LEGENDARY Pakistani actress Meera has had an amazing career spanning nearly 25 years.
She has delivered diverse roles in various genres and is regarded as one of the all-time greats of Pakistani cinema. Meera plays a legend looking to recapture past glories in her more recent film Baaji and received rave reviews for her performance. Meera is looking forward to taking on more acting challenges and continue her remarkable rollercoaster journey.
Eastern Eye caught up with Meera to discuss her incredible career, Baaji, inspirations and future hopes. She spoke from the heart and was her usual fearless self with replies.
How do you look back on your acting journey?
I was barely in my teens when I was thrust into the world of entertainment as a model and then in films. I really had no idea what I was doing back then, but always worked hard. I wanted to learn and improve myself. I had a drive within me to do my best. When I had a chance to work with some of the best in Lollywood early on, like Madam Sangeeta and Javed Sheikh, I managed to learn from these mentors. A big turning point for me was Samina Pirzada’s Inteha. It was a daring and feminist film at the time. Inteha gave me an identity as a performer.
Your performance as an emotionally and physically abused housewife opposite Humayun Saeed was great, but there was a decline in Lollywood, soon after…
After that, the industry’s standards slid a great deal. Urdu films barely got made and most Punjabi movies were male-oriented, with action and violence. It was then I had the opportunity to go to India and work on Nazar under Mahesh Bhatt’s banner and guidance. I was exposed to a whole new world, which was not wound up in the politics and insecurities of Lahore studios.
Tell us about that rollercoaster time in India and what happened next?
I signed several films with good banners, but unfortunately for one reason or the other they didn’t reach the screens. A Mahesh Bhatt production opposite Arjun Rampal I was doing stalled half way because of finance issues, while political tensions between India and Pakistan affected others such as Subhash Ghai’s Simran and Jhansi Ki Rani. When I returned to Pakistan, the industry was on its way down. Most film actors were either unemployed, doing variety shows on stage or acting on TV. It was a low period especially for those of us who had seen the busy industry days of the 90s and early 2000s. I would say the third stage of my career has begun with Baaji. It has brought me to the forefront of Pakistani cinema again.
Looking back would you have done anything differently?
There’s no point in looking back, and I have no regrets. I always tried to push boundaries and set my own standards. It was a big gamble to leave a perfectly successful career in Pakistan and go to Bollywood. I gave it my best shot, but perhaps should have stayed away from some quick low budget films I had to do there near the end of my stay in order to keep my work visa.
Which roles have given you the greatest joy?
I would say my roles in Samina Pirzada’s directorial debut Inteha, Javed Sheikh’s Mujhe Jeenay Do, Shahzad Rafique’s Rukhsati, Sangeeta’s Khilona, Nazar in India and now Baaji are the highlights and turning points of my career.
What is the biggest life lesson your acting journey has taught you?
The biggest lesson of my acting journey has been that one must always remain open and be a student, ready to learn from scratch with each project. Also as an actor, one must put one’s career ahead of everything else. I have been foolish to let other things take precedence at times. It’s a very competitive and insecure profession and everyone is out to take away whatever you have achieved, so you can’t take it easy. And luck plays a huge role. You can have all the talent in the world, but it’s useless if you are not in the right place at the right time.
Today, how do you select projects?
At this stage in my career, especially after my comeback with Baaji, I only want to take on projects that challenge me and offer me something substantial to do. Even if it is a guest appearance for two minutes, I want to make sure I leave an impact.
What did you like about Baaji?
Honestly, I immediately said yes to Baaji because I had complete trust in my director, Saqib Malik. This film was a lifeline for me as I was playing the title role in a major production after a long break. It was a role with a lot of shades and emotions. I knew Baaji would give me an opportunity to show my skills and craft in a way no film had done before. And I have been proven correct. The respect and love I’ve received globally has been simply incredible.
Tell us about the film and your character?
I play Shameera, a movie star, who is desperate to make a comeback and stay relevant in the changing world of Pakistani cinema. She yearns for emotional stability and love as well. It’s a complex role and one I can relate to only too well.
What was the biggest challenge of playing this role?
