With Dabangg, which hit the marquee in 2010, Salman Khan launched veteran actor Shatrughan Sinha’s daughter Sonakshi Sinha in Bollywood. Nine years after the release of the cop-drama, the superstar is set to provide a grand launchpad to yet another star-kid, Saiee Manjrekar, in the third instalment of the Dabangg franchise.
18-year-old Saiee is the daughter of actors-filmmakers Mahesh Manjrekar and Medha Manjrekar. She says she always wanted to be an actress but had never thought her dream would come true so early. As Dabangg 3 races towards its worldwide release on 20th December, Eastern Eye catches up with Saiee at Mehboob Studio in Mumbai for a freewheeling conversation. In this interview, the debutante opens up about working with Salman Khan, career advices she received from her parents, and the pressure she is feeling ahead of the film’s release. Excerpts…
I hope so. I do believe in destiny a lot. So, I think this is what destiny wanted for me and this is where I am today. I always wanted to be an actor from a very young age. I had decided that this was what I wanted do, because I have seen my parents do it. So more than destiny, I also think it was my wish to become an actor.
How did your father react when he heard that you were doing Dabangg 3?
He was obviously very excited. He said, ‘I was in Dabangg and you are in Dabangg 3 (smiles).’
Who got to know about it first?
My mom got to know about it first. So, my mom was sitting next to me when she got a call saying that it was confirmed that I was doing the film. They had done the screen test before. The conformation call came to her saying I was doing the film. I was sitting a little away from her and then I got to know. My dad was sitting a little more away in the room and then he got to know it too.
How did he react in that particular moment?
He was very, very happy for me. He only told me that now I had to work hard. ‘This has come to you and you have to prove yourself worthy,’ he said.
When you told your father about your decision of pursuing acting as a career, did he ever say that he would not put a word for you in the industry?
No, he never said that. He was always fully supportive of whatever I wanted to do. My mom and dad both were supportive. My mom always used to tell me, from a young age, ‘Whatever you do, be the best at it, give your best at it. Even if you are a cobbler, be the best cobbler.’ This is something that has always stuck with me and which is why I believe in hard work.
But did he ever say that he will never recommend you anywhere and that you will have to do it on your own?
We did not get that chance only. I remember telling my dad and mom at the end of 11th grade, which is this year, that after my 12th grade, I want to take a gap year and try acting. So, both of them said, ‘Okay, you have to work hard. You are going to see a few scripts and see what is happening.’ So, he was seeing a few scripts, which is in March. In April, I got a call from Salman Khan saying that he was considering me for Dabangg 3. He said, ‘You have to start working out, working on your acting. You have to do a screen test.’ I think that is all how it came together.
How was your experience when you shared the screen with Salman Khan for the first time?
I thought I would be intimidated because he is such a big star. He has that whole magnetic aura about him but again Salman Khan on one to one basis is the sweetest person and you can completely be yourself with him. But I think I was very comfortable working with him. I was at ease working with him.
How did Dabangg 3 happen?
So, basically, the character Khushi that I am playing is sweet. I think when they were writing the character, they had me in mind. Whenever they wrote Dabangg 3, I was much younger. But when they finally decided to go on board with it, they thought that since they had written the character keeping me in mind, let’s see how she is looking, how she is doing. They thought I did well, so I am here.
How do you feel about the fact that you are going to start your career with a franchise that is so popular among the audience?
I am very happy that I got to debut on such a big platform and also with such experienced people who I have got so much to learn from. Everyone has given me something to take back home. This whole film obviously is great because it is my debut but it is also great learning experience for me.
Your father has been working for such a long time and knows the industry better than you. Did he warn you of anything?
Since a very young age, my parents have always given me right values. I, as a person, will know my rights and my wrongs. So, I think, they trust me enough to judge that. He gave me tips about filming and movies, of course, but not any warnings.
You have an amazing legacy as both your parents are actors and have done so much of theatre and films. What is it that you gather from their work?
I realised that both of them are very intense in their work, which is something that I wish to do. I am a little young to be there but they are so professional, so focussed in their work and they are very, very hardworking. So, I think, these things make them what they are. And growing up, watching them do all this has been very inspiring.
What are the qualities that you have inherited from them?
I would like to say hard work because that is something that has been told to me from a very young age that without hard work nothing is going to happen.
Getting launched in a big film like Dabangg 3 is another thing, but surviving in Bollywood and facing the cut-throat competition is something totally different. How are you going to deal with that?
