Eight years into his acting career, Ayushmann Khurrana has established himself as one of the most bankable actors of his generation. While many of his contemporaries hanker after bagging big movies helmed by big filmmakers, Khurrana is unstoppably busy starring in small movies and making them big at the box-office, along with drawing critical acclaim from all corners.
Last seen in Maddock Films’ Bala (2019), the National Award-winning actor is currently gearing up for the release of his next film Shubh Mangal Zyada Saavdhan. The movie, set in an Indian small-town, features the talented actor in the role of a man who falls in love with another man.
Ahead of the theatrical release of the comic-caper on 21st February, Easter Eye catches up with Ayushmann Khurrana, who has never been afraid to take risks. In this freewheeling conversation, the actor lets us know what led him to play a homosexual character, whether it was a conscious decision to approach the high-concept film in a humorous way, how he prepared for his part, and much more.
Congratulations on winning the Filmfare Critics' Award for Best Actor (Male) for Article 15 (2019). Do you find validation as an actor when your work is honoured?
Of course, it gives you validation as an actor. The most important part of this validation is that the films for which I have received awards in the past two years were the films which were not written for me. I literally went up to the filmmakers and requested them to cast me in them. So, awards do give me the validation that there should be no shame in asking for work. I am glad that I have received a Filmfare Award for Article 15.
Coming to your upcoming film Shubh Mangal Zyada Saavdhan, we hear that you said yes to it after some incident in a mall?
(Director) Hitesh (Kewalya) had already narrated the story to me and I had said yes to it. After signing the film, I saw two boys kissing in a mall and felt that we are ready for a same-sex love story. That was kind of a reaffirmation of that belief that we are ready for this type of a story. That was it. I was doing the film anyway.
How do you always end up choosing films that strike the right chord with the audience?
The idea is to give something new to people, and I grasp a film as an audience member and not as a star. I will always love to do a film which I would love to watch. It is as simple as that. There are a few actors who take up a project just because they think the public will like it. You need to be that public yourself and only then you can choose which films to do. That is something I follow.
A lot has changed over the years in terms of acceptance of homosexuality in India. Do you think it’s the right time for a film like Shubh Mangal Zyada Saavdhan to come out?
100 percent. We are ready for this. We are absolutely ready for it. It’s not a love story per se between two boys; it’s basically about the reaction of that family when they come to know that their son is gay. We have adopted a very commercial approach to tell this story so that it reaches out to as many people as possible.
Of all the LGBTQI themed films that Bollywood has produced over the years, most of them have been very serious in their approach towards the subject. But Shubh Mangal Zyada Saavdhan seems to be different. Was it a conscious decision to approach this film in a humorous way?
Of course. You know, the thing is that if there is no humour in this film, it will become a parallel film. It will be catering to film festivals or become a documentary of sorts. If you show that film to people, it will only be catering to those people who are standing with the LGBTQI community. It will become a pure multiplex film where you already have people in support of homosexuals. You want to reach out to those people who are against homosexuals. For that, you have to give them humour; you have to give them a commercial texture. We need to penetrate more in B and C centres. People will come to see the film for entertainment but will leave theatres with a message. It is as simple as that.
Did you ever have prejudices against the community while growing up?
Of course, I had. See, we all are going through this journey and we all are evolving every passing moment and year. We are learning new things and getting aware. We all are tying to become better human beings. That is what I believe in.
Why did you decide against treating the subject in a serious or melancholic way?
See, every film has a different grammar and every filmmaker has a different vision to tell a story. If Hitesh had to make a film like Article 15, he would have chosen to tell it in a satirical way. Even I had discussed the same idea with Anubhav sir that let’s make a satirical film because that ensures a wider reach. Of course, Article 15 eventually was a multiplex film. It earned around ₹65 crores at the box-office. Had it been a satirical film, it would have earned maybe ₹100 crores. Humour always draws more audiences. See, the majority of people do a 9 to 5 job and they do not want to consume serious content because their life is already riddled with so many serious issues.
As a I said that every film has a grammar and every filmmaker has a vision, and he follows that while making a film. I want to do more films with Anubhav sir. He has his own sensibility to look at things, which is very different than those of mine. That works for me, because it is like a mould breaking genre for me at the same time. But what I am doing with Hitesh is my staple genre. It is his and Aanand sir’s vision and they are known for family entertainers.
