ACTOR DISCUSSES HIS CAREER AND PASSION FOR ENTERTAINING
ACTOR Kiran Raj has carved out a place for himself in the hearts of Kannada and Hindi language audiences around the world.
The self-made star has risen up from being a backing dancer to delivering winning turns in popular film and television projects such as Heroes, Love By Chance, Yeh Rishta Kya Kehlata Hai, Tu Aashiqui, Devathe, Kinnari, Chandramukhi, March 22, Asathoma Sadhgamaya and Kannadati. The versatile actor with nearly a million Instagram followers has balanced out big performances with philanthropic work.
With more big projects on the way, Eastern Eye caught up with the popular Indian personality to discuss his acting journey, future hopes, lockdown life lessons and secret of a great performance.
What first connected you to acting?
Initially, I wanted to get into direction and editing and studied for the same too. During my course, there was some audition happening and my friend insisted that I should give it a shot, so I did and ended up with the part. That’s when I realised, I’m quite decent in front of the camera and can act well too. So, one after the other I landed up with roles, and kept improving and learning. Gradually, I realised that I enjoy acting and eventually it became my passion.
How do you look back on your journey as an actor?
I would say it wasn’t easy. I’ve been a background dancer too and have done side roles, but every project of mine has taught me a lot. Today, when I see myself in proper full-fledged roles, I feel proud of my journey as I’ve earned it. Whatever I am today is due to my hard work, along with my parents’ support and blessings.
Which of your characters is closest to your heart?
It’s hard to pick as I give my 100 per cent to each and every character I play. But the one character that’s really interesting, and I’m looking forward to is in my upcoming Kannada movie Swaagatha, as it’s so versatile. I also have a monologue in it, which I’ve attempted for the first time. I hope my audiences love and appreciate it, because I’ve put in a lot of effort into this character.
Which role challenged you most?
I would say Harsha in Kannadathi, as the storyline began with a carefree rich ambitious guy who does not bother about his surroundings and gradually, how he changes and becomes caring and loving. This transition was not easy as I had to play it in a way that my audiences would connect with it, which I think they did like always.
Who have you enjoyed working with the most?
I enjoy working with every creative person, no matter new or experienced, as it teaches me something new in some or the other way.
Does your approach between cinema and TV change?
No, I’m an actor and acting is my job, be it cinema or TV. I do both with equal dedication because at the end of the day what comes on screen has to be 100 per cent good for me and give me self-satisfaction, that ‘yes, I’ve done a good job’. Then only my audiences will be able to love it.
How do you approach a new project?
Every new project is a fresh journey for me. With the kind of person I am, I get involved 100 per cent with it. I am a perfectionist, so need things to be proper. I pick things that I am confident about and which I think I can justify to my audiences.
What can we expect next from you?
I have quite a few interesting films lined up in Kannada and Telugu, and every story is different from the other, so audiences will get to see me in a variety of interesting roles, which I am sure they will enjoy.
Do you have a dream role?
Yes, I have a few in mind that I will someday portray on a larger scale, but until then it’s a surprise.
What according to you is the secret of a great performance?
Dedication completely. You have to live a role to give a great performance; until you don’t feel it from within, you won’t be able to perform. At least that’s what works for me. And I believe that when my audiences are investing their time and money to watch me, and showering me with so much love and appreciation, I owe them a great performance each time.
What is it that inspires you?
Challenges in life inspire me. Every time there is a new project or situation in my personal life and the way I have to deal with it according to the situation really inspires me, because it teaches me how life moves on, and how we need to move ahead with equal motivation and dedication, balancing everything at the same time.
If you could master something, what would it be?
I would like to master the art of filmmaking for sure as I’m very passionate about it from my college days. Even in my free time, I keep trying my hands at editing, writing, etc., and one day it’s my dream to make my own film and be behind the camera.
What kind of content do you enjoy watching as an audience?
Action flicks any day and anytime!
What is the biggest life lesson lockdown has taught you?
Nothing is permanent. We should value everything and every person that God has given us in our lives, and thank God for at least giving us the capacity to go through these difficult times, because there are many around us that don’t have what we do. And try to help as many as possible.
Instagram: @itskiranraj and www.kiranraj.me
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A seated Jain enlightened teacherAshmolean Museum, University of Oxford
Ganesha from JavaAshmolean Museum, University of Oxford
A Chinese silk painting depicting the BuddhaAshmolean Museum, University of Oxford
ArdhanarishvaraAshmolean Museum, University of Oxford
Head of a grimacing yakshaAshmolean Museum, University of Oxford
NagaAshmolean Museum, University of Oxford
The Bimaran casketAshmolean Museum, University of Oxford
Hunia Chawla
A still from rehearsal
Them performing liveNajmuddin Saifuddin Qawwal Group
The cast of Marriage Material in key moments from the play, including Avita Jay, Kiran Landa, Omar Malik, Irfan Shamji and Anoushka Deshmukh
Sathnam Sanghera’s 'Marriage Material' adapted into bold new play on conformity
The play Marriage Material at the Lyric Hammersmith Theatre is Gurpreet Kaur Bhatti’s adaptation of Sathnam Sanghera’s novel of the same name, which first came out in 2013.
She is lucky to have Iqbal Khan direct Marriage Material. The play, a co-production with the Birmingham Rep, is set in the late 1960s. Mr and Mrs Bains (played by Jaz Singh Deol and Avita Jay) run a corner shop in Wolverhampton. Their younger daughter, Surinder (Anoushka Deshmukh), is 16, her sister Kamaljit (Kiran Landa) is just a bit older.
