriers, and a lack of trust or awareness of research.
“Practical issues – such as time, cost and location – can also make it harder for people to take part in studies.
“To address these barriers, we must work with patients and community groups to build trust and raise awareness, ensuring that research is designed in a way that feels accessible and inclusive. This also includes promoting diversity among the teams that recruit patients for studies and biobanks.”
Chelala added that her team are working with the Breast Cancer Now Biobank to boost participation from underrepresented communities. Their efforts extend to working alongside Barts Charity through the Barts Life Sciences Precision Medicine programme and Barts Health NHS Trust, engaging local communities across north east London to encourage diverse research participation.
Researchers stressed that funders and fellow scientists must implement policies requiring the inclusion of diverse populations in study design, which they said is essential for achieving more equitable cancer care outcomes for all patients.
Nanray, whose treatment lasted 15 months, said, “I think we need more awareness in our communities. I’m trying to go to the temples, gurdwaras, and try to raise awareness for women and men to be more in touch with their bodies. If something’s not right, if you feel it’s not right, go to your GP. If your GP doesn’t listen, go to the hospital or A&E. Make noise until someone listens to you.”
The research, one of the largest studies of its kind involving south Asian women, suggested that NHS screening guidelines may need to change. It revealed that south Asian women were diagnosed with breast cancer nearly seven years earlier than women of European ancestry and died around thirteen years younger. Women of African ancestry were diagnosed about five years earlier and died nearly nine years younger.
Current NHS guidelines recommend breast screening for all women from age 50. However, researchers suggest this may be too late for women from some ethnic backgrounds, potentially missing up to 40 per cent of cases in younger women from these groups. It also pointed out differences in mutation rates in genes linked to breast cancer, including the BRCA genes, which affect genetic testing and treatment decisions.
Claude Chelala
Some women had genetic mutations that might have made their cancer resistant to certain treatments they received, but this information was not used in planning their care.
“Precision medicine has the power to revolutionise cancer care, but only if it works for everyone,” said Chelala. “If we fail to address blind spots in research, we risk widening health inequalities rather than reducing them.”
She added, “We need to address many blind spots in our knowledge to realise the promise of precision medicine for diverse populations. For this to happen, it is important to understand and tackle the under-representation of patients from ethnic minority groups in research studies and clinical trials. This is essential to enable benefits from future larger studies to be translated to all patients, to tailor care and reduce racial gaps in its delivery.”
Researchers have called for larger studies to better understand the genetic and clinical factors affecting breast cancer across diverse populations. They said funders and scientists must rethink how cancer research studies and clinical trials are designed to ensure all ethnic groups are properly represented.
Fiona Miller Smith, chief executive of Barts Charity, said, “Equity in healthcare is an important need for east London. Inequalities in health outcomes in certain ethnic populations, such as people from African or south Asian ancestry, are often made worse by under-representation in research data and studies.
“That’s why we fund so many projects that help to improve health outcomes for people from different backgrounds – including Professor Claude Chelala and her team’s study published today.
“The findings point to the need for increasing data collection of underrepresented groups in research studies – to ensure medical advances benefit everyone in our community.”
Breast Cancer Now’s Dr Kotryna Temcinaite said women from ethnic minority communities face inequalities throughout their breast cancer journey, from initial help-seeking to survival outcomes.
The research, supported by data from the Breast Cancer Now Biobank, aims to improve treatment approaches and results for these women.
Asked for her advice to someone with a cancer diagnosis, Nanray said, “Advocate for yourself, use your voice. If they don’t listen to you, take someone with you to talk on your behalf or support you. Those are two key things. You need to use your voice, because it’s about you.
“Share your story. Don’t be scared. Cancer is not a death sentence. By using your voice, you can improve it for the next person, the next generation, make their journey that bit easier, because it’s not easy having that diagnosis.”
When music runs in your veins, it is only a matter of time before the world hears your song. For Gxrnoor, born Gurnoor Anand, music was both a calling and a legacy.
The daughter of acclaimed music director Harry Anand, she grew up surrounded by melody and rhythm, but her sound is entirely her own. Blending sleek pop hooks with the swagger of hip hop, the soul of r’n’b and the spirit of Punjabi beats, Gxrnoor represents a bold new wave of Indian artists unafraid to mix styles and shatter expectations.
From scribbling down Rihanna lyrics as a child to releasing her debut single Relive in 2024, she has been winning hearts with a boss girl energy.
