Who can forget the sizzling chemistry that Karan Singh Grover and Surbhi Jyoti shared in the first season of the successful ZEE TV show Qubool Hai? They stole millions of hearts as Asad Ahmed Khan and Zoya Farooqui respectively.
After a long gap, the duo returns to reprise their roles in Qubool Hai 2.0, a digital spin-off of Qubool Hai. The 10-episode series, which has managed to create a lot of excitement among the loyal fans of the television show, premieres today on March 12 on ZEE5.
Recently, Eastern Eye spoke to Karan Singh Grover over the phone and tried to find out how different is Qubool Hai 2.0 from its predecessor, how was it reuniting with Surbhi Jyoti after so long, the platform which gives him immense satisfaction as an actor, and why television will always remain an important part of his life. Excerpts…
How different is Qubool Hai 2.0 from your successful ZEE TV show Qubool Hai?
It is quite different. Our characters Asad Ahmed Khan and Zoya Farooqui are the same, though. Zoya’s backstory and her family have changed, but her character is the same. My character and my family are the same. It is like the same characters in a different universe. It is a completely different world, I would say. Aside from our characters, there is nothing the same as before. It is a 10-episode series. We will be shooting the third season in the next few months.
In a nutshell, Qubool Hai 2.0 is a very different story – different from the first version of it. This time around, there is a lot of action, suspense, thrill, and romance. Basically, it has everything fans can ask for.
You quit Qubool Hai in 2013. How difficult was it for you to get into the psyche of that character again after a long gap of eight years?
To tell you the truth, I had worked so hard on that character that when I had to reprise it, I did not have to put in as much effort because it was already so well written. But, yeah, I had to learn how to shoot a rifle professionally. That was something I had to train for. Otherwise, I think I lived with that character for more than a year, so it kind of stayed with me.
While it is true that a large segment of the audience has shifted to streaming media platforms over the years, there are millions who still consume entertainment through television. How are they going to tune in to your show?
Very easily. They will tell their family members who consume entertainment of OTT to put it on TV so that they can also watch it. It is very simple. You know, the thing is that they will watch it on any platform. Today, everything is moving to digital space. All the channels have their own digital platforms. Even when I was working on Kasautii Zindagii Kay (2018-2020), the show was also being aired on Hotstar. People who used to prefer television started watching it on Hotstar because they could watch it anytime and they did not have to wait for a particular time. The shift is happening rapidly. And I think it happened a lot last year because of the Coronavirus pandemic.
Where did you shoot Qubool Hai 2.0?
We shot it in Serbia and a few bits of it in Mumbai.
You are one of those actors who has explored all mediums, be it television, films, or the digital space. Where are you satisfied more as an actor?
You are right, I am very, very lucky in many, many ways, especially as an actor. I think what satisfies me is my work and what I portray and what story I am telling. It does not really matter to me what platform I am on. For me, it is important that my heart connects with the hearts of all my audience. If I feel something, I would want them to feel it also. That’s the whole game. Whether they watch it on a digital platform, on television, or in theatres is something that I do not really look into. I just want them to enjoy it.
The government of India has just introduced censorship for digital platforms. Do you feel there is any need to regulate digital content?
I don’t want to say anything about that because whatever I say, I’ll get into trouble. Moreover, there is no right answer to this question, hence I am not fielding it.
What are you watching on digital platforms?
Right now, I am watching Coming 2 America (2021), which is an Eddie Murphy film. Just recently I finished Mirzapur 2 (2020).
Over the period of the Coronavirus-induced lockdown, a significant number of audiences moved to digital platforms. Do you think the trend is going to pose a threat to television and theatres in India?
Digital platforms are a threat to cinema viewing culture only till the time the virus is there and not beyond that. People who go to watch movies are not the people who are hungry for content. They are the people who enjoy the experience of going to the theatre. It is an experience that all film enthusiasts love. I am sure once the Coronavirus is out of our lives, people will start going back to theatres again.
As far as television is concerned, I think it will completely move to digital because every channel has its digital platform already. It allows the audience to watch content at their convenience, at any time. So, people who watch television don’t have to wait for a particular time; they can watch it anytime. They can watch as many times as they want. I feel it is the next phase of entertainment.
You have always kept yourself away from getting into the zone of typical saas-bahu dramas and focused on shows which are youth-centric and appeal to the younger generation. Was it always a conscious decision?