How did you prepare for your role? The kiss with co-star Jitendra Kumar must have been awkward.
I think a kiss is a kiss. That is an expression, an expression of love between two human beings. There is not going to be a different technique for kissing a man. It’s same as kissing a woman. Everyone kisses the same way. As an actor, you need to play a character with complete dedication and honesty. While kissing, it should look like that these two boys are in love. That’s it. Where there is empathy, there is everything.
I read a book called Lie With Me (2017) by Philippe Besson. It is a story of two boys in love. I did not watch any (LGBTQI themed) films. I just read that book and it helps you understand their (LGBTQI people) struggle in everyday life. You will see or feel the person you are in love with the same way, whether you are heterosexual or homosexual. Preparation is to understand them and know them. Observation and empathy – these two are very important things. Try to understand their agony. This is a human right issue that one is not getting to be with the person he or she is in love with. Everyone has the right to live their life the way they want to. Whether someone loves a girl or a boy, how does that bother you?
I went to Patna to promote the film. Somebody there just said that how would one take the family forward if gay marriages are allowed. I know people can adopt, but the problem is that since same-sex marriages are not legalized, how can one go for adoption? But the main point is that how can you change your basic nature just because you want to procreate and take the family chain forward?
Produced by Aanand L Rai and Bhushan Kumar under the banners of Colour Yellow Productions and T-Series Films respectively, Shubh Mangal Zyada Saavdhan releases on 21st February 2020.
Jury in Sean "Diddy" Combs’ sex trafficking and racketeering trial sends fifth note to judge.
Concern raised about one juror’s ability to follow instructions; judge advises deliberations to continue.
Jurors request transcripts of Cassie Ventura and Daniel Phillip’s testimonies.
Combs faces five charges, including racketeering conspiracy and sex trafficking, and could face life in prison.
Jurors in the high-profile criminal trial of Sean “Diddy” Combs have raised new concerns as deliberations continue, sending a fifth note to the judge questioning whether one juror can follow instructions. The jury also asked to review key testimonies from singer Cassie Ventura and witness Daniel Phillip, signalling the complexity and weight of the decision they face.
Diddy trial jury raises alarm over juror and demands key witness testimoniesGetty Images
Jury seeks witness transcripts in Diddy sex trafficking trial
On the second day of deliberations, the jury asked to review four specific pieces of testimony: three from Combs’ ex-girlfriend Cassie Ventura and one from male stripper Daniel Phillip. The requests relate to critical events, including an incident at the InterContinental Hotel and a Cannes Film Festival encounter.
The defence and prosecution are currently negotiating which parts of these testimonies should be submitted to the jury. Combs, who has denied all charges, remained in court as the latest note was read and legal teams reconvened.
The jury’s focus on testimony details suggests they are carefully weighing evidence linked to the most serious allegations, including coerced sexual encounters allegedly orchestrated by Combs as part of a broader racketeering conspiracy.
Marc Agnifilo, attorney for Sean "Diddy" Combs, arrives at federal courtGetty Images
Concerns over juror raise questions during deliberations
Just hours into the first day of deliberations, the jury sent a note to Judge Arun Subramanian expressing concern that one juror “cannot follow” legal instructions. That juror, reportedly a scientist by profession, had earlier described the trial as a “good break” during voir dire.
Judge Subramanian instructed the jury to continue deliberating, reminding them of their duty to follow court instructions. Legal experts say such internal jury issues can complicate proceedings but are not uncommon in high-stakes trials.
Sean 'Puffy' Combs arrives at Manhattan Supreme Court in 2001Getty Images
If found guilty, Combs could face a minimum of 15 years and up to life in prison. The charges include racketeering, sex trafficking, and transporting women for prostitution. The trial, now in its final phase, has drawn intense public interest and influencer coverage outside the Manhattan courthouse.
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Diljit Dosanjh in a still from Sardaar Ji 3 set for overseas release only
Sardaar Ji 3 rakes in £275,000 (₹3 crore) on opening day in Pakistan, surpassing Sultan.
Diljit Dosanjh responds to backlash: “When we shot the film, everything was fine.”
Film was not released in India due to controversy over Pakistani actress Hania Aamir’s casting.
Worldwide opening weekend collection touches £1.6 million (₹18.1 crore).
