Fala Chen was already on top of her game when she left her successful TV career in Hong Kong for Juilliard. When she returned to America with renewed energy and enthusiasm, she was flooded with several powerful roles.
Chen is currently in news for playing the central character of Jiang Li in the high-profile American superhero film Shang-Chi and the Legend of the Ten Rings. What makes the project even more special is the fact that it’s Marvel Studios’ first film with a predominantly Asian cast.
In an exclusive interview with Eastern Eye, Chen talks in detail about the film, the character she essays, what she really appreciates about the film, and much more. The actress also opens up about how becoming a mother in real life helped her play a mother on reel-life.
You are part of Marvel’s first film with Asian-American leads in the majority. Does it hold a huge significance for you?
Of course, it means the world to me to be part of this film. And I think this film will be ground-breaking in many ways not only in the Marvel Universe but as a global blockbuster. I feel, hopefully, this film will influence not only the current but the whole next generation of kids growing up. Having their own superheroes who look like them is great. Also, this is a very entertaining film. So, I hope people will have fun while watching this film.
It’s so nice to see such strong female characters in the film. Is that something you enjoyed yourself and appreciate about the film?
What I especially appreciate about this film is the way Destin (Daniel Cretton) wrote and directed it. I think Destin intentionally wanted to create characters who are not just stereotyped, you know, mystic or sexy Asian women on screen. But also, he did not want to portray just one aspect of each character. So, there are always these complexities, these juxtapositions within characters’ relationships, to give humanity to each character.
As for my character, even though she is super strong, we also wanted to see the light-hearted, nurturing, loving side of her. And I really loved that about my character. She does not only have superpowers – she can fight, she can fly in the air – but she can also tell bedtime stories to her children.
Why do you think your character’s presence is so powerful in the film?
Because she is like any other mother in any family. The mother is always the center, the core of the family. She binds everyone together. Just like my mother. Whenever we have any decision that we want to make, we always ask my mother, we are always like, “We cannot make this decision without mom. Let’s wait mom to get home.” So, I honestly think this story also serves the same purpose. She is the creator of this family but, at the same time – I almost felt it when I was playing her or when I was reading the script – she knows a lot not only about the past but also about the future. She can plan if something is going to happen in some ways.
Also, she is very confident, reserved, and certain about her own fate that she never, you know, got upset or angry or worried about anything. She is always very calm and centered. So, yeah, that’s why everybody in the story loves her, admires her. And I hope the audience will do the same.
You welcomed your daughter in February earlier this year. Do you think now you can relate to your character in the film a little more because of your own motherhood?
Yeah, of course! You can always imagine what being a mother feels like, but once you really experience it for yourself, you realise it is very different than what you imagined. When I was playing a mother in this film, I only had to rely on research, and the young actors to give me ideas. Now, being a mother, I feel like it is my own individual experience. Even though I understand being a mother much more now, at the same time, I feel every family is different, every motherhood is individual, it is different. I am glad I had a practice round in the film first. Not the other way around that, “Oh, I already have a daughter. I know what being a mother is like so I know how to play it.” It is actually great to discover that with these young actors, with those kids, to have a very unique experience Li as the mother, whereas, in my own life, it is a different circumstance, very different experience. I am glad I got to do both (laughs).
You are already an established actress in the Asian film industry, but this is your first Hollywood film. So, how do you think this film has changed or going to change your life?
I do not know. I feel like I am always not thinking too much ahead. I always take things as they come. So, I have no idea what the future will hold. But I am just going to take one project at a time and really enjoy different opportunities that come my way because I really love my job. What I like most about it is that it is very different every time. You are collaborating with a different group of people, even if you work together again. If we work together, it will be a different time, a different story. So, everything will be different again. I am really excited to see what the future holds.
I am currently filming a TV series in France. So, the crew is totally different – it’s very French. The director is French. I am really enjoying this TV series I am currently filming as well.
You came to know about your casting in the film while you were on your honeymoon in Antarctica. It must have been a pretty surreal experience?
