Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
AN ASIAN migrant who arrived in the UK without speaking a word of English has described her experience of assimilation in an award-winning documentary released last month.
Nages Amirthananthar, 83, features in Fearless, which tells the stories of six women who left their homes as young adults to build new lives in Britain.
In an interview with Eastern Eye, she said, “I still struggle to speak properly when my children or grandchildren talk fast or use difficult words. They are very smart. I understand a lot, and I can read and write, but speaking has always been hard for me. That’s why I never had much confidence. I think if there had been proper English courses when I arrived, it would have helped.”
With her husband RS Amirthananthar
Others who narrate their experiences of migration in the film are Sheila Daniel, Aileen Edwards, Maggie Kelly, Anne Gaché, Nashattar Kang; all are now aged between 80 and 92.
Their stories combine humour and inspiration as they reflect on the courage it took to abandon familiar surroundings and forge fresh beginnings in a foreign country. Amirthananthar moved to Scunthorpe in 1975.
She said, “It was difficult to express how I felt, because everything was so new. I had lived in a village in Hartland, and life in the UK was completely different – everything had changed: the lifestyle, the shopping, all of it.
An old portrait
“My husband [Dr RS Amirthananthar, a GP] came before us on a scholarship. He was very calm and supportive, always guiding me on what to do.”
Their family moved to a small village near Hull and bought their first home there. A few of her husband’s relatives lived in Warrington and Leicester.
Originally from Jaffna in Sri Lanka, Amirthananthar could not understand why some people used the racial slur “P*** “to describe her, since she was from the island nation, and not from Pakistan.
She said, “I was about 31 or 32 years old at the time. I couldn’t manage much on my own in the beginning. I had studied in school, but I didn’t speak English well. I could understand it, but speaking was difficult. My husband encouraged me to learn. I took classes at a local ladies’ school and improved.
With her family
“Our neighbour in Scunthorpe was a lovely white lady. She was very kind, always offering to help. She even helped with laundry. There weren’t any Asian women nearby to support me.”
Amirthananthar recalled how she was initially wary about moving to England due to concerns about the cold climate.
However, her husband persuaded her by arguing that their children would have a better life in the UK. The couple were married for 43 years until her husband’s death 17 years ago.
They have five children (the eldest son is 59) and nine grandchildren.
Amirthananthar said, “English people are very nice. I always liked mixing with them. When I first arrived, I used to go to coffee mornings with the neighbours – mostly English people, because there were very few Asians in the neigbhourhood. We’d take turns hosting, just chatting and spending time together.”
She revealed her cooking skills helped her to “navigate the tough times” and that many people were many fans of her dishes, and that she was encouraged to start her own restaurant.
She said, “I like doing things for others, especially cooking. That’s how I’ve made so many friends. Even now, people send me Christmas cards and photos. Many people asked me to start a restaurant. They said they’d come and help. But my husband didn’t want me to cook for others – only for the family.”
At the time there was little or no government support for migrants in Britain, but Amirthananthar said language classes or training programmes would have made a significant difference, particularly in building confidence among newcomers.
She said, “Many people today already speak the language when they arrive in the UK, which helps. Once they know the language, they can integrate and contribute to society.”
Amirthananthar described her experience of watching Fearless as “very good,” though she admitted to feeling somewhat shy during the screening.
She was particularly caught off guard when asked (in the film) if she had enjoyed herself before marriage. Her response was that she had. “Everyone laughed at that bit, and I was embarrassed,” she recalled.
The experience of seeing her story portrayed in a film came as a shock. “I never thought my story would appear in a film,” she said, adding that women of her generation are not accustomed to seeing themselves represented in this way.
Her naturally open personality meant she answered all questions honestly during filming, though she later wondered whether she had been too candid – especially regarding her admission that she was happier before marriage.
Her children, however, reassured her that honesty was the right approach.
Amirthananthar said she hoped young viewers will understand that love has always been central to her character.
“Calm down, darling. Don’t let your emotions take over,” is advice she regularly gives to her children and grandchildren.
Perhaps this helped her at times when dealing with her late husband’s occasionally short temper. “When you live with love, you must be patient,” she reflected, summarising the philosophy that has guided her life.
She added, “Do your duty properly. Don’t be afraid of anyone. Be honest and calm. Do your best and don’t ignore your responsibilities. That’s what I’ve done my whole life – and I still do.”
She emphasised the importance of selfreliance, adding: “Be honest and work hard. That’s the most important thing. You have to do your best. I don’t like when people claim benefits they don’t deserve. This is our land now – you should work for your living, not rely on others.”
There have been many Hindi cinema projects inspired by Hollywood films, and Sarkar ranks among the finest. The brooding political crime drama, which paid tribute to the epic 1972 gangster film The Godfather, became a gritty, homegrown tale of power, loyalty and justice.
