Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
The superhero film has earned over £12.87 million (₹152.7 crore) at the Indian box office.
Its worldwide gross total has now passed £22.49 million (₹266.81 crore), surpassing L2 Empuraan.
The project is the first instalment in a planned five part cinematic universe.
It has become the first female led South Indian film to cross the £8.43 million (₹100 crore) mark.
Kalyani Priyadarshan has spearheaded a cinematic revolution with Lokah Chapter 1 Chandra, shattering the ultimate box office ceiling. The superhero epic has officially become the highest grossing Malayalam film of all time, a monumental achievement for the industry. This Dominic Arun directorial, backed by producer Dulquer Salmaan, continues its record breaking spree by also becoming the first female led South Indian film to cross the £8.43 million (₹100 crore) mark. Its performance is, in fact, redefining commercial success and what audiences will embrace.
Dulquer Salmaan backed Lokah has become a landmark moment for female led Indian cinema Instagram/lokahofficial
How much money has Lokah Chapter 1 Chandra made?
Let us talk numbers, because these figures are frankly wild. The film's total worldwide gross has reached an incredible £22.49 million (₹266.81 crore), which places it at the number one spot in Mollywood history, ahead of L2 Empuraan. In India alone, its net collection stands at a staggering £12.87 million (₹152.7 crore). The film's overseas collection is equally impressive, contributing significantly to its record breaking total.
Why is this success so significant for the industry?
Forget just Malayalam cinema, this is a big moment for Indian film full stop. A female led superhero movie, based on folklore, is not your typical safe bet. Its success proves that audiences are starving for fresh stories and that a film can ride entirely on a female protagonist’s shoulders to become the biggest blockbuster in an industry's history.
It is the first female led South Indian film to cross the £8.43 million (₹100 crore) mark, a huge door kicked open for new narratives and for actresses to headline major projects. Plus, with a controlled budget of around £2.53 million (₹30 crore), the return on investment is massive, which is what really makes studios sit up and listen.
The end credits barely finished before everyone started asking about the sequel. Producer Dulquer Salmaan has been clear this is just chapter one of a planned five part universe. Tovino Thomas had a brief cameo that is definitely setting up a larger role in the next instalment. The hype is already building. With these box office numbers, the team has the confidence and the capital to go even bigger. The foundation is set. The audience is invested. The challenge now is to expand the world without losing the heart that made this first one such a surprise hit.
The actor confirms the upcoming Netflix movie will bring closure to the renowned character.
Murphy discusses the unique experience of getting older while playing a part for nearly a decade.
He simultaneously promotes his new Netflix drama Steve, a stark contrast to his gangster persona.
The Peaky Blinders film is written by series creator Steven Knight and will soon begin production.
Cillian Murphy has finally offered fans a significant clue about the long-awaited Peaky Blinders film. The Oscar winner confirmed the Netflix project will serve as a conclusive finale for his complex character, Tommy Shelby. This fresh insight comes as Murphy promotes his new school drama, Steve, showcasing his remarkable range beyond the world of organised crime.
Cillian Murphy admits playing Tommy Shelby for 12 years changed him and promises ‘Peaky Blinders’ movie ends the saga right Getty Images
What can we expect from the Peaky Blinders movie?
Alright, so the big question everyone wants answered is: what is the deal with the film? Murphy has been typically tight-lipped. He does not like to spoil a thing. But he did let something slip recently that feels like a massive relief. He called it a “fitting end” and the “right way to finish” the whole saga. That is huge. So forget another open-ended series finale. This sounds like proper closure. Steven Knight is back writing it and filming is supposed to kick off soon. The real mystery is how on earth Tommy gets out of the last mess we saw him in.
Cillian Murphy reveals Peaky Blinders movie will finally give Tommy Shelby a fitting end fans have long awaitedGetty Images
How has playing Tommy Shelby for so long affected Cillian Murphy?
Think about it. Twelve years. That is a quarter of his life spent inside Tommy Shelby’s head. That has got to leave a mark, right? Murphy himself calls it a “privilege” but is quick to laugh that he is nothing like the “psychopathic gangster” he portrays. The interesting bit is how he talks about ageing with the role. You do not get that in films. It is a novelistic approach, he says. Thirty-six hours of television lets you dig into every dark corner of a person, even if, in Tommy’s case, most of those corners are pretty bleak. It has been a defining project, no doubt, the one everyone knows him for even after all his other projects.
So, while we are all waiting for the Peaky Blinders film, he has another Netflix project hitting the platform. It is called Steve, and it is about as far from Shelby’s world as you can get. He plays a headteacher in a 1990s reform school. It is a single, brutal day where everything goes wrong. It is intense, focused on men’s mental health and those kids the system has given up on.