They have a neighbour, Patwant Dhanda (Irfan Shamji), who, as we shall soon see, is not a very pleasant man. In fact, he comes across just as racist as Enoch Powell, who represented Wolverhampton South West for the Tories from 1950 to 1974.
It will be recalled this was a time when Sikhs working on the buses were told they couldn’t wear a turban. That was a hard-fought battle that had to be won.
The Bains, meanwhile, simply want to get their girls married off.
Nothing new here, I thought.
What makes the tale different is that the plot twists and turns down the generations. Mr Dhanda, who has the makings of a paedophile, makes a pitch for one of the girls when Mr Bains dies early in the play. “A life with no man in the house is no life,” he informs the newly widowed Mrs Bains.
Mr Dhanda has a wife but she has returned to India so he considers himself to be a free man.
Surinder’s English teacher from school, Miss Flanagan (Celeste Dodwell), who is also head of the fifth form, tells Mrs Bains about her daughter: “I don’t want to embarrass you, but she is bright. Ridiculously bright.”
She adds: “Mrs Bains, I think it would be a pity if Surinder didn’t stay on at school.” The initial response from Mrs Bains is not encouraging: “Too much education makes people’s brains get mixed up, they don’t sleep at night…”
But she is finally persuaded that Surinder should be allowed to stay on for a while longer before being married off.
Mr Bains was very old school. When Surinder confides she would one day like to be “a somebody”, he is amused that “my daughter wants to be a somebody”.
“Like you,” she tells her father.
Mr Bains consoles his daughter: “We will find a somebody for you to marry.”
At the point of a possible marriage, however, Surinder is sweet-talked by chocolate salesman Jim Wilson (Tommy Belshaw) into running away with him. They share a love of literature, and he calls her “Sue Bains”. But the relationship does not end well.
Once she has left, Surinder is written off as “dead” by her family. The story that is circulated is that she was only 16 when she was killed in a car crash. That’s better than to let on that she ran off with a white man.
By the time she is reconciled with her sister towards the end of the play, a great deal has changed. Kamaljit married Tanvir Banga (Omar Malik), a young man who helped out in the Bains’ corner shop. When the two sisters meet again, Tanvir has also died. But he and Kamaljit had a son, Arjan Banga (Jaz Singh Deol doubles up for this role after the death of Mr Bains). He has come home after his father’s death to help his mother who is still running the family corner shop.
Meanwhile, Mr Dhanda’s business has prospered. He now has a son, Ranjit Dhanda (the role is taken by Omar Malik after Tanvir’s death), and he is nearly as unpleasant as his father.
Arjan has an English fiancée, Claire (Celeste Dodwell). In London, Arjan worked as a creative director. But after deciding to stay in Wolverhampton to help his mother, he decides he cannot marry Claire because she is white. In other words, Asians are not free of racism, either. Happily, at the end, the couple are reconciled.
As for Surinder, she parted company with Jim Wilson after realising he was all talk, depended on her for money and had failed to earn a penny from his literary pretensions. She had prospered, though, as a hotel owner and had been transformed in time into a well-groomed businesswoman. After being tracked down by Arjan, she decides to return to her roots in Wolverhampton and help Kamaljit run the family corner shop. Perhaps 50 years had passed during the passage of the play.
Being subjected to racism turned some Asians into racists themselves. The word goreh (white person) is repeatedly spat out with venom. Maybe it is worth remembering the play’s audience isn’t exclusively Asian – white folk are watching as well. And maybe some of the toilet humour ridiculing white people, which always makes me cringe, could be cut out.
In Sanghera’s novel, there is a quote from Enoch Powell’s speech in November 1968: “The West Indian or Asian does not, by being born in England, become an Englishman. In law he becomes a United Kingdom citizen by birth; in fact, he is a west Indian or an Asian still... he will by the very nature of things have lost one country without gaining another, lost one nationality without acquiring a new one. Time is running out against us and them. With the lapse of a generation or so we shall at last have succeeded – to the benefit of nobody – in reproducing ‘in England’s green and pleasant land’ the haunting tragedy of the US.”
In Marriage Material, where the acting is marvellous (apart from Mr Dhanda’s Indian mannerisms and accent being overdone) we do travel across a couple of generations.
There is a scene when Tanvir rejects Mr Dhanda’s vision of creating a little Punjab in Wolverhampton.
Mr Dhanda wants to take over the Bains’ corner shop and is putting pressure on Tanvir to sign the papers. He says: “In this country, money is the path to freedom.”
“Sign, please,” he instructs Tanvir. “We must make sure our children learn to behave nicely, according to our rules.”
He insists: “We maintain our identity so we can be ourselves.”
Tanvir disagrees: “We can be us here. With the goreh.”
Dhanda warns him: “Then we will be inviting chaos.”
Tanvir’s comment is telling: “You sound like Enoch.”
Kamaljit, who is expecting a baby with her husband Tanvir, says: “I would like my child to grow up knowing the history of the Gurus and to read the Granth Sahib. And to love their culture.”
Tanvir tells his wife: “I would like my child to go to the finest schools, to cheer for England in the World Cup and eat Yorkshire pudding on a Sunday.”
Kamaljit sets out a dream that has perhaps come to pass with many third and fourth generation British Asians: “Maybe our child can do both.” Much, much later, in a throwback to the past, we learn of Surinder’s O-level results: “Biology A, Chemistry A, English Language A, English Literature A, French A, History B, Latin A, Mathematics A, Physics A…”
Kamaljit tells her younger sister: “Never mind about the B.”
And that is quintessentially Asian. Their acting is outstanding.
Marriage Material is at the Lyric Hammersmith Theatre until June 21, and at the Birmingham Rep from June 25-July 5