I was always looking for work that I could relate to. Somehow, the makers also did not see me in those types of roles. What would you call them? Typical family dramas. Though in real life I am somebody who does pooja every day and quite follow all the rituals in the household, I did not get into that zone of saas-bahu dramas. I always chose roles I could relate to and people saw me like that also. There was no conscious decision as such to stay away from anything but more of a decision to kind of move towards things that excite me.
With you focusing on films and streaming shows, is television going to take a backseat for you again?
I do not think that I ever left television. It has given me everything. It is a big part of my life. I owe a lot to it. I am always going to be somebody who loves TV, who is a TV person, and who has been an entertainer who started off on television. For a new actor, it is the best training school in the world.
How was it like reuniting with Surbhi Jyoti on Qubool Hai 2.0?
I am very fond of working with her. She is a brilliant actor. She does everything quite naturally. She is full of joy. She is bubbly and fun. She exudes good energy. We have been friends since the Qubool Hai days. Though we were not in touch every day; we kept in touch on and off. It is enjoyable working with her. I hope she says the same good things about me (laughs).
Why should audiences tune into Qubool Hai 2.0?
They should tune in to the show because Asad is there and so is Zoya. It has everything that they liked in the first version. We have also recreated some of the scenes which they loved. I am sure they will like it.
Jury in Sean "Diddy" Combs’ sex trafficking and racketeering trial sends fifth note to judge.
Concern raised about one juror’s ability to follow instructions; judge advises deliberations to continue.
Jurors request transcripts of Cassie Ventura and Daniel Phillip’s testimonies.
Combs faces five charges, including racketeering conspiracy and sex trafficking, and could face life in prison.
Jurors in the high-profile criminal trial of Sean “Diddy” Combs have raised new concerns as deliberations continue, sending a fifth note to the judge questioning whether one juror can follow instructions. The jury also asked to review key testimonies from singer Cassie Ventura and witness Daniel Phillip, signalling the complexity and weight of the decision they face.
Diddy trial jury raises alarm over juror and demands key witness testimoniesGetty Images
Jury seeks witness transcripts in Diddy sex trafficking trial
On the second day of deliberations, the jury asked to review four specific pieces of testimony: three from Combs’ ex-girlfriend Cassie Ventura and one from male stripper Daniel Phillip. The requests relate to critical events, including an incident at the InterContinental Hotel and a Cannes Film Festival encounter.
The defence and prosecution are currently negotiating which parts of these testimonies should be submitted to the jury. Combs, who has denied all charges, remained in court as the latest note was read and legal teams reconvened.
The jury’s focus on testimony details suggests they are carefully weighing evidence linked to the most serious allegations, including coerced sexual encounters allegedly orchestrated by Combs as part of a broader racketeering conspiracy.
Marc Agnifilo, attorney for Sean "Diddy" Combs, arrives at federal courtGetty Images
Concerns over juror raise questions during deliberations
Just hours into the first day of deliberations, the jury sent a note to Judge Arun Subramanian expressing concern that one juror “cannot follow” legal instructions. That juror, reportedly a scientist by profession, had earlier described the trial as a “good break” during voir dire.
Judge Subramanian instructed the jury to continue deliberating, reminding them of their duty to follow court instructions. Legal experts say such internal jury issues can complicate proceedings but are not uncommon in high-stakes trials.
Sean 'Puffy' Combs arrives at Manhattan Supreme Court in 2001Getty Images
If found guilty, Combs could face a minimum of 15 years and up to life in prison. The charges include racketeering, sex trafficking, and transporting women for prostitution. The trial, now in its final phase, has drawn intense public interest and influencer coverage outside the Manhattan courthouse.
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Diljit Dosanjh in a still from Sardaar Ji 3 set for overseas release only
Sardaar Ji 3 rakes in £275,000 (₹3 crore) on opening day in Pakistan, surpassing Sultan.
Diljit Dosanjh responds to backlash: “When we shot the film, everything was fine.”
Film was not released in India due to controversy over Pakistani actress Hania Aamir’s casting.
Worldwide opening weekend collection touches £1.6 million (₹18.1 crore).
