'It is sadly time to say goodbye and salute a true Bharat Ratna'
By LORD MEGHNAD DESAIFeb 11, 2022
Khuda Nigahaban Ho Tumhara, Dhadkte Dil Ka Salaam Le Lo/
Tumhari Duniya Se Jaa Rahe Hai, Utho Hamara Salaam Le Lo
THESE immortal lines penned by Shakeel Badayuni and composed by Naushad from the final scenes of the film Mughal-e-Azam were sung by Lata Mangeshkar through the character of Anarkali (played by actress Madhubala), leaving a drugged Salim (played by Dilip Kumar).
They are most apt as news broke of Lata’s passing. The Indian government did not confer the Bharat Ratna on Dilip Kumar for obvious reasons. But they did on Lata. The time sadly has come to do what she urged in that song – get up and salute her goodbye.
For me, she is the only person among all Indians – political leaders and military heroes notwithstanding – who is deserving of the title of Bharat Ratna.
Who else has given us undiluted pleasure with songs that have filled our lives (at least my life) for 75 years as we have heard, recalled and in our own creaking voices sung them when alone or in groups, when sad or happy?
Who else has given such constant company to us, free of any demand, for all our lives? Who has lived modestly, without ego or tantrums, and delivered service to her profession, her industry, to music and to India on a comparable scale?
The Hindi film industry (known as Bollywood) is probably the best-known global industry of India. Not just the diaspora, but all of south and southeast Asia, a lot of black Africa and the Caribbean enjoys its music (I once had a Tunisian taxi driver in New York singing his version of Hindi film songs).
Raj Kapoor took Awara to the world of communism and made the Russians sing Awara Hoon (the title song). Such films are meant for people within and beyond India who may not grasp Hindi, but who can still be entertained. It is cinema at its most innovative and most communicative.
In the Hindi film industry, Lata was, without doubt, the central figure for more than 70 years. I recall her songs in the mid-1940s when I was five or six.
with Indian President Ram Nath Kovind in 2019 (Photo credit: ANI)
She began singing then in her early teens as the only financial support for her family. There were the great gharana singers – Zohrabai Ambalewali, Amirbai Karnataki, the nightingale Noor Jahan, Suraiya, Shamshad Begum – who were popular at the time. When a 13-year-old girl from the arathi/Konkani Goan community (there is a Mangeshkar family temple in Goa) began to sing, few could imagine that within 10 years she would surpass them all.
In the early days, you could hear the dismissive ways in which the grown-ups talked of her. Her voice was too thin, too shrill. Her Urdu accent was laughable. Listen to her early hit Sajan Ki Galiyan Chhod Chale (film Bazaar, music by Shyam Sundar) and you hear a halting voice, each word spelt out slowly, but yet sweetly.
The duet Haay Mohabbat Unse Milane Ka Bahana Ban Gaya (with Mohammed Rafi) in the same film became a hit. That was 1945. By 1948, in Mehboob Khan’s classic film Andaz, you can hear faultless Urdu diction in Tod Diya Dil Mera or Uthaye Ja Unke Sitam. This was due to Naushad taking her by the hand and telling her what he required of her.
From then on, Lata was the lead playback singer for the next 30 years at the very least.
Naushad quickly dropped Shamshad Begum after Mela and went on with Lata to make Babul, Aan, Deedar, Amar, Baiju Bawra, Ganga Jamuna, Shabab and many more films.
When Shankar Jaikishan emerged in the late 1940s with Barsaat, Lata sang every song for the lead actresses – from Nimmi to Nargis – as well as the first song Hawa Me Udra Jaaye sung by a minor actress. Barsaat was a mega hit with Barsaat Mein, Mujhe Kisise Pyaar Hogaya, Bicchade Hue Pardesi plus the duet with Mukesh, Chhod Gaye Baalam.
During her career, Lata sang for every music director (except famously for OP Nayyar, who stuck to Asha Bhosle, Geeta Dutt and Shamshad Begum).