Yeah, it was actually around Christmas, so it was like an early Christmas gift to me. My husband and I celebrated it together. We literally could not tell anyone. Maybe that’s why Marvel told me this when I was in Antarctica. They knew I had no cell reception so that, you know, I could keep the secret because I was literally not able to tell my family, my parents or anyone. I had to keep the secret for the longest time. And then I directed went into training. So, yeah, it’s the best surprise that I have ever received.
With Kingdom set to release on 4 July, anticipation is soaring as fans gear up to witness Vijay Deverakonda in a never-seen-before action avatar. Gone are the days of brooding romance, this time the young heartthrob steps into the shoes of a fierce warrior navigating a war-torn world, blending raw emotion with brute strength. The audience is bracing for high-intensity combat, epic battle sequences, and a performance that redefines Vijay as a full-blown action star. Kingdom isn’t just a film, it’s a bold new chapter in his cinematic journey. Ahead of the release of the much-anticipated film, here are five reasons why Vijay Deverakonda is the ultimate action hero we’ve been waiting for.
Vijay Deverakonda steps away from romance and into full throttle action
1. From romantic rebel to battle-hardened hero
Fan-favourite performances in Arjun Reddy (2017) and Dear Comrade (2019) showcased Vijay’s raw vulnerability and brooding intensity. However, over the past few years, he’s been quietly honing stunt skills and fight choreography, preparing for a seismic shift into high-octane storytelling.
2. Sculpted physique & rigorous training
Under the guidance of top trainers, Vijay has added lean muscle and explosive agility, perfect for hand-to-hand combat sequences. Reports confirm he’s performed many of his own stunts, training in mixed martial arts, parkour, and weapon handling to bring authenticity to every punch and leap.
The actor showcases raw intensity in a war torn cinematic world
3. Kingdom: the 4 July game-changer
Set in a fictional kingdom besieged by rival factions, the film follows Vijay’s character, a battle-scarred warrior fighting for survival and justice. Directed by acclaimed filmmaker Gowtam Tinnanuri, Kingdom promises jaw-dropping set pieces, large-scale warscapes, and a hero who bleeds for his cause. This isn’t just another star vehicle, it’s Vijay’s statement that he’s ready to headline blockbuster action franchises.
4. A line-up of high-voltage projects
Deverakonda’s tentatively titled SVC59 is rumoured to blend espionage thrills with high-speed chases, with Vijay playing an undercover agent tasked with stopping a global cyber-threat. On the other hand, his VD14 is tipped as a gritty, street-level thriller; this film explores the underbelly of organised crime in South India, Vijay as a lone wolf vigilante.
Fans await Vijay Deverakonda’s next chapter as an action hero
Industry insiders say Vijay is mapping out a five-film arc that transitions him fully into action-hero territory, complete with recurring characters and interconnected storylines.
5. Beyond the screen: the man behind the muscles
Born 9 May 1989, in Hyderabad, Vijay made his feature debut in the rom-com Nuvvila (2011) before rising to pan-Indian fame. Apart from being a successful actor, he is also a philanthropist who launched The Deverakonda Foundation, a non-profit organisation, in April 2019.
Vijay Deverakonda is ready to take 2025 by storm with bold new roles
He has multiple Filmfare South Awards, including Best Actor for Arjun Reddy, plus Forbes India’s Celebrity 100 list inclusion in 2023, where he was estimated to have earned around £740,000 (₹7.75 crore).
Whether you first fell for him as the tortured lover or admired his off-screen generosity, 2025 is the year Vijay Deverakonda cements himself as the action superstar we’ve all been waiting for. Buckle up because the ride’s about to get explosive!
Karan Johar has never shied away from speaking up for people he cares about. And when it comes to Alia Bhatt, his response to the constant “nepo kid” jibes is simple: enough already!
In a recent interview, the filmmaker did not mince words when addressing the criticism Alia continues to face because of her family background. "Watch Highway, Udta Punjab, Raazi, Gangubai,” he said. “If you still think she hasn’t earned her place, then that’s just ignorant."
Karan Johar says he is proud of Alia Bhatt and questions nepotism double standardsGetty Images
Alia made her debut in Johar’s Student of the Year back in 2012. Since then, she’s starred in a wide range of roles, often earning praise from critics and audiences alike. But for some, the tag of ‘nepotism’ has stuck, and that is something Karan finds deeply frustrating.
