GIPPY GREWAL IS BANKING ON SUCCESS WITH HIS NEW PUNJABI MOVIE
by ASJAD NAZIR
A REMARKABLE career has seen Gippy Grewal balance a massively successful
singing career with an equally amazing acting journey that has seen him star in a string of hit films.
The singing and acting star returns to the big screen this week with Punjabi action-comedy Daaka, which revolves around an ordinary man who plans a heist, but has a much bigger plan.
The trailer and promos for the colourful film have received a positive response in the lead up to the release.
Gippy Grewal seemed confident when Eastern Eye caught up with him to discuss his latest film Daaka, Punjabi cinema, future plans, inspirations and more.
Today, what takes the priority for you; acting or singing?
Acting and singing are equally important. It is the singing that made me whatever I am today, and acting has pushed me to another level. So, I can never choose between them.
Have you been surprised by how successful your acting career has been?
I am completely thrilled. I have never thought that one day I can be at this level.
I am blessed that audiences are appreciating and accepting my efforts.
Who has been the most memorable person you have worked with?
(Director) Baljit Singh Deo has been the most memorable person for me. He is a wonderful human being. Whenever I have tried something different he has always been with me. The tuning we have shared since Mirza-The Untold Story has made us understand each other without uttering a word. Luckily, from my music videos to movies like Manje Bistre, Ardaas Karaan, whenever we worked together, it has been magical.
How do you choose the films you do?
The most important thing is always the script. After that, the director, production and planning, everything plays an imperative role. However, for me, the content is the main hero.
Tell us about your new film Daaka and the character you play?
Daaka has a complete package of comedy, thriller and romance, which is a rare combination, especially in Punjabi movies. Talking of my character Shinda, he loves a girl Laali, but due to some circumstances, he has to plan a daaka (robbery). However, there is a lot more to it than the robbery and the movie will take some other turn, which will be interesting to watch. This character has multiple shades of humour, emotion, happiness and action.
What was the biggest challenge of playing this role?
The most challenging part was playing the masked alter ego. He is a psycho, with a mixture of humour and thrill. To strike a balance between his fear, tension and humour was challenging.
What is your favourite moment in the movie?
The moment from the trailer, the daaka scene is my favourite, especially the ‘Puspa’ dialogue.
Who are you hoping connects with this film?
We always try to make sure that entire families – audience from all age groups – can relate to it.
You must be happy how strong the Punjabi film industry is?
The Punjabi industry is going through its golden period, and the response these films are getting is like a dream. My last film Ardaas Karaan was a huge success, and I am so happy that our films have reached Bollywood.
What are your future hopes for Punjabi cinema?
The future of Punjabi cinema is very bright. For the last five to seven years, films have had huge box office collections, and some have earned over Rs 60 crore. I’m sure our films will soon enter the Rs 100-crore club.
Do you have a dream role?
I want to do hard-core romantic movies, grey shades such as Dr Dang from the movie Karma and Gabbar Singh from Sholay.
What is your master plan?
The only plan, which can lead to success in life, is hard work. Without hard work and God’s blessings, no plan can be translated to success.
What is happening on the musical front?
After Daaka, on the musical front, many projects are in the pipeline. From singles to collaborations, audiences will get a lot of music also.
You have achieved a lot; do you have any unfulfilled ambitions?
I have achieved more than I had expected. However, I’m working hard, and I firmly believe that hard work leads to new opportunities.
Today, what inspires you?
Those who have achieved success due to their hard work and dedication inspires me. When I watch the work of actors such as Aamir Khan, their error-free approach and concepts inspire me a lot. Even the dedication, energy and passion the younger generation have for their craft is something to look up to.
What are your big passions away from work?
I have no such passions; however, when I get time I like to travel, go on vacations, and spend time with family. I like listening to music, creating music, watching movies and making them.
If you could master something new, what would it be?
I will say that I am Jack of many trades, but master of none. However, I would like to be a master in cinematography, editing and everything that is connected to filmmaking.
Why should we watch your latest film?
Daaka, I can say involved a lot of hard work. After Jatt James Bond, we are coming with such a concept. I still get comments such as Jatt James Bond is one of my best works. So, this time we are getting better than the best with a twist of new flavours, and I am sure you will like it.
