WHY POPULAR MUSIC AND MOVIE STAR ALI ZAFAR THINKS THE BEST IS YET TO COME
by ASJAD NAZIR
IT IS a cold afternoon in London and Ali Zafar is sitting in a secluded corner of a five-star Mayfair hotel planning his next creative moves.
With his first studio album in nine years, multiple film projects and live tour dates scheduled, this will be one of the few breaks he gets this year.
The multi-talented star hasn’t been defeated by challenges and plans to do more despite having an impressive career that has won him fans globally.
When Eastern Eye caught up with the softly spoken superstar for afternoon tea, he was friendly, down to earth and answered questions with genuine passion about his forthcoming plans. He also spoke fondly about his talented brother Danyal Zafar, fans, inspirations and more.
You have achieved a lot, but creatively what is your greatest career motivation today?
For any creative person, the greatest motivation is to always create something that is avant-garde, new and not done before, and to also satisfy your own creative hunger and thirst. For me, it is always about challenging myself into new arenas and realms nobody else, including myself, has done before. I want to make movies nationally and internationally. So it’s to be a part of the international cinema and music scene, alongside giving movies and music to my own country.
What is the priority, film or music?
It has always been difficult for me to compartmentalise both and pick just one. Now with my studio Lightingale Productions, we have opened up a record label. I also want to mentor and launch newcomers because there is a lot of talent in Pakistan. So with Lightingale Productions, we are producing more movies and also more music in Pakistan.
I guess the main complaint people have with you is that you don’t do enough music?
(Laughs) Yes, I take my time. I have been trending on Twitter for the last three days for not doing the new PSL song, but I am going to be coming back with a new album after nine years. Jhoom was the last one and after that all my music has been for my movies. I scored for Teefa In Trouble and those songs became huge hits. But now, I will be coming up with an album after a long time. It will be a Sufi album because there are things I have experienced that I want to share with the world.
For me, you are at your best producing music. When you are creating a song, is there is a set process that you follow?
There is no set process, Asjad. Sometimes, a melody will come with the lyrics, other times a melody comes first and I will finalise the lyrics later. Other times, the poetry comes first, and I would compose a melody. Sometimes, there is a beat or a groove that plays and a melody will come on. Whether it is (my songs) Jhoom, Rock Star, Masti Ke Din or a Sufi song like Yar Dadhi Ishq, for me it is about expressing yourself and your feelings through music, in whatever genre. The process is similar, except when you sing something spiritual, where there is a certain space you have to get into to write, compose and sing it.
What is the secret of the fact Pakistan produces so many world-class singers?
It is strangely pleasant. Look at the land and the troubles it has gone through, the censorships and bans, political conditions and everything. I think for some reason that is what brings the angst and the vigour in the youth. Also, they want to express themselves and when that comes out, it does so with force and resonates in a louder manner.
What is dominating your own musical playlist right now?
I am listening to Coldplay’s new album, Everyday Life, and I am listening to this new band I have discovered called Tender.
Would you comment on your incredibly talented brother Danyal Zafar, who has made a great entry into music?
I was reading a comment on Twitter, where someone said it was some of the best music to come out of Pakistan. I think once his album is out, people will be blown away. I was blown away when I heard the album. It is an international album for a global audience. And just the way he has put it together is fantastic.
I had written in my newspaper column that I think Danyal will outdo you. What do you think?
That is what I have said and believed in! Ever since he has started playing music, I have always said he is more talented than I am musically. He is 15 years younger than me, and I gave him my iPod back then with Pink Floyd and all these surreal alternative bands. So, he has grown up listening to those sounds. His songwriting and production is very mature.
How do you look back on the remarkable journey of your hit film Teefa In Trouble?
I think Teefa In Trouble will always be like a sort of miracle in my life, especially how that movie came about. I mean I had never written a film before and never produced anything. It was my first Pakistani film, the first of its kind in terms of action and money that went into it. I financed it myself because I didn’t want to put anyone else’s money at stake. Despite all the adversity it faced, it broke records and did so well, I couldn’t have asked for anything better, which is why I want to keep on making more movies for Pakistan.
Why are you waiting so long to do the next film?