He’s aware of the reputation his production house, Dharma, has when it comes to launching star kids. His latest project Nadaaniyan, which featured Saif Ali Khan’s son Ibrahim and Sridevi’s daughter Khushi Kapoor, was met with harsh reviews. Karan thinks the backlash was less about the film and more about who was in it. “It’s become trendy to hate films that have star kids in them. People know they’ll get attention for it,” he said.
Karan Johar breaks silence on Alia Bhatt nepotism debate and calls out criticsGetty Images
Karan also pointed out that his company has backed several projects with newcomers and talent from outside the industry, like filmmaker Neeraj Ghaywan. But these efforts are often ignored. “People don’t see the full picture,” he said. “They just want to pile on.”
The criticism stings even more when it involves Alia. Karan has openly called her the first person he’s ever felt protective of, like a daughter. He’s not interested in pretending otherwise. “Why should I tone it down for the sake of appearances?” he asked. “I love her, and I’m proud of her work.”
Karan Johar calls Alia Bhatt the first person he’s ever felt protective ofGetty Images
He’s aware that his name often comes up in debates about nepotism, sometimes even on podcasts by people he’s never met. “It’s bizarre,” he said. “Random people talking about me like they know me. I’m fine being the villain if that’s what it takes, but let’s at least talk with some honesty.”
For Karan, the problem isn’t people raising questions. It’s the refusal to accept talent when it’s clearly visible.
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Nitanshi Goel makes confident Cannes 2025 debut in black and gold gown combining classic style with today’s fashion
Seventeen-year-old Nitanshi Goel, best known as Phool Kumari from Laapataa Ladies, made a powerful first impression on the global stage at the Cannes Film Festival 2025. On Day 3 of the event, she confidently walked the red carpet wearing a striking black-and-gold gown, custom-designed by Jade by Monica and Karishma.
The gown, built on sheer black tulle, was detailed with Kasab embroidery and fine macramé, reflecting traditional Indian techniques. The silhouette was daring, with a sculpted hip design that echoed 18th-century European art but was reimagined with a modern edge. The structured bodice and long train gave the look both drama and grace. Nitanshi kept her styling simple with her hair pulled into a sleek ponytail, subtle makeup, and minimalist jewellery from CaratLane, letting the outfit speak for itself.
Nitanshi Goel stuns on Cannes 2025 red carpet in black and gold gown blending classic and modern style Instagram/nitanshigoelofficial
What stood out beyond the glamour was her intention. Her stylist duo, Shrey Vaishnav and Urja Amin, helped create a look that represented strength without overpowering her youth. Designer Monica Shah described the concept as "spring florals under moonlight," capturing both softness and sparkle. The result was a mix of tradition, youth, and quiet power.
Nitanshi Goel makes a stylish Cannes 2025 debut wearing a black and gold gown with modern flairInstagram/nitanshigoelofficial
Nitanshi’s presence at Cannes wasn’t limited to the red carpet. For the India Pavilion inauguration, she paid tribute to legendary Bollywood actresses with a thoughtful nod to history. Wearing a pre-draped ivory sari, she styled her hair with pearl strands featuring miniature portraits of icons like Madhubala, Rekha, and Sridevi as a touching homage to the women who paved the way.
Speaking about her Cannes debut, Nitanshi said, “I came into this industry with dreams. From Laapataa Ladies to Cannes, this is my way of showing that young Indian girls with big dreams can make it. I hope to be the voice for every girl who wants to take charge of her life and career.”
Nitanshi Goel makes confident Cannes 2025 debut in black and gold gown that blends old and new stylesInstagram/nitanshigoelofficial
While veterans like Anupam Kher and honourees such as Jacqueline Fernandez also made headlines on Day 3, Nitanshi stood out by being fresh, fearless, and focused. Her appearance wasn’t just about a gown or a photoshoot, but about showing the world a new face of Indian cinema: young, ambitious, and ready for the world!
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Tarantino reveals the Kubrick classic that inspired his first film
Before Quentin Tarantino became a household name with Reservoir Dogs, he was just another movie buff absorbing everything he could from his favourite directors. One name that stood out to him early on was Stanley Kubrick, especially for his lesser-known 1956 film The Killing, a movie that left a deeper mark on Tarantino’s debut than most fans realise.