Madan Mohan composed his best songs for Lata, including the three unforgettable ghazals in Adalat and the haunting Lag Jaa Gale from Woh Kaun Thi.
C Ramchandra composed Dheere Se Aaja Ri Akhiyan Me Nindiya, sung by Lata. It is a lullaby to which many of us have fallen asleep as children.
Lata gave her best to every music director she worked for. She often produced a special voice for each of them and also for each heroine she was singing for. Her Rasik Balama from Chori Chori (Shankar Jaikishan) for Nargis is different from Kaanto Se Khinch Ke Ye Aanchal from Guide (SD Burman) for Waheeda Rahman, but as immensely popular. They are complex melodies.
She was versatile – be it a solo, duet or chorus (Aaj Mere Man Me from Aan), night club or cabaret songs, or mujra (Pakeezah), she sang them all to perfection.
But above all, you were struck by her simplicity, her modesty and devotion to her family. One unforgettable song is her rendering of Pradipji’s Aye Mere Watan Ke Logo. India’s prime minister Pandit Jawaharlal Nehru was seen tearing up on that occasion. Lata was singing for us all and for the nation.
It is no effort to say ‘Lata Mangeshkar amar raho’ (she will be immortal). She has guaranteed that herself. As she sang in the film Anarkali (filmed on actress Bina Rai in the title role, music by C Ramchandra) as the heroine was being entombed, Isse Mazaar Mat Kaho, Yeh Mahal Hai Pyaar Ka (Don’t call this a mausoleum, it is a palace for love).
She has built a monument of love which will last a long time.
Priyanka Chopra Jonas says she’s just getting started in Hollywood.
Stars as a fierce MI6 agent alongside Idris Elba and John Cena.
Gets into serious action mode with explosions, helicopters, and hand-to-hand combat.
Says her journey is still evolving, with much more to explore in the West.
Priyanka Chopra Jonas may have ruled Bollywood for over two decades, but the global star believes she’s still “nascent” in her Hollywood journey, and that’s what makes it exciting.
The Quantico and Citadel actor stars in the new Amazon Prime Video film Heads of State, playing a sharp MI6 agent named Noel Bisset. Her character has a complicated history with British Prime Minister Sam Clarke (played by Idris Elba) and is tasked with protecting him and the newly elected US President Will Derringer (John Cena) when they're attacked before a major NATO conference.
Priyanka Chopra calls herself nascent in Hollywood as 'Heads of State' streams on Prime VideoGetty Images
In a chat with PTI, Priyanka said she’s proud of her Indian film career and now wants to build an equally diverse portfolio in the West.
“It’s constant evolution for sure. I would’ve never imagined in 2002, when I did my first movie, that I’d be here today,” she said. “I feel like I’m really nascent in my work in the West. I have a major filmography in India, across genres and with amazing filmmakers. I want to build on that in English-language work too. There’s a lot more to do and explore, and I’m excited to see what unfolds.”
Over the years, Priyanka has taken on major Hollywood roles in Baywatch, The Matrix Resurrections, Love Again, and, of course, her breakout lead role in Quantico.
With Heads of State, directed by Ilya Naishuller, she says she had a blast, literally. From gun battles and hand-to-hand fights to explosive helicopter sequences, the film puts her action skills to the test once again.
“I want to be proud of the work I do. I try to choose characters with agency, not just ornamental roles,” she said. “This was a fun movie to do, and I’m really proud of what I did with this character.”
Priyanka Chopra wants to build her English film portfolio after Bollywood successGetty Images
The action-heavy film gave her the chance to collaborate with WWE legend-turned-actor John Cena for the first time, even though they started their careers around the same time in the early 2000s.
“I’ve known of John since his WWE days. He’s so popular in India; it’s hard not to know him,” she laughed. “When he transitioned to movies, I found his choice of roles really interesting. So I was very excited to work with him.”
Priyanka added that Cena is just as funny off-screen as he is on it, something that made their scenes easier and more spontaneous.