Eastern Eye caught up with the rising music star you will be hearing more about to discuss her songs, inspirations and hopes.
What first connected you to music?
I used to listen to a lot of pop and hip hop as a child – artists like Rihanna, Shakira and Nicki Minaj. Seeing their music videos and performances always intrigued me. They reflected a boss girl energy, and I wanted to be like them someday. I started writing down their lyrics in my notebook, and one day, I thought of writing a song of my own. That is how my journey began. I was only 12 when I wrote my first song and eventually started playing instruments, becoming more inclined towards this path.
How do you reflect on your music journey?
So far, I am grateful. God has been kind. I have received immense love and support in just one year of starting out, and I am eternally thankful for it. There is so much more to come and do – so many things I am yet to achieve. I believe hard work and consistency can get me exactly where I hope to be one day.
What has been your most memorable moment so far?
Seeing people make reels using my songs felt emotional. Watching real people add my songs to their playlists and listen to them daily is a beautiful feeling. Every artist can relate to that. It feels amazing when someone appreciates your craft and connects to it.
Which of your songs is closest to your heart and why?
Relive and Darham. Relive is my debut single, so it will always be closest to my heart. I have achieved a lot and been discovered because of that song. Darham was composed in two minutes – it just flowed out, raw and unfiltered. I love the simplicity and airiness of it. Plus, the word itself is unique. Darham means ‘confused’ in Persian.
Tell us about your next song.
I am working on a summer track with a house feel. It is a great melody – very easy listening. I love its vibe and, hopefully, the audience will too. Fingers crossed! Who are you hoping this song connects with most? It is a light, feel-good song that anyone can relate to. You could play it while driving, chilling at the beach, sitting in the park or just going about your day. It has a good, summery vibe.
What is the music masterplan going forward for your career?
India still has a limited number of female artists. If you look internationally, the music scene is largely dominated by women. My masterplan is to bring that change to India – to inspire more women to step forward and chase their dreams without hesitation. Confidence and belief are key. And if I can make it to the top, they will know they can too.
Who would you love to collaborate with?
Shubh is a great artist. I would love to collaborate with him someday.
What music genres dominate your personal playlist these days?
(Laughs) There is no in-between. It is either extreme hip hop or extreme melody – the best of both worlds.
Who is your music hero?
My father. I have seen him at his peak, and he inspires me to aim that high. He has sold out stadiums and ruled India’s pop music scene in the 1990s and 2000s. I hope I can follow in his footsteps and make him proud.
If you could master something new in music, what would it be?
I would love to master advanced music production. I only know the basics for now, but if I had more time, I would love to make beats just for fun. It is something that really fascinates me.
What inspires you?
Nature inspires me. If you leave me in the hills or by the sea for hours, I will come back with ten compositions. It opens up my creativity. I also love stargazing – just staring at the vastness of the universe. That inspires me too. And I admire other artists and their creativity. We should always support each other in this community.
Why do you love music?
I love music! I breathe music! Imagine how empty the world would be without it. Music heals your soul. It connects you to yourself. You do not need company when you are listening to music. It helps you enjoy life.
Instagram: @gxrnoor
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From Aishwarya to Janhvi and Sharmila to Sonam, Indian stars redefined red carpet storytelling at Cannes 2025
The Cannes Film Festival is about films. But it’s also about the stories that walk the red carpet when the cameras flash. This year was no cookie-cutter glamour, no borrowed Hollywood poses. Instead, our stars stormed, blessed, questioned, and, in some cases, completely redefined what it meant to “represent India” on a global stage. Forget the overused phrases about “making heads turn” or “serving looks.” These artists and icons came with messages stitched into every pleat, petal, and pearl. Some brought politics. Some brought poetry. All brought power.
Here are 10 moments that prove India didn’t just attend Cannes 2025. We hijacked it.
1. Aishwarya Rai Bachchan: The queen didn’t return, she reclaimed
In a sea of plunging necklines and sheer gowns, Aishwarya chose ivory silk, sindoor, and rubies that looked like they’d been mined from a queen’s treasury. Swathed in an ivory Banarasi masterpiece by Manish Malhotra, she reintroduced the red carpet to what Indian opulence really means. With sindoor glowing under camera flashes and rubies big enough to fund a film worth over £2 million, her look was unapologetically Indian. Not a throwback but more like a takeover.
