Skip to content
Search

Latest Stories

How director Vikash Verma’s interesting film journey is connecting two cultures

How director Vikash Verma’s interesting film journey is connecting two cultures

RESPECTED filmmaker Rajkumar Kohli had taught Vikash Verma about film directing, but it was a trip to Poland that started the interesting journey he is now on.

Family friend Ajay Bisaria was the Indian ambassador to the country and asked him to make a movie on Raja Jam Saheb, who had given shelter to 1,000 Polish child refugees during the Second World War, including one who became the prime minister of Poland.


Sanjay Dutt came on board to play the lead role for The Good Maharaja and while preparing for that ambitious film, Verma started work on his Indo-Polish production No Means No, which releases in November.

Eastern Eye caught up with Verma to discuss his Indo-Polish films No Means No and The Good Maharaja.

Feature Vikash Verma WhatsApp Vikash Verma

Tell us about your new Indo-Polish film No Means No?

The story is about a character named Raj, who goes from India to Poland for a ski  championship, but destiny deals him a hand that changes his life forever. It is about an innocent bond of love that flourishes between him and demure Polish mountain girl Kasia who’s haunted by the demons of her past. It’s a very delicate and deep roller-coaster of emotions for them both and how they deal with experiences they have together. No Means No underlines the cultural connections and friendship between the two countries.

What was the biggest challenge you faced making this movie?

Shooting in extremely cold temperatures was definitely a challenge for everyone, but we all managed to wrap it up wonderfully. The cameras were specially treated to avoid condensation inside the lens. We wanted to shoot in real snow, so the schedule spanned two winters to grab that authentic feel of winter.

What was it like shooting in Poland?

Filming in Poland was surreal! The locations and scenic beauty were like a world beyond ours. The Poland government was very supportive. Overall, it was a magnificent experience.

What is the film’s key message?

Love is the central theme of No Means No, but it aims to unite India and Poland through a myriad of relationships and seeks to widen bilateral relations between the two countries and its people. The film is an ode to strong female characters and women’s empowerment in terms of everyone having to respect a women’s ‘no’, which means ‘no’.

Tell us something about your next film The Good Maharaja?

The Good Maharaja is based on Digvijaysinhji Ranjitsinhji Jadeja, the Maharaja Jam Sahib of Nawanagar, Gujarat, who in the pre-Independence era, provided refuge and education to around 1,000 Polish children evacuated to escape German bombings during the Second World War. Sanjay Dutt will be seen in the titular role of Digvijaysinhji Ranjitsinhji Jadeja, the Maharaja Jam Sahib of Nawanagar. It also stars Dhruv Verma, Deepraj Rana, Gulshan Grover and Sharad Kapoor in supporting roles. Shiamak Davar has served as the choreographer, while the film’s music and background score has been composed by Hariharan.

What was it like to work with Sanjay Dutt?

It feels amazing to work with an actor like Sanjay who has masterfully displayed his craft. We are like brothers and working with him gave a homely feeling. He is close to me, and we share a good bond. He has always been very supportive. We are waiting for borders to open, and for the global administration of the vaccine, so that we can resume our work without any hindrance.

Who is your own filmmaking hero?

Legendary director Sergio Leone is my filmmaking hero.

Do you have a favourite movie?

My all-time favourite is The Black Swan.

Why should we all watch your movie No Means No?

It’s the first ever Indo-Polish film and a high-budget thriller, which will be releasing in Hindi, English and Polish, with a very intriguing story that will keep you at the edge of your seat.

More For You

Lubna Kerr Lunchbox

Scottish-Pakistani theatre-maker Lubna Kerr returns to the Edinburgh Fringe with 'Lunchbox'

Instagram/ lubnakerr

Beyond curries and cricket: Lubna Kerr’s 'Lunchbox' challenges stereotypes at Edinburgh Fringe

Acclaimed Scottish-Pakistani theatre-maker Lubna Kerr returns to the Edinburgh Fringe with Lunchbox – the final instalment of her deeply personal and widely praised ‘BOX’ trilogy, following Tickbox and Chatterbox.