Directed by Ram Gopal Varma and set in Mumbai’s morally murky corridors of influence, the film centred on Subhash Nagre – a man feared, respected and mythologised. Played with majestic restraint by Amitabh Bachchan, the story followed Nagre’s control over the underworld, political power centres and a grey zone where justice was delivered through unofficial means. His sons, the hot-headed Vishnu (Kay Kay Menon) and the more composed Shankar (Abhishek Bachchan) – became central to this tale of betrayal, legacy and redemption.
A still from Sarkar, inspired by 'The Godfather' and rooted in Indian politicsIndia Glitz
Released on July 1, 2005, it marked a turning point in Indian cinema, celebrated for its storytelling, atmospheric visuals and memorable performances. Eastern Eye marks its 20th anniversary with 20 fascinating facts about the film.
1. The main character, Subhash Nagre, was loosely inspired by real-life figures such as Indian politician Bal Thackeray.
2. Unlike most Bollywood remakes of international cinema, Ram Gopal Varma openly acknowledged that Sarkar was heavily inspired by The Godfather.
3. Varma had originally planned to make the same film in the early 1990s, with Sanjay Dutt and Naseeruddin Shah in the lead father and son roles. Dutt’s legal troubles led to the project being shelved.
4. Varma had initially signed Amitabh Bachchan for another film titled Ek, but he scrapped that script and instead focused on making Sarkar with him.
5. Interestingly, the first film Amitabh and Abhishek were supposed to appear in together was their home production Ranveer, co-starring Sanjay Dutt and directed by Rajkumar Santoshi. The project was shelved after its launch.
Sarkar became a landmark gangster film in Indian cinemaIndia Glitz
6. Although Bunty Aur Babli (released in May 2005) marked their first on-screen appearance together, Sarkar was the first project the father and son signed as co-stars. Both actors delivered powerful performances that reflected their on-screen synergy and off-screen bond.
7. The success of Bunty Aur Babli followed by Sarkar marked a major turning point in Abhishek Bachchan’s career. After struggling to establish himself since his 2000 debut Refugee, he went on to win multiple Best Supporting Actor awards and earned wide critical acclaim.
8. Varma was working on Naach simultaneously with Abhishek and declared that he was a better actor than Amitabh. Abhishek appreciated the compliment but responded that no one is better than his father.
9. As this was newcomer Katrina Kaif’s third film, she was still working on her Hindi language skills – resulting in all her dialogues being dubbed by a voice artist. She had earlier debuted with Amitabh in Boom (2003), but had no scenes with him in Sarkar.
The film introduced a uniquely Indian take on the mafia genreRotten Tomatoes
10. Supriya Pathak, who played Amitabh’s wife in the film, had previously acted with him only once – in Shahenshah (1988), where she portrayed a sister figure.
11. This remains the only Ram Gopal Varma film to feature Anupam Kher.
12 . Sarkar broke the Bollywood norm of including traditional song-and-dance numbers. Instead, music was used exclusively in the now-iconic background score, which enhanced the film’s realistic tone.
13 . The haunting ‘Govinda Govinda’ chant, integral to the film’s atmosphere, was originally composed for Varma’s 1994 Telugu film Govinda Govinda. (Amitabh Bachchan had initially questioned its relevance in Sarkar.)
14. Kay Kay Menon revealed that his role in Sarkar gave him confidence and wider recognition. He said, “It marked a turning point in my career, where I felt truly acknowledged for my work and could confidently present myself as an established actor.”
Set in Mumbai, Sarkar portrayed the dark world of parallel justiceRotten Tomatoes
15. The acclaimed film went on to spawn the sequels Sarkar Raj (2008) and Sarkar 3 (2017).
16. A 2014 Telugu remake titled Rowdy was made with veteran actor Mohan Babu and his real-life son Vishnu Manchu in the roles originally played by the Bachchans. Although it received positive reviews, it met with only moderate success.
17. The film is archived at the Academy of Motion Pictures Library.
18. Sarkar is referenced in Ed Glaser’s book How The World Remade Hollywood, which explores international remakes and reinterpretations of iconic American films.
Ram Gopal Varma’s Sarkar marked 20 years of influence and acclaimIMDb
19. Earlier this year, Amitabh revealed that he rewatched Sarkar for the first time since its 2005 premiere and wrote in his blog: “I was absolutely amazed at the quality of the film, its direction, and above all – this is not a father speaking – dazzled by Abhishek’s performance. What restraint, what close-ups, what eye expressions, what presence, what a performance!”
20 .Other Bollywood films loosely inspired by The Godfather include Dharmatma (1975), Aakhri Sanghursh (1986), Dayavan (1988), Zulm Ki Hukumat (1992), Aatank Hi Aatank (1995), Sapoot (1996) and The Power (2021). However, Sarkar arguably remains the most faithful – and finest – adaptation.
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