Aishwarya Rai Bachchan stuns in an ivory Banarasi silk saree by Manish Malhotra Getty Images
2. Sharmila Tagore: Grace walked in, time stood still
When Sharmila Tagore walked the Cannes carpet in emerald silk, something magical happened: the noise dimmed, and elegance took centre stage. No sequins, no theatrics. Just a green saree so rich it could’ve been woven from the forests of Aranyer Din Ratri. She simply stood there all radiant, calm, and proud, and Cannes remembered what a real star looks like.
Sharmila Tagore exudes timeless grace in a rich emerald silk sareeInstagram/sabapataudi
Janhvi’s Cannes debut paid homage to her mother with a soft pink Tarun Tahiliani saree look, handwoven in Banaras and accessorised with Chopard pearls worth £50,000. For the second look, she stunned in a green and gold backless Anamika Khanna gown with intricate embroidery, a dramatic long train, and traditional gold jewellery that elegantly draped down her back. From princess-core to regal desi drama, Janhvi served a dual wardrobe win on the Croisette.
Janhvi Kapoor in a soft pink Tarun Tahiliani Banarasi saree and wows in a green and gold backless Anamika Khanna gownInstagram/janhvikapoor/Getty Images
4. Karan Johar: Florals, but make it fearless
If anyone can make a rose controversial, it’s Karan. While others played it safe in black tuxedos, Karan marched in like a Bollywood maximalist dream in a Rohit Bal rose-embroidered coat priced at £10,000. Producing a serious film like Homebound and still showing up dripping in drama? That’s the duality only KJo can serve.
Karan Johar breaks the mold in a bold rose-embroidered coat by Rohit BalGetty Images
5. Simi Garewal: White isn’t a colour. It’s a command
In a snow-white Karleo gown with clean cuts and zero fuss, Simi proved style doesn’t need sparkle. With her trademark open hair and clutch, she looked like she’d walked straight out of a vintage film reel. Her presence was a quiet answer to anyone who thinks Cannes is only for the young. Legends, she reminded us, don’t fade; they refine.
Simi Garewal commands attention in a crisp white Karleo gownInstagram/simigarewalofficial
6. Jacqueline Fernandez: Red hot and regal at Women in Cinema
While others posed, Jacqueline was honoured, picked by the Red Sea Film Foundation as a Woman in Cinema. She stunned at the Women in Cinema Gala in a strapless red Nicole + Felicia gown worth £30,000 with a corseted bodice and fishtail skirt. The rose-floret drape added drama, while diamond jewellery and a bold red lip sealed this show-stopping look.
Jacqueline Fernandez captivates at the Women In Cinema gala in a strapless red Nicole + Felicia gownGetty Images
7. Vishal Jethwa: Dandy debut done right
Vishal made a strong first impression at Cannes in a sculpted black Kaushik Velendra pantsuit with shimmering shoulders and a golden bird brooch worth £5,000 . Sleek rings, glossy shoes, and a backswept hairdo completed his quietly flamboyant fashion win. It was a refreshing break from the usual red carpet formula, earning him instant sartorial cred.
Vishal Jethwa makes a stylish debut in a black embellished Kaushik Velendra pantsuit with a golden bird brooch Instagram/vishaljethwa06
8. Aditi Rao Hydari: The bride and the starlet in one
One night: a futuristic Rahul Mishra gown. The next? A red Raw Mango saree, sindoor, and all. Aditi didn’t just switch looks; she switched identities. Tradition and modernity, worn like two sides of the same coin. She wore her heritage like armour, proving tradition can outshine trend.
Aditi Rao Hydari transitions seamlessly between a futuristic Rahul Mishra gown and a traditional red Raw Mango saree Instagram/aditiraohydari
9. Mouni Roy: From primetime to prime carpet
She may be a Cannes freshman, but Mouni dressed like royalty. Midnight-blue couture, Chopard diamonds worth £100,000 and a pose that said, “I belong here.” No awkward debut jitters, just a woman who knew exactly when to step into the light.
Mouni Roy shines in midnight-blue couture and Chopard diamondsInstagram/imouniroy
10. Sonam C. Chhabra: The red carpet got political and personal
While others wore sequins, Sonam wore a cape etched with names of terror attack sites: Mumbai, Pulwama, Uri. It wasn’t subtle. It wasn’t supposed to be. Wrapped in white, she turned the carpet into a canvas for grief, pride, and resistance. Fashion can flirt or fight. She chose the latter.
Sonam C. Chhabra delivers a powerful political statement in a white cape etched with names of terror attack sitesInstagram/sonamcchhabra
So, what did India really do at Cannes 2025?