Kubrick’s The Killing wasn’t a major blockbuster in its time, but it marked a shift in how crime stories were told. Adapted from Lionel White’s novel Clean Break, the film follows a racetrack heist through a fractured timeline, showing the same event from multiple angles. It wasn’t just about what happened, but how it was told. That structure, jumping back and forth in time, switching viewpoints, was rare in Hollywood then and made the story feel more intense and unpredictable.
When Reservoir Dogs came out in 1992, it felt like something fresh: strong dialogue, tension-filled scenes, and a plot that never actually shows the heist it’s centred around. But behind the style was a familiar structure. Like The Killing, Reservoir Dogs plays with time, shows events from different perspectives, and leans on the characters' personal motives to drive tension.
Tarantino has openly admitted the influence. “I didn’t try to copy The Killing, but I saw Reservoir Dogs as my version of that kind of film,” he told The Seattle Times. At the Cannes premiere of Reservoir Dogs, he even called The Killing his favourite heist film.
Both films avoid slick action in favour of character-driven suspense. Kubrick’s crew in The Killing are flawed and desperate, and their downfall feels inevitable. Tarantino’s gang is no different; paranoia, betrayal, and ego tear them apart.
Kubrick’s use of non-linear storytelling didn’t just shape one movie; it laid a foundation. Tarantino used that structure not only in Reservoir Dogs but continued it in Pulp Fiction and beyond. And in doing so, he helped bring that old-school Kubrick trick into modern indie cinema.
Tarantino may have built his own path, but The Killing was the map he started with. It certainly inspired him, but more than that, it helped him find his rhythm as a filmmaker.
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Paresh Rawal made a murky admission that left fans speechless
Some celebrity confessions make you love them more. Others make you reconsider watching their films during dinner. The latter was the case recently when veteran actor Paresh Rawal made a murky admission that left fans speechless.
Known for his impeccable comic timing and thunderous screen presence, the much-respected star undid decades of admiration by revealing that he willingly drank his own urine for a prolonged period – and is proud of it.
Yes, you read that right. This was not a survival hack or an unfortunate accident. Rawal said he followed the practice for weeks. The revelation came while recounting a serious knee injury he sustained during the filming of Ghatak. According to the actor, late action director Veeru Devgan recommended he drink the first urine of the day upon waking – something he claimed all fighters did for quicker healing. Taking the advice of Ajay Devgn’s father, Rawal followed through for 15 days, sipping it like “an enjoyable alcoholic beverage”. Rather than question whether the injury was truly serious, he insisted it miraculously helped – and said it “worked like magic”. That prompted some to speculate he might have continued the habit ever since.
While honesty is usually admirable, this is perhaps one revelation that should have remained buried, like a naughty person’s internet browser history. Social media users wasted no time unleashing a storm of memes, jokes and mockery. One user even suggested that the forthcoming Phir Hera Pheri sequel should be retitled Pee Hera Pheri.
Medical experts were quick to refute any health benefits. Doctors urged people not to follow Rawal’s example, warning that urine contains waste products and could cause infections rather than healing. They advised sticking to prescribed medication instead of unconventional – and unsanitary – practices.
Unbelievably, Rawal is not alone in this. Akshay Kumar once claimed to be drinking cow urine daily. During the Covid pandemic, certain right-wing politicians promoted similar ideas, suggesting cow urine could cure coronavirus. (Other stars may have disturbing remedies of their own – thankfully, they have kept them hidden.)
Perhaps Rawal thought he was sharing a quirky tale from his early days that would boost fan admiration. But now, many might never look at him the same way. The next time he delivers a line, including fellow cast members, some might wonder, “did he gargle before this take?” (If you are finding this out for the first time, apologies. Spare a thought for those who have had to kiss him.)
The entire episode is a reminder: celebrities should think twice before making dark confessions like this.
Also, while Ajay Devgn is known for his mischievous pranks dating back to the early ’90s, one has to ask – did his strict father Veeru pull off the ultimate one with this bizarre suggestion? (And just in case it needs repeating – the NHS absolutely does not, under any circumstances, recommend drinking your own wee.)