British singer Ed Sheeran is shifting lanes musically. Known for his emotional ballads and acoustic pop, Sheeran has taken a bold turn into rock territory with Drive, a gritty new single written for Brad Pitt’s upcoming Formula One film, F1. The track, released ahead of the film’s 27 June global premiere, shows the singer ditching his usual gentle strumming for loud guitar riffs, pounding drums, and full-throttle energy.
A rock track built for speed and the screen
Sheeran shared that he was invited to write a song for the film and immediately knew he wanted it to feel like a proper “driving song”, something loud, intense, and worthy of the speed and thrill of Formula One. He teamed up with guitarist John Mayer and producer Blake Slatkin to bring that vision to life. The result? A track with Foo Fighters’ Dave Grohl on drums, Pino Palladino on bass, and Rami Jaffee on keys. It’s an all-star crew of rock musicians who helped Sheeran hit the accelerator.
In a behind-the-scenes post, Sheeran said working on Drive reminded him of his earlier soundtrack work, particularly I See Fire for The Hobbit. But this time, he said, the stakes felt different. “This felt like the dream setup,” he wrote. “I love film and art, and to create something tailor-made for a big action scene in a racing film is just special.”
Sheeran joins a stacked soundtrack for F1
Drive will be featured on F1: The Album, which drops alongside the film. Overseen by Atlantic Records’ West Coast president Kevin Weaver, known for producing soundtracks like Barbie: The Album and The Greatest Showman, the album also includes songs by Doja Cat, Burna Boy, RAYE, and Rosé from BLACKPINK.
The film stars Brad Pitt as Sonny Hayes, a former racing champ pulled out of retirement to mentor rising star Joshua Pearce, played by Damson Idris. Directed by Top Gun: Maverick’s Joseph Kosinski and produced by Jerry Bruckheimer with F1 legend Lewis Hamilton, the film promises high-speed drama and big-screen spectacle.
With Drive, Ed Sheeran has stepped far out of his comfort zone and into the driver’s seat of something unexpected and loud. The track is now streaming, and the countdown to F1 begins.
Dua Lipa is heading home. For the first time in her career, the chart-topping pop star will headline Wembley Stadium in London this weekend, and fans are buzzing with anticipation. The two-night stop is part of her Radical Optimism world tour, which kicked off in Asia and will continue through the end of 2025. Here’s everything you need to know before heading to one of the capital’s biggest gigs this summer.
When, where, and what to expect from Dua’s Radical Optimism shows
Dua performs at Wembley Stadium on Friday, 20 June and Saturday, 21 June. Doors open at 5pm, support acts start from 6pm, and Dua is expected on stage by 8.15pm. Each show wraps up by 10.30pm.
The pop superstar is expected to perform a 22-track setlist, including hits like Levitating, Don’t Start Now, Dance the Night, and New Rules, alongside tracks from her latest album, Radical Optimism. Recent shows have also ended with a taped outro of Whitney Houston’s I Wanna Dance with Somebody, keeping the energy high as fans exit.
Support acts for both nights include Dove Cameron and Alessi Rose. However, there’s speculation that RAYE and Charli XCX might also make surprise appearances for Dua’s hometown concert.
For those interested in merch, you can shop at the stadium or drop by the official pop-up shop in Shoreditch from 19 to 22 June (11am–6pm).
Dua Lipa on stage performing hitsGetty Images
Tickets, banned items, and travel advice
Tickets are still available through resale platforms like Viagogo, StubHub, and Ticketmaster. Prices range from £55.20 (₹5,800) for resale general admission to £549 (₹57,600) for the official ‘Dua Lipa Gold’ hospitality package. Fans should be cautious, though, since resale tickets might not be valid if the original terms don’t allow transfer. Always check with the original ticket provider.
Wembley has a strict bag policy of only one bag per person, no larger than A4. Also banned are alcohol, large umbrellas, glass bottles, perfume, selfie sticks, and professional cameras. Security checks are mandatory at entry.
When it comes to travel, Wembley Stadium is served by three stations, including Wembley Park (Metropolitan and Jubilee lines), Wembley Stadium (Chiltern Railways), and Wembley Central (Overground and Bakerloo). Check TfL’s website for updates, especially for planned closures or delays over the weekend.