It was playing a role I know was going to define me for the rest of my career. I had to create a character called Shameera, different from Meera the film star in the public mind. There were certain haunting moments in the film that dealt with things like fear of aging for an actress, which were challenging. Also, I was working with an entirely new breed of actors with very different methods. They were all highly professional and good at what they did. I had to get my rhythm back since I had not done many films in recent years. All of this was challenging, but I am not one to back down. I submitted myself entirely to the project and am grateful the entire team were so patient and helpful.
What is your favourite moment in Baaji?
I value every moment of the film, but would say my best performance is at the climax, where I had a lot of opportunity to perform and emote. I had told Saqib to just let me go and not hold me back for this sequence. He wanted me to tone it down, but I persisted and ultimately, he agreed with me. I also loved the picturisation of the redo of classic song Yeh Aaj Mujh Ko Kya Hua, which was earlier filmed on my idol, Babra Sharif, in the seventies.
What can we expect next from you?
I’ve had a lot of offers, but am waiting for a worthy follow up to Baaji. I hope Saqib Malik quickly produces another film and has a good role for me in it. I have been spoilt by Baaji, so it’s very difficult for me to just accept anything that comes my way now.
What’s your dream role?
I would like to do an action role or play the role of a sportswoman. I love to do bold and strong characters.
Do you have ambitions away from cinema?
I have realised that my work is everything to me. It’s the only thing I truly know and that brings me deep satisfaction. I also want to set up a charity hospital in my mother’s name and have been working towards this goal for a few years now.
What would you say is the root of your fearlessness?
I’m fearless because I gave myself no other choice. I had to start work and fend for my family and myself at an early age. I never really got to study properly, but I educated my brothers and sisters in the best institutions. Both my sisters are lawyers. When you have to face certain circumstances in life, you have to be fearless to survive, in the law of the jungle. Also, I’m not a hypocrite and don’t pretend to be anything other than what I am. People don’t always like the true face of things. As Shameera says in Baaji, “love me or hate me, but you can never replace me”.
What do you think about the new generation of Pakistani movie stars?
I think the new generation of Pakistani movie stars are very good at marketing themselves. They are excellent with social media, have great PR companies and personal stylists, but they don’t have the dedication or X Factor of my generation of film stars. We were beyond reach and worked hard to maintain the mystery around us. We toiled day and night in harsh conditions, and trusted and respected our directors. Our entire world was within the studio walls, and we were sincere with our craft.
What are your big passions away from work?
I am a malang (nomadic) at heart and don’t have many friends or attachments. I work out regularly at the gym, watch movies and enjoy the good company of a few select people. Sometimes, I just like to be on my own. I’ve been through a lot of ups and downs and now want to keep my life as simple and focused as possible.
Today, what inspires you?
I get inspired by a good performance in a movie, like I loved both Sanam Saeed and Amina Sheikh in Cake. The generosity and kindness of people also inspires me. I just want to tell stories from the heart and am working on script ideas, which I hope to develop into film projects soon.
Why do you love cinema?
I live and breathe cinema. It is such a mirror to our dreams and reality at the same time. Cinema has given me fame, money and an identity. Without it, I am nothing.
Why should we all watch Baaji?
Baaji is a rich cinematic experience. It has soul and beauty. It has music, dance, emotions and a gripping story. It will leave you at the edge of your seat and keep you guessing about what will happen next. You will come out with a lot of emotion and I promise, you will want to see it a second time.
By day, Prabhu Ram is a senior executive at a top investment bank in London. But when the suit comes off, another world unfurls – one filled with ancient sutras, secret societies, forgotten kingdoms and cosmic adventure.
His debut novel, Nectar on the Seven Hills – The Pure Seed, is a bold, genre-blending odyssey that bridges the sacred and cinematic, the mystical and the modern.
Set deep within the mythical forests of the Eastern Ghats, it is the first in an ambitious fantasy trilogy. The story follows three young protagonists – siblings Magadh and Yukti, and their friend Rudra – who return from America to India, only to stumble into an extraordinary mission. What begins as a routine visit transforms into a high-stakes race against dark forces and ancient enemies. At the heart of their quest lies the Pure Seed, a potent symbol of wisdom and power that could alter the course of humanity.
“The seed of this story was planted during a hike in Tirumala,” says Ram, reflecting on the moment inspiration struck. “The richness of India’s ancient history and wisdom found in Vedic literature, particularly the Bhagavatam and Bhagavad Gita, have always guided me. I often try to apply the core principles from these timeless scriptures to the corporate world, as an investment banking professional. That desire to bring these ancient ideas to a younger audience in a modern and engaging way became the foundation of this creative journey.
