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M. Night Shyamalan’s next titled Knock at the Cabin

M. Night Shyamalan’s next titled Knock at the Cabin

Night Shyamalan, known for making original films with contemporary supernatural plots and twist endings, has an exciting update on his next directorial offering. His new film, which was previously untitled, has been titled Knock at the Cabin.

Apart from announcing the official title, the filmmaker also announced that Knock at the Cabin is set to enter theatres on February 3, 2023, a two-week bump up from its previous date.


The filmmaker revealed the name on Wednesday via Twitter. In a twinned message, Universal announced that the film will shift its theatrical release from February 17, 2023, to February 3, 2023.

Knock at the Cabin continues the extremely successful partnership between Universal and Shyamalan. The studio has previously partnered with the filmmaker on his last four films, Old (2021), Glass (2019), Split (2017) and The Visit (2015).

In August, the filmmaker teased fans about the upcoming release, posting a picture on his Twitter feed showing off an unlabelled binder that allegedly held the script. “The next one. On third draft. Super tight. Under a 100 pages.”

Knock at the Cabin currently has no competition for its February 3 release date. But since the film is still more than a year away from its release, it will surely find some competition as time goes by. Had it stuck to its February 17, 2023, date, it would have been locked horns with Disney’s Ant-Man and the Wasp: Quantumania.

Keep visiting this space over and again for more updates and reveals from the world of entertainment.

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Hugh Jackman's Robin Hood is dividing critics right down the middle, and it's happening for one very specific reason

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Hugh Jackman's Robin Hood is dividing critics right down the middle, and it's happening for one very specific reason

Highlights:

  • Hugh Jackman is drawing some of the strongest individual reviews of his career for The Death of Robin Hood, a dark, revisionist take on the folk legend from director Michael Sarnoski.
  • Critics are far more divided on the film itself, with reviews ranging from full-throated praise to calling it a "tedious slog."
  • The split is unusually consistent across outlets: almost every review separates Jackman's performance from its verdict on the film around him.

Hugh Jackman's Robin Hood isn't the swashbuckling folk hero anyone grew up with. He's grey-bearded, guilt-ridden, and by his own account in the film, a killer who had a very good publicist. Critics reviewing The Death of Robin Hood keep landing on the same split: near-universal respect for what Jackman is doing, and real, outlet-by-outlet disagreement over whether the film around him earns its own seriousness.

What's the film actually about?

Michael Sarnoski, the director of Pig and A Quiet Place: Day One, strips away almost everything associated with Robin Hood as folklore. Jackman's Robin is recovering from a near-fatal injury at a remote priory, nursed by a prioress played by Jodie Comer, when Bill Skarsgård's Little John arrives asking for one more favour. The opening scenes set the tone early: a folk hero who mocks his own legend, whose charitable myth was mostly good marketing.

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