Whether you’re a long-time fan or just love a good stadium show, this is set to be a memorable event in London’s live music calendar.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Jay Sean is confirmed as the headline act for Middlesbrough Mela 2025
Chart-topping singer Jay Sean has been announced as the headline performer for this year’s Middlesbrough Mela, and he’s set to bring the party after dark. In a historic first, the 2025 edition of the UK’s longest-running multicultural festival will introduce a Saturday evening concert headlined by the Down hitmaker, marking a major moment in the Mela’s 35-year legacy.
The festival, which takes place on 16 and 17 August at Middlesbrough’s Albert Park, expects over 50,000 visitors across the weekend. But all eyes will be on Saturday night, when the park transforms into a concert-style arena from 6pm onwards, with Jay Sean taking the stage in a ticketed evening slot curated by BBC Asian Network presenters.
Fans are expected to travel nationwide for Jay Sean’s UK exclusive performance
South Asian trailblazer returns to UK stage
Jay Sean, widely regarded as one of the most successful British Asian artists of all time, made history by becoming the first South Asian artist to top the US Billboard Hot 100. His chart dominance in both the UK and US in the late 2000s helped redefine South Asian representation in mainstream pop.
In 2024, he launched his own record label, 3AM Entertainment, under Virgin Music Group to champion emerging South Asian talent. Now, his return to UK stages for this exclusive Middlesbrough Mela performance has created major buzz, with organisers expecting fans to travel from all corners of the country.
The 35th edition of Middlesbrough Mela promises music food and cultural festivities
Festival Director Kash Patel called Jay Sean’s appearance “a game-changer” and said it reflects the energy and cultural pride that the Mela has come to represent. “Jay Sean’s legacy goes beyond music. He’s inspired generations of British Asians. Having him here is a proud moment for Middlesbrough,” he added.
The first wave of discounted tickets, priced at £15 (₹1,600) plus booking fee, is now live exclusively for Tees Valley residents, with general sales to follow. VIP Golden Circle packages, offering perks like fast-track entry, priority viewing, and complimentary food and fairground rides, are also available via the official Middlesbrough Mela website and Skiddle.
Jay Sean is confirmed as the headline act for Middlesbrough Mela 2025
The Mela’s free daytime programme remains packed with live music, dance, street food, shopping stalls, a funfair, and activities for all ages. Community members, performers, and local businesses are also invited to get involved through stalls, advertising, or volunteering.
US singer Chris Brown launched the UK leg of his Breezy Bowl XX tour in Manchester on Sunday, just days before he is due in court over a grievous bodily harm (GBH) charge. The 36-year-old artist performed at the Co-op Live arena, marking his 20th year in the music industry.
Brown was arrested in Greater Manchester last month in connection with an alleged assault during a previous visit to the UK in 2023. He is accused of attacking a music producer with a tequila bottle at a nightclub in London. The incident is said to have taken place during his last UK tour. Brown has been charged with GBH and is currently on bail.
‘Thank you to the jail’, singer jokes on stage
Addressing fans during Sunday’s performance, Brown joked about his recent time in custody. “Thank you for coming and supporting me,” he said, before adding, “And thank you to the jail. It was really nice.” The comment was met with cheers from the audience, who had earlier watched a montage of Brown’s career highlights — including footage from outside Manchester Crown Court during his arrest.
The video package, which showed both his achievements and controversies, appeared to be a deliberate acknowledgement of his legal troubles. The singer has previously faced legal issues in the United States, but continues to maintain a large fan base internationally.
Bail set at £5 million
Brown was released after agreeing to a £5 million security fee. He had been held in custody for nearly a week before the court granted bail. A security fee serves as a financial guarantee to ensure a defendant returns to court, and can be forfeited if bail conditions are breached.
As part of his bail terms, the judge permitted Brown to continue with his scheduled performances. He resumed his tour with a show in Amsterdam before heading to the UK.
Upcoming court appearance in London
Brown is due to appear at Highbury Corner Magistrates’ Court in London on Friday, 21 June, alongside co-defendant Omololu Akinlolu, a 38-year-old US artist known as HoodyBaby. Both are facing charges in connection with the alleged nightclub assault.
