THIS comedy from British actor turned writer-director Ravi Kapoor has its UK premiere at the Raindance Film Festival on October 29.
It adds to the entertaining low-budget character-driven America set films with south Asian protagonists that have regularly come out across the years. The story revolves around an underachieving rapper, who wants to disrupt his girlfriend’s impending marriage by stealing her wedding diamonds. He gets an unlikely crew of an aspiring actor, a photojournalist, and a scientist trying to get a green card to execute the daring plan of raiding a safe in a giant supermarket.
The cleverly shot comedy set in the Los Angeles suburban Little India neighbourhood has colourful characters that take centre-stage, ahead of the story. The film is reminiscent of cult comedies like Napoleon Dynamite, Slacker and Clerks, while being framed like the Wes Anderson type of cinema.
There is good humour inserted into the wellcrafted characters, including smaller supporting roles, and how they interact with one another forms the bulk of this film’s entertainment. There are great one-liners and interesting set pieces.
What gives this movie extra drive is great performances from the entire cast, with Venk Potula being particularly great as the lead protagonist. Each of the actors gives their role a nice uniqueness.
Ravi Kapoor does a great job of making use of a low budget, by bringing out the best in the setting, dialogues, characters, and the wonderful background score. There was, of course, more scope to turn this into a stronger, more believable story and find out more about the main characters.
But that doesn’t take away from the charm of this surprisingly decent effort, which is well worth catching at the film festival and finding when it eventually releases. It is different from other comedies featuring south Asian characters.
Kylie Jenner’s crashing the party with her first big movie role ever.
Alexander Skarsgård and Rosanna Arquette add heavyweight acting talent.
Plot follows a pop star dealing with fame's intense pressures.
Director Aidan Zamiri’s taking his first swing at a feature film.
Planning for a 2026 release.
Charli XCX is swapping stadium lights for the cinema glow, and everyone’s already buzzing. Her new A24 film, The Moment, just dropped a cast list that has people talking. With Kylie Jenner and Alexander Skarsgård in the cast, this movie looks set to crash right through the usual pop star movie expectations. The promise is a look behind the sparkle, showing the mess, giving us the real underbelly of the music world.
Alexander Skarsgård joins Charli XCX’s star-packed film The Moment with Kylie Jenner Instagram Screengrab/kyliejenner/Getty Images
What’s the plot of The Moment?
It’s Charli playing, well, a pop star, trying to keep her head above water as she is sucked into the vortex of fame and pressure. She’s prepping for her first arena tour, dodging the industry sharks and probably a crisis or three. It’s all a bit meta here. Charli’s been through the whole thing already; the chaos, the lights, the late nights. She’s seen what fame looks like when the glitter fades. It started with Charli tossing out an idea, half-formed, then Aidan Zamiri and Bertie Brandes shaped it into something that actually breathes.
This cast is like someone spun a wheel of celebrities. Kylie Jenner’s making her big acting debut, Skarsgård and Arquette bring that serious actor energy, and then you have comedy geniuses Rachel Sennott and Kate Berlant to stir things up. Add in a squad of models, artists, and Charli’s long-time music partner A. G. Cook, who’s handling the soundtrack, obviously. Huge? That’s an understatement.
Behind the scenes of The Moment with Charli XCX and Kylie Jenner Instagram Screengrab/kyliejenner
When will The Moment be released?
2026 is the target, so we need to wait. They have got time to make it weird, wonderful, or both. Charli’s calling the shots under her Studio365 label, and you can tell. Every part of it seems to carry her touch: the look, the sound, the attitude. It’s a big jump for her, crossing into film like this. Whether it lands as something great or gets people arguing about it, it’s not going to slide by quietly.
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