By nature, I just can’t get into a project unless it really appeals to me, and I have not come across something like that before. If I have to create something for myself then I need time. Teefa In Trouble took about one to two years, so if I have to create the movie then I need that time.
You have done Bollywood and Lollywood. Is Hollywood on the radar?
I would love to represent my country and be a voice for our people in international forums because I don’t think the east has a voice. I was having this conversation with Matthew McConaughey after a ceremony in Dubai – he is a very humble and kind man. What he said really struck me, which was, ‘you guys don’t really have a voice that is heard over here and you need to have that voice’. So, I would love to work internationally and change the image and perception of Pakistan.
What about web serials?
I think that is the new thing and I wouldn’t mind working for something like Netflix if a good series comes my way.
Today, what inspires you?
Life in general has always inspired me. You learn a lot more from hardships than the ease, and it just makes you stronger. What inspires me today is to be able to manifest all the thoughts and dreams I have had about me and life, and to achieve them. To make the best out of this world and life.
What is the best advice anyone ever gave you?
Just don’t think about who is saying what or doing what, just focus on your own work. Quietly and silently, just keep doing the best that you can.
How much do your fans mean to you?
They mean the world to me. I am who I am because of my fans. The kind of love they shower on me and my work is just amazing. It is growing and has been there for almost two decades. I think the best of me is still to come.
You are a hero to the younger generation. What advice would you give them?
There are no short cuts to success. You see a lot of youngsters on social media, trying out different things to have a following on the virtual world. That is nothing. Just be in the real world, doing real stuff – real activism, real humanitarian work on the ground. You don’t need validation online. Be creative, read books and write, rather than writing social media posts and reading them online. That will give you the depth and grounding you need in order to live a more satisfied, content and evolved life.
You have mastered so many things, is there something you want to master?
I would love to master the art of Kung Fu. Also, deep breathing and meditation techniques, especially the Wim Hof method of breathing; climbing mountains without losing your breath, being underwater longer and being in the cold without feeling cold.
Finally, what is your idea of happiness?
Family, friends, human relationships and just being real with yourself.
The man who started it all, Dadasaheb Phalke, the pioneer of Indian cinema, is set to be immortalised on screen not once, but twice. In a surprising turn, two major biopics on the "Father of Indian Cinema" are in the works, with Bollywood and Tollywood’s biggest stars stepping into his shoes.
First, reports emerged that Jr NTR will portray Phalke in Made in India, a project backed by RRR director SS Rajamouli. The film, announced last year, will be a pan-India release diving into the birth of Indian cinema. Sources say NTR was instantly drawn to the script, fascinated by lesser-known aspects of Phalke’s journey. The actor, always known for his high-action roles, will take on a more subdued, dramatic part this time.
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But before fans could fully process this news, another bombshell dropped! Aamir Khan and Rajkumar Hirani are teaming up for their own take on Phalke’s life. The duo, known for blockbusters like 3 Idiots and PK, has been working on the script for four years, with Phalke’s grandson contributing personal anecdotes. Set against India’s independence movement, the film will highlight Phalke’s struggles and triumphs in creating an industry that now dominates global screens.
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The clash of these two projects has sparked debates: Who will do justice to Phalke’s legacy? While Rajamouli’s vision leans toward grandeur, Hirani’s touch is expected to bring together emotion with humour. Meanwhile, fans are already picking sides: will NTR’s intensity or Aamir’s nuanced acting win over audiences?
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As the two teams prepare to bring this legendary filmmaker’s story to audiences, viewers can look forward to two distinct cinematic portraits of the man who laid the foundation of Indian cinema, each promising a unique perspective on the icon who changed the course of Indian storytelling forever.
The Eurovision Song Contest has never been just about glitter, high notes, and questionable fashion choices. It’s where music collides with the messiness of global politics. Some acts stroll onstage, sing politely, and vanish. Others? They rip the roof off, rewrite the rules, and leave scorch marks on history.
From ABBA’s glitter-drenched revolution to Måneskin’s rock ‘n’ roll swagger, these iconic acts reshaped the contest, searing themselves into the collective memory of millions. Let’s dive into five performances that tore the rulebook to shreds and left the world stunned.