Murphy describes it as a “love letter to teachers,” which is not a phrase you would ever associate with Thomas Shelby. He can command a criminal empire one minute and portray a crumbling educator the next. It makes you appreciate the skill involved.
The honest answer? Nobody knows for sure. The wheels are in motion. The script is done, we know that much. Murphy and Knight are both on board and talking about it. Production is meant to start soon. But a solid release date is not available yet. It is definitely happening, though. It is not just rumours anymore. It is the next chapter, and more importantly, the final one. So we will just have to be patient. In the meantime, there is always Steve to watch on Netflix next month.
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Martin Scorsese directs Leonardo DiCaprio and Jennifer Lawrence in What Happens at Night
Martin Scorsese is set to direct a film adaptation of the novel What Happens at Night.
Leonardo DiCaprio and Jennifer Lawrence will star as the lead couple in the project.
The story follows a couple’s eerie and troubling journey to a remote European city to adopt a child.
Apple Original Films and Studiocanal are behind the production.
Martin Scorsese is assembling a powerhouse team for his next cinematic venture. The legendary filmmaker will direct the adaptation of Peter Cameron’s novel What Happens at Night. For this project, he reunites with frequent collaborator Leonardo DiCaprio and teams up for the first time with Jennifer Lawrence. The film promises a haunting tale set against a bleak, snow covered backdrop.
Martin Scorsese directs Leonardo DiCaprio and Jennifer Lawrence in What Happens at Night Getty Images
What is the plot of What Happens at Night ?
The story tracks an American couple who travel to an isolated, frigid European city. Their goal is to adopt a baby, but the trip quickly unravels. The wife is seriously ill with cancer, and her declining health threatens to derail the entire adoption process. They check into a vast, almost deserted hotel. The place is strange, filled with characters such as a flamboyant singer, a shady businessman and even a faith healer. Nothing in this town makes much sense, and the couple starts questioning everything, including their own marriage.
Why is this Scorsese project creating so much buzz?
Simple. It’s the team. Scorsese and DiCaprio have a historic partnership, from The Departed to Killers of the Flower Moon. Adding Jennifer Lawrence into that mix is a major deal. It’s her first time being directed by Scorsese, though he did produce her upcoming film Die My Love. And audiences already know DiCaprio and Lawrence have great chemistry from the satirical hit Don’t Look Up. Putting them in a bleak, mysterious drama under Scorsese’s guidance is a recipe for something special.
Martin Scorsese casts Jennifer Lawrence alongside Leonardo DiCaprio in chilling adoption dramaGetty Images
Who is involved in the production?
The project is being shepherded by Apple Original Films and Studiocanal. Studiocanal grabbed the rights to the book last year. Sharp eyed screenwriter Patrick Marber, an Oscar nominee for Notes on a Scandal, is tackling the adaptation. This is a proper prestige production setup, the kind that gets everyone in Hollywood paying attention. It also continues Apple’s strong relationship with Scorsese and DiCaprio after the critical success of Killers of the Flower Moon.
What’s next for the stars?
Neither DiCaprio nor Lawrence are exactly resting. DiCaprio is currently winning praise for Paul Thomas Anderson’s new drama One Battle After Another. Meanwhile, Lawrence’s performance in the Scorsese produced Die My Love has already sparked serious Oscar chatter following its debut at Cannes. Their schedules are packed, which makes their commitment to What Happens at Night a clear sign of their belief in Scorsese’s vision.
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Ishaan Khatter, Vishal Jethwa and Janhvi Kapoor shine in Homebound’s Oscar-bound drama
Homebound selected as India’s official submission for the 2026 Oscars.
The film premiered at Cannes and Toronto to standing ovations.
It stars Ishaan Khatter, Janhvi Kapoor and Vishal Jethwa.
Director Neeraj Ghaywan and producer Karan Johar expressed honour.
India is sending Neeraj Ghaywan’s Homebound to the Oscars. The hard-hitting drama, which follows two friends battling systemic prejudice, has been named the country’s official entry for the 2026 Academy Awards. This selection places the film in a global spotlight and has thrilled its cast and producers. It marks a huge moment for director Neeraj Ghaywan, whose last film was the critically adored Masaan.
Ishaan Khatter, Vishal Jethwa and Janhvi Kapoor shine in Homebound’s Oscar-bound drama Instagram/homeboundthefilm
What’s the story behind Homebound ?