The Punjabi-language horror-comedy Sardaar Ji 3, starring Diljit Dosanjh and Pakistani actress Hania Aamir, has become the highest-grossing Indian film ever released in Pakistan. Despite being banned in India, the film grossed £275,000 (₹3 crore) on its opening day and £825,000 (₹9 crore) over the first weekend in Pakistan alone.
The movie was released internationally on 27 June but did not receive clearance in India due to political tensions following the Pahalgam terror attack. Its success across the border has reignited debates around cross-border cultural collaborations and censorship.
Sardaar Ji 3 Pakistan box office collection sets new benchmark
Despite ongoing tensions and a ban on Indian films in Pakistan since 2019, Sardaar Ji 3 was cleared by the Pakistani censor board and released nationwide. The opening day collections broke the previous record held by Salman Khan’s Sultan, which had earned £265,000 (₹2.9 crore) on day one in 2016.
Nadeem Mandviwalla, a leading cinema distributor in Karachi, called it “the best opening for any Indian or Pakistani film in recent years,” adding that school holidays and the lack of quality cinema had contributed to packed halls.
Diljit Dosanjh shared videos of audience reactions from Pakistan on his Instagram, celebrating the overwhelming support while refraining from commenting directly on the boycott in India.
Diljit Dosanjh defends overseas release, says “situation changed after shoot”
The controversy stems from the casting of Hania Aamir, which violated the Indian film workers’ ban on Pakistani artists. Actor Naseeruddin Shah publicly defended Dosanjh, criticising attempts to scapegoat him for political gain.
Speaking in an interview, Dosanjh clarified, “We shot the film in February when everything was fine. After the attack, the producers knew they couldn’t release it in India. They’ve spent a lot on this film, and releasing it overseas is the only way to recover costs.”
Ranbir Kapoor calls Lord Ram the most meaningful role of his career during his final-day speech.
Ramayana: Part 1 shoot wraps after an extensive schedule led by director Nitesh Tiwari.
Ravi Dubey, who plays Lakshman, is seen sharing an emotional hug with Ranbir on set.
The film is set to release in cinemas during Diwali 2026, followed by Part 2 in 2027.
The filming of Ramayana: Part 1, directed by Nitesh Tiwari, has officially come to an end. Ranbir Kapoor, who plays Lord Ram in the ambitious mythological film, delivered a heartfelt speech during the wrap ceremony, calling it the most significant role of his career. A now-viral behind-the-scenes video captures Ranbir hugging his co-star Ravi Dubey, who plays Lakshman, as the cast and crew celebrated the emotional milestone.
Producer Namit Malhotra reveals how AI will make Ramayana resonate globally with native-language realism IMDB/Reddit
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Ranbir Kapoor calls Lord Ram his most meaningful role
In a clip circulating on social media, Ranbir Kapoor can be seen standing before the full cast and crew on the final day of the shoot. Addressing the team, he expressed deep gratitude for being part of what he called a “once-in-a-lifetime” project. “Portraying Lord Ram has been the most meaningful role of my life,” he said, standing beside Ravi Dubey, who portrays Lakshman. Ranbir also thanked co-stars Sai Pallavi, Yash, Sunny Deol, and others, acknowledging their contribution to the massive production.
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Director Nitesh Tiwari also addressed the gathering with an emotional speech, which was met with cheers and applause. Videos from the day show a close-knit crew cutting a cake and capturing candid moments, one of which was Ranbir embracing Ravi in a warm hug.
Ramayana Part 1 set for Diwali 2026 release
With filming now complete, Ramayana: Part 1 is set to enter post-production. The star-studded cast includes Ranbir Kapoor as Ram, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman, Kajal Aggarwal as Mandodari, and Lara Dutta as Kaikeyi. The film is being mounted on a grand scale, with Oscar-winning VFX studio DNEG handling visual effects.
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The first instalment is expected to hit theatres during Diwali 2026, with Part 2 planned for a Diwali 2027 release. An official poster reveal is expected on 3 July, as anticipation builds for what is shaping up to be one of Indian cinema’s most ambitious mythological sagas.
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Ensemble Festival 2025 returns to Royal Docks with bold new outdoor shows
Ensemble Festival 2025 to be held on 26–27 July at Royal Victoria Docks, London.
Free outdoor event featuring circus, dance, street art and physical theatre.
Highlights include new works by Sadiq Ali, Vidya Thirunarayan and Miss High Leg Kick.
This year marks the 10th anniversary of organisers Certain Blacks.
