ACTOR DISCUSSES HIS CAREER AND PASSION FOR ENTERTAINING
ACTOR Kiran Raj has carved out a place for himself in the hearts of Kannada and Hindi language audiences around the world.
The self-made star has risen up from being a backing dancer to delivering winning turns in popular film and television projects such as Heroes, Love By Chance, Yeh Rishta Kya Kehlata Hai, Tu Aashiqui, Devathe, Kinnari, Chandramukhi, March 22, Asathoma Sadhgamaya and Kannadati. The versatile actor with nearly a million Instagram followers has balanced out big performances with philanthropic work.
With more big projects on the way, Eastern Eye caught up with the popular Indian personality to discuss his acting journey, future hopes, lockdown life lessons and secret of a great performance.
What first connected you to acting?
Initially, I wanted to get into direction and editing and studied for the same too. During my course, there was some audition happening and my friend insisted that I should give it a shot, so I did and ended up with the part. That’s when I realised, I’m quite decent in front of the camera and can act well too. So, one after the other I landed up with roles, and kept improving and learning. Gradually, I realised that I enjoy acting and eventually it became my passion.
How do you look back on your journey as an actor?
I would say it wasn’t easy. I’ve been a background dancer too and have done side roles, but every project of mine has taught me a lot. Today, when I see myself in proper full-fledged roles, I feel proud of my journey as I’ve earned it. Whatever I am today is due to my hard work, along with my parents’ support and blessings.
Which of your characters is closest to your heart?
It’s hard to pick as I give my 100 per cent to each and every character I play. But the one character that’s really interesting, and I’m looking forward to is in my upcoming Kannada movie Swaagatha, as it’s so versatile. I also have a monologue in it, which I’ve attempted for the first time. I hope my audiences love and appreciate it, because I’ve put in a lot of effort into this character.
Which role challenged you most?
I would say Harsha in Kannadathi, as the storyline began with a carefree rich ambitious guy who does not bother about his surroundings and gradually, how he changes and becomes caring and loving. This transition was not easy as I had to play it in a way that my audiences would connect with it, which I think they did like always.
Who have you enjoyed working with the most?
I enjoy working with every creative person, no matter new or experienced, as it teaches me something new in some or the other way.
Does your approach between cinema and TV change?
No, I’m an actor and acting is my job, be it cinema or TV. I do both with equal dedication because at the end of the day what comes on screen has to be 100 per cent good for me and give me self-satisfaction, that ‘yes, I’ve done a good job’. Then only my audiences will be able to love it.
How do you approach a new project?
Every new project is a fresh journey for me. With the kind of person I am, I get involved 100 per cent with it. I am a perfectionist, so need things to be proper. I pick things that I am confident about and which I think I can justify to my audiences.
What can we expect next from you?
I have quite a few interesting films lined up in Kannada and Telugu, and every story is different from the other, so audiences will get to see me in a variety of interesting roles, which I am sure they will enjoy.
Do you have a dream role?
Yes, I have a few in mind that I will someday portray on a larger scale, but until then it’s a surprise.
What according to you is the secret of a great performance?
Dedication completely. You have to live a role to give a great performance; until you don’t feel it from within, you won’t be able to perform. At least that’s what works for me. And I believe that when my audiences are investing their time and money to watch me, and showering me with so much love and appreciation, I owe them a great performance each time.
What is it that inspires you?
Challenges in life inspire me. Every time there is a new project or situation in my personal life and the way I have to deal with it according to the situation really inspires me, because it teaches me how life moves on, and how we need to move ahead with equal motivation and dedication, balancing everything at the same time.
If you could master something, what would it be?
I would like to master the art of filmmaking for sure as I’m very passionate about it from my college days. Even in my free time, I keep trying my hands at editing, writing, etc., and one day it’s my dream to make my own film and be behind the camera.
What kind of content do you enjoy watching as an audience?
Action flicks any day and anytime!
What is the biggest life lesson lockdown has taught you?
Nothing is permanent. We should value everything and every person that God has given us in our lives, and thank God for at least giving us the capacity to go through these difficult times, because there are many around us that don’t have what we do. And try to help as many as possible.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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