The Punjabi-language horror-comedy Sardaar Ji 3, starring Diljit Dosanjh and Pakistani actress Hania Aamir, has become the highest-grossing Indian film ever released in Pakistan. Despite being banned in India, the film grossed £275,000 (₹3 crore) on its opening day and £825,000 (₹9 crore) over the first weekend in Pakistan alone.
The movie was released internationally on 27 June but did not receive clearance in India due to political tensions following the Pahalgam terror attack. Its success across the border has reignited debates around cross-border cultural collaborations and censorship.
Sardaar Ji 3 Pakistan box office collection sets new benchmark
Despite ongoing tensions and a ban on Indian films in Pakistan since 2019, Sardaar Ji 3 was cleared by the Pakistani censor board and released nationwide. The opening day collections broke the previous record held by Salman Khan’s Sultan, which had earned £265,000 (₹2.9 crore) on day one in 2016.
Nadeem Mandviwalla, a leading cinema distributor in Karachi, called it “the best opening for any Indian or Pakistani film in recent years,” adding that school holidays and the lack of quality cinema had contributed to packed halls.
Diljit Dosanjh shared videos of audience reactions from Pakistan on his Instagram, celebrating the overwhelming support while refraining from commenting directly on the boycott in India.
Diljit Dosanjh defends overseas release, says “situation changed after shoot”
The controversy stems from the casting of Hania Aamir, which violated the Indian film workers’ ban on Pakistani artists. Actor Naseeruddin Shah publicly defended Dosanjh, criticising attempts to scapegoat him for political gain.
Speaking in an interview, Dosanjh clarified, “We shot the film in February when everything was fine. After the attack, the producers knew they couldn’t release it in India. They’ve spent a lot on this film, and releasing it overseas is the only way to recover costs.”
Ranbir Kapoor calls Lord Ram the most meaningful role of his career during his final-day speech.
Ramayana: Part 1 shoot wraps after an extensive schedule led by director Nitesh Tiwari.
Ravi Dubey, who plays Lakshman, is seen sharing an emotional hug with Ranbir on set.
The film is set to release in cinemas during Diwali 2026, followed by Part 2 in 2027.
The filming of Ramayana: Part 1, directed by Nitesh Tiwari, has officially come to an end. Ranbir Kapoor, who plays Lord Ram in the ambitious mythological film, delivered a heartfelt speech during the wrap ceremony, calling it the most significant role of his career. A now-viral behind-the-scenes video captures Ranbir hugging his co-star Ravi Dubey, who plays Lakshman, as the cast and crew celebrated the emotional milestone.
Producer Namit Malhotra reveals how AI will make Ramayana resonate globally with native-language realism IMDB/Reddit
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Ranbir Kapoor calls Lord Ram his most meaningful role
In a clip circulating on social media, Ranbir Kapoor can be seen standing before the full cast and crew on the final day of the shoot. Addressing the team, he expressed deep gratitude for being part of what he called a “once-in-a-lifetime” project. “Portraying Lord Ram has been the most meaningful role of my life,” he said, standing beside Ravi Dubey, who portrays Lakshman. Ranbir also thanked co-stars Sai Pallavi, Yash, Sunny Deol, and others, acknowledging their contribution to the massive production.
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Director Nitesh Tiwari also addressed the gathering with an emotional speech, which was met with cheers and applause. Videos from the day show a close-knit crew cutting a cake and capturing candid moments, one of which was Ranbir embracing Ravi in a warm hug.
Ramayana Part 1 set for Diwali 2026 release
With filming now complete, Ramayana: Part 1 is set to enter post-production. The star-studded cast includes Ranbir Kapoor as Ram, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman, Kajal Aggarwal as Mandodari, and Lara Dutta as Kaikeyi. The film is being mounted on a grand scale, with Oscar-winning VFX studio DNEG handling visual effects.
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The first instalment is expected to hit theatres during Diwali 2026, with Part 2 planned for a Diwali 2027 release. An official poster reveal is expected on 3 July, as anticipation builds for what is shaping up to be one of Indian cinema’s most ambitious mythological sagas.
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Ensemble Festival 2025 returns to Royal Docks with bold new outdoor shows
Ensemble Festival 2025 to be held on 26–27 July at Royal Victoria Docks, London.
Free outdoor event featuring circus, dance, street art and physical theatre.
Highlights include new works by Sadiq Ali, Vidya Thirunarayan and Miss High Leg Kick.