So far, no plea has been entered by Brown or Akinlolu.
Tour continues across UK stadiums
Following his Manchester shows, Brown will perform in Cardiff at the Principality Stadium on Thursday. After his court hearing on Friday, he is scheduled to appear at London’s Tottenham Hotspur Stadium on Saturday and Sunday.
The tour will continue with stadium shows in Birmingham and Glasgow, followed by two additional arena dates in Manchester. The Breezy Bowl XX tour celebrates two decades of Brown’s career, which began with his debut single Run It! at age 16. On Sunday, he opened the Manchester show with the hit and went on to perform several of his UK top 10 singles, including Turn Up The Music, With You, and Don’t Wake Me Up.
Brown recently won Best Male R&B/Pop Artist at the 2025 BET Awards, held in Los Angeles.
When Yung Sammy arrived in India from Nigeria as a 12-year-old, he would not have expected to redefine hip hop in the country, but that is exactly what has happened.
The son of a Nigerian priest went from being an outsider, who learned to speak Hindi, Punjabi, Haryanvi and Gujarati, to becoming a popular rapper. Having also absorbed the musical language of the streets, the Delhi-based artist, now in his late 20s, is adding new layers to commercial Indian music with a genre-bending sound that blends Nigerian Pidgin, desi dialects and sharp-edged lyricism.
By shaking up expectations and breaking down stereotypes, he is flipping the script on what it means to be an African artist in India. He recently added to his growing catalogue of high-energy hits with the bilingual anthem Mr Rambo, a track that showcases both his confidence and cultural versatility.
Eastern Eye caught up with the proud Indo-Nigerian talent to talk about his unique musical journey, latest release and future hopes.
Music just came naturally. At first, I was just a listener. I guess I was kind of built for it, but I did not know whether I would pursue it with passion. Then one day everything about music – even the language – became interesting to me.
What about Indian music specifically?
I came to India as a kid and grew up here. I learned the language and everything. Then I heard Yo Yo Honey Singh. As I said, I was initially just a listener, but rap really connected with me. I started digging deeper into the genre and thought, ‘okay, this is for me.’ That is when the ride really started.
What drew you to hip hop in particular?
Honestly, I did not know much about hip hop at first. I was just listening to rap. But then I kept exploring and began learning more, including about underground Indian artists. Of course, I also listened to Eminem, Tupac, Jay-Z and others. The more I learned, the more I realised that hip hop is a whole different world. I wanted to be a part of it.
How do you reflect on your rapid rise in music?
By God’s grace, it has been an amazing journey so far. But it has also taken a lot of hard work. With blessings, things have gone well, and there is still so much more to come. Sometimes I just sit and think about all the unreleased music I have and where I am now. It feels like all eyes are on me, and with God’s grace, there is still a long way to go.
What has been your most memorable moment?
There have been so many great moments that I cannot name just one. From appearing on Fire in the Booth (hip hop platform), to signing a record deal, to getting on the radar – it has all been surreal. I have done some epic stage performances and met idols like Karan Aujla, who I really look up to. One day I just woke up and saw Karan Aujla and Honey Singh following me. Those are big achievements for me. When moments like that happen, you know you are on the right path.
How would you describe your unique brand of hip hop?
I feel like my brand of hip hop is just Yung Sammy. I want people to know my name – even if it’s my real name. People said I shouldn’t do that and choose a different name, but I did not want that. I kept it real with Yung Sammy, and it has become a brand now. If you see that name anywhere, you can expect something fresh and unexpected. It is building, and it will go further.
Which of your songs is closest to your heart?
I am connected to all of my songs – even the ones that are not released yet. But yes, The Intro is one of my favourites. I have also been listening to Silence a lot lately. Bounce, from my EP In The Building, is special too. And Mudda, the track I did with Seedhe Maut, is just crazy.
What inspired your most recent song, Mr Rambo?
With Mr Rambo, I wanted to play a character. Something different. So I stepped into the role of a G, having fun and thought, okay, that is Mr Rambo. It became this charismatic, energetic song built around a larger-than-life persona.
What is your master plan moving forward?
