Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Twenty-five years after it first captivated global audiences, Walking With Dinosaurs is making a comeback. The new BBC factual series, narrated by actor Charlotte Ritchie, reimagines the groundbreaking 1999 show using cutting-edge science and state-of-the-art visual effects to explore the lives of six individual dinosaurs. The six-part series will air on BBC One and BBC iPlayer and has been co-produced with PBS, ZDF, and France Télévisions.
Charlotte Ritchie, best known for her roles in Ghosts, Feel Good, and Call the Midwife, leads the narration in this latest retelling, bringing emotional depth and clarity to stories rooted in real palaeontological discoveries.
Each episode focuses on a single dinosaur and is built around true fossil finds. This shift from a general overview of species to character-led narratives gives the series a new emotional dimension. “These are real creatures,” said showrunner Kirsty Wilson. “I’ve seen their very remains come out of the rock and I know from the evidence that they lived real, beautiful and complex lives.”
Episode highlights
Episode one, The Orphan, follows Clover, a young Triceratops, navigating the dangers of Laramidia 66 million years ago. Her fossil was discovered in the Hell Creek Formation in Montana, close to the remains of a Tyrannosaurus rex, suggesting a real-life predator-prey encounter.
In The River Dragon, viewers meet Sobek, a Spinosaurus who lived in ancient Morocco. Discovered by palaeontologist Dr Nizar Ibrahim, Spinosaurus is believed to have spent much of its life in water. The episode portrays Sobek as a devoted father protecting his offspring while navigating a treacherous environment filled with predators.
Episode three, The Band of Brothers, features George, a juvenile Gastonia discovered in Utah. Covered in protective spikes and plates, George and his siblings face threats from Utahraptors, large predatory dinosaurs thought to hunt in packs.
Rose, a young Albertosaurus, takes centre stage in The Pack. Discovered in Alberta, she is depicted as part of a group of agile predators. Her episode highlights the possibility that Albertosaurus may have hunted cooperatively, based on multiple fossils found in a single site.
In The Journey North, the story follows Albie, a juvenile Pachyrhinosaurus, through a dangerous 400-mile migration. Palaeontologist Dr Emily Bamforth’s work at Pipestone Creek Bonebed forms the basis of this episode, which also explores how these large herbivores may have used their unique horned frills for recognition within vast herds.
The series concludes with Island of Giants, focusing on Old Grande, a colossal Lusotitan from what is now Portugal. His fossil is the most complete specimen of this species ever discovered, offering insights into the behaviour and physical characteristics of one of Europe’s largest dinosaurs.
Bringing dinosaurs to life
The new Walking With Dinosaurs uses the latest VFX technology to recreate prehistoric worlds with unprecedented detail. The dinosaurs were built from digital skeletons outward, incorporating muscle and skin based on fossil evidence. Each episode is grounded in up-to-date palaeontological research, with real dig sites featured throughout.
The team’s commitment to accuracy extended to every element, including simulating realistic movement by physically interacting with natural environments while dressed in blue suits – a method used to later insert the digital dinosaurs seamlessly into real landscapes.
The involvement of scientists like Dr Nizar Ibrahim and Dr Emily Bamforth ensured that the series reflects the most recent findings. For instance, new evidence supports that some dinosaurs, such as Albertosaurus and Yutyrannus, had feathers, and that Spinosaurus was primarily aquatic.
Science and storytelling
Unlike the original 1999 series, which focused more on general prehistoric ecosystems, the updated version intertwines factual storytelling with emotional character arcs. Each dinosaur’s tale is inspired by fossil evidence and current scientific theories, adding emotional resonance without sacrificing accuracy.
This mix of factual content and cinematic narrative is at the heart of the reboot. “We wanted this series to feel like a natural history drama taking place today,” said Wilson.
The series also reveals lesser-known facts about the prehistoric world. For example, the grassless environments of the Mesozoic era posed unique challenges during filming, requiring careful location scouting to maintain authenticity.