1. ABBA – Waterloo (Sweden, 1974)
The explosion that turned Eurovision into a supernova. ABBA didn’t just win. They hijacked the whole show with sequins, swagger, and a chorus that’s been stuck in humanity’s brain for 50 years. The song was so unstoppable that even Napoleon would’ve surrendered to it. This was a total pop coup. Why it’s legendary? Because Eurovision’s biggest success story began here! ABBA set the bar for every act that followed.
Monsters. Fire. Riffs that could crack concrete. Who would’ve thought that a metal band dressed like monsters would rock the Eurovision stage? When Finland’s nightmare-fuelled rock brigade stormed the stage, half the audience clutched their pearls and the other half lost their minds. Eurovision had never smelt like gasoline and face paint before. It was the first time Eurovision truly embraced heavy metal, and Europe loved it. It was an anthem of rebellion, forcing Eurovision to evolve and Finland’s first win was well earned.
3. Conchita Wurst – Rise Like a Phoenix (Austria, 2014)
Conchita Wurst didn’t just sing, in fact, she soared. In a flowing gown with a beard that dared the world to question its norms, Conchita’s ballad became an anthem for resilience. When the final note faded, it was clear: Conchita had shattered stereotypes, and Eurovision was more inclusive because of it. Eurovision became more than a show that night; it became a revolution.
Leather, sweat, and a smirk that could melt steel. Rock hadn’t felt this raw at Eurovision in years. Måneskin swaggered onto the stage with an unfiltered, unapologetic energy that made everyone sit up and take notice. Gritty, powerful, and defiantly cool, this performance not only won the contest, but also marked a new era, where Eurovision wasn’t just a pop paradise but a space for rock to thrive.
Måneskin - Zitti E Buoni - Italy 🇮🇹 - Grand Final - Eurovision 2021youtu.be
5. Loreen – Euphoria (Sweden, 2012)
Twelve minutes of wind machines and raw euphoria (pun intended). Merging barefoot from the shadows, she captivated audiences with her ethereal vocals and minimalist choreography, all set against a backdrop of strobe lights and falling snow. By the time she finished, Europe was collectively breathless, earning her a landslide victory with 372 points: the second-highest in contest history at the time.
Eurovision isn’t just another song contest. It was a referendum. On war. On freedom. On who gets to be heard. Some acts left with trophies, others left with scars. But every single one proved that when the world’s a dumpster fire, music doesn’t just soundtrack the chaos… it answers it.
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Scarlett Johansson expresses frustration over Oscars snubbing Avengers Endgame for Best Picture
Scarlett Johansson has once again voiced her frustration over the Oscars overlooking Avengers: Endgame for the Best Picture category. The actress, known for portraying Black Widow in the Marvel Cinematic Universe, expressed her disbelief during an interview. She questioned how a film as groundbreaking and successful as Endgame managed to receive only one nomination, for visual effects, at the 2020 Academy Awards.
“It was an impossible movie that shouldn’t have worked, yet it did, both as a film and as a cultural moment,” Johansson remarked. She pointed out that the film not only pushed creative boundaries but also became one of the highest-grossing movies of all time. Despite its global impact and critical acclaim, Endgame remained absent from major Oscar categories, including Best Picture.
Scarlett Johansson questions why Avengers Endgame was overlooked by the Academy despite its record breaking successGetty Images
This snub particularly stings because Endgame marked the end of an era for Johansson’s character, Natasha Romanoff, who sacrificed herself to save the universe. Following this emotional farewell, Johansson reprised the role one last time in the 2021 prequel, Black Widow. However, when asked about returning to the Marvel universe again, she remained firm, stating that Natasha’s story had reached a meaningful conclusion.
While Johansson clearly misses working with her Marvel co-stars, she feels that bringing back the character would undermine the impact of her farewell. “It wouldn’t make sense,” she said, emphasising the importance of leaving Natasha’s legacy intact.
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Besides her frustration over the Oscars snub, Johansson also took a jab at the length of recent award ceremonies, particularly the 2025 Oscars. She found the James Bond tribute segment overly long, describing it as feeling like an advertisement rather than a celebration of cinema.
Despite the setbacks, Johansson is staying busy. She’s set to star in Jurassic World: Rebirth and is making her directorial debut with Eleanor the Great, which will premiere at the Cannes Film Festival. Her passion for storytelling continues, whether or not the Oscars recognise her past projects.