Right now, I am sitting on a lot of unreleased tracks. The next one coming out is Top Boyz with BBB. After that, we have a remix of the same track with someone special – I will not name them just yet. Then there is another track with Seedhe Maut, and my EP will follow. I am already working on that. It is going to be something big for the whole hip-hop scene.
Who would you love to collaborate with?
My dream collaborations would be with Karan Aujla and Central Cee. These two are at the top of my list. The day I work with both of them will be the day I can say I have really made it. I admire the way they express themselves and speak real truths.
Tell us something not many people know about you.
There is a lot people do not know. One thing is that I am actually a very simple person, both as a person and an artist. I said it in Intro – I might seem calm and quiet, because I am a bit nonchalant by nature. But when I get on stage, it is different. That is where all my emotions come out. That is who I really am.
Keep ReadingShow less
Wilson built bridges between styles that rarely met
Brian Wilson, who died this week aged 82, is best remembered as the sonic architect of the Beach Boys and the laid-back "California sound" that swept the world in the 1960s. But to stop there would be to miss the scale of his ambition. Behind the striped shirts and sun-soaked harmonies was a composer and producer who transformed pop music, often by refusing to stay in one genre.
From symphonic pop to soul and psychedelia, Wilson built bridges between styles that rarely met. Here’s a look at six genres that define his legacy and show how much more there was to the man who gave us Good Vibrations.
1. Surf music – but deeper than it seemed
Wilson may have helped define surf rock, but his early work was far from novelty. Tracks like Surfer Girl and In My Room carried emotional weight and complex arrangements, showing Wilson’s desire to blend catchy hooks with rich harmonies. The Beach Boys' 1963–65 catalogue offered a polished, heartfelt counterpoint to the rawness of garage bands and early rock’n’roll.
2. Baroque pop – Pet Sounds and pop perfection
If one album changed the idea of what pop music could be, it was 1966’s Pet Sounds. Incorporating strings, woodwinds and intricate vocal layering, Wilson created a lush, introspective masterpiece that directly influenced The Beatles’ Sgt. Pepper. God Only Knows is still considered by many, including Paul McCartney, to be one of the greatest songs ever written.
3. Psychedelic experimentation – Smile and beyond
If one album changed the idea of what pop music could be, it was 1966’s Pet SoundsGetty Images
Wilson’s most ambitious project, Smile, was meant to be a “teenage symphony to God”. Though shelved for decades, its fragments (like Heroes and Villains and Surf’s Up) revealed a composer playing with modular recording, avant-garde techniques, and surreal lyrical structures. When Wilson finally completed it in 2004, it was hailed as a lost classic of psychedelic pop.
4. R&B and soul – stripped back and heartfelt
By the late 1960s, the Beach Boys had shed their surfboards. Albums like Wild Honey (1967) reflected Wilson’s love for rhythm and blues, with tracks like Darlin’ showing a rougher, more soulful edge. The stripped-down production was a deliberate pivot away from the excess of Pet Sounds, but still brimming with melody and feeling.
5. Americana – the spiritual core of Smile
Even as he experimented, Wilson remained fascinated by America’s musical past. Smile included references to spirituals, cowboy songs, and folk traditions, blending them into a surreal journey through the country’s cultural memory. Cabin Essence and Wonderful offer glimpses into a deeply introspective version of American identity, filtered through Wilson’s fragile genius.
6. Adult pop balladry – the gentle strength of Love and Mercy
As dementia affected his final years, it’s this kind of understated emotional honesty that enduresRolling stone
In later years, Wilson’s solo work embraced vulnerability. His 1988 single Love and Mercy has become his personal anthem—gentle, aching, and hopeful. As dementia affected his final years, it’s this kind of understated emotional honesty that endures. “There’s a lot of people out there hurting,” he once said. “And it really scares me.”
A final chord
Wilson’s music lives on—not just in sun-drenched nostalgia, but in the emotional complexity he brought to modern music. His impact stretches from the Beatles to Bowie, from punk to dream pop. His life was often marked by personal turmoil, but his compositions soared beyond it.
Brian Wilson didn’t just soundtrack the beach. He gave pop music a soul, a brain, and occasionally, a nervous breakdown. And through it all, he kept writing.