Inspired by her own upbringing as a Pakistani immigrant girl in Glasgow, Lunchbox is a powerful one-woman show that tackles themes of identity, race, bullying and belonging through the eyes of two teenagers growing up on the same street but living vastly different lives. With humour, honesty and heart, Kerr brings multiple characters to life, including her younger self and a troubled classmate, as she explores whether we are shaped by our environment or capable of breaking the cycle.

Keep ReadingShow less
Tawseef Khan

Based on Khan’s lifelong proximity to immigration law

Instagram/ itsmetawseef

Tawseef Khan brings together justice and fiction in his powerful debut novel

Tawseef Khan is a qualified immigration solicitor and academic who made his literary debut with the acclaimed non-fiction book Muslim, Actually. His first novel Determination, originally published in 2024 and now available in paperback, brings his legal and creative worlds together in a powerful, emotionally rich story.

Set in a Manchester law firm, Determination follows Jamila, a 29-year-old immigration solicitor juggling frantic client calls, family expectations and her own wellbeing. Based on Khan’s lifelong proximity to immigration law, including his father starting a practice from their living room, the novel explores the human cost of a broken system with compassion, wit and clarity.

Keep ReadingShow less
Iman Qureshi’s play confronts
‘gay shame’ with solidarity

Iman Qureshi

Iman Qureshi’s play confronts ‘gay shame’ with solidarity

A NEW play looks at the cultural divisions in society, especially in the West, and shows how people can still come together and build a community even if they don’t always agree, its playwright has said.

The Ministry of Lesbian Affairs, by Iman Qureshi, follows a group of women, mostly lesbians, who come together to sing in a choir, while sharing their lives, making new friendships, experiencing love, and finding humour during their time spent together. Themes of identity, politics and personal struggles are explored in the story.

Keep ReadingShow less
20 Years of Sarkar: Amitabh Bachchan’s Defining Gangster Role

The 2005 film Sarkar explored power, loyalty, and justice in Mumbai’s underworld

India Glitz

20 years of 'Sarkar': Amitabh Bachchan’s iconic turn in a gangster epic

Dharmesh Patel

There have been many Hindi cinema projects inspired by Hollywood films, and Sarkar ranks among the finest. The brooding political crime drama, which paid tribute to the epic 1972 gangster film The Godfather, became a gritty, homegrown tale of power, loyalty and justice.

Directed by Ram Gopal Varma and set in Mumbai’s morally murky corridors of influence, the film centred on Subhash Nagre – a man feared, respected and mythologised. Played with majestic restraint by Amitabh Bachchan, the story followed Nagre’s control over the underworld, political power centres and a grey zone where justice was delivered through unofficial means. His sons, the hot-headed Vishnu (Kay Kay Menon) and the more composed Shankar (Abhishek Bachchan) – became central to this tale of betrayal, legacy and redemption.

Keep ReadingShow less
Michael jackson

It was part of a global promotional campaign for Jackson's HIStory: Past, Present and Future, Book I album

Getty Images

From a McDonald's to a nightclub: The strange afterlife of Michael Jackson’s giant statues

Key points

  • Ten giant Michael Jackson statues were built in 1995 to promote his HIStory album
  • The 32ft figures appeared around the world and followed him on tour
  • Some remain visible in places like Switzerland, Italy, and South Africa
  • Others have been removed or stored due to controversy after Jackson’s death and allegations
  • Owners now face challenges selling, relocating or preserving the monuments

A colossal promotion campaign

In June 1995, Londoners witnessed an unusual spectacle: a 32ft statue of Michael Jackson being floated down the River Thames. It was part of a global promotional campaign for Jackson's HIStory: Past, Present and Future, Book I album. A total of ten fibreglass statues were made, all modelled on the album cover image, and they accompanied the singer on his worldwide tour.

The statues were the product of a transatlantic effort. American sculptor Diana Walczak worked closely with Jackson to design a clay prototype. In the UK, artist Stephen Pyle oversaw the construction of the fibreglass versions, assisted by sculptor Derek Howarth and a team based at Elstree Studios. Built in just four months, the statues bore some differences from the original prototype due to limited access.

Keep ReadingShow less