Production and broadcast
Walking With Dinosaurs was commissioned by Jack Bootle, BBC’s Head of Commissioning, Specialist Factual. It is produced by the BBC Studios Science Unit, with Andrew Cohen and Helen Thomas as executive producers, alongside Wilson as showrunner. The international co-production involves PBS, ZDF, and France Télévisions, with global sales handled by BBC Studios.
With Charlotte Ritchie guiding viewers through each episode, the series promises to be a compelling blend of science, storytelling, and visual spectacle, designed to engage both long-time fans and new audiences.
The Great British Sewing Bee 2025 begins Tuesday, 15 July at 9 pm on BBC One.
The 11th series will see a new group of amateur sewers compete for the title.
Patrick Grant, Esme Young and Kiell Smith-Bynoe return as judges and host.
The show continues its popularity with weekly sewing challenges and heartfelt moments.
Great British Sewing Bee 2025 set to return on 15 July
The return date for The Great British Sewing Bee 2025 has been officially confirmed. The popular BBC One competition will be back on screens on Tuesday 15 July at 9 pm, bringing with it a fresh group of amateur sewers hoping to impress judges Patrick Grant and Esme Young.
Now in its 11th series, the show has grown into a mid-year television highlight, offering a combination of creativity, technical skill, and emotional storytelling. Hosted by Kiell Smith-Bynoe, the series follows contestants through a series of themed sewing challenges as they compete for the title of Britain’s best home sewer.
New faces and returning favourites
While the full line-up of contestants for The Great British Sewing Bee 2025 is yet to be revealed, anticipation is already building. The show is known for its warm tone and close-knit community feel, with viewers often quickly forming favourites among the competitors.
Each episode will once again feature three key rounds: the Pattern Challenge, the Transformation Challenge, and the Made-to-Measure final test. Contestants will need to show flair, precision, and creativity under pressure.
Previous highlights and special episodes
The most recent episode aired was a Christmas special in 2024, featuring celebrity contestants including Ian “H” Watkins from Steps, Kellie Bright from EastEnders, comedian Fatiha El-Ghorri, and reality star Charlotte Crosby. The festive-themed episode saw challenges such as making an advent calendar and reworking a children’s onesie, with Kellie Bright emerging as the winner.
Although The Great British Sewing Bee 2025 is starting slightly later than previous years, the BBC has confirmed its regular slot, and the series is expected to run weekly through the summer.
What’s next
Details on the specific themes and tasks for this year’s episodes have not yet been released. Fans of the show can look forward to another season of innovative designs, memorable reactions from the judges, and emotional farewells as contestants are gradually eliminated.
The Great British Sewing Bee 2025 continues to be a cornerstone of BBC One’s creative competition programming, building on over a decade of sewing success.
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Sacha Baron Cohen’s Mephisto confronts Riri Williams in the Ironheart finale
• Mephisto, played by Sacha Baron Cohen, debuts in the final episode of Marvel’s Ironheart.
• The villain tempts Riri Williams with the resurrection of her deceased friend Natalie.
• Mephisto was long rumoured to appear in WandaVision, but Marvel kept his reveal for a surprise.
• Fans are speculating Mephisto could become a major supernatural threat across upcoming MCU phases.
After years of online fan theories and false alarms, Marvel Studios has officially introduced Mephisto into the Marvel Cinematic Universe, and not in the way anyone expected. The demon-like villain makes his first on-screen appearance in the season finale of Ironheart, shifting the tone of the tech-focused series into something much darker and supernatural.
Sacha Baron Cohen debuts as Mephisto in Ironheart finaleGetty Images
A surprise debut for a long-awaited Marvel villain
Mephisto’s arrival in Ironheart comes after years of speculation dating back to WandaVision in 2021. Many fans believed the shape-shifting demon was pulling the strings in Westview, but those theories led nowhere. Instead, Marvel has chosen Riri Williams’ show to mark Mephisto’s real entry into the MCU in a move that adds an unexpected mystical layer to the young inventor’s story.