This year marks the 10th anniversary of organisers Certain Blacks.
This summer, London’s historic Royal Victoria Docks will transform into a hub of vibrant outdoor performance as Ensemble Festival 2025 returns on 26 and 27 July. Presented by arts organisation Certain Blacks, the free weekend event features an interesting line-up of new circus, dance and street theatre works, while also celebrating a decade of championing diverse and underrepresented artists.
Set across two full days, the Ensemble Festival 2025 programme includes exciting new commissions such as Tell Me by Sadiq Ali Co., a Chinese pole circus piece tackling HIV stigma, and Holy Dirt, a visceral collaboration between director David Glass and Indian artist Vidya Thirunarayan.
Vidya Thirunarayan in Holy Dirt brings myth and ritual into raw physical form The Clay Connection
The festival also sees the return of audience favourite Miss High Leg Kick with Palais de Danse, a multi-sensory throwback to the 1950s dance hall era. Nandita Shankardass’s Roots to Rise brings together Indian classical movement with contemporary dance to explore memory, ancestry and women’s resilience. Other acts range from aerial theatre in Hug by Levantes Dance Theatre to climate-themed installations like Hydropunk by Artizani and Tenderfoot Theatre.
Sadiq Ali's pole performance explores HIV stigma with athletic graceLuke Whitcomb
Certain Blacks marks 10 years of championing diversity
2025 is a milestone year for Certain Blacks, the East London-based organisation behind Ensemble Festival. Known for spotlighting talent from across socio-economic, ethnic, gender and neurodiverse backgrounds, Certain Blacks has become a vital force in the UK arts scene.
Sadiq Ali delivers a daring upside-down act in his powerful show Luke Whitcomb
“Our aim has always been to bring diverse artists from the margins into the mainstream,” said artistic director Clive Lyttle. “This year’s Ensemble Festival reflects that, with a powerful mix of voices and perspectives, many being showcased on this scale for the first time.”
Ensemble Festival forms part of Without Walls, a major UK network that supports ground-breaking outdoor performance. As one of its partners, Certain Blacks plays a key role in shaping new work for public spaces across the country.
Dancers in Nandita Shankardass’s Roots to Rise connect movement with memoryJohn Evans
The festival remains accessible with step-free access and dedicated facilities, and also continues its commitment to sustainability with green practices across production.
TikTok is testing a new one-way messaging feature called bulletin boards.
Jonas Brothers, People magazine, and Paris Saint-Germain among early testers.
The feature mimics Instagram’s broadcast channels but may expand further.
Only creators can post; followers can react with emojis but not comment.
TikTok is trialling a new feature called bulletin boards, allowing select creators and brands to send direct broadcast-style messages to their followers, similar to Instagram’s broadcast channels. The Jonas Brothers, football club Paris Saint-Germain, and People magazine are among the first to test the tool, which shows TikTok’s growing focus on creator-fan intimacy beyond its traditional feed.
TikTok’s new tool mimics Instagram’s broadcast channels
Unlike regular TikTok posts that rely on algorithms or viral reach, bulletin boards aim to offer a more direct communication path. Only the creator can post updates, which may include text, videos, or images, while followers can respond with emoji reactions but cannot comment. The format is clearly inspired by Instagram’s broadcast channels, launched in 2023, where artists and influencers routinely share behind-the-scenes content and personal messages.
The new bulletin system was first spotted by marketing strategist Christina Garnett, who shared screenshots via Threads, showing how fans are invited to follow these boards. Once subscribed, users receive notifications whenever a creator sends out a new update.
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Big-name creators signal broader rollout plans
Early involvement from mainstream acts like the Jonas Brothers indicates TikTok is positioning bulletin boards as a premium tool for high-engagement fanbases. With creators constantly seeking ways to reach audiences without relying on the platform’s unpredictable feed algorithm, the feature could become a valuable line of direct communication.
It is also a clear move in the current trend of social platforms “borrowing” each other’s best features: Instagram mimicked TikTok’s short-form videos with Reels, while TikTok introduced Stories in 2022. Now, it is returning the favour with this broadcast-style tool.
People's Bulletin boardICYMI
The key question remains whether TikTok will differentiate its version with interactive additions like polls, which Instagram already offers. But for now, bulletin boards could offer artists and brands a streamlined way to share announcements, tour updates, and exclusive previews straight to their superfans’ inboxes.