“He’s got great comedic timing even in real life. That helps a lot, especially when you're improvising on set.”
Talking about the film’s high-octane stunts, Priyanka gave full credit to the crew.
“Actors are only as good as the teams around us, especially in a movie like this. We had an incredible stunt team and a visionary director who storyboarded nearly every shot. He knew exactly how high a helicopter needed to be or how big an explosion should look. When you’re surrounded by such a solid technical team, you feel confident and capable, no matter which country you’re filming in.”
Ilya Naishuller, Priyanka Chopra and John Cena attend the special screening for "Head of State" Getty Images
The ensemble cast also includes Paddy Considine, Stephen Root, Carla Gugino, Jack Quaid, and Sarah Niles. The film is produced by Peter Safran and John Rickard.
As she continues balancing work across continents, Priyanka Chopra says one thing remains unchanged: her drive to grow.
“Success is constant evolution,” she said. “And I feel like I’m just getting started out here.”
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Arijit Singh becomes most followed musician on Spotify
• Arijit Singh makes global music history with 151 million Spotify followers
• Surpasses Taylor Swift and Ed Sheeran in follower count
• Still trails in monthly listeners with 47.4 million vs. The Weeknd's 112.2 million
• Other Indians in top 25 include A R Rahman, Pritam, and Neha Kakkar
Indian playback sensation Arijit Singh has achieved a record-breaking milestone by becoming the most followed artist on Spotify, beating global icons Taylor Swift and Ed Sheeran in the process. With a staggering 151 million followers, the Tum Hi Ho singer now tops the list of most followed musicians on the streaming giant, according to updated rankings released by data tracking platforms Chartmasters and Volt.fm earlier this week.
Swift, one of the world’s top pop stars, holds second place with 139.6 million followers, while Ed Sheeran, who recently released an India-inspired track titled Sapphire, follows at number three with 121 million.
Although Singh leads in follower count, the monthly listener figures tell a different story. Arijit clocks in at 47.4 million monthly listeners. In comparison, The Weeknd leads with 112.2 million, followed by Ed Sheeran (98.4 million), Billie Eilish (95.1 million), and Taylor Swift (82.3 million).
This difference highlights a key distinction: followers represent loyal fans who want updates on future releases, while listeners are users who stream the artist’s songs during a given period, often influenced by recent trends or viral hits.
Arijit Singh clicked during a performance Getty Images
Indians on the global Spotify map
Arijit isn’t the only Indian name on the coveted list. A R Rahman sits at No. 14 with 65.6 million followers, Pritam is 21st with 53.4 million, and Neha Kakkar holds the 25th spot at 48.5 million. Legendary icons from the golden era of Indian music also feature Lata Mangeshkar at the 100th rank (22 million followers) and Kishore Kumar is 144th (16 million), proving their enduring legacy across generations.
From reality show to stadium shows
Arijit Singh’s journey is a modern-day music fairy tale. The 38-year-old first appeared on the TV reality show Fame Gurukul in 2005. But it wasn’t until 2013 that he truly arrived, thanks to the soulful blockbuster Tum Hi Ho from Aashiqui 2, which turned him into an overnight star. Since then, he’s been the go-to voice for every mood: heartbreak (Channa Mereya), longing (Raabta), celebration (Kesariya), and everything in between (Phir Le Aaya Dil, Ae Dil Hai Mushkil).
Now, Arijit is taking his voice global once again with a major live concert at London’s Tottenham Hotspur Stadium, solidifying his place not just as India’s favourite singer, but a global music force to reckon with.
GREATER MANCHESTER POLICE is now investigating more than 1,000 child sexual abuse suspects, following years of public criticism and institutional failings in tackling child sexual exploitation.
A new report by His Majesty’s Inspectorate of Constabulary and Fire & Rescue Services (HMICFRS) has revealed the force has made “significant improvements” in dealing with group-based sexual abuse and related crimes.