“A Harry Potter-style adventure had long been in my mind. Once I began plotting the characters, the story started to evolve into its best version.”
A bilingual writer and award-winning Tamil poet, Ram’s love for language, particularly his mother tongue, has been a lifelong passion.
“My creative writing journey started in Tamil – one of the world’s oldest languages, with a rich literary heritage. I had the opportunity to study the language in depth, which deepened my admiration for its vast and expressive poetic tradition,” he explains. “Discovering the works of many authentic Tamil poets was a turning point in my journey as a writer. I used to write poetry during long bus rides to school when I was young.”
Ram creates a global narrative tapestryOm Books International
Drawing on ancient Indian epics, Nectar on the Seven Hills – The Pure Seed is a homage to Indian texts, but also a cross-cultural historical reimagining.
Ram creates a global narrative tapestry that includes a hardened Chinese military officer on a covert mission and an ancient enemy waiting to seize the same force. Their paths intersect with the protagonists in a high-stakes race against time that explores lost knowledge, secret societies, and long-forgotten sutras.
At its core, the novel is a fantasy adventure with heart and heritage. Its cinematic storytelling and rich characterisation have struck a chord with younger Indian readers. The book quickly climbed the Amazon India charts to become a bestseller.
“Many readers have described the world-building as outstanding,” Ram shares. “A distinctive feature of the trilogy is the organic integration of scriptures and Sanskrit verses from the Bhagavad Gita and the Śrīmad Bhāgavatam. This approach has resonated particularly well with younger readers, drawing them closer to our rich spiritual heritage. Reviews from critics have also highlighted this element as a major strength of the work.”
Ram credits his upbringing steeped in literature and the arts, as well as the creative edge demanded by his professional life, as major influences on his writing.
“I try to bring creativity into everything I do, even in my day-to-day work. The corporate world has taught me something important: when you're competing with some of the brightest minds out there, being unique and creative is often the only path to truly stand out. Otherwise, you're just another number in the system.”
His fascination with the cosmos – galaxies, stars and the mysteries of the universe – also plays a role in shaping his imagination.
“These unanswered questions inspire me immensely. They spark ideas, fuel my imagination, and often find their way into my writing in unexpected ways.”
Ram has poured so much passion into crafting the book that he loves every part of it. “But if I had to choose, my top pick would be an epic moment in the story where the modern world suddenly and seamlessly transitions into an enchanting ancient setting. The shift is unexpected and leaves the protagonists completely speechless.”
This turning point in the narrative enables the characters to realise that they are not ordinary individuals, but rather destined for something far greater. It features characters from the lost kingdom of Kishkindha, from the time of the Indian epic Ramayan, who come to life. “Additionally, a pivotal character from the Śrīmad Bhāgavatam – a divine bull – appears to deliver a powerful secret that lies at the heart of the story. It’s a moment designed to leave readers truly awestruck.”
Moments like this elevate the book beyond adventure, tapping into themes of destiny and cosmic purpose.
Ram’s literary influences are broad and global. He cites The Lord of the Rings as a foundational inspiration. “Tolkien’s world-building is peerless,” he says. Among Indian writers, Amish Tripathi’s Shiva Trilogy made a lasting impact. “I deeply admire the way he reimagines mythology with a fresh, contemporary voice.”
Dan Brown’s fast-paced, code-cracking thrillers also played a part in shaping Ram’s approach to suspense and pacing.
As the trilogy unfolds, Ram promises the stakes will grow higher and offer more adventure in the next two books. His aim from is to captivate young readers and draw them into the fascinating world of ancient history, from India’s rich cultural heritage to other great civilisations. “At the heart of this trilogy is a deeper mission: to subtly introduce key messages and teachings from ancient scriptures, making them engaging and accessible. In the second instalment, readers will meet even more characters drawn from ancient texts who come alive to guide and sometimes challenge the protagonists. The story continues to expand in scope, magic, and meaning.”
