Deepika Padukone, who was last seen in Chhapaak (2020), will join superstar Shah Rukh Khan on the sets of Yash Raj Films’ much-awaited action-thriller Pathan next week, as per reports. Director Siddharth Anand is currently filming some important scenes with SRK and John Abraham in Mumbai.
An Indian publication quotes a source as saying, “A few scenes of the new schedule have, in fact, begun with SRK and John Abraham who had been shooting together even otherwise at YRF Studios, while work on the set is in progress and Deepika Padukone will join the shoot next week.”
Reports were doing the rounds lately that a schedule of Pathan was going to be filmed on the same floor where Ranbir Kapoor and Alia Bhatt starrer Brahmastra was shot. The plan was, however, dropped later.
“A set of workers were assigned to set up the required look and ambience for a new schedule of Pathan on the Brahmastra floor soon after the set of the Ranbir Kapoor film was dismantled. They were being kept in a hotel every night, near Film City, so that they have minimum exposure to the outside world. Mindful of the dreadful and crazy second wave of COVID, team Aditya Chopra felt that it might be impossible to carry out the shoot in the coming days in Film City as most other shoots there are cancelling by the day. They then decided that they should shoot this schedule of Pathan instead in their own studios only,” adds the source.
Before commencing work on Pathan, Deepika Padukone had wrapped up Dharma Productions’ next untitled film with director Shakun Batra. The modern relationship drama also stars Ananya Panday and Siddhant Chaturvedi in lead roles.
Pathan reunites the actress with Shah Rukh Khan after a long gap of seven years. They were last seen together in Farah Khan’s Happy New Year (2014).
Stay tuned to Eastern Eye for more updates and reveals from the world of entertainment.
Critics praise Gulzar’s opening narration as the series’ emotional anchor.
Several reviewers find the animation ambitious but uneven.
Many reviews note secondary voice performances lack range compared with the narration.
Reviewers differ on pacing and storytelling focus: some call it tight, others say it feels stitched.
Viewers and critics recommend watching for the scale and music, not for flawless character work.
This Kurukshetra review is a round-up of what critics and early viewers are saying about Netflix’s new animated retelling, and one name keeps coming up: Gulzar. Across reviews, the opening narration is almost universally singled out as the strongest element, while opinions split sharply on animation quality, voice casting and whether the series’ narrow battlefield focus pays off.
Netflix’s animated Kurukshetra draws praise for its ambition but criticism for uneven voice performances Instagram/netflix_in
What do reviewers say about Kurukshetra and Gulzar’s role?
Multiple reviews call Gulzar’s baritone the series’ single greatest asset. Critics write that his lines give scenes emotional gravity. They said the narration "grounds" the show and often rescues moments that might otherwise feel flat. A few outlets even suggested his voice elevates sequences beyond the animation’s limits.
Do critics think Kurukshetra gets the animation right?
The answer is mixed. Several reviewers applaud the scale, chariot set pieces, wide battle frames and the sheer ambition. Others point out inconsistencies, like faces that do not always register emotion and occasional stiffness in character movement. Many reviews used the same phrasing: “impressive in scope, uneven in detail.”
How do reviewers view the voice cast beyond Gulzar?
This is where opinions cluster on the negative side. A number of critics say secondary voiceovers feel one-note and do not match the gravitas Gulzar brings. A handful of reviews praised specific performances, but the dominant note was: solid, not stellar.
Pacing and focus. Some reviewers appreciated the choice to limit the story to battlefield days and called it focused and brisk. Others felt certain backstories were teased, leaving them wanting more, and described the structure as stitched together. So, pick your critic: some loved the discipline, others wanted a fuller sweep.
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