I think everybody has their own strengths, their own niche, their own USP. So, everyone capitalizes on that. Everything will fall into place because right now, I think, it is all out because there are so many people, so many young talents. I think if everyone finds their groove, everything will fall into place. And again, as you said, how I am preparing to go after this, I think the audience is king. So, if the audience likes my work, they want to see more of my work. If they don’t then I will have to work harder and make sure they like it.
Lot of Maharashtrian actors started their journey with theatre. Was there any phase where you wanted to try theatre and also try something in Marathi?
I have actually done a film in Marathi, a tiny role in Kaksparsh (2012). I have done theatre for a very long time in school and college. I have had theatre as a subject. I have gone and learned theatre. That was not because I was preparing to become an actor or I was preparing to get launched. That was just because out of pure fun. I used to go and attend these classes, I used to prepare monologues, plays but that was only because it was so much fun and I thoroughly enjoyed it.
Do you feel any pressure ahead of the release of Dabangg 3 as you have a certain legacy to take forward?
More than pressure there is a sense of responsibility that I have to make my mom and dad proud, make Salman sir proud because they have really trusted me a lot. I just want to make them proud, make myself worthy of their trust.
Scarlett Johansson says early roles focused on “desirability” and male-centred narratives
Notes positive shift in how women are portrayed in Hollywood today
Recalls being hypersexualised and typecast as a young actress
Currently stars in The Phoenician Scheme, with Jurassic World Rebirth out on 2 July
Scarlett Johansson has reflected on how Hollywood roles for women have evolved, admitting that early in her career, most of her characters were written to serve male-driven storylines. Speaking in an interview, the actress said the landscape has changed, with more nuanced opportunities for women on screen.
The Black Widow star, who began acting at nine, noted a shift in the kinds of roles she’s being offered now. “When I was younger, a lot of the roles I was offered had their ambitions or arcs revolving around their desirability or the male gaze,” she said. “That is less frequent now; something has shifted.”
Scarlett Johansson opens up about breaking free from early typecastingGetty Images
Johansson says more complex roles are finally being written for women
The 39-year-old actress acknowledged that the film industry is slowly embracing more layered portrayals of women. “The messaging is different now; there are more role models, women in visible and powerful positions, and roles that aren’t just one-note,” she said.
Scarlett has long been vocal about the way she was sexualised early on in her career. In a 2022 interview, she admitted that being objectified in Hollywood made her fear she’d be stuck playing the same type of roles. “I kind of became pigeonholed… I remember thinking, ‘I think people think I’m 40 years old,’” she said.
Johansson reflects on her childhood stardom and evolving careerGetty Images
From child star to filmmaker, Johansson now takes control of the narrative
Having debuted in North (1994), Scarlett went on to star in Lost in Translation, The Horse Whisperer, Ghost World, and the Avengers franchise. Now, she’s not just acting; she’s also directing. Her first feature, Eleanor the Great, premiered at Cannes in May.
From Avengers to auteur Scarlett Johansson embraces creative control Getty Images
Alongside her current role in Wes Anderson’s The Phoenician Scheme, she has Jurassic World Rebirth, which hit theatres on 2 July. After decades in the business, Johansson seems to finally be stepping into a space where she can define her own story, both on and off the screen.
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Flying car mishap forces Beyoncé to pause Houston performance mid-song
Beyoncé stopped her Houston Cowboy Carter show after her suspended Cadillac prop tilted dangerously.
The singer was performing 16 Carriages mid-air when she yelled, “Stop! Stop!” to halt the show.
She was safely lowered to the stage and told fans, “If ever I fall, I know y’all will catch me.”
Parkwood Entertainment confirmed a technical mishap but said the show resumed without injuries.
Beyoncé stopped her Cowboy Carter tour performance in Houston after a mid-air prop began to tilt precariously during the penultimate song. The singer, perched in a suspended red Cadillac high above the crowd, abruptly cut the song 16 Carriages short when the vehicle began to slant.
The dramatic moment unfolded on Saturday night at NRG Stadium, where Beyoncé was performing a sold-out hometown show. The car, typically used as a soaring stage prop, began to tip sideways as she sang, prompting her to clutch a pole for stability and shout, “Stop! Stop, stop, stop!”
Fans gasped as the vehicle leaned further mid-song. Video clips posted online show Beyoncé remaining composed before being slowly lowered to the ground. Once safely back on stage, she smiled at the crowd and said, “If ever I fall, I know y’all will catch me.”