Right, so it is about two friends from a small town. Chandan, played by Vishal Jethwa, and Shoaib, played by Ishaan Khatter, are best mates. Their one dream is to get a job as a police constable. They see it as their ticket out and a shot at real dignity. But the world keeps pushing them down. The film does not shy away from the ugly stuff, such as caste bias, religious discrimination and more. Janhvi Kapoor is in there too, fighting her own battles against the same rubbish system. The narrative, inspired by a true New York Times story, also touches on the harrowing migrant exodus during the Covid-19 lockdown.
It has had an impressive run. First stop was Cannes, where it premiered and received a standing ovation that lasted around nine minutes. Its success continued at the Toronto International Film Festival (TIFF), where it was named second runner up for the International People’s Choice Award and received another rapturous reception from the audience. Not bad for a film that has not even hit cinemas here yet. That festival love absolutely paved the way for this Oscar nod.
This is a significant development. The Film Federation of India picks one film from dozens to represent the country. This year they chose this film instead of obvious commercial giants like Pushpa 2. It tells you something: they are backing a story with something to say.
Now the real work begins. The team has to campaign for it and get Academy voters in the United States to watch it. India has only had three films ever nominated in this category. It is a tough nut to crack. But with heavyweight names like Martin Scorsese executive producing and Karan Johar backing it, they have a fighting chance.
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Amrit Ramnath on Sakhiye, the melody that found its own words and the duet that changed everything
Amrit Ramnath says the word “Sakhiye” just happened and became the heart of the song.
Sitara’s voice added a new layer, making the duet feel alive and unexpected.
He mixes Malayalam roots with modern sounds, keeping the classical influence but making it fresh.
Ramnath opens up about taking risks in independent music and film work without overthinking it.
The song is all about love and celebration, already appearing in wedding videos and personal posts online.
In an exclusive interview with Eastern Eye, Amrit Ramnath talks about the making of Sakhiye, taking musical risks, and teaming up with Sitara. He doesn’t just walk into music; you can feel it’s stitched into him. Every word he says about melody, risk, and the urge to experiment carries that energy.
Amrit Ramnath on Sakhiye, the melody that found its own words and the duet that changed everything Instagram/amritramnath
Music stitched into him
And then, of course, there’s the part you can’t ignore: his mother is Bombay Jayashri. The Bombay Jayashri. A legend. So when that Carnatic depth surfaces in his work, it isn’t a carefully researched influence, but inheritance.
But his sound is also a mash-up of everywhere else he’s from. A little Marathi, some Hindi, a touch of Urdu. For a long time, however, Kerala was the place he knew of, but didn't truly know.
That changed with his first film score for the Malayalam movie Varshangalku Shesham, a total knockout. The film was a super hit, and its songs were celebrated everywhere. For Amrit, something clicked. "The film really took me back to, obviously, the place, the language, the culture, all of it," he says.
Sakhiye is a product of that reconnection, an act of reminiscing. He also admits, “I do have a significant audience there, and I really enjoy the language.” Even though he’s not super fluent, he understands a fair bit.
This brings us to the song’s unexpected nucleus. Amrit built the melody first. He sent a scratch track, a tune hummed without words to lyricist Vinayak, and the word was already there, nestled in the gibberish. He explains: “the word sakhiye kind of came automatically in my sort of gibberish melody singing, so to speak, and it stayed that way.” Vinayak chose to keep it. That accidental utterance became the song’s emotional pivot. “From Sakhi, it takes a turn, in my opinion,” he says.
So what is a ‘Sakhi’? A person? A memory? Just love?
“I think you can tick all three,” he says. It’s the overarching idea of love, but the word itself is fluid. “Sakhi also could refer to a friend if I'm not wrong.” Friend, lover, memory, the ambiguity is the point.
Then there’s Sitara. Bringing her on board was, to most listeners, a masterstroke. But what did she actually bring to Sakhiye? Amrit lights up. He wanted to play with their vocal ranges. Her sections are lower, reminiscent of the ‘Cherathukal’ vibe from Kumbalangi Nights. His, in parts, are higher than he’d normally go. “The moments I swear the two voices come together, especially the second Sakhi, and right after that… those were the moments of synergy.” You can hear the excitement in his voice just talking about it.
His sound is often described as a bridge, like classical roots meeting contemporary arrangements. Is that a deliberate tightrope walk?
“For me, a lot of the language also draws me into certain cultural aspects,” he explains. The melody is inspired by that rooted, Indian core. But the arrangement is where he contemporises. He points to the track itself: “the song starts with a very… plucked acoustic sort of guitar riff that moves into a slightly… Afro beat.” It’s not a calculated fusion. “It's something that's very like core to my identity. So I think it sort of just happens.”