He explains that the trilogy draws inspiration from the legendary Samudra Manthan – the churning of the ocean – a pivotal moment in ancient Indian history when there was an epic struggle between the Devas (gods) and Asuras (demons). “This symbolic event, representing the eternal battle between good and evil, becomes even more central as the series progresses. In the second and third books, this theme intensifies, with antagonists gaining strength.”
The mythological elements, combined with significant historical events, are woven together to create memorable moments for readers. “My goal is not just to make the sequel better, but to elevate it in a massive way. Expect more magic, more fantasy, and a deeper, darker setting where multiple characters chase their own agendas on the path to an ultimate revelation.”
What makes a great novel, he believes, is the ability to completely absorb a reader.
“A great book is unputdownable. It should grip the reader so fully that they do not want to do anything else until they’ve turned the last page. When a novel feels as addictive as binge-watching a Netflix series, the writer has truly succeeded.”
He says for that to happen, everything must align. “The story must connect. The plot must feel fresh and original. The language should be simple yet powerful. The style needs to inspire. The characters must come alive, so much so that the reader feels what they feel, roots for them, fears for them, and even wants to take revenge on the antagonists themselves.”
For aspiring writers, Ram has one central message: don’t stop until you’re holding the paperback in your hands. “That moment is worth every struggle,” he says.
And why should readers pick up his novel now available in UK? Ram smiles: “You don’t just want to read a book, you want to live in it. That’s how I feel every time I pick up a great story. It should pull you in, leave you breathless, and never let go. If you're ready to experience history like never before, in a universe that is both ancient and astonishingly new, then Nectar on the Seven Hills – The Pure Seed is your next adventure. Truly magical. Admirably global. Ambitiously rooted in ancient wisdom. The characters will leave you awestruck. The plot will give you goosebumps.”
Nectar on the Seven Hills – The Pure Seed is available now, published by Om Books International
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We’re also both very physical with our humour and play off each other well
After a smash-hit UK debut, India’s most-watched crowd-work comedy duo is back – and this time, they’re armed with an even wilder new show. Abishek and Nirmal: The Great Indian Positivity House invites audiences into a bizarre world where you can anonymously confess your darkest deeds and most questionable opinions.
Staged at Soho Theatre in London from July 21–25, the show will then head to the Edinburgh Fringe in August. It promises their signature fast-paced crowd work and razor-sharp improvisation. With no two shows ever the same, they aim to make every night unrepeatable and unforgettable. Eastern Eye caught up with the dynamic duo to talk about comedy chemistry, on-stage secrets and their biggest influences.
What made you two want to team up?
Abishek: We come from similar backgrounds, consume similar content, and laugh at each other’s jokes. A middle-class upbringing, a love for theatre, and a shared passion for the same kind of humour brought us together.
Did you both expect to become such a successful double act?
Nirmal: It struck me early on during touring. Initially, we’d do 20 minutes each and then come together for the final 20, which audiences really enjoyed. We soon realised our on-stage chemistry worked. We’re also both very physical with our humour and play off each other well. (No innuendo intended.)
What’s been your most memorable moment as a duo?
Nirmal: After every show, we’d go out with some audience members and ask them to show us around their city. I think our last day at Edinburgh Fringe was epic – we were up till 4 am dancing, drinking pints, with a flight back to India at 8 am. Total chaos. Abishek: Touring internationally will always be a core memory. I’ll never forget our first show in Dubai – it felt so surreal. We genuinely felt taller than the Burj Khalifa that day!
How would you describe your brand of comedy?
Abishek: We do a lot of crowd work and improv. Our biggest strength is our physical comedy, combined with (self-proclaimed) impeccable chemistry on stage.
What drew you to interactive comedy?
Nirmal: I love stand-up, but it takes a year or two to build a solid hour. Audience-interactive shows let us flex our improv muscles and keep it fresh every night. We never ran out of shows this way. And repeat audience could enjoy our shows too. It’s liberating – we get to respond to the exact moment we’re in. And we love being surprised by the crowd.
What’s the biggest challenge of interactive comedy?
Abishek: You never know how a joke will land. You have to read the room well and only prolong an interaction if the person is clearly enjoying it.
With no two shows ever the sameInstagram/ theabishekkumar
How much of your routine is planned in advance?
Nirmal: The beginning, middle, end, and format are always set. But that’s it. We’ve built our shows on the road, so we keep adding and experimenting with new bits.