Why do you love cinema?
I just love cinema – from making films to watching them to even just talking about them. Cinema is my life. God forbid, if I had not been an actor or singer, one thing is for sure, I would have definitely been in this industry, even as a spot boy.
A woman poses with a sign as members of the public queue to enter a council meeting during a protest calling for justice for victims of sexual abuse and grooming gangs, outside the council offices at City Centre on January 20, 2025 in Oldham, England
WAS a national inquiry needed into so-called grooming gangs? Prime minister Sir Keir Starmer did not think so in January, but now accepts Dame Louise Casey’s recommendation to commission one.
The previous Conservative government – having held a seven-year national inquiry into child sexual abuse – started loudly championing a new national inquiry once it lost the power to call one. Casey explains why she changed her mind too after her four-month, rapid audit into actions taken and missed on group-based exploitation and abuse. A headline Casey theme is the ‘shying away’ from race.
The (Alexis) Jay inquiry (in 2014) found ethnicity data too patchy to draw firm conclusions. Casey shows that too little has changed. Ethnicity data on perpetrators is published – but the police fail to collect it in a third of cases. That low priority to ethnicity data collection is a problem across policing – forming an impediment to scrutiny of ethnic disparities of every kind.
In Greater Manchester, Casey reports perpetrators of sexual abuse generally reflect the local population, but with a disproportionate number of Asian perpetrators in group-based offending. There was a misplaced ‘political correctness’ when police forces and councils were responding to group-based abuse by British Pakistani perpetrators. Yet, there was nothing ‘politically correct’ about a sexist, classist culture that did not believe the victims. They were often vulnerable, adolescent girls with a history of living in care or with repeated episodes of going missing – and were seen as wayward teenagers, treated as ‘consenting’ to sex once they had turned thirteen.
Our society was much too slow to act on the abuse of children in every setting. The trigger for the national inquiry into child sexual exploitation was the outpouring of allegations about Jimmy Saville. In every setting, the instinct was more often to cover up rather than to clean up. Care homes failed to protect the most vulnerable. Prestigious public schools put containing reputational damage first. The focus on institutions meant that group-based offending formed only one strand of the national inquiry, without the scale to dig fully into local experiences.
There is a key difference between group-based and individual offending. Groups are a joint enterprise, so depend on a shared rejection of social norms among the perpetrators. It is important to be able to talk confidently about toxic sub-cultures of misogyny and abuse within British Pakistani communities, and to support women from within Asian communities and feminist allies who have been seeking to challenge and change it. So why has it seemed so difficult to say this – and to have taken too long to act upon it?
When writing my book How to be a patriot a couple of years ago, I suggested that one key driver of this misplaced reluctance to discuss cultural factors over this issue reflects a confusion and conflation between ethnicity, faith and culture. If people intuit that talking about cultural factors must mean something like ‘the inherent properties of an ethnic and faith group’, there is a fear that this will inevitability generalise about and stereotype whole groups. Yet, few people would struggle to acknowledge the role of cultural factors in the role of the
Church in twentieth century Ireland. A social norm that saw sex and sexuality as a taboo subject, combined with institutional deference to the church, left children unprotected – until there was significant pressure for change. So ‘cultural factors’ were part of the problem – but that did not mean that all Catholics were child-molesters. The trial in France of 51 men involved in raping one woman similarly illustrates the culture of misogyny in France among a sub-group of men willing to join in a rape gang when invited to do so.
So the irony is that it would perpetuate precisely that kind of ethnic stereotype to fail to police the law so as not to offend the Pakistani Muslim community, by seeming to turn the behaviour of a criminal sub-group into a community characteristic. Failing to address sexual exploitation for fear of extremist exploitation of the issue was always self-defeating. Being able to address the issue is a key foundation for being able to challenge effectively those whose motive is to spread prejudice.
The reviews by Jay and Casey into group-based exploitation in Rotherham had profile and consequences in 2015. The entire council leadership resigned. In most other places, victims went and felt unheard. There was a sound logic that local inquiries were most likely to have the granular focus to deliver accountability – but few areas volunteered to host them. Those that did happen lacked the teeth to compel cooperation.