What about risk? Careers? The boring, inevitable question. Amrit didn’t offer a canned PR answer. He admitted it’s “a tricky question” and something he’s “learning along the way.” He nailed the honest bit: the music industry isn’t just about music anymore; it’s a whole ecosystem. But for him, the risk is innate. “It’s not a calculated career move. It’s curiosity.”
He’s currently juggling two lanes: independent music and film composing. “I have a fairly loyal audience when it comes to independent music. And I'm also growing my audience as a film composer; I just finished a Tamil film. Before that, I had a Malayalam film, and now I'm in the process of beginning a couple more projects.”
On sustainability, he is pragmatic: “The risk to reward ratio is never going to be great with any art form.” But he finds the reward in the act itself. “Taking risks in itself is so rewarding.”
Amrit Ramnath opens up on his creative risks and the magic behind Sakhiye’s duet with Sitara Krishnakumar Instagram/amritramnath
Chasing emotion, not audience
On the rise of regional music, he is clear-eyed: “It’s mostly organic.” He hesitates at the word ‘responsibility’. “Responsibility is a heavy word,” he says. But within that organic movement, “there is a responsibility for me to do as much as I can… it's only fair that if there is a voice that exists, then it's only fair that you express it.”
His process now is about stitching different fabrics and styles together, chasing a feeling, not an audience. “I'm trying to see if I can chase a certain emotion.” That’s the project now: chase the feeling, not the demographic.
So what’s the emotion he’s chasing with Sakhiye? What’s the one feeling he wants to leave people with?
“I just hope it gives them that, you know, that butterfly feeling.” Of love, yes, but also of celebration. He’s noticed it popping up in countless Instagram wedding reels. “So I thought, like, overall, it can be a song of celebration… if people are feeling that, then I feel like we've won.”
So there you have it. A melody that held onto a word. A duet that plays with range. A composer in love with the next curiosity. Listen once and you’ll feel it. Listen twice and you’ll hear the place where Sakhiye finally lands.
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Madonna returns to Warner Records with her first new album since 2019
Madonna confirms new album for 2026, her first since 2019.
The project is a sequel to her hit 2005 record Confessions on a Dance Floor.
She has reunited with original producer Stuart Price for the work.
The pop icon has signed a new deal with her original label, Warner Records.
Madonna is making a major return to her musical roots. The global superstar has announced a new dance album scheduled for 2026, her first studio release in seven years. In a significant full-circle moment, the project will be released under Warner Records, the very label that launched her iconic career. This highly anticipated record is set to be a direct follow-up to her Grammy-winning album Confessions on a Dance Floor.
Madonna returns to Warner Records with her first new album since 2019 Instagram/madonna
What is the new Madonna album called?
Right now, we don’t have an official title. Madonna herself has been referring to it informally as Confessions on a Dance Floor Part 2 or simply COADF Pt. 2 in her social media posts. That’s a pretty strong indicator of the sonic direction she’s aiming for.
The original Confessions on a Dance Floor album was a critical and commercial juggernaut, so this title sets a clear expectation for fans and the industry. Whether that’s the final name or just a working title remains to be seen, but it’s certainly got people talking.
This is the real story, isn’t it? It’s a homecoming. Her statement said it “feels like home” and that’s not just PR talk. Warner was her label home for the first 25 years of her career, the period that produced virtually all of her most defining work from Like a Virgin to Ray of Light. She left after 2008’s Hard Candy for a lucrative deal with Live Nation and Interscope.
But this return to Warner isn’t just about new music, but more like a holistic deal. It finally brings her entire catalogue, including those later Interscope albums, under one roof at Warner. That’s huge for legacy management and reissues. It seems to be about consolidating her empire and working with a partner that understands her history.
She’s bringing in the big gun for this specific sound: Stuart Price. His involvement is the clearest signal that Madonna is deadly serious about recapturing that Confessions magic. Price wasn't just a producer on the original album. He was its architect, co-writing and producing the majority of its tracks. He’s the genius behind those seamless, euphoric mixes that made it feel like one continuous nightclub journey. His recent work with her on the shelved Veronica Electronica remixes from the Ray of Light sessions seems to have reignited that creative spark. It’s a trusted partnership, and that’s often when she does her best work.
If Price is back, expect pure, unadulterated dance-pop. The original Confessions on a Dance Floor was a reaction to the guitar-driven rock of her previous American Life album and a successful return to her clubland origins. Given that she’s calling this a sequel, the logic follows a similar path. We’re likely looking at a record built on driving four-on-the-floor beats, soaring synth melodies, and those clever, subtle disco samples she and Price used so effectively before. It is music made for the dancefloor, designed to be both nostalgic and futuristic. After the more experimental and political tones of Madame X, this feels like a deliberate shift back to crowd-pleasing, euphoric energy.