Scarlett Johansson defends Avengers Endgame and criticises lengthy Oscars ceremoniesGetty Images
In the end, Johansson’s disappointment highlights a recurring issue: the Academy’s reluctance to honour blockbuster superhero films, even when they make a significant cultural impact.
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Lois confronts Superman as Lex invades the Fortress in new Superman trailer
James Gunn’s Superman is shaping up to be more than just another cape-and-costume affair. The latest trailer doesn’t just show off epic battles or a parade of DC heroes; instead, it throws us straight into a tense one-on-one between the Man of Steel and the woman who refuses to let him off the hook.
In this new version, Clark Kent, played by David Corenswet, is already known to Lois Lane as Superman. There’s no awkward glasses game here, just straight talk! And Lois isn’t starstruck. She’s sharp, sceptical, and not afraid to press him on the ethics of playing global policeman. Her questions about his involvement in a foreign conflict cut through the usual superhero fanfare. Was he saving lives, or stepping over a line?
Superman insists he was acting on his own, not as an agent of any government. But Lois reminds him that intent doesn’t erase consequences. That tension between good intentions and real-world impact seems to be at the heart of Gunn’s take on the iconic character. It’s not about whether Superman can save the world; it’s about whether he should do it on his own terms.
The trailer also introduces Nicholas Hoult as Lex Luthor, who sees Superman not as a saviour, but as an alien outsider dominating a global narrative. “He’s not a man. He’s an it,” Luthor declares, breaking into the Fortress of Solitude with the mysterious Engineer. This isn’t a villain twirling his moustache; it’s someone deeply uncomfortable with Superman’s place in the world.
The film skips past origin stories and dives right into an established world, complete with supporting heroes like Green Lantern, Hawkgirl, Mr. Terrific, and Metamorpho, though the latter may be in chains rather than on the team.
We still get a glimpse of Superman’s Kansas roots, with Ma and Pa Kent reminding him that being a hero isn’t just about strength but about character.
Superman, directed and written by James Gunn, flies into cinemas on 11 July in the U.S., with international releases beginning on 9 July. Expect a film that raises questions as much as it throws punches.
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Shah Rukh Khan visits the cast of Come Fall in Love The DDLJ Musical during rehearsals in London
Thirty years after Dilwale Dulhania Le Jayenge changed the face of Hindi cinema, the story is stepping onto the UK stage, and Shah Rukh Khan himself dropped by to witness it in the making.
The actor, who became a household name playing Raj in the original 1995 film, surprised the cast of Come Fall in Love – The DDLJ Musical at their rehearsal space in London. With its UK premiere scheduled at Manchester Opera House from 29 May to 21 June, the stage show is a reimagined take on the beloved romance, directed once again by Aditya Chopra.
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This musical version is set between India and the UK and stars Jena Pandya as Simran and West End actor Ashley Day as Rog, giving a fresh take on Raj. For Pandya, the experience was surreal. “Showing him scenes he once performed was unforgettable,” she said. “He gave his time so kindly. It meant a lot.”
Day, clearly moved, added that the energy shifted the moment Khan walked in. “We all felt it. He didn’t have to say much; his presence said enough,” he reflected. “It was just one of those moments you never forget.”
The musical brings a new twist to the original, with 18 English tracks composed by Vishal Dadlani and Sheykhar Ravjiani. The duo were thrilled by Khan’s visit. “He loved the vibe, the energy, the music,” Vishal said. “It felt like Raj was passing the torch to Rog.” Sheykhar added, “For everyone involved, it was a special afternoon. He connected with the cast on a deeper level; theatre is where he began, after all.”
This production isn’t just about nostalgia. It’s an attempt to present a timeless story to a new audience, with Broadway-style storytelling and Indian emotion. The script and lyrics have been adapted by Nell Benjamin, known for Legally Blonde and Mean Girls, while the choreography is led by Tony Award winner Rob Ashford, with Indian dance sequences by Shruti Merchant.
With immersive events also planned at railway stations in London and Manchester, nodding to the film’s famous train scenes, Come Fall in Love aims to bridge the old with the new. And if Khan’s glowing reaction is any sign, this musical might just become a classic in its own right.