Casey’s proposed model is essentially for local hearings, backed by statutory national powers. It is a chance to move on from partisan blame games and ensure that the victims of historic abuse are finally heard – rebuilding confidence in policing and prosecuting without fear or favour.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
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THE US president Donald Trump and billionaire businessman Elon Musk went to war on social media.
Geert Wilders brought the Dutch government down after less than a year. Nigel Farage scrambled to hold his Reform team together.
Populism is a potent political force – but this week demonstrated the power of populist politicians to destabilise themselves too.
A Trump-Musk break-up always was more a question of when, than if, given the egos involved. Musk criticised Trump for his large spending bill. Trump threatened retribution against Musk’s companies – knocking a sixth off the Tesla share price. Musk declared Trump would not be president without his money. “Such ingratitude,” he tweeted. Trump acolyte Steve Bannon declared that he wanted to see Musk deported.
Musk is the Citizen Kane of our times. Even having the biggest media megaphone of the age and the highest spending did not guarantee political success. Trump came to see Musk as a political liability, as growing mistrust of the erratic billionaire’s motives offset the power of his money.
Musk is much more toxic in Britain than America. That story can be told in three words – familiarity breeds contempt. Most people had no firm opinion of Musk before he bought Twitter three years ago. YouGov shows disapproval of Musk rocketing from 60 per cent to 70 per cent to 80 per cent over the past year.
Most British Twitter/X users feel he made the platform worse. No other platform did so much to amplify the misinformation and hatred that fuelled the racist riots. Reform voters had been the only pro-Musk segment post-riots, but Musk’s attack on Farage for refusing to embrace Tommy Robinson split the Reform voters against him too.
Twitter/X is a tinderbox – the irresponsibility of its ownership exacerbates the real and present danger it presents during any future flashpoint. Yet Musk’s relationship with Trump was a significant impediment to tackling this. The platform uses its relationship with the Trump administration as a shield, threatening the UK or EU governments if they intervened. The Trump-Musk break-up could offer a new opportunity to at least make the platform uphold its duties to remove unlawful content. It is awash with rape and deportation threats – which the Twitter/X’s broken complaints system usually defends. That is a breach of the platform’s legal duties to provide an equal service to women or to ethnic minorities.
Nigel Farage and Zia Yusuf
The government recently announced its preferred candidate for the EHRC [Equality and Human Rights Commission] chair, Dr Mary-Ann Stephenson, who will now face parliamentary committee hearings. MPs should ask her whether the regulators’ legal powers apply when major platforms breach their duties.
The Washington social media war of words was in stark contrast to how Nigel Farage handled a twitterstorm within the Reform party.
His party chair, Zia Yusuf, declared it “dumb” for the party’s new MP to be asking the prime minister last week to ban the burqa. Yusuf then quit, declaring that trying to make Farage prime minister was no longer a good use of his time.
Farage gave a strikingly unTrumpian response. He empathised with the racism that Yusuf has faced as a Muslim public voice – though attributing much of it to ‘Indian bots’ deflected attention from the racism within the online right.
Farage’s emollience was rewarded. Yusuf declared his resignation was a mistake. He even implausibly claimed he would probably vote to ban the burqa himself. He told the Today programme that Reform would deport 1.2 million illegal migrants – a patently impossible pledge, even if there were that many people without secure legal status. Yusuf moving towards the party’s base might signal an ambition to be a Reform general election candidate.
Farage handled the crisis with skill: reinforcing his rejection of the overtly racist fringe, while hardening the party line on integration. Yusuf was not offered his old job as party chair back. He will volunteer, instead, as chair of a “DOGE” [Department of Government Efficiency] taskforce, named in tribute to Musk.
Reform have talked up Yusuf as having “professionalised” the party from a low base. Yet the DOGE initiative could hardly have begun more unprofessionally. Yusuf declared a ‘gotcha’ moment – claiming to have found Kent County Council spending £87 million a year on recruitment advertising. This was an absurdly false claim. Former Kent County Council leader, Roger Gough, pointed out that Yusuf had simply not understood the document. Kent was raising revenue by hosting a national framework, yet Yusuf had attributed any possible spending across England as profligacy by the council.
