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Indian, Irish Yachtsmen 'Stable' After Remote Ocean Rescue

Two solo yachtsman stranded in the remote Indian Ocean during a round-the-world race were in a "good and stable condition" after being rescued in a multinational mission, Australian authorities said on Tuesday (25).

The yachts of Indian Abhilash Tomy and Irishman Gregor McGuckin, competitors in the Golden Globe race, were damaged during a storm on Friday (21), leaving them marooned some 3,500 kilometres (2,200 miles) off Australia's west coast.


Tomy, a 39-year old navy commander, was badly injured during the storm and on his bunk unable to move, race organisers said.

As part of an international effort to reach the men, both sailors were located and brought on board French fisheries patrol vessel FPV Osiris on Monday (24).

"Both sailors at this stage are reported to be good and in a stable condition," Al Lloyd of coordinating agency the Australian Maritime Safety Authority told reporters in Canberra.

Lloyd said the men were due to arrive at a nearby Indian Ocean island Ile Amsterdam later Tuesday, where they would be assessed by doctors.

McGuckin, 32, was not injured but said he wanted to abandon his yacht after it was damaged. He made his way to Tomy in an attempt to assist him, and arrived at the same time as Osiris, Lloyd said.

At this stage, the plans were for them to be transferred onto the Royal Australian Navy's frigate HMAS Ballarat due to arrive at the island on Friday, and brought to Australia, he added.

The Golden Globe Race involves a gruelling 30,000-mile solo circumnavigation of the globe in yachts similar to those used in the first race 50 years ago, with no modern technology allowed except the communications equipment.

Tomy's own yacht was a replica of Robin Knox-Johnston's Suhaili, winner of the first Golden Globe Race.

AFP

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Playback Creates announces Homegrown as UK’s first major South Asian music development push for new talent

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Playback Creates has launched its new Homegrown programme, a move the organisation says will change access and opportunity for young British South Asian artists. The primary focus is South Asian music development, and there’s a clear effort to create space for voices that have not been supported enough in the industry. It comes at a time when representation and career routes are still a challenge for many new acts.

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