Indian scientist Dr Janaki Ammal, who struggled against the odds and male prejudice to make her mark, was one among the eight female horticulturalists celebrated at the show
By Amit RoyJun 02, 2023
This year’s Chelsea Flower Show has celebrated eight ‘Heroines of Horticulture’, among them the Indian scientist Dr Janaki Ammal, who struggled against the odds and especially male prejudice to make their mark.
Ammal, who was born in Kerala in south India in 1897, did cutting-edge research at RHS Wisley in Surrey from 1946-51 and was one of the leading botanists of her time. Magnolia kobus ‘Janaki Ammal’ is named in her honour.
As a young woman she flourished only after she was forced to leave India where her less-talented male colleagues would not allow her to rise. In marked contrast, in the UK, she was headhunted by the Royal Horticultural Society (RHS).
The RHS, which was founded in 1804 and has been putting on the Chelsea Flower Show for 101 years, felt that women were struggling to get recognition in the higher reaches of the profession. So this year, its director-general, Clare Matterson, decided to do something to correct the inequality that has long existed.
It was Matterson who drew Eastern Eye’s attention to the display in the Great Pavilion at the Chelsea Flower Show, where a poster, ‘Heroines of Horticulture’, said: “For centuries, women have nurtured and studied plants. Yet historically, their roles in horticulture – often perceived as a man’s world– have rarely been recorded.
“We have selected just eight women to highlight. Some are relatively well known, others may be new to you. All were passionate and knowledgeable about plants and gardens and their achievements deserve to be celebrated.”
There were large images of eight women, with a brief write-up on each one.
The one on Ammal said: “Plant Scientist. 1897-1984. Edavalath Kakkat Janaki Ammal was the first Indian woman to receive a PhD in botany. She studied plant genetics in the US and used her expertise to develop sugarcane crops suited to India’s climate. She moved to England and became the first female scientist at Wisley where she studied how to rapidly grow larger plants using colchicine. She returned to India at the request of the prime minister to use her knowledge to help increase food production. She became an advocate for the preservation of native plants.”
Ammal was given to wearing white cotton saris and chappals even in the snows of Surrey. If Eastern Eye readers make the journey to RHS Wisley, they will find her photograph prominently displayed at the “Old Lab”, which opened as a museum in March this year but where science experiments were once carried out by Ammal and her colleagues.
A label, “From lab to landscape”, next to her photograph says: “Dr Janaki Ammal was the first female scientist to be employed at Wisley.”
It adds that she examined “the genetic characteristics of cultivated plants. People have been breeding plants to create new improved varieties for centuries, but Dr Janaki Ammal pioneered new ways of manipulating the number of chromosomes to produce new varieties.
“Some of her plants still grow on Battleston Hill in the Gardens here today.”
Fiona Davison, RHS head of libraries, has told Eastern Eye that Ammal “worked on genetic manipulation and chromosome counting. And she manipulated the number of chromosomes, particularly in magnolias, to create brand new magnolias with bigger, more robust blooms.
“Dr Ammal developed a reputation in the 1940s when gene manipulation was really very new. She was a cutting-edge scientist in that regard.
“She came to England because she was having trouble in India as a woman, and she was from what was regarded as a lower-caste family. There was a glass ceiling within the Indian academic world that she wasn’t breaking through. So she came to England to work first at the John Innes Institute. And then the RHS head-hunted her from there.”
In a journal called Plant Review, her “remarkable contribution” has been recounted in an essay, “A wanderer of many worlds”.
The article said: “While working as a lecturer at the Women’s Christian College, Madras, in the early 1920s she received a scholarship from the University of Michigan to study botany where she achieved a Master of Science in 1925 and, in 1931, became the first female Doctor of Botany in the United States.
“Though Janaki had enjoyed her time with the RHS, she returned to India in 1951 following an invitation by Jawaharlal Nehru, prime minister of the newly independent country, to lead a project to reorganise the Botanical Survey of India. In 1977 the government of India gave Janaki one of its most prestigious awards, the Padma Shri.”
Alongside Ammal, the other Heroines of Horticulture include campaigner Wangari Muta Maathai (1940-2011), who became the first black African woman to be awarded a Nobel Peace Prize in 2004. The Green Belt Movement, which she founded, empowered women to fight deforestation in Kenya, leading to the planting of more than 20 million trees and inspiring the creation of similar projects across Africa.
Also in the group of eight are garden designer Gertrude Jekyll (1843 1932); plantswoman and author Vita Sackville West (1892-1962), who developed Sissinghurst Castle Garden alongside her husband Harold Nicolson; and florist Constance Spry (1886-1960), who was the first “domestic Goddess”, the author of 13 books and was responsible for the flowers at Queen Elizabeth II’s coronation and the famous ‘Coronation Chicken’.
The other three are rose expert Ellen Wilmott (1858 1934); Beth Chatto (1923-2018), who won 10 gold medals at Chelsea; and plant collector and illustrator Marianne North (1830-1890) who painted more than 900 species while travelling solo around the world.
An article in the Chelsea Flower Show Guide 2023 by Louise Curley noted that “through history, women have had to defy repressive societal norms to pursue their passion for plants”.
It says: “Today, women can be found in roles across the industry: nursery owners, garden designers, plant scientists, cut flower growers, food producers, professional gardeners, modern-day plant hunters and garden writers. Once a male-only institution, the RHS had its first female president, landscape designer Elizabeth Banks, from 2010-2013, and the current director-general, Clare Matterson CBE, took over the reins from Sue Biggs last year. However, women are still under-represented, especially in sectors such as arboriculture and landscaping, and there is still a gender pay – and opportunity – gap across the industry.”
Pollyanna Wilkinson, who designed the Heroines of Horticulture display, was quoted as saying: “When I teach garden design, 90 per cent of the students are female, but that doesn’t translate into the number of female designers on Main Avenue at Chelsea. I retrained as a garden designer when I had young children and it can be a wonderful profession if you need to balance work and life commitments. Creating a show garden, however, requires a huge amount of time and is difficult for anyone. If you’re also having to marry that with childcare or any number of other tasks, it’s very hard.”
Nevertheless, Wilkinson “hopes that in highlighting the invaluable contributions of female horticulturists both past and present, more women may be encouraged to pursue a rewarding career with plants in future”.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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