Whether his mistake was unwitting or more cynical, it resonated by confirming the biases of Reform’s supporters. How long it takes Yusuf to retract his mistaken Week One headline claim is now a simple good faith test of whether the DOGE process attempts to be at all credible.
Yusuf is presented by Reform as the professional among populists – that may demonstrate just how untested the party’s credentials to provide a potential government still are.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
RANI MAKES RETURNDoctor Who acclaimed actress Archie Panjabi added to her diverse body of work by playing the iconic villain Rani in the recently concluded series of Doctor Who. She reprised the role originally portrayed by Kate O’Mara decades ago. Unfortunately, the series – available on BBC iPlayer – has been plagued by problems and suffered plummeting ratings, largely due to poor storylines. As a result, Archie and fellow cast member Varada Sethu are unlikely to return in future episodes.
Doctor Who
SINDOOR SHOW
Although many interpreted Aishwarya Rai Bachchan wearing sindoor at the recent Cannes Film Festival as a nod to India’s strike on Pakistan, it may have held a more personal meaning. After months of speculation about a possible split from Abhishek Bachchan, the gesture appeared to reaffirm that her marriage remains strong. It followed her recent Instagram post sharing a happy photo with her husband and daughter.
Aishwarya Rai Bachchan
DEY’S LONDON DATE
Brilliant Indian bassist Mohini Dey will deliver one of this summer’s standout concerts at the world-famous Ronnie Scott’s Jazz Club in London on July 9. She has been unstoppable in recent years – releasing an acclaimed self-titled album in 2023 and collaborating with music legends such as Zakir Hussain, Quincy Jones and AR Rahman, as well as touring North America with Willow Smith. The only female bassist in MusicRadar’s Top 10 Bassists of the 21st Century, she promises a unique musical experience.
Mohini Dey
SHIVALI CASTS A SPELL
After being one of the leading lights of devotional music, Shivali launched a bold new chapter in her artistic journey with the sold-out one-woman show Queen of Wands in London last month. This powerful solo performance brought her spoken word album to life through a dynamic blend of music, poetry, storytelling, immersive visuals and diverse themes. The British talent received a standing ovation for the thought-provoking and relatable show. Shivali said: “The experience was sublime, a different kind of feeling. I discovered I’m allegedly a comedian. It was one woman, but I had the backing of a team that rivals Michael Jordan’s Chicago Bulls. We are just starting conversations to take the show forward – and New York might be the first stop. More will be revealed soon.”
Queen of Wands
DISAPPEARING TV DRAMAS
While most people in India can cope with Pakistani celebrity social media accounts disappearing, the inability to watch drama serials from across the border has not gone down as well. The ongoing conflict has led to streaming platforms and YouTube channels blocking access to episodes of hit Pakistani dramas like Kabhi Main Kabhi Tum.
Although tech-savvy viewers have found ways around the restrictions, others are being forced to seek alternative shows to binge-watch.
Kabhi Main Kabhi Tum
DUD-LOOKING HISTORICAL
Riteish Deshmukh has unveiled the first-look poster of his passion project Raja Shivaji, which he is writing, directing, starring in, and releasing in multiple languages.
Unfortunately for him, the historical drama – based on the life of Maratha warrior Chhatrapati Shivaji Maharaj – features a line-up of past their-prime co-stars that audiences no longer seem interested in, including Sanjay Dutt, Abhishek Bachchan, Fardeen Khan, Genelia Deshmukh and Bhagyashree.
Deshmukh’s inexperience as a filmmaker will only add to the challenges Raja Shivaji faces ahead of its scheduled release on May 1, 2026. The only stone-cold certainty is that – like several recent Bollywood films about historical rulers – it will probably distort facts and lean heavily into jingoism.
Raja Shivaj
JINXED KAIF SISTER
After more than a decade of trying – and failing – to find her footing in Bollywood, it may be time for Isabelle Kaif to read the room. Her 2022 film Time To Dance vanished without a trace, and just as she was supposed to get a long-delayed ‘break’ with the clumsily titled Suswagatam Khushamdeed, that too disappeared. A lack of interest led to the film being quietly pulled from a recent cinema release without explanation. Perhaps the producers finally realised they were throwing good money after bad. Being Katrina Kaif’s younger sister might have opened a few doors for Isabelle, but it clearly has not been enough to turn her into a star. It may be time for her to reconsider her career path entirely – whether that means working behind the scenes or stepping away from Hindi cinema altogether. At the very least, she needs to make smarter choices and find better people to advise her.