We didn’t just attend. We arrived. With every saree, every scene-stealing moment, and every cinematic victory, India’s stars reclaimed the narrative. This year, it wasn’t about who wore what. It was about who said something with fabric, with film, with fierce intent.
The Riviera might have the sunset, but this year, India owned the light.
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'Pakistan will have to pay a heavy price for every terrorist attack ... Pakistan's army will pay it, Pakistan's economy will pay it,' Modi said at a public event in Rajasthan, a state bordering Pakistan. (Photo: Getty Images)
INDIA will not provide Pakistan with water from rivers over which it has rights, prime minister Narendra Modi said on Thursday. His comments come a month after a deadly attack in Indian-administered Kashmir, following which New Delhi suspended a key river water-sharing treaty with Pakistan.
India had suspended the Indus Waters Treaty, brokered by the World Bank in 1960, as part of several measures taken after the April 22 attack that killed 26 people, mostly Hindu tourists.
New Delhi accused Pakistan of backing the attack. Islamabad denied the accusation. The two countries saw their worst military exchanges in nearly 30 years before agreeing to a ceasefire on May 10.
"Pakistan will have to pay a heavy price for every terrorist attack ... Pakistan's army will pay it, Pakistan's economy will pay it," Modi said at a public event in Rajasthan, a state bordering Pakistan.
The Indus Waters Treaty allows Pakistan to use water from three rivers that flow from India and supports about 80% of its farms. Pakistan’s finance minister said earlier this month that the suspension of the treaty would not have "any immediate impact".
The ceasefire has largely held. Indian foreign minister Subrahmanyam Jaishankar said there is no exchange of fire and "there has been some repositioning of forces accordingly".
"The (military) operation continues because there is a clear message... that if there are acts of the kind we saw on April 22, there will be a response, we will hit the terrorists," Jaishankar told Dutch outlet NOS.
"If the terrorists are in Pakistan, we will hit them where they are," he added.
Pakistan has not yet responded to the latest remarks by Modi and Jaishankar.
New Delhi blames Pakistan for supporting Islamist separatists fighting security forces in Indian-administered Kashmir. Pakistan denies the allegation.
Since the April 22 attack, both countries have taken steps such as suspending trade, closing land borders, and stopping most visa services.
(With inputs from Reuters)
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Justin Bieber’s deleted post fuels rumours after Hailey’s Vogue feature
Hailey Bieber’s solo Vogue cover was meant to mark a celebratory milestone, her first since becoming a mother. But instead of basking in the spotlight, the moment quickly devolved into digital chaos, thanks to a now-deleted caption posted by her husband, Justin Bieber.
The pop star shared Hailey’s cover image with an unexpected confession: he once told her she’d never make it to Vogue during a past argument. While Justin tried to frame the post as a heartfelt apology and testament to her growth, fans didn’t see it that way. The caption struck many as tone-deaf, with critics accusing him of overshadowing Hailey’s achievement with an unnecessary anecdote that placed the focus back on him.
The post read like an awkward mix of self-awareness and self-centring. While Justin did express regret, admitting he was “clearly wrong” and calling the moment “humbling”, the damage was already done. His words, meant to uplift, were quickly interpreted as a reminder of past disrespect rather than present support.
The backlash was swift. Fans and followers flooded the comments, calling the post inappropriate and poorly timed. Many asked why Justin chose to bring up a private fight during what should have been Hailey’s big moment. Others noted that the caption turned an empowering achievement into an emotional flashback, once again making her success about their marriage and, more specifically, his role in it.
In response to the backlash, Justin deleted the original caption and replaced it with a string of emojis. That move too drew criticism, with some calling it a passive dismissal of valid concerns and others viewing it as a way to quietly dodge accountability.
Though Hailey did not address the post directly, she acknowledged the toll public scrutiny has taken on her in her Vogue interview. She mentioned how online commentary often labels her a liar whenever she attempts to clarify anything, prompting her to adopt a more silent stance, a coping mechanism she credits to Justin, who advised her early on that engaging with trolls is a losing game.
Fans call out Justin Bieber over caption that hijacked Hailey’s Vogue momentGetty Images
While the couple have recently welcomed their first child, Jack Blues, and have publicly spoken about how parenthood has deepened their bond, this incident proves that even joyful milestones come with complications when you’re living life in a digital fishbowl.
‘Former Hertfordshire police officer made racist slurs against Asians'