Played by Sacha Baron Cohen, Mephisto appears as a slick, enigmatic figure who offers Riri a Faustian bargain. In exchange for helping her defeat Parker Robbins (The Hood), he promises to bring her late friend Natalie back to life. However, Natalie’s disturbing appearance at the episode’s end, veins blackened and soul clearly altered, suggests the cost of this deal will be far greater than Riri expects.
Sacha Baron Cohen’s performance leaves a strong impression
Cohen's portrayal is already drawing praise for its unpredictability. Alternating between British and American accents and casually referencing deals with figures like Ringo Starr and business moguls, his Mephisto is both humorous and menacing. The character’s playful menace and layered charm fit neatly into the MCU’s evolving tone, one that’s gradually embracing darker, supernatural arcs.
By making deals rather than declaring war, Mephisto reflects the comic book version of the character created in 1968 by Stan Lee and John Buscema. In the comics, Mephisto thrives on deception and trade-offs, often appearing when a hero is at their weakest emotionally.
While Ironheart may seem like an odd choice for Mephisto’s debut, it cleverly bridges Marvel’s tech-heavy legacy with its supernatural future. The deal between Riri and Mephisto could have ripple effects across multiple franchises. For instance, Mephisto’s comic book ties to Spider-Man: One More Day and Ghost Rider make him a logical fit for future MCU instalments like Avengers: Doomsday or the rumoured Midnight Sons project.
Some fans even speculate that Mephisto could become a central antagonist across Phase 6 and beyond, perhaps rivalling the impact of Thanos or Doctor Doom.
The finale leaves Riri marked by the consequences of her deal, quite literally, as black markings begin to spread on her skin. With no official announcement of a second season yet, her arc may continue in larger team-ups or crossover events.
But one thing is clear: Mephisto is no longer a running gag or fan theory. He’s real, he’s dangerous, and he’s only just begun.
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Critics praise Squid Game season 3 for its performances and bleak storytelling
Squid Game season 3 finale premiered on Netflix on 27 June, concluding the global hit series.
Fans on X criticised the ending, calling it rushed, unsatisfying, and emotionally hollow.
Audience score on Rotten Tomatoes drops to 51%, while critics maintain a solid 81% rating.
Creator Hwang Dong-hyuk described the final season as “darker and more hopeless”.
Netflix’s Squid Game may have wrapped up with its third and final season, but many fans are far from satisfied. While critics have praised the final episodes for their intensity and message, a large portion of the audience has taken to social media to criticise what they call a “rushed and meaningless” ending. The divide has become even clearer with the show’s Rotten Tomatoes audience score falling to 51%.
Squid Games season 3 Netflix
Viewers say Squid Game season 3 finale lacked payoff
Despite its reputation as one of Netflix’s most gripping dramas, Squid Game season 3 has received heavy backlash from longtime fans. Many took to X, calling the final six episodes a “waste of time” and slamming the decision to end major characters’ arcs abruptly. The central character, Seong Gi-hun, returns to the games in a broken state after the failed rebellion in season 2, but viewers say his emotional arc fizzled out in an unsatisfying face-off with the Front Man.
The show’s signature psychological games returned with more brutality, including a hide-and-seek game in a surreal Van Gogh-inspired maze and a deadly jump rope over a bridge. But despite the visual spectacle, audiences felt the storytelling was muddled. “The finale felt like they gave up,” one user wrote. “No payoff, no depth, just a spiral to nothingness.” Others pointed out the lack of emotional resonance and character development, especially for new contestants.
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Critics praise the season’s bold vision, but fans remain unconvinced
While audience reactions have been polarised, critics offered a more favourable take. On Rotten Tomatoes, Squid Game season 3 currently holds an 81% critic score, with reviewers applauding the performances, especially Lee Jung-jae’s restrained portrayal of Gi-hun. Creator Hwang Dong-hyuk had warned early on that this season would be “more bleak” and “without hope,” and many reviewers acknowledged the philosophical weight behind the grim narrative.