Suswagatam Khushamdeed
COPYWOOD KHAN
Promotions for Sitare Zameen Par are in full swing ahead of its release on June 20. Lead star and producer Aamir Khan will be hoping Bollywood audiences avoid watching the Spanish original Campeones, which his comedy-drama is a remake of. That 2018 film – along with its 2023 American remake Champions – is available on streaming platforms.
Social media users have already begun drawing comparisons between the original and scenes from the trailer, which could make it harder for June’s big Bollywood release to succeed. This does not bode well for Khan, who has a lot riding on his not-so-original film after two major failures – Thugs of Hindostan and Laal Singh Chaddha.
Sitare Zameen Par
ARIJIT SET FOR STADIUM SHOW.
Tickets are now available for Arijit Singh’s upcoming concert at Tottenham Hotspur Stadium on September 5. This landmark event will be the biggest show ever headlined by a South Asian artist outside India – a testament to the singer’s global appeal.
The unassuming star is looking forward to returning to London. He said: “I’m just an ordinary person who happens to sing, and I’m incredibly humbled that I have the opportunity to share my songs and perform in London again. If that means I make history, then I will be very blessed.
“It makes me happy when the world sings my songs with me, and my London fans are the absolute best.” This milestone adds to Arijit’s remarkable list of achievements, including being the most followed artist on Spotify and featuring on Ed Sheeran’s forthcoming single Sapphire. It also marks a major moment for show organisers TCO Group and Vijay Bhola’s Rock On Music.
Arijit Singh
SNEHA SHANKAR IS JUST SENSATIONAL
I was really impressed with Indian Idol 15 finalist Sneha Shankar after watching her make her UK stage debut. The gifted 19-year-old has incredible versatility – ranging from the raw power of Sufi sensation Jyoti Nooran to the gentle finesse of Bollywood music queen Shreya Ghoshal. Although she did not win the reality TV show, her multi-layered vocals could turn her into a future superstar, if paired with the right songs. It is no surprise she secured a lucrative contract with India’s biggest record label, T-Series. She is destined for greatness.
Sneha Shankar
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Priya Mulji with participants at a Thailand retreat
I turned 43 recently, and it was the best birthday of my life. Special for so many reasons. For the first time since my twenties, I spent my birthday abroad. (In case you were wondering – Phuket, Thailand.)
Last year, I impulsively booked myself onto my friend Urvashi’s mind, body and soul expansion experience. Since then, life has taken some unexpected turns – including being made redundant from my day job – so this trip could not have come at a better time.
Before leaving, I was apprehensive. I had never been to East Asia. Would I like it? Would I get on with the other women? Should I really be going on a two-week trip without a job? What vaccinations would I need? Would the street food give me Delhi belly?
I need not have worried. Within the first day, all my fears melted away. The group of women on the trip were inspiring – each there for her own reasons – and across the week, I connected with them in unique and beautiful ways.
We ranged in age from 37 to 53. Some of us were single, others married with grown-up children. Some were high-flying execs, others unemployed.
But there was no sense of hierarchy – no “I’m better than you.” Just acceptance.
It was a trip of firsts. I got up at 5.30am on my birthday to do a four-kilometre mountain hike to see the Big Buddha. I got in a kayak and floated in the middle of the ocean, despite being a terrible swimmer. I took a Thai cooking class and finally learned how to make some of my favourite dishes.
But the biggest lesson from this impactful trip was this: it is so important to find people who bring good energy, who listen without judgment. Surround yourself with those who offer wisdom and support, not force their opinions on you. Who remind you that you are respected. That you are loved.
For anyone feeling lost, unloved, or unsure of how to navigate life, know that your tribe might be out there, waiting to meet you in the most unexpected of places. I found a new sisterhood in just one week. So take a chance. Step out of your comfort zone. Do something you never imagined doing.
I will leave you with the words of Usha, who was on the trip: “We are all devis in our own way.” I dedicate this column to Jaymini, Leena, Nina, Usha, Iram and Rinku – for helping me in ways they may never fully understand.