This summer, London’s historic Royal Victoria Docks will transform into a hub of vibrant outdoor performance as Ensemble Festival 2025 returns on 26 and 27 July. Presented by arts organisation Certain Blacks, the free weekend event features an interesting line-up of new circus, dance and street theatre works, while also celebrating a decade of championing diverse and underrepresented artists.
Set across two full days, the Ensemble Festival 2025 programme includes exciting new commissions such as Tell Me by Sadiq Ali Co., a Chinese pole circus piece tackling HIV stigma, and Holy Dirt, a visceral collaboration between director David Glass and Indian artist Vidya Thirunarayan.
Vidya Thirunarayan in Holy Dirt brings myth and ritual into raw physical form The Clay Connection
The festival also sees the return of audience favourite Miss High Leg Kick with Palais de Danse, a multi-sensory throwback to the 1950s dance hall era. Nandita Shankardass’s Roots to Rise brings together Indian classical movement with contemporary dance to explore memory, ancestry and women’s resilience. Other acts range from aerial theatre in Hug by Levantes Dance Theatre to climate-themed installations like Hydropunk by Artizani and Tenderfoot Theatre.
Sadiq Ali's pole performance explores HIV stigma with athletic graceLuke Whitcomb
Certain Blacks marks 10 years of championing diversity
2025 is a milestone year for Certain Blacks, the East London-based organisation behind Ensemble Festival. Known for spotlighting talent from across socio-economic, ethnic, gender and neurodiverse backgrounds, Certain Blacks has become a vital force in the UK arts scene.
Sadiq Ali delivers a daring upside-down act in his powerful show Luke Whitcomb
“Our aim has always been to bring diverse artists from the margins into the mainstream,” said artistic director Clive Lyttle. “This year’s Ensemble Festival reflects that, with a powerful mix of voices and perspectives, many being showcased on this scale for the first time.”
Ensemble Festival forms part of Without Walls, a major UK network that supports ground-breaking outdoor performance. As one of its partners, Certain Blacks plays a key role in shaping new work for public spaces across the country.
Dancers in Nandita Shankardass’s Roots to Rise connect movement with memoryJohn Evans
The festival remains accessible with step-free access and dedicated facilities, and also continues its commitment to sustainability with green practices across production.
TikTok is testing a new one-way messaging feature called bulletin boards.
Jonas Brothers, People magazine, and Paris Saint-Germain among early testers.
The feature mimics Instagram’s broadcast channels but may expand further.
Only creators can post; followers can react with emojis but not comment.
TikTok is trialling a new feature called bulletin boards, allowing select creators and brands to send direct broadcast-style messages to their followers, similar to Instagram’s broadcast channels. The Jonas Brothers, football club Paris Saint-Germain, and People magazine are among the first to test the tool, which shows TikTok’s growing focus on creator-fan intimacy beyond its traditional feed.
TikTok’s new tool mimics Instagram’s broadcast channels
Unlike regular TikTok posts that rely on algorithms or viral reach, bulletin boards aim to offer a more direct communication path. Only the creator can post updates, which may include text, videos, or images, while followers can respond with emoji reactions but cannot comment. The format is clearly inspired by Instagram’s broadcast channels, launched in 2023, where artists and influencers routinely share behind-the-scenes content and personal messages.
The new bulletin system was first spotted by marketing strategist Christina Garnett, who shared screenshots via Threads, showing how fans are invited to follow these boards. Once subscribed, users receive notifications whenever a creator sends out a new update.
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Big-name creators signal broader rollout plans
Early involvement from mainstream acts like the Jonas Brothers indicates TikTok is positioning bulletin boards as a premium tool for high-engagement fanbases. With creators constantly seeking ways to reach audiences without relying on the platform’s unpredictable feed algorithm, the feature could become a valuable line of direct communication.
It is also a clear move in the current trend of social platforms “borrowing” each other’s best features: Instagram mimicked TikTok’s short-form videos with Reels, while TikTok introduced Stories in 2022. Now, it is returning the favour with this broadcast-style tool.
People's Bulletin boardICYMI
The key question remains whether TikTok will differentiate its version with interactive additions like polls, which Instagram already offers. But for now, bulletin boards could offer artists and brands a streamlined way to share announcements, tour updates, and exclusive previews straight to their superfans’ inboxes.