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Divyendu Sharma may work with Ayushmann Khurrana in Shubh Mangal Zyada Saavdhan

Last seen in Shree Narayan Singh’s Batti Gul Meter Chalu (2018), actor Divyendu Sharma is rumoured to be joining hands with extremely talented Ayushmann Khurrana. Buzz has it that the actor has been roped in to play a pivotal role in Aanand L Rai’s next production venture, titled Shubh Mangal Zyada Saavdhan.

For the uninitiated, Shubh Mangal Zyada Saavdhan is a sequel to Shubh Mangal Saavdhan (2017) and centres on an LGBT themed plot, wherein Ayushmann Khurrana plays a homosexual man. According to reports, Divyendu Sharma might be seen as his love interest in the movie. However, an official confirmation is awaited.


We have also learnt that Sharma was not the official choice for the role. Before him, the makers had approached Rajkummar Rao, who previously worked with Ayushmann Khurrana on Bareilly Ki Barfi (2017). However, Rao reportedly turned down the offer because he felt that Khurrana had a better role in the flick.

Meanwhile, Divyendu Sharma is reportedly shooting for Amazon Prime Video’s Mirzapur 2. The digital show is being produced by Excel Entertainment and may start streaming towards the end of the year or early 2020.

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Nana Patekar: 7 moments that revealed the man behind the intense screen persona

His most memorable roles often relied on sharp dialogue, distinctive mannerisms

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Nana Patekar: 7 moments that revealed the man behind the intense screen persona

Highlights

  • From a feared gangster to a comic underworld boss, Nana Patekar played characters that were worlds apart
  • His most memorable roles often relied on sharp dialogue, distinctive mannerisms and powerful screen presence
  • Parinda and Krantiveer showcased his intensity, while Welcome revealed his flair for comedy
  • Natsamrat brought out a more vulnerable side of the actor in one of his most emotionally demanding roles
  • These seven performances show why Patekar remained difficult to typecast throughout his career

Nana Patekar never needed a conventional leading-man image to leave a lasting impression. Across a career spanning more than four decades, he created characters that could be intimidating, vulnerable, funny, angry or deeply emotional, often within the same performance.

His ability to disappear into vastly different roles became one of the defining features of his career. From dangerous gangsters and determined police officers to ageing theatre actors and comic gangsters, Patekar repeatedly showed that his range extended far beyond the intense persona audiences often associated with him.

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