And to my darling Urvashi, thank you for bringing us all together. You created magic. You gave me the best birthday gift I could ever have asked for.
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Britain faces challenges in changing attitudes around diversity
IT HAS been five years since the biggest anti-racism protests in a generation – but how far did they have a lasting legacy?
The protests across America after the murder of George Floyd spread to Britain too. There was no central organisation, nor a manifesto of demands, as students and sixth formers took to the streets.
This was the time of the Covid pandemic in which two-thirds of NHS staff who had tragically lost their lives were ethnic minorities. But placards declaring “racism is the real pandemic” risked mixing metaphors to deadly effect. So the Covid context reinforced a generational divide.
The UK protests of 2020 were a cross-ethnic movement primarily of black, Asian and white young people – though there were many older armchair supporters. Indeed, a third of ethnic minority Britons felt they had participated, primarily by voicing online support.
The Black British are four per cent of the population, compared to 13 per cent in America – about a quarter of visible minorities in the UK. Most of the larger British Asian group felt supportive of the anti-racism protests too. Cricketer Azeem Rafiq felt it was why his challenge to racism in Yorkshire cricket finally cut through.
The protests mobilised – and polarised. Online arguments were especially heated, but offline conversations could be more thoughtful. Quite a few people were in listening mode that summer.
Britain is not America was the core point for those critical of the protests – yet I found those who took part often quick to acknowledge that. America’s gun problem gave racism in policing a different intensity of urgent threat. But too much focus on transatlantic differences could underpin complacency about real challenges to face up to in Britain too.
Once the statue of Edward Colston was pulled down in Bristol on June 7, history and statues became a central theme. A year later, ahead of Euro 2021, footballers taking the knee became the symbolic focal point.
Boris Johnson’s government commissioned a review of ethnic disparities, but the Sewell report generated a starkly polarised debate with its optimistic counter-narrative about Britain leading the world.
The argument was about language – what it meant to be ‘institutionally racist’ – with the report’s incremental proposals on issues such as curriculum reform, policing data and online hatred barely discussed.
As the pattern of opportunities and outcomes on race in Britain becomes more complex than ever, the politics seems ever more binary. The Tories chose three more leaders – our first Asian prime minister, who preferred that not to be noticed too much; and the party’s first black British leader, a vocal critic of all things ‘woke’.
In opposition, Sir Keir Starmer declared the protests a ‘defining moment’ and issued an awkward photograph of himself taking the knee in his office alongside his deputy leaders.
Efforts to weaponise that image against him fell rather flat.
Labour pledged a new race equality act but tried to say as little as it could about race. The party had an electoral strategy of taking ethnic minorities for granted – a product of its exclusive geographical focus on the people and places who were not already Labour.
Shedding minority votes on both its left and right flank complicated the party’s nascent thinking about whether or how to respond.
In government, the party was reluctant to draw attention to its legislative pledge. It is now consulting on those measures so quietly that very few people have noticed.
Beyond one strong Starmer passage about last summer’s racist riots at the Labour conference, no leading voice in this government has found an appetite or voice to make a substantial argument about race, opportunity or identity in Britain today.
The anti-racism protests galvanised but polarised. It is the identity politics of Donald Trump which set America’s agenda now – ironically taking affirmative action to absurd lengths, but only for deeply unqualified Trump loyalists. Because Britain is not America, most people would reject emulating the Trump effort to repeal any mention of diversity or inclusion here.
But finding forward momentum is more challenging.
Those suspicious of the sincerity of corporate declarations of support for the Black Lives Matter movement felt vindicated by their flipping as the political weather changed.
UK corporations are often seeking to continue work on inclusion while side-stepping polarised political controversies. National charities lag behind the public and private sector.
That patchy response may explain why one institutional legacy of the protests is the effort of high-profile black Britons, such as Lewis Hamilton, Raheem Sterling and Stormzy, to create their own foundations.
Five years on, the legacy can be hard to discern. The core message of the anti-racism protests in Britain was that the progress we have made on race has not met the rising expectations of the next generation.
It will take more confidence among institutions of political, economic and cultural power about how to act as well as talk about race and inclusion – or those rising expectations risk remaining frustratingly unmet.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.