What’s the secret to great improvisation?
Abishek: Ride the scene’s energy – no matter how dumb the premise sounds. Go with the flow. BS with full conviction!
How do you stay in sync on stage?
Nirmal: It’s muscle memory at this point. I know when he’ll take a punchline or jump in, and he knows when I’ll interrupt. It’s built over time by doing this again and again.
What has performing in the UK been like?
Abishek: Amazing. We’ve toured the UK multiple times now, and every visit feels like coming home, thanks to the huge Indian diaspora.
How do UK audiences compare to those in India?
Nirmal: I love our international audiences – they come for a sense of familiarity. They’re away from home, and our references, language, and vibe create that comfort. For at least an hour and a half, it feels like home.
The beginning, middle, end, and format are always setInstagram/ theabishekkumar
Do you have creative differences – and how do you manage them?
Abishek: We do, but we don’t shy away from tough conversations. We’re brutally honest with our feedback and open to change. That’s the healthy part of this duo.
Tell us an embarrassing secret about each other.
Nirmal: When Abishek is sleep-deprived, he goes full chaos mode – like an elephant about to mate. He starts doing sixth-grade-level pranks on everyone around. This is a 30-year-old man. Abishek: Nirmal has to poop before every show. The moment the announcement plays, he’s off to the loo.
Who are your comedy heroes?
Abishek: Robin Williams, Russell Peters, Jim Carrey, Adam Sandler, Ricky Gervais... and Indian legends like Nagesh and Crazy Mohan, who’ve had a huge influence on me. Nirmal: Kanan Gill, Rahul Subramanian, Kenny Sebastian, Hasan Minhaj, Aziz Ansari and Dave Chappelle.
Why should people come to your London shows?
Nirmal: To feel like you’re in South India for a whole hour. It’s better than the North. (I say this in jest.) I could have said I’m joking, but I had to say jest, didn’t I? It is a nice word though.
Abishek & Nirmal: The Great Indian Positivity House at Soho Theatre in central London from July 21-25. www.sohotheatre.com
Grenfell Uncovered, Netflix’s new feature-length documentary about the 2017 Grenfell Tower disaster, has been widely praised by reviewers and early viewers for its serious and emotionally resonant portrayal of one of the UK’s worst modern tragedies.
Directed by Olaide Sadiq, the film retraces the events leading up to the fire that claimed 72 lives and sparked a national reckoning over building safety, housing policy, and corporate responsibility.
Reviewers highlight structured storytelling and emotional impact
Critics have noted that while the film does not introduce new findings beyond what was already published in the 2024 final report of the Grenfell Inquiry, it succeeds in conveying the scale and depth of the disaster to a global audience. Several reviewers praised the documentary’s editing, with The Guardian calling the timeline “agonisingly well-paced” and noting its ability to balance personal accounts with broader systemic failings.
The film weaves together the first 999 call, testimony from bereaved families, and a detailed exploration of decisions made by companies and public authorities. Reviewers have drawn attention to how the documentary contrasts human loss with what the inquiry called a “merry-go-round of buck-passing” by corporations and officials.
Personal stories placed at the centre
The emotional core of Grenfell Uncovered, according to several reviews, lies in the personal testimony from those who lost loved ones. These are presented alongside findings about companies such as Arconic and Celotex, which the public inquiry found engaged in “systematic dishonesty” in relation to the cladding materials used on the tower.
Critics have said the film powerfully illustrates how profit motives, weak regulation, and political decisions intersect with devastating human consequences.
Praise for Netflix’s decision to commission the documentary
Media observers have commended Netflix for producing a one-off film on such a politically sensitive topic at a time when many streaming platforms are opting for safer, more commercial programming. Some called it a “rare act of public-interest filmmaking” and noted that, despite global trends favouring true crime and celebrity-driven content, Grenfell Uncovered focuses on accountability and justice.
- YouTubeYouTube / Netflix
Political figures featured in the film
The film includes an interview with former Prime Minister Theresa May, who addresses criticism of her response to the fire, particularly her decision not to meet survivors during her first visit to the site. Reviewers have pointed out that while May has previously expressed regret, the interview adds weight to the film’s broader themes of inaction by those in power.
Other institutions, including the Cameron government, the Royal Borough of Kensington and Chelsea, and the London Fire Brigade, are also examined in relation to their roles in the lead-up to and aftermath of the fire.