Beyoncé halts Cowboy Carter show after flying car nearly tips over crowd in HoustonGetty Images
Beyoncé’s production company, Parkwood Entertainment, later confirmed the incident was due to a “technical mishap” with the cables holding the Cadillac. “She was quickly lowered, and no one was injured,” the statement read. “The show continued without incident.”
This isn’t the first time Beyoncé has experienced prop malfunctions during a live show. Earlier this year, a robot bartender missed pouring her drink on cue, and during her 2018 On The Run II tour, a broken platform forced her to climb down a ladder while wearing heels.
Beyoncé fans react as ‘Queen B’ keeps cool mid-crisis
Fans quickly took to social media with reactions ranging from concern to humour, many quoting her old on-stage catchphrase: “Somebody’s getting fired.” Others expressed admiration for how calmly she handled the situation, finishing the concert without missing a beat.
The Houston show marked the 23rd stop on Beyoncé’s Cowboy Carter tour, which ends in Las Vegas next month. The three-hour spectacle, featuring country-infused ballads, fan favourites, and her daughters Blue Ivy and Rumi, continues to smash venue records worldwide.
With sharp wit, emotional honesty and a knack for turning personal crises into punchlines, Indian comedian Prashasti Singh is set to make her Edinburgh Fringe debut this August with her acclaimed stand-up show, Divine Feminine. Before taking on the world’s biggest arts festival, she will offer London audiences a sneak peek with previews at Soho Theatre from 23 to 26 July.
Prashasti, known globally for her appearances on Netflix’s Ladies Up, Comedy Premium League and Amazon Prime’s Comicstaan, uses this deeply personal new show to unpack the consequences of chasing a dream that might not have been hers to begin with. Raised in a patriarchal family, she once aspired to become a patriarch herself. Now, inching towards 40 and pretending to be 30, she wonders – was it all worth it?
A blend of silliness, angst, cultural insight and raw emotional truth, Divine Feminine is the Indian funny girl’s boldest, most introspective work yet. As she prepares for Edinburgh, she opens up about the journey, nerves and joy of revealing just a little too much on stage.
How do you reflect on your action-packed comedy journey so far?
Oh, it has been great! A lot of luck and of course some challenges. I stumbled upon stand-up at the verge of 30 while still at my marketing job. The stars aligned in a way that it became my profession before it truly became my passion. The initial years were mostly about getting on stage as much as possible and delivering what was expected of me. I think in the last couple of years, I have finally understood myself as an artist and performer, and with this show, I am at last finding my voice.
How much does the success of Divine Feminine mean to you? I have travelled with this show across India, Europe and Australia and have been overwhelmed by the love it has received. The Hindi version is 1.5 hours long and performing it has given me immense confidence and security as an artist. That is also why I wanted to break out of my comfort zone and write a version of the show in English to reach a more global audience. The process has been very enriching, and I am very curious to see how a more diverse audience will respond.
How much are you looking forward to taking the show to this year’s Edinburgh Fringe? Very, very excited. I have visited the festival a couple of times before and have always wondered how it would feel to be a performer at such a big and vibrant festival. This year I will get to experience that.
What can audiences expect from your show? Some very silly, some very angsty jokes, some cultural, some human insights and a lot of emotional truth.
Do you ever feel like you are revealing too much about yourself on stage? I do feel that I reveal a lot about myself, but I do not think it is a problem. I feel whatever inside me is finding expression in humour is no longer raw or volatile. It has been processed enough internally that I am able to laugh at it, and hence feel safe putting it out in front of people.
How do you feel when you are on stage in front of a live audience? It is always the best part of my day. I feel very good.
Does being at a festival like Edinburgh, with thousands of acts, put pressure on you or motivate you? I think it does both. I have seen some mind-blowing shows at the Fringe in past years, so I want my show to be a respectful offering in this amazing buffet. At the same time, the Fringe is a place where artists and audiences are most open to experiments. So I feel motivated to try new things and take some risks that I would otherwise shy away from.
What is the comedy master plan going forward? There is no master plan. I am working on a very simple philosophy – do work that I enjoy and people enjoy, and then find ways to grow that work and the number of people who enjoy it.
What inspires you creatively? Great work by other artists. The drive for excellence. People who are brave enough to put out their original, twisted thoughts in front of others. That is why being at the Fringe is so exciting.
Who is your comedy hero? Oh, this is a long list. So many people have done such great work before me. It is really very difficult to name just one.
Who is the funniest person you know in real life? One aunt of mine who has had a fairly tough life. She reminds me that humour is a great life skill beyond the stage.