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Still, fans expected more from a series that once redefined genre television. With no plans for a fourth season, it seems Squid Game’s final message, that the system cannot be dismantled by one man, landed too quietly for a franchise that began with such explosive promise.
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Netflix offers fans an early look at the dark new beginning of Squid Game Season 3
Netflix releases first six minutes of Squid Game season 3 ahead of 27 June premiere
Gi Hun (Lee Jung Jae) is brought back in a coffin, symbolising rebirth and punishment
Creator Hwang Dong Hyuk and actor Lee Byung Hun reveal Front Man’s twisted plan
Season 3 promises higher stakes, emotional turns, and a brutal final showdown
Just a day before Squid Game returns for its third and final season, Netflix has dropped the first six minutes of the premiere episode. The sneak peek sets a grim tone as Seong Gi Hun, played by Lee Jung Jae, is carried back into the game in a coffin, typically reserved for eliminated players. Far from being a triumphant return, Gi Hun’s re-entry signals a dark new beginning, as the show prepares for its most emotionally intense and dangerous season yet.
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Gi Hun’s guilt and the cruel design behind his return
Inside the dormitory, fellow players are stunned to see Gi Hun alive. But the man once known for his courage is now overcome with guilt and despair. Haunted by the deaths of 35 players, many caused by his failed rebellion, he lashes out, begging the guards to shoot him. "Why did you not kill me?" he screams, before grabbing a weapon and demanding to be executed.
But his survival is no accident. Director Hwang Dong Hyuk explains that Front Man, played by Lee Byung Hun, sent Gi Hun back not out of mercy, but with a deeper psychological goal: “He wants Gi Hun to fully grasp the cost of his actions and eventually lose faith in himself and humanity.”
Front Man’s ultimate goal: breaking Gi Hun’s spirit
Lee Byung Hun reveals more about his character’s mindset: “Front Man does not care whether Gi Hun lives or dies, he wants him to let go of hope. That is the real punishment.” The two former champions are now locked in a philosophical battle, each representing opposing worldviews.
As Netflix teases more perilous games and emotional turns, fans are left wondering: can Gi Hun survive with his values intact, or will he break under pressure?
Call the Midwife series 15 to air in 2026, followed by a feature film finale.
BBC says the franchise will continue with a Second World War prequel and more episodes.
Cast reportedly emotional as they film the final main series.
Fans relieved after BBC confirmed “Call the Midwife isn’t going anywhere”.
After over a decade of gripping period drama, Call the Midwife is preparing to wrap up its 15th series in 2026, with a feature-length film planned as its big-screen conclusion. But while this chapter is closing, the BBC has confirmed that the beloved show is far from finished.
The long-running series, which began in 2012 and has become a Sunday night staple, is now filming its final regular season but will continue with a prequel series and additional specials, reassuring fans who feared it was being axed.
BBC confirms new prequel series exploring the origins of the midwives during WWIIInstagram screengrab/callthemidwife.official
BBC confirms Call the Midwife will continue beyond series 15
Despite widespread reports that the show is coming to a definitive end, the BBC released a statement denying the claims. “Call the Midwife will remain at the heart of the BBC for years to come,” the broadcaster said. In addition to the 15th series, fans can expect two Christmas specials, a film set in 1972, and a new prequel series set during the Second World War in Poplar.
The prequel will explore the early lives of the Nonnatus midwives, adding new characters while keeping the show’s historical roots. “There’s still a lot of baby business left,” the show’s Instagram account reassured viewers after the cancellation rumours went viral.
While Call the Midwife continues in new forms, the current cast has been filming their final episodes with a mix of pride and sadness. According to insiders, the actors have grown close over the years, making the goodbye feel personal.
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Filming began last month, kicking off with a two-part Christmas special that takes the senior staff on a mercy mission to Hong Kong. The eight-episode final season, written by Heidi Thomas, will air in early 2026. The concluding film will reunite fan-favourite characters overseas in 1972, making it a cinematic farewell to the original ensemble.