According to the 76-page report, GMP is handling ongoing investigations involving 714 identified victims and 1,099 suspects. These are described as “multi-victim, multi-offender” cases, reflecting the complex and organised nature of many of the crimes under investigation.
Michelle Skeer, HM Inspector of Constabulary, said that since 2019, GMP has taken steps to improve how it handles both historic and ongoing abuse cases. “It is clear that the force has, for many years, been trying to provide a better service to those who have or may have experienced sexual exploitation,” she said. “But for some, trust and confidence in the police had been lost.”
The report praised the leadership of chief constable Sir Stephen Watson and his team, noting a cultural shift within the force. Senior officers have made child protection a top priority, personally engaging with staff to reinforce its importance. “Investigating child sexual exploitation is now considered everyone’s business,” the report stated.
GMP is the only police force in the UK with a dedicated Child Sexual Exploitation Major Investigation Team (CSE MIT), formed in 2021.
The unit has around 100 staff and a ring-fenced budget. It applies the same specialist tactics used for tackling serious organised crime, which has already resulted in 42 convictions and over 430 years of prison sentences for offenders.
According to the report, the delay in sharing crucial data from local councils, particularly Manchester City Council, which was criticised for submitting evidence so heavily redacted that some pages contained only a few words.
These delays have hindered investigations such as Operations Green Jacket and Bernese—cases linked to historic abuse in South Manchester, including the death of 15-year-old Victoria Agoglia in 2003.
Manchester City Council said legal restrictions around personal data sharing led to redactions, but it has since introduced a new evidence-sharing process with police, allowing investigators remote access to unredacted documents.
Sir Stephen acknowledged past failures and issued a renewed apology. “I am sorry that when you needed us, we were not there for you,” he said. “To those who are responsible for these repugnant crimes – as is now very apparent – we will pursue you relentlessly.”
A report by Baroness Louise Casey previously found a significant over-representation of Asian men among child sexual abuse suspects in Greater Manchester. While this remains a sensitive issue, Sir Stephen noted it was a “legitimate question” that could be addressed in a future national inquiry.
Greater Manchester mayor Andy Burnham, who commissioned the review, said he was “confident” the system is now in a stronger place. “Never again will any child here be labelled or dismissed when they come forward to report concerns,” he said. Burnham added that the reforms had sparked a “widespread culture change” across police, councils, and care services.
A separate Ofsted report backed these findings, acknowledging "much good practice" but calling for continued vigilance, especially in how agencies respond to missing children and those at risk of exploitation as they approach adulthood.
The Crown Prosecution Service has been approached for a comment.
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This year’s Diwali event will still see Belgrave Road continue to host what is left of the festival. (Representational image)
THIS year’s annual Diwali celebrations will be stripped back amid public safety fears. Leicester City Council has said there will be no fireworks or stage entertainment as part of major changes announced for the event.
Cossington Street Recreation Ground will also not be used for the festivities, the council has revealed. The green space previously was the location for the main stage and the Diwali Village with its food stalls, funfair rides, fashion and arts. The annual fire garden display was also based there, offering “a peaceful oasis amid the festive excitement”.
The council says major changes are needed to avoid the “potentially dangerous”, “massive” crowds that gather each year for the Hindu festival of light. The celebrations, widely considered to be the largest outside of India, have been branded a “victim of their own success” by the authority.
The changes have been announced after “serious concerns” about public safety were raised by the Diwali safety advisory group, the council said. It claimed the current set-up was branded “no longer fit for purpose” and that “urgent action” needed to be taken. “Several meetings” have since been held to consider options, the authority added.
These included potentially relocating the event to Abbey Park or Leicester city centre. However, the decision was made, following engagement with Belgrave businesses, to keep the celebrations in their historic home.
This year’s Diwali event will still see Belgrave Road continue to host what is left of the festival. More than 6,000 lights will be installed along the Golden Mile and the Wheel of Light will also return this year, the council added.