A reminder, not a revelation
While some reviewers noted that the documentary does not reveal much beyond what was already known, they argue that it is an important retelling for audiences who may not have followed the inquiry closely. In this context, critics say the film succeeds in its aim: to remind viewers of the tragedy’s preventability and the need for lasting change.
Grenfell Uncovered is currently available to stream on Netflix.
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Priyanka Chopra opens up about an on-set injury while filming Heads of State
Priyanka Chopra Jonas has opened up about a minor but shocking accident that occurred while filming her new action-comedy Heads of State, which premieres on Prime Video on 2 July. Appearing on The Tonight Show Starring Jimmy Fallon, the actor recalled how she injured her face during a high-intensity scene, losing a piece of her eyebrow in the process.
The incident took place during a rainy stunt scene that required her to fall and roll on the ground as the camera closed in. “The camera operator came in a little closer, I came in a little closer, and boom! The matte box hit me right here,” she said, pointing to her eyebrow. “It took out a chunk. I was lucky it didn’t take my eye.”
Despite the bleeding cut, Priyanka didn’t halt filming. Instead, she reached for surgical glue, patched herself up on set, and wrapped up the day’s shoot. “I didn’t want to come back and shoot in the rain again,” she joked.
In the film, Chopra plays Noel Bisset, a sharp MI6 agent pulled into chaos after a diplomatic mission unravels. She stars opposite John Cena and Idris Elba, who play the heads of state she’s tasked with protecting. The actor shared that her character does a fair amount of the heavy lifting when it comes to action, including hand-to-hand combat and stunts.
While discussing the film, Chopra also spoke about the off-screen dynamics with her co-stars. She revealed that Cena and Elba hadn’t met before the shoot, so she stepped in to ease the introductions. “I was like the buffer. I had to make sure we didn’t just start punching each other,” she laughed.
She also mentioned how the set was filled with laughter, banter, and plenty of pranks, most of them aimed at her. “I guess I was the easy target,” she admitted.
Directed by Ilya Naishuller, Heads of State features an ensemble cast including Paddy Considine, Carla Gugino, Jack Quaid, Stephen Root, and Sarah Niles. The film will be available in English, Hindi, Tamil, Telugu, Malayalam, and Kannada.
Up next, Chopra is set to appear in SSMB 29 with Mahesh Babu and The Bluff, where she plays a reformed pirate.
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On World Music Day, we revisit the songs that made Shreya Ghoshal more than just a singer, but a sound that shaped our lives
From soul-stirring ballads to playful love anthems, Shreya Ghoshal has given us songs for every emotion. On World Music Day, we’re celebrating the magical voice that has become the soundtrack to our lives. Whether it's heartbreak, romance, devotion or pure joy, Shreya doesn’t just sing a song, she lives it. Here are 12 timeless tracks that define her legacy as India’s most beloved singer.
1. Sunn Raha Hai (Female Version) – Aashiqui 2
Raw and haunting, Shreya’s version of this heartbreak anthem gave it a delicate intensity that cut straight to the soul. You could hear the silence between the words and feel it.
2. Tujh Mein Rab Dikhta Hai (Female Version) – Rab Ne Bana Di Jodi
Her serene, soft rendition turned this romantic track into a quiet prayer. Shreya’s voice here isn’t just melodious — it feels like devotion in motion.
Only Shreya could match Geet’s wild, carefree energy with such powerful vocals. This Sufi-tinged love song bursts with reckless joy and she’s the reason we still belt it out like we’re in the snow.
The debut that made history. From the iconic “Ishhh” to her classical finesse, Shreya arrived like a storm of talent and walked away with a National Award.
One of Bollywood’s most romantic songs wouldn’t be the same without her. Shreya’s emotional depth pairs perfectly with Rahat Fateh Ali Khan’s vocals, a duet that still gives goosebumps.
A recent hit that shows she’s still at the top of her game. Her voice glides with elegance and warmth, bringing vintage romance into a modern love story.
From every "Ishhh" to every high note that made us cry, Shreya Ghoshal isn’t just a singer, she’s an emotion.
On World Music Day, we celebrate her voice like a constant companion through our best memories, toughest heartbreaks, and everything in between.