Has being funny ever got you out of trouble? Absolutely never.
Why should we all come and watch Divine Feminine at the Edinburgh Fringe? See, if you have come this far, you are already hooked. Also, if you have ever thought that you could be losing your sanity or femininity, if you have ever felt old or joyless or lonely or not perfect in any way – the show is for you. It is funny, insightful and fairly honest. I am looking forward to seeing you all at the Fringe.
Charli XCX criticised certain fans for attacking her autotuned vocals at Glastonbury 2025.
Called the backlash “the most boring take ever” in a series of posts on X.
Defended her artistic choices, saying divisive art is often the most impactful.
Her Brat set clashed with Neil Young’s headline act, drawing polarising reactions.
Charli XCX has addressed criticism over her use of autotune during her Glastonbury 2025 performance, calling out the ageist tone of comments that questioned her authenticity as a performer. The singer clapped back on X, brushing off the noise as outdated and out of touch.
Charli XCX defends her Glastonbury set, calling autotune criticism outdated and dull BBC
Charli XCX defends Glastonbury set from autotune critics
During her Brat set on the Other Stage, Charli delivered fan favourites like “365” and “Von Dutch” to a roaring crowd. But online, some viewers slammed her use of autotune and lack of a live band. In a sharp response the next day, she posted: “The idea that singing with deliberate autotune makes you a fraud… is like, the most boring take ever. Yawn.”
— (@)
Charli has long been open about using autotune deliberately as an artistic tool. In earlier interviews, she said she intentionally includes “pitchy” moments in her vocals to add texture and imperfection. Responding to the online backlash, she added: “I enjoy the discourse… the best art is divisive and confrontational and often evolves into truly interesting culture.”
— (@)
Brat performance draws strong reactions, both love and hate
Charli’s set, held opposite Neil Young’s headline slot, split Glastonbury attendees and online viewers alike. Despite the criticism, her show was widely praised by critics.
— (@)
Highlights included a cameo from fellow performer Gracie Abrams during the viral “Apple” dance segment. Charli ended her performance drenched in stage rain, sipping white wine, with giant signs declaring “Brat is forever.”
— (@)
After her set, Charli joined her fiancé George Daniel, drummer of The 1975, for an intimate DJ session, keeping the Brat Summer spirit alive.
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Kareena Kapoor gets emotional discussing Saif’s stabbing incident in an interview with Barkha Dutt
Kareena Kapoor has spoken out for the first time about Saif Ali Khan’s stabbing.
Saif was attacked at home in January 2025 during a burglary attempt.
Their sons, Taimur and Jeh, witnessed the violent episode.
Kareena says the family is still coping but trying to move forward together.
Actor Kareena Kapoor has opened up for the first time about the terrifying night her husband, Saif Ali Khan, was stabbed by an intruder at their Mumbai home. In a deeply personal interview with journalist Barkha Dutt, Kareena admitted that the incident left her shaken and sleepless for months, especially with their children, Taimur and Jeh, present during the attack.
The January 2025 break-in at their Bandra residence ended with Saif being stabbed six times. The attacker, later identified as Mohd Shariful Islam Shehzad, entered the flat during a failed burglary attempt and assaulted Saif in four-year-old Jeh’s room. The actor underwent emergency surgery to remove part of the knife lodged near his spine.
Kareena Kapoor says the incident left their children Taimur and Jeh shakenGetty Images
‘I still haven’t come to terms with it,’ says Kareena Kapoor
Kareena described the emotional aftermath of the attack as “something I haven’t fully processed.” She spoke about the trauma of watching a violent act unfold inside their own home, saying, “Seeing someone in your child’s room, that doesn’t leave you. For weeks, I couldn’t sleep.”
She said that such incidents felt “unthinkable in Mumbai,” where celebrity homes are considered secure. “It felt like something that happens elsewhere, not here. But it happened to us,” she said.
‘We’re stronger as a family, but my sons saw too much too soon’
Both of their sons witnessed the stabbing, something Kareena says forced her to balance her own trauma with parenting. “They’ve always lived a very protected life. Then this happened, and suddenly they saw blood, violence… I hope it teaches them resilience, but no child should have to go through that.”
Kareena and Saif are now focusing on healing as a family after the traumatic episodeGetty Images
Jeh, the younger of the two, has found his own way to cope. “He calls his father Batman and Iron Man. That’s how he sees him, like a superhero,” Kareena said, adding that the family has leaned on each other for strength and grown stronger as a unit.