Assistant city mayor for culture Vi Dempster said: “Unfortunately, Leicester’s annual Diwali festival has become a victim of its own success. We’re being strongly advised by our emergency service partners and crowd control experts that it cannot continue safely in its current format due to the unrestricted and growing crowd numbers that it attracts, and that’s a warning we must take extremely seriously.
“We are absolutely determined that Diwali continues to be part of the city’s festive calendar. We also understand the depth of feeling to see it continue on the Golden Mile where it began over 40 years ago. To do that, we must ensure that it can take place safely. That must be paramount.”
The major changes follow a stripped-back celebration last year after the council decided to cancel the annual light switch-on due to financial difficulties, focusing on just the Diwali Day celebrations itself. The authority said at the time that costs for staging the dual events had skyrocketed from £189,000 in 2018 to a staggering £250,000 in 2023.
Graham Callister, the city council’s head of festivals, events and cultural policy, said: “Diwali has been a real highlight of the city’s festival calendar and attracts thousands of people who come from far and wide to join in the celebrations on the Golden Mile. However, we are now being advised by our emergency service partners and event security providers that we have reached the point where the growing crowds and sheer volume of people attending is causing significant concern about public safety.
“Scaling back on event infrastructure and activity means there will be the additional space needed – and more importantly less congestion – to safely welcome the crowds that want to celebrate on Belgrave Road.”
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Liam Gallagher arrives for the special screening of Oasis documentary "Supersonic"
Liam Gallagher issued an apology after using a racial slur in a now-deleted social media post.
The offensive post appeared just days before Oasis kicked off their reunion tour in Cardiff.
Fans criticised the singer on X, prompting him to clarify it was unintentional.
Oasis will perform over 40 shows globally, starting 5 July in Wales.
Liam Gallagher has apologised for using a racial slur in a post on X, as Oasis reunites for their first tour in 15 years. The singer shared a one-word reply on Monday that included a derogatory term aimed at East Asian people. Though he quickly deleted it, screenshots circulated online, sparking widespread criticism.
In a follow-up post on Tuesday, Gallagher wrote: “Sorry if I offended anyone with my tweet before it wasn’t intentional you know I love you all and I do not discriminate. Peace and love LG x.”
Liam Gallagher accepts Oasis' award for 'Best Album of 30 Years' Getty Images
Racial slur prompts public response ahead of tour
The post, now deleted, triggered a wave of reactions from fans, some calling the language racist. One user replied, “Liam you can’t say that,” to which Gallagher initially responded, “Why.” After further backlash, another fan warned he could get “cancelled,” prompting Gallagher to retort, “Whatever.” These responses only heightened the controversy before his eventual apology.
The term used by Gallagher has long been condemned for mocking East Asian accents and was especially criticised during the pandemic when anti-Asian hate incidents increased globally.
— (@)
Oasis set for comeback after 15-year hiatus
The controversy comes at a pivotal moment for Gallagher. Oasis, the Britpop band he co-founded with his brother Noel, is preparing for a major reunion tour kicking off Friday, 5 July, in Cardiff, Wales. The tour will include over 40 concerts across the UK, Ireland, the US, Canada, and Mexico, running through November.
The band split in 2009 after years of personal tensions, but recent announcements, including an upcoming concert film directed by Steven Knight, have fuelled excitement around their long-awaited return.
Liam Gallagher plays to a sell out crowd at the Universal AmphitheatreGetty Images
Fans react with mixed emotions
While some fans expressed disappointment over the singer’s comments, others welcomed his apology and are focused on the upcoming shows. Gallagher has been active on social media in recent weeks, hyping the tour and interacting with fans, including praising a prankster who trolled Green Day with a cheeky rendition of Wonderwall.
Liam and Noel Gallagher perform together in Cardiff for the first time since 2009 Instagram/oasis
As Oasis returns to the stage, the incident may linger, but it remains to be seen whether it will cast a shadow over one of the most anticipated tours of the year.